1. D I G I TA L P U B L I C S PA C E ( S )
R E D E F I N I N G P U B L I C N E S S
L A R A S A L I N A S - L A N C A S T E R U N I V E R S I T Y

3. ( H E M M E N T & T H O M P S O N , 2 0 1 3 : 3 )
“give everyone everywhere unrestricted access to
an open resource of culture and knowledge”
D I G I TA L P U B L I C S PA C E
3

4. D I G I TA L P U B L I C S PA C E
!
!
!
T E C H N O L O G I C A L A P P R O A C H
I N F R A S T R U C T U R E & S E R V I C E S
!
S O C I A L & C U LT U R A L A P P R O A C H
P U B L I C S PA C E & E X P E R I E N C E
!
!
4

5. D I G I TA L P U B L I C S PA C E ( S )

6. digital public space(s) are neither physical nor
digital but the result of a hybridization process
by which both spheres intertwine to constitute
new typologies of space
contemporary prosumption practices
( R I T Z E R & J U R G E N S O N , 2 0 1 0 )
popular culture archives
( B E E R & B U R R O W S , 2 0 1 3 )
locative media & remixological devices
( L E M O S , 2 0 1 0 ; PA R I K K A & C A P L A N , 2 0 1 3 )
6

7. T O N Y A G E H , 2 0 1 2
"the internet changes everything it touches,
usually in quite fundamental ways"

8. H O W A R E D P S ( S ) D I F F E R E N T F R O M
O T H E R U R B A N S PA C E S ?
physical
place
local
live
private
8
digital
space
global
archive
public

9. P U B L I C N E S S
fluid and dialogical multi-dimensional approach to
publicness based on:
• Lefebvre’s spatial triad (1991)
• literature review (Iveson 2007, Varna & Tisdell 2010,
Németh 2012, Carmona 2010a, 2010b, Kohn 2004,
Siebel & Wehrheim 2006, Németh & Schmidt 2006,
Johnson & Glover 2013)
9

10. perceived
conceived
lived
control, access
& behaviour
ownership &
management
social
experience
P U B L I C N E S S
P U B L I C N E S S
10

11. P U B L I C N E S S
physical digital
dps(s)
perceived
conceived
lived
control, access
& behaviour
ownership &
management
social
experience
11

12. ( F E AT H E R S T O N E 2 0 0 0 )
“If everything can potentially be of significance
shouldn’t part of the archive fever be to record and
document everything, as it could one day be
useful?”

13. F U T U R E E V E RY T H I N G I D E A S A N D I N N O VAT I O N S U M M I T
( M A N C H E S T E R , 2 1 S T – 2 4 T H M A R C H 2 0 1 3 )
!
T O D AY S A RT 2 0 1 3
( T H E H A G U E , 2 7 T H – 2 8 T H S E P T E M B E R 2 0 1 3 )
!
Chattr is a The Creative Exchange project, funded by Arts and Humanities Research Council, by Ben Dalton, Joely Barley, Drew
Hemment, Joel Porter, Lara Salinas, Hwa Young Jung and Mel Woods; based on conversations with Kyle McDonald.

14. F U T U R E E V E RY T H I N G 2 0 1 3

15. F U T U R E E V E RY T H I N G 2 0 1 3

16. F U T U R E E V E RY T H I N G 2 0 1 3

17. T O D AY S A RT 2 0 1 3

18. T O D AY S A RT 2 0 1 3

19. T O D AY S A RT 2 0 1 3

20. T O D AY S A RT 2 0 1 3

21. T O D AY S A RT 2 0 1 3

22. F U T U R E E V E RY T H I N G
( M A N C H E S T E R )
2 8 C O N V E R S A T I O N S
T O D A Y S A R T
( T H E H A G U E )
8 0 C O N V E R S A T I O N S

23. C H AT T R
T H E M E S
• General
• System
• Ethics
• Spectacle & appropriation
• Subversion
• Censorship
!
H T T P S : / / S T O R I F Y. C O M / L A R A C S A L I N A S / C H AT T R
M E T H O D S
research in temporary spaces
(Maxwell, Woods, & Prior, 2013)
rapid ethnography (Millen, 2000)
digital ethnography (Murthy,
2008)
participant observation
semi structured interviews
questionnaires

24. perceived
conceived
lived
control, access
& behaviour
ownership &
management
social
experience
P U B L I C N E S D P S ( S )
24
physical
digital

25. – S H E L L E R & U R RY, 2 0 0 3
"both and neither, public and private"
25

26. perceived
conceived
lived
control, access
& behaviour
ownership &
management
social
experience
physical
digital
P U B L I C N E S D P S ( S )
26

27. – C H AT T R , 2 0 1 3
“I DONT DO TWITTER EITHER.”
@ L A R A C S A L I N A S : : L . S A L I N A S @ L A N C A S T E R . A C . U K
T H E C R E AT I V E X C H A N G E : . O R G