Class 4 dante’s inferno william blake the real one
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![Dante and Virgil with Ovid, Homer, Lucan, and Horace; the Castle of Limbo ,[object Object],[object Object],Priamo della Quercia executed the illuminations for the Inferno and Purgatorio and all three historiated initials, Giovanni di Paolo those for Paradiso.](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Class 4 dante’s inferno william blake the real one
- 3. Cocytus; Punishment of Traitors; Ugolino and Ruggieri .
- 5. Punishment of the Gluttons
- 8. Dante's Dream of the Eagle; Door of Purgatory; Punishment of the Proud
- 9. Virgin and Child in the Celestial Rose His illustrations of the Paradiso are greatly admired for their visual interpretation of the poem: the artist doesn't just transcribe Dante's words but seeks to render their meaning.
- 10. Fall of the Rebel Angels
- 11. Justinian explains Christ's death as God's just vengeance
- 12. Justinian Recalls the History of the Roman Empire
- 13. Martyrdom of St. Lawrence
- 14. Minos Judges the Damned
- 15. Ugolino Recounts his Story
- 17. "The Baffled Devils Fighting" As we generally find with Blake's illustrations to the works of other writers, he has paid close attention to the details of Dante's poem . From his early years, he experienced visions of angels and ghostly monks, he saw and conversed with the angel Gabriel, the Virgin Mary, and various historical figures.
- 18. "Dante Running from the Three Beasts" While faithful to the text, Blake also brings his own perspective to bear on some of Dante's central themes, including sin, guilt, punishment, revenge, and salvation.
- 20. "Minos" Among Blake's later artistic works are drawings and engravings for Dante's Divine Comedy and the 21 illustrations to the book of Job, which was completed when he was almost 70 years old.
- 21. "The Circle of the Lustful: Francesca Da Rimini"
- 22. "First Version of Cerberus"
- 23. "The Stygian Lake with the Ireful Sinners Fighting"
- 24. "The Symbolic Figure of the Course of Human History Described by Virgil"
- 25. "Geryon Conveying Dante and Virgil Down Towards Malebolge"
- 27. "The Punishment of the Thieves"
- 28. "The Six-Footed Serpent Attacking Agnolo Brunelleschi"
- 29. "The Schismatics and Sowers of Discord: Mosca De' Lamberti and Bertrand De Born"
- 30. "Dante and Virgil Escaping from the Devils"
- 31. "Ephialtes and Two Other Titans"
- 33. "Dante at the Moment of Entering the Fire"
- 34. "Beatrice Addressing Dante from the Car"
- 35. "The Harlot and the Giant"
- 37. "Saint Peter and Saint James with Dante and Beatrice"
Notas do Editor
- On a symbolic level, the poems describes the spiritual pilgrimage for the Christian soul from sin (Hell), through purification (Purgatory), and ultimately, to salvation (Paradise). He rejected the Latin of churchmen and scholars and wrote in his native Italian, the language of everyday speech. Dante called his poem a comedy because the piece begins with affliction (hell) and ends with joy (Heaven).