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Publishing in the Age of Digital
Reproduction
Publishing in the Age of Digital
Reproduction
Fred Truyen, KU Leuven CS Digital
fred.truyen@kuleuven.be
1
• Overview
- Introduction: The Age of Digital Reproduction
- The (Re)Productive Powers of the Internet
- Re-mediation: Always already New?
- The Language of New Media
- The New Creativity
- Are we Posthuman?
- The Reader's Online Toolkit
Publishing in the Age of Digital
Reproduction
2
Publishing in the Age of Digital
Reproduction
The (Re)Productive
Powers of the
Internet
3
Publishing in the Age of Digital
Reproduction
4
The (Re)Productive Powers of the
Internet
Avant la lettre ...
• Vannevar Bush
– "As we May Think", 1945
• Marshall McLuhan
– "Understanding Media: The
Extensions of Man", 1964
• The medium is the message
• The global village
Publishing in the Age of Digital
Reproduction
5
Publishing in the Age of Digital
Reproduction
The (Re)Productive Powers of the
Internet
• Tim Berners-Lee
– "Weaving the Web: The Original
Design and Ultimate Destiny of
the World Wide Web by its
inventor", 1999 – with Mark
Fischetti
– The "Semantic Web“
• Web 2.0 (Tim O’Reilly 2004)
6
Publishing in the Age of Digital
Reproduction
7
The machine is Us/ing Us: http://www.youtube.com/watch?v=NLlGopyXT_g
Publishing in the Age of Digital
Reproduction
The (Re)Productive Powers of the Internet
• Hypertext & Hypermedia
– Ted Nelson
• Coined the term in 1963
• Literary Machines, 1981
8
Publishing in the Age of Digital
Reproduction
The (Re)Productive Powers of
the Internet #tldr
• Manuel Castells: The
Information Age: Economy,
Society and Culture
– 1996, "The Rise of the
Network Society"
– 1997, "The Power of Identity"
– 1998, "End of Millennium"
9
Publishing in the Age of Digital
Reproduction
The (Re)Productive Powers of the Internet
• Manuel Castells
– Network organization forms, new social dynamics
– The Post-Industrial society and The "Fourth World"
– "Control over knowledge and information decides who holds power in society"
– professionals, scientists and experts mobilizing the consumers
• "By bringing down the secular distinction between production and consumption in the
social system, the new technological paradigm forces theory to analyze societies in
terms of social relations cutting across various institutional spheres of social action"
• The Net and the Self
10
Publishing in the Age of Digital
Reproduction
The Productive Powers of the Internet
• Albert-Laslo Barabasi
– “Linked", 2002
The New Science of Networks
Notion of the scale-free network
• Chris Anderson
– “The Long Tail”, 2004
– Free: The future of a Radical Price, 2009
11
If you are not paying for it, you’re
not the customer, you’re the
product being sold - blue_beatle
Publishing in the Age of Digital
Reproduction
The Productive Powers of the Internet
• Peter Morville
– "Ambient Findability", 2005
The convergence of information and connectivity
12
• David Weinberger
– "Everything is Miscellaneous: The Power of the New Digital Disorder",
2007
"we have to get rid of the idea that there's a best way of organizing the
world."
Publishing in the Age of Digital
Reproduction
The Productive Powers of the Internet
• Clay Shirky
– “Here Comes Everybody: The Power of
Organizing Without Organization", 2008
The convergence of information and connectivity
– “Cognitive Surplus: Creativity and Generosity in
a Connected Age”, 2010
Crowdsourcing
13
Publishing in the Age of Digital
Reproduction
The Productive Powers of the Internet
• Handbook of Collective Intelligence
(MIT Press)
– Thomas W. Malone & Michael S. Bernstein, 2015
14
Publishing in the Age of Digital
Reproduction
From ReMediation
to ReMix
15
Publishing in the Age of Digital
Reproduction
• From ReMediation to ReMix
– Bolter & Grusin
• "Remediation: Understanding
New Media", 1999
Was is the status of "newness"?
How do new media regenerate old
media? How do refashioning and
the need to foreground the new
medium intertwine?
16
Publishing in the Age of Digital
Reproduction
• From ReMediation to ReMix
– Lisa Gitelman
• "Always already New. Media,
History, and the Data of Culture",
2006
Media History point of view. How does
the materiality of the medium marry
with the social and economic context
to define its meaning?
– Mark Amerika
• Remixthebook, 2011
17
Publishing in the Age of Digital
Reproduction
• From ReMediation to ReMix
– Ubiquitous Computing,
Complexity and Culture
– Ekman – Bolter – Diaz 2016
18
Publishing in the Age of Digital
Reproduction
• Lev Manovich, The Language of
New Media
– From mass consumption to mass cultural
production
– 5 principles of New Media:
• Numerical representation
• Modularity
• Automation
• Variability
• Transcoding
19
Publishing in the Age of Digital
Reproduction
20
Publishing in the Age of Digital
Reproduction
• User-generated content
• The Long Tail
• Folksonomies
• Social Bookmarking
• Tagging
• Syndication
• Crowd Sourcing
• Hacking
21
BIG DATA
Publishing in the Age of Digital
Reproduction
• Lisa Gitelman, “Raw
Data” is an
Oxymoron, 2013
22
BIG DATA
Publishing in the Age of Digital
Reproduction
• Lisa Gitelman, Paper
Knowledge: Toward a
Media History of
Documents (Sign,
Storage,…, ) 2016
23
BIG DATA
Publishing in the Age of Digital
Reproduction
• Steaming Sharing
Stealing: Big Data and
the Future of
Entertainment
• Michael D. Smith
2016 MIT Press
24
BIG DATA
Publishing in the Age of Digital
Reproduction
• The new creativity
– The Prosumer
• Jim Collins, "Bring on the
books for Everybody:
How Literary Culture
became Popular
Culture", 2010
– The Pro-am
– DIY practice
25
Publishing in the Age of Digital
Reproduction
• Crossmedia
– Henri Jenkins,
Convergence Culture:
Where Old and New
Media Collide. New
York: New York
University Press,
2006.
26
Publishing in the Age of Digital
Reproduction
• Mashups
– information
chuncks and
media can be
endlessly
recombined on the
web
27
Publishing in the Age of Digital
Reproduction
• The 4 R's of Openness
– Reuse—The most basic level of openness. People are allowed to use all or part of
the work for their own purposes (e.g. download an educational video to watch at
a later time).
– Redistribute—People can share the work with others (e.g. email a digital article to
a colleague).
– Revise—People can adapt, modify, translate, or change the form the work (e.g.
take a book written in English and turn it into a Spanish audio book).
– Remix—People can take two or more existing resources and combine them to
create a new resource (e.g. take audio lectures from one course and combine
them with slides from another course to create a new derivative work).
28
Publishing in the Age of Digital
Reproduction
• Creative Commons
– creativecommons.org
– Share, Remix, Reuse —
Legally
29
Publishing in the Age of Digital
Reproduction
• The Creative economies are Cultural economies
– David Hesmondhalgh
The Cultural Industries
– The Learning Economy
• Bengt-Ake Lundvall: "The Globalizing Learning Economy", 2004, with
Daniele Archibugi
– The Open knowledge Economy
• Yochai Benkler: "The Wealth of Networks"
– The Creative Economy
• Charles Landry, "The Creative City", 2000
• John Howkins, "The Creative Economy, 2001
• Richard Florida, "The Rise of the Creative Class", 2002
30
Publishing in the Age of Digital
Reproduction
Richard Florida: https://www.youtube.com/watch?v=IhCf5AkII8Q
31
Publishing in the Age of Digital
Reproduction 32
RICHES:
http://www.riches-project.eu/riches-book.html
Publishing in the Age of Digital
Reproduction 33
READING DIGITAL CULTURE
2016 David Trend (Ed.)
Publishing in the Age of Digital
Reproduction 34

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Lecture 1 - Publishing in the Digital Age

  • 1. Publishing in the Age of Digital Reproduction Publishing in the Age of Digital Reproduction Fred Truyen, KU Leuven CS Digital fred.truyen@kuleuven.be 1
  • 2. • Overview - Introduction: The Age of Digital Reproduction - The (Re)Productive Powers of the Internet - Re-mediation: Always already New? - The Language of New Media - The New Creativity - Are we Posthuman? - The Reader's Online Toolkit Publishing in the Age of Digital Reproduction 2
  • 3. Publishing in the Age of Digital Reproduction The (Re)Productive Powers of the Internet 3
  • 4. Publishing in the Age of Digital Reproduction 4 The (Re)Productive Powers of the Internet Avant la lettre ... • Vannevar Bush – "As we May Think", 1945 • Marshall McLuhan – "Understanding Media: The Extensions of Man", 1964 • The medium is the message • The global village
  • 5. Publishing in the Age of Digital Reproduction 5
  • 6. Publishing in the Age of Digital Reproduction The (Re)Productive Powers of the Internet • Tim Berners-Lee – "Weaving the Web: The Original Design and Ultimate Destiny of the World Wide Web by its inventor", 1999 – with Mark Fischetti – The "Semantic Web“ • Web 2.0 (Tim O’Reilly 2004) 6
  • 7. Publishing in the Age of Digital Reproduction 7 The machine is Us/ing Us: http://www.youtube.com/watch?v=NLlGopyXT_g
  • 8. Publishing in the Age of Digital Reproduction The (Re)Productive Powers of the Internet • Hypertext & Hypermedia – Ted Nelson • Coined the term in 1963 • Literary Machines, 1981 8
  • 9. Publishing in the Age of Digital Reproduction The (Re)Productive Powers of the Internet #tldr • Manuel Castells: The Information Age: Economy, Society and Culture – 1996, "The Rise of the Network Society" – 1997, "The Power of Identity" – 1998, "End of Millennium" 9
  • 10. Publishing in the Age of Digital Reproduction The (Re)Productive Powers of the Internet • Manuel Castells – Network organization forms, new social dynamics – The Post-Industrial society and The "Fourth World" – "Control over knowledge and information decides who holds power in society" – professionals, scientists and experts mobilizing the consumers • "By bringing down the secular distinction between production and consumption in the social system, the new technological paradigm forces theory to analyze societies in terms of social relations cutting across various institutional spheres of social action" • The Net and the Self 10
  • 11. Publishing in the Age of Digital Reproduction The Productive Powers of the Internet • Albert-Laslo Barabasi – “Linked", 2002 The New Science of Networks Notion of the scale-free network • Chris Anderson – “The Long Tail”, 2004 – Free: The future of a Radical Price, 2009 11 If you are not paying for it, you’re not the customer, you’re the product being sold - blue_beatle
  • 12. Publishing in the Age of Digital Reproduction The Productive Powers of the Internet • Peter Morville – "Ambient Findability", 2005 The convergence of information and connectivity 12 • David Weinberger – "Everything is Miscellaneous: The Power of the New Digital Disorder", 2007 "we have to get rid of the idea that there's a best way of organizing the world."
  • 13. Publishing in the Age of Digital Reproduction The Productive Powers of the Internet • Clay Shirky – “Here Comes Everybody: The Power of Organizing Without Organization", 2008 The convergence of information and connectivity – “Cognitive Surplus: Creativity and Generosity in a Connected Age”, 2010 Crowdsourcing 13
  • 14. Publishing in the Age of Digital Reproduction The Productive Powers of the Internet • Handbook of Collective Intelligence (MIT Press) – Thomas W. Malone & Michael S. Bernstein, 2015 14
  • 15. Publishing in the Age of Digital Reproduction From ReMediation to ReMix 15
  • 16. Publishing in the Age of Digital Reproduction • From ReMediation to ReMix – Bolter & Grusin • "Remediation: Understanding New Media", 1999 Was is the status of "newness"? How do new media regenerate old media? How do refashioning and the need to foreground the new medium intertwine? 16
  • 17. Publishing in the Age of Digital Reproduction • From ReMediation to ReMix – Lisa Gitelman • "Always already New. Media, History, and the Data of Culture", 2006 Media History point of view. How does the materiality of the medium marry with the social and economic context to define its meaning? – Mark Amerika • Remixthebook, 2011 17
  • 18. Publishing in the Age of Digital Reproduction • From ReMediation to ReMix – Ubiquitous Computing, Complexity and Culture – Ekman – Bolter – Diaz 2016 18
  • 19. Publishing in the Age of Digital Reproduction • Lev Manovich, The Language of New Media – From mass consumption to mass cultural production – 5 principles of New Media: • Numerical representation • Modularity • Automation • Variability • Transcoding 19
  • 20. Publishing in the Age of Digital Reproduction 20
  • 21. Publishing in the Age of Digital Reproduction • User-generated content • The Long Tail • Folksonomies • Social Bookmarking • Tagging • Syndication • Crowd Sourcing • Hacking 21 BIG DATA
  • 22. Publishing in the Age of Digital Reproduction • Lisa Gitelman, “Raw Data” is an Oxymoron, 2013 22 BIG DATA
  • 23. Publishing in the Age of Digital Reproduction • Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents (Sign, Storage,…, ) 2016 23 BIG DATA
  • 24. Publishing in the Age of Digital Reproduction • Steaming Sharing Stealing: Big Data and the Future of Entertainment • Michael D. Smith 2016 MIT Press 24 BIG DATA
  • 25. Publishing in the Age of Digital Reproduction • The new creativity – The Prosumer • Jim Collins, "Bring on the books for Everybody: How Literary Culture became Popular Culture", 2010 – The Pro-am – DIY practice 25
  • 26. Publishing in the Age of Digital Reproduction • Crossmedia – Henri Jenkins, Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006. 26
  • 27. Publishing in the Age of Digital Reproduction • Mashups – information chuncks and media can be endlessly recombined on the web 27
  • 28. Publishing in the Age of Digital Reproduction • The 4 R's of Openness – Reuse—The most basic level of openness. People are allowed to use all or part of the work for their own purposes (e.g. download an educational video to watch at a later time). – Redistribute—People can share the work with others (e.g. email a digital article to a colleague). – Revise—People can adapt, modify, translate, or change the form the work (e.g. take a book written in English and turn it into a Spanish audio book). – Remix—People can take two or more existing resources and combine them to create a new resource (e.g. take audio lectures from one course and combine them with slides from another course to create a new derivative work). 28
  • 29. Publishing in the Age of Digital Reproduction • Creative Commons – creativecommons.org – Share, Remix, Reuse — Legally 29
  • 30. Publishing in the Age of Digital Reproduction • The Creative economies are Cultural economies – David Hesmondhalgh The Cultural Industries – The Learning Economy • Bengt-Ake Lundvall: "The Globalizing Learning Economy", 2004, with Daniele Archibugi – The Open knowledge Economy • Yochai Benkler: "The Wealth of Networks" – The Creative Economy • Charles Landry, "The Creative City", 2000 • John Howkins, "The Creative Economy, 2001 • Richard Florida, "The Rise of the Creative Class", 2002 30
  • 31. Publishing in the Age of Digital Reproduction Richard Florida: https://www.youtube.com/watch?v=IhCf5AkII8Q 31
  • 32. Publishing in the Age of Digital Reproduction 32 RICHES: http://www.riches-project.eu/riches-book.html
  • 33. Publishing in the Age of Digital Reproduction 33 READING DIGITAL CULTURE 2016 David Trend (Ed.)
  • 34. Publishing in the Age of Digital Reproduction 34

Notas do Editor

  1. creatieve economieën dialectische synthese geven van adorno tegenstelling cultuur / cultuurindustrie
  2. creatieve economieën dialectische synthese geven van adorno tegenstelling cultuur / cultuurindustrie
  3. creatieve economieën dialectische synthese geven van adorno tegenstelling cultuur / cultuurindustrie
  4. creatieve economieën dialectische synthese geven van adorno tegenstelling cultuur / cultuurindustrie