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SECONDARY RESEARCH
     JAMIE WHITBREAD
MAIN TASK: FILM TRAILER

• Mark Ramey in issue September 2010 of Media Magazine, said
  that it is crucial to know the typical conventions of the
  genre, as this will make the trailer be received better by an
  audience as they can identify the trailer as the certain genre
  easier.
• For instance, the typical conventions of a horror trailer include
  high and low key contrast lighting, canted camera
  angles, extreme close ups and jump cuts. Ramey says that the
  rules are like a recipe to making the perfect film.




  (Low key lighting)                           (Extreme Close Up)
                       (Canted Angle Shot)
BARTHES’ ENIGMA CODE
• Barthes’ Enigma Code (1964) is a theory which suggests
  that the audience is drawn in through the use of
  mystery, because they are likely to question what they
  have just seen, and the answer will only lie in the film. This
  makes it likely that the audience will go to see the film. For
  example, in the trailer of the film of ‘The Blair Witch
  Project’, the opening scene tells the audience that three
  student filmmakers disappeared in the woods and were
  never seen again. This makes the viewers curious as they
  will want to know what has happened to the students and
  why they disappeared.
• We are planning to use Barthes’ Enigma Code by leaving
  some information out of our trailer. For instance, we are
  planning to use a doll for our trailer, and we will not give
  away the background of the doll in the trailer.
TODOROV’S NARRATIVE STRUCTURE

• Todorov’s Narrative Structure (1969) is a theory
  which suggests that films all start off with an
  equilibrium, and then have a disruption, followed
  again by the balanced equilibrium. Trailers do not
  always follow this structure, because most trailers
  only show the best scenes without trying to give too
  much of the film away, and will usually end with the
  disruption which intrigues the viewers to see the film.
• We will apply Todorov’s Narrative Structure to our
  trailer, which will start off balanced and end
  unbalanced, which will also make viewers curious to
  see the film.
• An example of Todorov’s Narrative Structure could
  be the trailer of ‘The Possession’. In the beginning of
  the trailer, everything is very calm, which gives the
  trailer a balanced look to it, but as the trailer
  progresses towards the end, after the character
  receives a certain box, it starts to become tense
  and unbalanced.
INFLUENCES - POSTER

• After looking at this, we have gained ideas and advice
  on what we can do to make our three different media
  products.
• Firstly, we are planning on typical horror conventions
  such as extreme close ups, canted angles, and low-key
  lighting as this will allow audiences to identify the film as
  part of the horror genre which will make them feel
  scared or uncomfortable while watching the film.
• After looking at Barthes’ Enigma Code, we have realised
  how important the creation of mystery is to make the
  trailer stand out. We will do this by not giving away too
  much information surrounding the key points of our
  trailer.
• To create mystery, our trailer will follow a non
  chronological structure where the pace will build up to
  create tension when the equilibrium will not be revealed
  unless the whole film is watched.
ANCILLARY TASK: FILM POSTER

• An article on
  ‘www.webdesignerdepot.com’, written by
  Mathew Carpenter, states that there are 7
  elements to create a great movie poster.
 • Step 1: Attention - Use a striking image which will gain
   attention from an audience, such as a character, as
   this will gain attention and allow insight into the plot of
   the film. For example, this Hangover poster has a
   light, gradient background and a large image which
   makes it stand out.                                           http://www.webde
                                                                 signerdepot.com/2
 • Step 2: Iconography - Tell the audience the themes            011/02/7-elements-
   contained within the film with the image, but without         of-a-great-movie-
                                                                 poster-design/
   telling them with words.
 • Step 3: Interest - Make the viewer interested by placing
   them in the middle of a scene which can only be
• Step 4: Appeal - Make the film appeal to all
  suitable audiences, to both fans and non-
  fans alike, by using elements that will stand
  out more to certain fans, such as the
  choice of names or the actors used.
• Step 5: Style - The film poster should have a
  unique style that matches that of the film’s
  overall genre, as this will help the audience
  to identify the genre. It is also important to
  ensure that the style used is apparent over
  all products, because this makes them
  more recognisable. For instance, we can
  see this with the posters used for the Harry
  Potter series. The first poster is somewhat
  bright, which reflects the uplifting, warm-
  hearted style of the film. However, in the
  later film posters, the posters start to turn
  gloomy and darker to reflect the ominous
  themes of the film.
• Step 6: Lasting Appeal – The poster needs to be something that
  can later be reused to achieve it’s maximum potential. For
  example, the image needs to be something that can be
  remembered and reused easily. For instance, the poster can be
  resized and reused for a DVD cover, which will make the DVD
  recognisable.
• Step 7: Recognisabilty – A film poster should have something
  unique that makes it different and recognisable against other
  posters. For instance, The Godfather series are recognisable by
  the dark background, the bold, white title and the
  dark, shadowed image of the protagonist. This theme is followed
  throughout the Godfather 1, 2 and 3, which makes all of the
  films recognisable.
HOW TO READ A FILM POSTER

Tim Brownlee of Media Magazine says that all of the words and
images have a denotative meaning. The denotation of a word
or image is what you are seeing. Everything used on a poster
can be read into further and have a deeper meaning, such as
the setting, colours, actors, clothing, and etc. An example could
be how blue is often used to represent sadness and to make
things seem cold.
In the film poster that we will create alongside our trailer, we are
planning to use colours such as grey, as they can connote a
chilling, paranormal atmosphere which is suited to the horror
genre.
The choice of actor we will use are also intended to represent
our target audience, which is young adults, because of their
age, costume and status.
TIPS FOR MAKING A MOVIE POSTER

• Understand the Film – Make sure that you understand the full
  story when creating the poster, because this will make others
  have an idea of the story which can help to make them judge
  whether they will want to see it or not.
• Pick the right font – Although there are many different types of
  font styles, only a select few will be good enough for the
  poster. Make sure that the font is vivid, clean, and readable
  for effected and clear communication.
• Avoid Clutter – White space will help to keep your poster
  design clean and a lot more organized and will alow more
  people to focus their attention on the important details.




        http://unifiedmanufacturing.com/blog/5-tips-making-movie-posters/
INTERTEXTUAL REFERENCES

• In Media Magazine, Tom Brownlee talks
  about Intertexual References. This is
  where a product takes a verbal or
  visual reference from another product.
• In our film poster, we had the idea for
  an intertextual reference, which was to
  use similar text that the poster of ‘The
  Woman in Black’ uses, because we
  think that the ghost-like look is what we
  are aiming to create.
• We are also inspired by the foggy
  background which hides the ghostly
  face, and we would perhaps like to
  use this as another reference.
INFLUENCE - POSTER
• When we were researching advice for creating a film poster, we found
  that the Mathew Carpenter’s article ‘7 Elements to Creating a Film
  Poster’ was the most useful.
• We understand the importance of the image in the film poster, as this will
  entice the audience while still telling them a story without words.
• An idea we have thought of was to use toys in our film poster as this will
  be striking to the viewer as people are usually used. Toys are also
  associated with children and innocence so it will be somewhat shocking
  to the viewers. The image would help to communicate the story without
  having to use any text.
• We are also hoping to make our film poster seem somewhat simple and
  use some white space, as this will allow the poster to appear organized
  while still making the audience focus on certain parts of the poster.
• Conventions of film posters generally include a striking image, the film
  title, the release date of the film, and actors or company names which
  we will try to include to make our trailer seem realistic.
MAGAZINES

• An article written on
  ‘magazinepublisher.com’ gives us
  ‘design tips for a great magazine’.
  • User a Great Cover Photo – A magazine will
    only have one chance to try and make a first
    impression, which makes the image vital to do
    this. A photo can be recognisable and stand
    out by showing action or relating to the target
    audience. Bright or unusual colours and
    unusual camera angles will also make the
    magazine stand out to the consumer.
  For Example, Empire Magazine’s which shows
  The Joker uses bright, fluorescent colours which
  makes the text stand out.
Use a Great Masthead – The Masthead is the magazine’s
logo. This means that it needs to be eye catching and
the first thing that the consumer notices. All magazines
will be fighting for the attention of the
consumer, therefore a masthead that is designed well
will entice the reader to read that magazine instead of
another.

 Careful Font Usage – The font that is
used can also have a big impact on the overall look of
the magazine. Using too many fonts can make the
magazine cover look tacky and be visually confusing for
the reader. This means that a maximum of three fonts
should be used on a magazine at one time, and only
fonts from the same font family should be used.
In an article online, Tina Zennand of ‘Underworld
Magazines’ tells us how to design a great
magazine cover with ‘simply irresistible tips’.
Offer Something Extra - Give something out
alongside that the consumers cannot receive in
other ways, such as a free poster, a free gift, or
special offers (such as money off).
Show Some Energy – Make the pictures look
exciting by making them different or unique. Also
give the cover a compelling heading, and try to
make the consumers what the magazine actually
contains without using too many words.




            http://www.underworldmagazines.com/how-to-design-a-
                   great-magazine-cover-simply-irresistible-tips/
SUCCESSFUL MAGAZINE COVERS

Rebecca Loveridge (2011) says that there is a recipe that magazines
follow in order to achieve success.
• A Powerful Story and Compelling Image –
The article that is featured on the front cover needs to be compelling
as this is what consumers initally look at, and this is what will draw in
readers.
• Benefits for the Reader –
The reader should be benefited with exclusive offers that will not be
able to be found anywhere else, such as exclusive interviews and
articles.
• Spark Curiosity –
Have one main coverline that is exciting and will make the consumers
want to see it, but only to a limit of coverlines so that the cover does
not become overcrowded.
• Keep It Simple –
Loveridge says that keeping it simple is most important, as a strong
image on a white background will make it stand out, but also tell a
story.
INFLUENCE - MAGAZINE

• When looking at secondary research for magazine
  covers, one mutual thing that we have noticed is that almost
  all of the articles we looked at told us to add something extra
  that will benefit the consumer.
• To apply this to our magazine cover, we have planned to
  feature our film as an exclusive interview or a review that will
  be unique to our particular magazine, which will benefit the
  consumer because they will not have heard or seen this about
  our film before.
• The masthead that we use will be big and stand out as it is the
  logo, and can influence whether someone picks up the
  magazine or no, as it needs to make the magazine stand out
  from a distance. Also, this needs to stand out to try and
  convey to the audience what the magazine is about.
• The photo will stand out, which is an important element which
  is going to make the consumer feel attracted to read it. We
  will make the camera angles used seem unusual to make our
  picture seem unique and stand out.

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Secondary Research

  • 1. SECONDARY RESEARCH JAMIE WHITBREAD
  • 2. MAIN TASK: FILM TRAILER • Mark Ramey in issue September 2010 of Media Magazine, said that it is crucial to know the typical conventions of the genre, as this will make the trailer be received better by an audience as they can identify the trailer as the certain genre easier. • For instance, the typical conventions of a horror trailer include high and low key contrast lighting, canted camera angles, extreme close ups and jump cuts. Ramey says that the rules are like a recipe to making the perfect film. (Low key lighting) (Extreme Close Up) (Canted Angle Shot)
  • 3. BARTHES’ ENIGMA CODE • Barthes’ Enigma Code (1964) is a theory which suggests that the audience is drawn in through the use of mystery, because they are likely to question what they have just seen, and the answer will only lie in the film. This makes it likely that the audience will go to see the film. For example, in the trailer of the film of ‘The Blair Witch Project’, the opening scene tells the audience that three student filmmakers disappeared in the woods and were never seen again. This makes the viewers curious as they will want to know what has happened to the students and why they disappeared. • We are planning to use Barthes’ Enigma Code by leaving some information out of our trailer. For instance, we are planning to use a doll for our trailer, and we will not give away the background of the doll in the trailer.
  • 4. TODOROV’S NARRATIVE STRUCTURE • Todorov’s Narrative Structure (1969) is a theory which suggests that films all start off with an equilibrium, and then have a disruption, followed again by the balanced equilibrium. Trailers do not always follow this structure, because most trailers only show the best scenes without trying to give too much of the film away, and will usually end with the disruption which intrigues the viewers to see the film. • We will apply Todorov’s Narrative Structure to our trailer, which will start off balanced and end unbalanced, which will also make viewers curious to see the film.
  • 5. • An example of Todorov’s Narrative Structure could be the trailer of ‘The Possession’. In the beginning of the trailer, everything is very calm, which gives the trailer a balanced look to it, but as the trailer progresses towards the end, after the character receives a certain box, it starts to become tense and unbalanced.
  • 6. INFLUENCES - POSTER • After looking at this, we have gained ideas and advice on what we can do to make our three different media products. • Firstly, we are planning on typical horror conventions such as extreme close ups, canted angles, and low-key lighting as this will allow audiences to identify the film as part of the horror genre which will make them feel scared or uncomfortable while watching the film. • After looking at Barthes’ Enigma Code, we have realised how important the creation of mystery is to make the trailer stand out. We will do this by not giving away too much information surrounding the key points of our trailer. • To create mystery, our trailer will follow a non chronological structure where the pace will build up to create tension when the equilibrium will not be revealed unless the whole film is watched.
  • 7. ANCILLARY TASK: FILM POSTER • An article on ‘www.webdesignerdepot.com’, written by Mathew Carpenter, states that there are 7 elements to create a great movie poster. • Step 1: Attention - Use a striking image which will gain attention from an audience, such as a character, as this will gain attention and allow insight into the plot of the film. For example, this Hangover poster has a light, gradient background and a large image which makes it stand out. http://www.webde signerdepot.com/2 • Step 2: Iconography - Tell the audience the themes 011/02/7-elements- contained within the film with the image, but without of-a-great-movie- poster-design/ telling them with words. • Step 3: Interest - Make the viewer interested by placing them in the middle of a scene which can only be
  • 8. • Step 4: Appeal - Make the film appeal to all suitable audiences, to both fans and non- fans alike, by using elements that will stand out more to certain fans, such as the choice of names or the actors used. • Step 5: Style - The film poster should have a unique style that matches that of the film’s overall genre, as this will help the audience to identify the genre. It is also important to ensure that the style used is apparent over all products, because this makes them more recognisable. For instance, we can see this with the posters used for the Harry Potter series. The first poster is somewhat bright, which reflects the uplifting, warm- hearted style of the film. However, in the later film posters, the posters start to turn gloomy and darker to reflect the ominous themes of the film.
  • 9. • Step 6: Lasting Appeal – The poster needs to be something that can later be reused to achieve it’s maximum potential. For example, the image needs to be something that can be remembered and reused easily. For instance, the poster can be resized and reused for a DVD cover, which will make the DVD recognisable. • Step 7: Recognisabilty – A film poster should have something unique that makes it different and recognisable against other posters. For instance, The Godfather series are recognisable by the dark background, the bold, white title and the dark, shadowed image of the protagonist. This theme is followed throughout the Godfather 1, 2 and 3, which makes all of the films recognisable.
  • 10. HOW TO READ A FILM POSTER Tim Brownlee of Media Magazine says that all of the words and images have a denotative meaning. The denotation of a word or image is what you are seeing. Everything used on a poster can be read into further and have a deeper meaning, such as the setting, colours, actors, clothing, and etc. An example could be how blue is often used to represent sadness and to make things seem cold. In the film poster that we will create alongside our trailer, we are planning to use colours such as grey, as they can connote a chilling, paranormal atmosphere which is suited to the horror genre. The choice of actor we will use are also intended to represent our target audience, which is young adults, because of their age, costume and status.
  • 11. TIPS FOR MAKING A MOVIE POSTER • Understand the Film – Make sure that you understand the full story when creating the poster, because this will make others have an idea of the story which can help to make them judge whether they will want to see it or not. • Pick the right font – Although there are many different types of font styles, only a select few will be good enough for the poster. Make sure that the font is vivid, clean, and readable for effected and clear communication. • Avoid Clutter – White space will help to keep your poster design clean and a lot more organized and will alow more people to focus their attention on the important details. http://unifiedmanufacturing.com/blog/5-tips-making-movie-posters/
  • 12. INTERTEXTUAL REFERENCES • In Media Magazine, Tom Brownlee talks about Intertexual References. This is where a product takes a verbal or visual reference from another product. • In our film poster, we had the idea for an intertextual reference, which was to use similar text that the poster of ‘The Woman in Black’ uses, because we think that the ghost-like look is what we are aiming to create. • We are also inspired by the foggy background which hides the ghostly face, and we would perhaps like to use this as another reference.
  • 13. INFLUENCE - POSTER • When we were researching advice for creating a film poster, we found that the Mathew Carpenter’s article ‘7 Elements to Creating a Film Poster’ was the most useful. • We understand the importance of the image in the film poster, as this will entice the audience while still telling them a story without words. • An idea we have thought of was to use toys in our film poster as this will be striking to the viewer as people are usually used. Toys are also associated with children and innocence so it will be somewhat shocking to the viewers. The image would help to communicate the story without having to use any text. • We are also hoping to make our film poster seem somewhat simple and use some white space, as this will allow the poster to appear organized while still making the audience focus on certain parts of the poster. • Conventions of film posters generally include a striking image, the film title, the release date of the film, and actors or company names which we will try to include to make our trailer seem realistic.
  • 14. MAGAZINES • An article written on ‘magazinepublisher.com’ gives us ‘design tips for a great magazine’. • User a Great Cover Photo – A magazine will only have one chance to try and make a first impression, which makes the image vital to do this. A photo can be recognisable and stand out by showing action or relating to the target audience. Bright or unusual colours and unusual camera angles will also make the magazine stand out to the consumer. For Example, Empire Magazine’s which shows The Joker uses bright, fluorescent colours which makes the text stand out.
  • 15. Use a Great Masthead – The Masthead is the magazine’s logo. This means that it needs to be eye catching and the first thing that the consumer notices. All magazines will be fighting for the attention of the consumer, therefore a masthead that is designed well will entice the reader to read that magazine instead of another. Careful Font Usage – The font that is used can also have a big impact on the overall look of the magazine. Using too many fonts can make the magazine cover look tacky and be visually confusing for the reader. This means that a maximum of three fonts should be used on a magazine at one time, and only fonts from the same font family should be used.
  • 16. In an article online, Tina Zennand of ‘Underworld Magazines’ tells us how to design a great magazine cover with ‘simply irresistible tips’. Offer Something Extra - Give something out alongside that the consumers cannot receive in other ways, such as a free poster, a free gift, or special offers (such as money off). Show Some Energy – Make the pictures look exciting by making them different or unique. Also give the cover a compelling heading, and try to make the consumers what the magazine actually contains without using too many words. http://www.underworldmagazines.com/how-to-design-a- great-magazine-cover-simply-irresistible-tips/
  • 17. SUCCESSFUL MAGAZINE COVERS Rebecca Loveridge (2011) says that there is a recipe that magazines follow in order to achieve success. • A Powerful Story and Compelling Image – The article that is featured on the front cover needs to be compelling as this is what consumers initally look at, and this is what will draw in readers. • Benefits for the Reader – The reader should be benefited with exclusive offers that will not be able to be found anywhere else, such as exclusive interviews and articles. • Spark Curiosity – Have one main coverline that is exciting and will make the consumers want to see it, but only to a limit of coverlines so that the cover does not become overcrowded. • Keep It Simple – Loveridge says that keeping it simple is most important, as a strong image on a white background will make it stand out, but also tell a story.
  • 18. INFLUENCE - MAGAZINE • When looking at secondary research for magazine covers, one mutual thing that we have noticed is that almost all of the articles we looked at told us to add something extra that will benefit the consumer. • To apply this to our magazine cover, we have planned to feature our film as an exclusive interview or a review that will be unique to our particular magazine, which will benefit the consumer because they will not have heard or seen this about our film before. • The masthead that we use will be big and stand out as it is the logo, and can influence whether someone picks up the magazine or no, as it needs to make the magazine stand out from a distance. Also, this needs to stand out to try and convey to the audience what the magazine is about. • The photo will stand out, which is an important element which is going to make the consumer feel attracted to read it. We will make the camera angles used seem unusual to make our picture seem unique and stand out.