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STUDIE AF
LYDLOGOER

                      JULIE WINTHER
 -   DELTA SENSELAB & COPENHAGEN BUSINESS SCHOOL
AGENDA

Hvordan kan vi måle lyd?
  3 studier af lydlogoer:
  • Emotionelle undersøgelse på lyd og tekst
  • Associative undersøgelse på lyd og fri association
  • Undersøgelse af lydens udtryk på lyd og visuelt logo

Hvordan implementerer vi lydbranding på bedst mulig måde?
  • Sound brand Touch-point Scorecard

Hvordan kan det gøres helt konkret?
EXPLORING SOUND LOGOS

 Projektets mål:
 Udvikle værktøjer skal kunne
 hjælpe og guide virksomheder i
 at finde den lyd, der passer til og
 forstærker deres brand.




         Valide, brugbare og
         økonomisk tilgængelige
         metoder.
LYDLOGOET
Lydlogo er:
•   En kort lydsekvens (typisk uden sang), der bruges til at repræsentere et brand
•   Typisk på 3-6 toner, men kan også bestå alene af optagede lyde, lydeffekter
    mv.
Lydlogo som musik:
•   Både virksomheder og forskere er bundet af en diskussion baseret på musiske
    termer såsom genre, (personlige) musik præferencer, komposition, tempo,
    mv.
Lydlogo som brand element:
•   Vi kan diskutere lydlogoet i et markedsførings- og brandingperspektiv.
•   Mulighed for at sammenstille lydlogoet med andre brand elementer og evt. se
    på interaktionen herimellem.
•   Bruge velkendte brand element success kriterier, som har været studeret
    gennem mange år både praktisk og teoretisk.
1 UNDERSØGELSE AF
LYD OG TEKST

          Formål:
          At finde en simpel, pragmatisk
          metode til at undersøge den
          opfattede lighed mellem sætninger
          og lydlogoer (Ramsgaard, 2009)


          To måleværktøjer:
            • Core Affect (Russell, 1980)
            • GEMS-9 (Zentner et al. 2008)
1 UNDERSØGELSE AF
LYD OG TEKST
 Resultater:
 •   Dimension 1 (X-aksen):
     Energi/arousal-niveau
 •   Dimension 2 (y-aksen):
     introvert/ekstrovert
     (indadvendt/udadvendt)


 Overordnet konklusion:
 •   Data understøtter at tekst
     og lyd kan vurderes på
     samme skalaer
 •   Alle forsøgspersoner fandt
     opgaven nem og intuitiv
2 LYDLOGER OG
ASSOCIATIONER
 Associationsnetværk teori
 (Collins & Loftus, 1975) kan
 forklare forbindelsen mellem
 lyd og brand


 Vi spørger:
 1.   Hvordan associeres
      lydlogoer?
 2.   Er lydlogoet overhovedet
      genkendt som repræsentant
      for et brand?
 3.   Kan associationer bruges til at
      måle lydlogoer?
2 LYDENES ASSOCIATIVE
PROFILER
3 LYDENS SAMMENHÆNG
MED ET VISUELT LOGO
 Hvordan kan lyden vurderes i
 sammenhæng med det
 visuelle logo?
 I hvilken grad påvirker lyden
 brand image?


 Måleværktøj:
 •   Brand Personality
     Dimensions (J.Aaker, 1997)
3 FORSKEL I VURDERING
SAMMENFATNING
 1.   I sammenligning med tekst;
      hvordan lyd passer med brandets
      pay-off
          • Hvordan vurderes lyden
            emotionelt?

 2.   Lydlogoers associationer og
      hvordan deres ”profil” ser ud
          • Hvordan danner lydlogoer
            mening?


 3.   Lydlogoers påvirkning på brand
      image
          • Hvordan vurderes lydlogo, og
            visuelt logo på Brand
            Personalities skalerne?
          • I hvilken grad modererer brand
            kendskab påvirkningen?
EKSEMPEL PÅ MÅLING AF
LYD I UDVIKLINGSFASEN



    Og nu; Karsten Kjems..

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Studies of sound logos

  • 1. STUDIE AF LYDLOGOER JULIE WINTHER - DELTA SENSELAB & COPENHAGEN BUSINESS SCHOOL
  • 2. AGENDA Hvordan kan vi måle lyd? 3 studier af lydlogoer: • Emotionelle undersøgelse på lyd og tekst • Associative undersøgelse på lyd og fri association • Undersøgelse af lydens udtryk på lyd og visuelt logo Hvordan implementerer vi lydbranding på bedst mulig måde? • Sound brand Touch-point Scorecard Hvordan kan det gøres helt konkret?
  • 3. EXPLORING SOUND LOGOS Projektets mål: Udvikle værktøjer skal kunne hjælpe og guide virksomheder i at finde den lyd, der passer til og forstærker deres brand. Valide, brugbare og økonomisk tilgængelige metoder.
  • 4. LYDLOGOET Lydlogo er: • En kort lydsekvens (typisk uden sang), der bruges til at repræsentere et brand • Typisk på 3-6 toner, men kan også bestå alene af optagede lyde, lydeffekter mv. Lydlogo som musik: • Både virksomheder og forskere er bundet af en diskussion baseret på musiske termer såsom genre, (personlige) musik præferencer, komposition, tempo, mv. Lydlogo som brand element: • Vi kan diskutere lydlogoet i et markedsførings- og brandingperspektiv. • Mulighed for at sammenstille lydlogoet med andre brand elementer og evt. se på interaktionen herimellem. • Bruge velkendte brand element success kriterier, som har været studeret gennem mange år både praktisk og teoretisk.
  • 5. 1 UNDERSØGELSE AF LYD OG TEKST Formål: At finde en simpel, pragmatisk metode til at undersøge den opfattede lighed mellem sætninger og lydlogoer (Ramsgaard, 2009) To måleværktøjer: • Core Affect (Russell, 1980) • GEMS-9 (Zentner et al. 2008)
  • 6. 1 UNDERSØGELSE AF LYD OG TEKST Resultater: • Dimension 1 (X-aksen): Energi/arousal-niveau • Dimension 2 (y-aksen): introvert/ekstrovert (indadvendt/udadvendt) Overordnet konklusion: • Data understøtter at tekst og lyd kan vurderes på samme skalaer • Alle forsøgspersoner fandt opgaven nem og intuitiv
  • 7. 2 LYDLOGER OG ASSOCIATIONER Associationsnetværk teori (Collins & Loftus, 1975) kan forklare forbindelsen mellem lyd og brand Vi spørger: 1. Hvordan associeres lydlogoer? 2. Er lydlogoet overhovedet genkendt som repræsentant for et brand? 3. Kan associationer bruges til at måle lydlogoer?
  • 9. 3 LYDENS SAMMENHÆNG MED ET VISUELT LOGO Hvordan kan lyden vurderes i sammenhæng med det visuelle logo? I hvilken grad påvirker lyden brand image? Måleværktøj: • Brand Personality Dimensions (J.Aaker, 1997)
  • 10. 3 FORSKEL I VURDERING
  • 11. SAMMENFATNING 1. I sammenligning med tekst; hvordan lyd passer med brandets pay-off • Hvordan vurderes lyden emotionelt? 2. Lydlogoers associationer og hvordan deres ”profil” ser ud • Hvordan danner lydlogoer mening? 3. Lydlogoers påvirkning på brand image • Hvordan vurderes lydlogo, og visuelt logo på Brand Personalities skalerne? • I hvilken grad modererer brand kendskab påvirkningen?
  • 12. EKSEMPEL PÅ MÅLING AF LYD I UDVIKLINGSFASEN Og nu; Karsten Kjems..