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Anees Jung
Prepared by
Jude Joseph, PGT English
KVS Mumbai
• Born in 1944 -Rourkela
• an Indian author, journalist
and columnist
• Her father - a renowned
poet & scholar
• Her mother & brother -
Urdu poets
• College - Osmania
University, Hyderabad
• Higher studies - USA
• Night of the New Moon: Encounters with
Muslim Women in India (1993)
• Seven Sisters (1994)
• Breaking the Silence (1997)
• Beyond the Courtyard (2003)
• When a place becomes a person (1977)
• The Song of India (1990)
• Unveiling India (1987)
was a chronicle of the
lives of women in India,
noted especially for the
depiction of Muslim
women behind the
purdah.
• It focuses on children from deprived
backgrounds, and includes the story of
Idrees, a child who is kidnapped and
forced to work in the carpet industry in
Mirzapur. Others are maltreated by
alcoholic fathers or married off early or
sexually abused, though some find refuge
in schools set up by well-meaning NGOs.
(Note: the above matter is not part of the lesson)
A book review of Lost Spring
• https://www.hindustantimes.com/books/jun
g-exposes-national-shame/story-
A3Bk3dW1nKnHlJ01rCntMK.html
• The above review of Anees Jung's book
appeared in the Hindustan Times.
Seemapuri
• “A place on the periphery of Delhi yet
miles away from it, metaphorically”.
• Located in East Delhi
• Inhabited by squatters who came from
Bangladesh in 1971.
• Now after 30 years, there are over 10,000
ragpickers in Seemapuri.
• “Garbage to them is gold”.
Seemapuri
• They live in slums - structures of mud, with
roofs of tin & tarpaulin, with no sewage,
drainage or running water.
• They have no permits, no identity.
• But they have ration cards & their names
are on voter's list. This enables them to
buy grain.
'Sometimes I find a Rupee in the garbage'
• Saheb-e-Alam - “Lord of the Universe” - ironical
name.
• Story of ragpickers- “army of barefoot boys”
• Stays at Seemapuri, Delhi where over 10,000
ragpickers live.
• Saheb - a poor immgrant from Dhaka,
Bangladesh - left the place because of storms
that destroyed his fields.
• Saheb came to Delhi in search of better
opportunities.
• Saheb sometimes finds a rupee or a ten-rupee
note in the garbage. This gives him hope.
• Saheb loves the game of lawn tennis. But he
can only afford to watch it & can never play this
rich man's game.
• Wears untidy clothes & damaged shoes.
• Starts working in a tea stall. He gets
Rs.800/month & all his meals.
• He has lost his freedom, has to carry a heavy
canister.
• “Saheb is no longer his own master!”
• It is the centre of India's glass-blowing industry -
every other family is engaged in making bangles.
• Poor working conditions - they work in glass
furnaces with high temperatures, in dingy cells
without air & light and end up losing eyesight.
• Poor living conditions - homes with crumbling
walls, wobbly doors, no windows. Humans &
animals co-exist in the same cramped space.
Children
employed in
Bangle-making
industry
“I want to drive a car”
• Mukesh - a young boy born in a poor
family making bangles in Firozabad.
• Mukesh wants to be a motor mechanic.
• He lives with his elder brother & wife, his
father, grandmother & grandfather.
• Daughter-in-law cooks & feeds the entire
family & commands respect of all.
• Grandfather is blind; grandmother blames
everything on their karam or destiny.
Bangles - symbolize an Indian
woman's suhaag, auspiciousness
in marriage
• Rigid caste system - they were born in the
caste of bangle makers. They don't have the
courage to defy the caste system.
• Caught in a web of poverty- the families are
caught in a web of never-ending poverty. The life
of misery seems eternal.
• Caught in a vicious circle of the sahukars,
the middlemen, the policemen, the
bureaucrats & the politicians - they lack the
initiative, leadership skills to organise into co-
operatives & the courage to confront the nexus.
Lost Spring - Stories of Stolen Childhood

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Lost Spring - Stories of Stolen Childhood

  • 1. Anees Jung Prepared by Jude Joseph, PGT English KVS Mumbai
  • 2. • Born in 1944 -Rourkela • an Indian author, journalist and columnist • Her father - a renowned poet & scholar • Her mother & brother - Urdu poets • College - Osmania University, Hyderabad • Higher studies - USA
  • 3. • Night of the New Moon: Encounters with Muslim Women in India (1993) • Seven Sisters (1994) • Breaking the Silence (1997) • Beyond the Courtyard (2003) • When a place becomes a person (1977) • The Song of India (1990)
  • 4. • Unveiling India (1987) was a chronicle of the lives of women in India, noted especially for the depiction of Muslim women behind the purdah.
  • 5. • It focuses on children from deprived backgrounds, and includes the story of Idrees, a child who is kidnapped and forced to work in the carpet industry in Mirzapur. Others are maltreated by alcoholic fathers or married off early or sexually abused, though some find refuge in schools set up by well-meaning NGOs. (Note: the above matter is not part of the lesson)
  • 6. A book review of Lost Spring • https://www.hindustantimes.com/books/jun g-exposes-national-shame/story- A3Bk3dW1nKnHlJ01rCntMK.html • The above review of Anees Jung's book appeared in the Hindustan Times.
  • 7.
  • 8.
  • 9. Seemapuri • “A place on the periphery of Delhi yet miles away from it, metaphorically”. • Located in East Delhi • Inhabited by squatters who came from Bangladesh in 1971. • Now after 30 years, there are over 10,000 ragpickers in Seemapuri. • “Garbage to them is gold”.
  • 10. Seemapuri • They live in slums - structures of mud, with roofs of tin & tarpaulin, with no sewage, drainage or running water. • They have no permits, no identity. • But they have ration cards & their names are on voter's list. This enables them to buy grain.
  • 11.
  • 12. 'Sometimes I find a Rupee in the garbage' • Saheb-e-Alam - “Lord of the Universe” - ironical name. • Story of ragpickers- “army of barefoot boys” • Stays at Seemapuri, Delhi where over 10,000 ragpickers live. • Saheb - a poor immgrant from Dhaka, Bangladesh - left the place because of storms that destroyed his fields. • Saheb came to Delhi in search of better opportunities.
  • 13. • Saheb sometimes finds a rupee or a ten-rupee note in the garbage. This gives him hope. • Saheb loves the game of lawn tennis. But he can only afford to watch it & can never play this rich man's game. • Wears untidy clothes & damaged shoes. • Starts working in a tea stall. He gets Rs.800/month & all his meals. • He has lost his freedom, has to carry a heavy canister. • “Saheb is no longer his own master!”
  • 14.
  • 15.
  • 16. • It is the centre of India's glass-blowing industry - every other family is engaged in making bangles. • Poor working conditions - they work in glass furnaces with high temperatures, in dingy cells without air & light and end up losing eyesight. • Poor living conditions - homes with crumbling walls, wobbly doors, no windows. Humans & animals co-exist in the same cramped space.
  • 18.
  • 19. “I want to drive a car” • Mukesh - a young boy born in a poor family making bangles in Firozabad. • Mukesh wants to be a motor mechanic. • He lives with his elder brother & wife, his father, grandmother & grandfather. • Daughter-in-law cooks & feeds the entire family & commands respect of all. • Grandfather is blind; grandmother blames everything on their karam or destiny.
  • 20. Bangles - symbolize an Indian woman's suhaag, auspiciousness in marriage
  • 21. • Rigid caste system - they were born in the caste of bangle makers. They don't have the courage to defy the caste system. • Caught in a web of poverty- the families are caught in a web of never-ending poverty. The life of misery seems eternal. • Caught in a vicious circle of the sahukars, the middlemen, the policemen, the bureaucrats & the politicians - they lack the initiative, leadership skills to organise into co- operatives & the courage to confront the nexus.