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ART
DIRECTION
VS THE WEB
@JAMESFENTON
RE NT
      FE N
    IF O
  D E
A     L
A N G
  RT CTION
 A E
 D IR
HOVERINGARTDIRECTORS.TUMBLR.COM
HOVERINGARTDIRECTORS.TUMBLR.COM
HOVERINGARTDIRECTORS.TUMBLR.COM
HOVERINGARTDIRECTORS.TUMBLR.COM
HOVERINGARTDIRECTORS.TUMBLR.COM
HOVERINGARTDIRECTORS.TUMBLR.COM
WHAT IS
ART
DIRECTION?
PRINT,
PUBLISHING
AND
THE WEB
WRITTEN
CONTENT
 INSTRUCTIONS
    MARKETING
      REPORTS
       STORIES
VISUAL         WRITTEN
CONTENT        CONTENT
PHOTOGRAPHY     INSTRUCTIONS
ILLUSTRATION       MARKETING
GRAPHICS             REPORTS
                      STORIES
VISUAL     ART      WRITTEN
CONTENT DIRECTION   CONTENT
PHOTOGRAPHY          INSTRUCTIONS
ILLUSTRATION            MARKETING
GRAPHICS                  REPORTS
                           STORIES
AFAR MAGAZINE
ART
DIRECTION
VS THE WEB
AFAR.COM
AFAR.COM (READER VIEW)
GRAPHIC
    DESIGNERS
“   ARE RUINING THE WEB
              JOHN NAUGHTON
               THE OBSERVER
               Sunday 19 February 2012
DAILYMAIL.CO.UK
COMPUTERARTS.CO.UK   WALLPAPER.COM
NORVIG.COM
RAINFALL-DAFFINSON.COM
“
    The role of art direction is
    to literally 'direct' attention,
    using 'art' as an signpost
    to guide the audience and
    decipher the information

                    Véronique Vienne
                     ART DIRECTOR/
                            WRITER
ART DIRECTION
    AS CURATION
NAVIGATION
AND WAY FINDING
NAVIGATION
AND WAY FINDING
PINTEREST.COM
VEERLE.DUOH.COM/INSPIRATION
BRAND
GUIDELINES
AS
ART
DIRECTION
GOOGLE.COM/DOODLES
GOOGLE.COM/DOODLES
GENERATIVE LOGOS
TRIBAL PRODUCT SUITE
BRAND
GUIDELINES
AND
TOOLKIT
ICON LIBRARY
IMAGE SPRITES




      Phone
      Notepad
     Chat
     Home
     WWW
     Home link
     WWW link
     Home hov..
     WWW hov..
     Phone L

     Mobile
     Photo
     Settings
     Refresh
     Comment
     UP
     DWN
     Search
     Broadcast..
     Unlock
     Lock
     Phone ho..
DESIGN ETIQUETTE
UI PATTERNS
CODE SNIPPETS
CODE SNIPPETS
CODE SNIPPETS
CODE SNIPPETS
TRIBAL DESIGN PRINCIPLES
TRIBAL DESIGN PRINCIPLES


1   DEFINE A VISION, THROUGH A
    CLEAR BRIEF AND GUIDANCE
TRIBAL DESIGN PRINCIPLES


1  DEFINE A VISION, THROUGH A
   CLEAR BRIEF AND GUIDANCE


2 EMBRACE CHANGE
  BE FLEXIBLE AND READY TO
TRIBAL DESIGN PRINCIPLES


1  DEFINE A VISION, THROUGH A
   CLEAR BRIEF AND GUIDANCE


2 EMBRACE CHANGE
  BE FLEXIBLE AND READY TO



3 QUALITY OF EXPERIENCE
  AIM FOR CONSISTENCY IN THE
TRIBAL DESIGN PRINCIPLES


1  DEFINE A VISION, THROUGH A
   CLEAR BRIEF AND GUIDANCE


2 EMBRACE CHANGE
  BE FLEXIBLE AND READY TO



3 QUALITY OF EXPERIENCE
  AIM FOR CONSISTENCY IN THE



4 AND IDEAS
  SHARE ASSETS, PATTERNS
TRIBAL DESIGN PRINCIPLES


1  DEFINE A VISION, THROUGH A
   CLEAR BRIEF AND GUIDANCE


2 EMBRACE CHANGE
  BE FLEXIBLE AND READY TO



3 QUALITY OF EXPERIENCE
  AIM FOR CONSISTENCY IN THE



4 AND IDEAS
  SHARE ASSETS, PATTERNS



5 CURATE THE BRAND, DON'T DICTATE IT!
  DEMOCRATISE THE DESIGN PROCESS.
ART
DIRECTION
VS THE WEB
@JAMESFENTON

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Art Direction Vs The Web : FOWD London 2012

Notas do Editor

  1. Thank you :)\nTribal Group - Provide Services and Technology Solutions for Education\nStarted as UI Designer\nBring experience of web design to AD \n
  2. \n\n
  3. \n\n
  4. \n\n
  5. \n\n
  6. \n\n
  7. \n\n
  8. \n\n
  9. \n\n
  10. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  11. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  12. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  13. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  14. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  15. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  16. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  17. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  18. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  19. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  20. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  21. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  22. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  23. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  24. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  25. • Publishing of books, magazines and newspapers\n• Advertising and branding\n
  26. \n\n
  27. \n\n
  28. Written content - editorial, instructional, marketing or reporting\nVisual content - photography, illustration or diagrams\nArt direction - a marriage of the two content types\n
  29. Written content - editorial, instructional, marketing or reporting\nVisual content - photography, illustration or diagrams\nArt direction - a marriage of the two content types\n
  30. \n\n
  31. \n\n
  32. \n\n
  33. Leading image to set the scene\nHeadline and introductory paragraph\n2 columns per page\nA marriage of text and image, creating emphasis and storytelling\n
  34. Software - browsers and operating systems\nHardware - screen size, devices\nUsers - accessibility, usability \nBandwidth and data\n
  35. \n\n
  36. \n\n
  37. Images and server calls slow down the web experience\n
  38. Daily Mail\nNews media on the web\nImage laden\n344 items being called from the server\n
  39. \n\n
  40. Peter Norvig - Research Director at Google\nWeb in one of its purest forms - simple portal\nHyperlinks in a table to various articles around the web\nAssumption that graphic design is simply pretty pictures\n
  41. Rainfall Daffinson\nAlmost entirely typographical design, barely any images\nUsing light CSS, to provide a clear structure and organisation of content \n
  42. • Personal blogs and portfolios\n• Author is both content creator and art director \n
  43. Ver Ron Eek - Vee En : AD at Vogue and Elle magazine\nAD literally directs the audience's attention through information via its visual presentation \n
  44. Metaphor of the Art Gallery space\nGoal is to produce a minimal, non- distracting space. \nAllow content (art) to become the focus\nRemove distracting ornament or decoration\n
  45. Though can still guide audience through the space\nUsing navigation elements and signposting\nProviding detailed information to accompany the artwork\nExhibition can be setup in different buildings, though the experience will be consistent\n
  46. Though can still guide audience through the space\nUsing navigation elements and signposting\nProviding detailed information to accompany the artwork\nExhibition can be setup in different buildings, though the experience will be consistent\n
  47. Pinterest typifies this curation approach on the web\nThe focus is the content (and user generated content at that)\nThe overall design is stripped back and minimal\nThough clear navigational and informational elements remain\n
  48. Vi - Erl Peters takes the pinterest model a step further\nAnd like the personal blog or portfolio adds her own art direction to each entry by picking out the dominant colour\nThis still relies on a certain level of personalised control\nThough across large numbers of products we need to provide clear guidance and art direction\n
  49. Traditionally brand guidelines provide this guidance\nOffering guidance on use of the logo, colour palette, basic typography and content style\nSome offer templates for printed stationary\nUgly side effect can be the emergence of the Brand Police\n
  50. Logo Usage\nFonts\nColour palette\nImagery\n
  51. Logo Usage\nFonts\nColour palette\nImagery\n
  52. Logo Usage\nFonts\nColour palette\nImagery\n
  53. Logo Usage\nFonts\nColour palette\nImagery\n
  54. Logo Usage\nFonts\nColour palette\nImagery\n
  55. Generally Brand Guidelines neglect the web\nSo we began to look at some typographical rules on the web\nAnd basic UI layouts, though these are limited\nGenerally we're not creating pages, but applications with much more complex UIs\n
  56. \n\n
  57. \n\n
  58. \n\n
  59. Traditionally brand guidelines provide this guidance\nOffering guidance on use of the logo, colour palette, basic typography and content style\nSome offer templates for printed stationary\nUgly side effect can be the emergence of the Brand Police\n
  60. Traditionally brand guidelines provide this guidance\nOffering guidance on use of the logo, colour palette, basic typography and content style\nSome offer templates for printed stationary\nUgly side effect can be the emergence of the Brand Police\n
  61. \n\n
  62. \n\n
  63. Design sharing etiquette\n
  64. \n\n
  65. \n\n
  66. \n\n
  67. \n\n
  68. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  69. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  70. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  71. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  72. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  73. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  74. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  75. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  76. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  77. DEFINE A VISION\nBE FLEXIBLE AND FLUID\nCONSISTENCY IN QUALITY, PERSONALITY AND EXPERIENCE\nSHARE ASSETS AND PATTERNS\nCURATE DON'T DICTATE\n
  78. Thank you :)\nTribal Group - Provide Services and Technology Solutions for Education\nStarted as UI Designer\nBring experience of web design to AD \n