SlideShare uma empresa Scribd logo
1 de 11
Related
Syllabus points
&
Past Exam
Questions
relating to
Memento.
Manipulation of narrative elements and narrative structures.
Use of techniques, codes and conventions to challenge
expectations.
Auteur figures, personal expression and aesthetics
Analyse how genre and/or style from different times influence
media works.
Analyse how an auteur’s work is influenced by changing
audiences and expectations.
Discuss the construction of narrative.
Syllabus
Exams
Traditional
Narrative
Structure
 Traditional Hollywood films tend to follow a
fairly simplistic structure, following the point
of view from one main character whilst
adhering to a strict chronological order
throughout the film.
 The story arc is often linked through cause
and effect (something happens which spurs
action, and repeat)
 Example:
 The Matrix
 Can your table think of any other examples
of a film that would fit with a linear
narrative?
This would be the simplest
diagrammatical
explanation of a linear
narrative
Traditional
Narrative
Structure
ClassT-Chart
What are some pros and cons for production
companies creating films that adhere to a linear
narrative?
*For what reason do we keep seeing similar narratives repeatedly in films?
Pros Cons
Subversion of
a linear
narrative
There are 3 distinctive ways in which modern
film makers can subvert a linear narrative:
Multiple Plots
MultipleViewpoints
Manipulation of Structure
(non-chronological ordering)
Multiple Plots  Within film there is usually one main narrative
driver that runs throughout the course of the
film.
 To make things more interesting for the
audience sub-plots are often introduced.These
may be small or large in scope.
A sub-plot will tend to add another conflict to the story and there
may be multiple subplots.
Can you think of any films that
include multiple plot lines?
Multiple Plots  Some films have multiple plots that carry more equal
weight in the narrative driver. For example, ‘Babel’ tells
four different stories in different countries that are
seemingly unrelated.The stories are cut up and edited
together which hints at their relationship.
(Montage: Parallel time)
 Video: Narrative (Babel)
 16:38 -20:00
https://online.clickview.com.au/libraries/videos/18119/babel
Multiple
Viewpoints
In most films the plot is driven from a single
perspective or point of view.This is fine, however
can make the storyline somewhat one
dimensional.
However some films show multiple viewpoints
which can add a level of complexity to the storyline
making it multi- dimensional.
If the audience is shown multiple perspectives, then they may
be able to relate to conflicting points of view.
As a result the audience have to be active in the process of
passing judgment. Based on their reading of the film
different audience members may side with different points of
view.
Narrative
Structure
 Narrative structure refers to the way the story has been
sequenced (put together). Most films are sequenced
chronologically (in correct time sequence). However flashbacks
are also commonly used as a narrative driver too. Less common
are flash forwards.
 Some films however manipulate the narrative structure thereby
not adhering to a chronological order.They have a non-linear
narrative.
 In ‘Eternal sunshine of the spotless mind’ the order of events are
non-linear and played out in the present and then through the
memories of the protagonist in a reverse chronological order.
 It is the job of the audience to piece the story together in their
mind to make meaning of it.
Video: Narrative (Eternal sunshine)
1:14:40 – 1:17:00
https://online.clickview.com.au/libraries/videos/3
259825/eternal-sunshine-of-the-spotless-mind
Christopher
Nolan
Best known for his cerebral, often nonlinear, storytelling,
acclaimed writer-director Christopher Nolan was born on
July 30, 1970 in London, England.
Over the course of 20 years of feature filmmaking, Nolan
has gone from low-budget independent films to working
on some of the biggest blockbusters ever made.
“A lot of (narrative subversion) is being done in commercials and music
videos. I've never done them, but I think that those are forms in which
cross-cutting and parallel action are absolutely standard and accepted
as a mainstream language. Filmmakers like myself enjoy the fruits of
that experimentation and absorption by the mainstream. I think
people's capacity to absorb a fractured mise-en-scene is extraordinary
now compared to forty years ago.”
Memento
(2000)
Starring: Guy Pierce, Carrie-Ann Moss,Guy Pantoliano
Budget: Approx 9,000,000 USD
World Gross: Approx 40,000,000
Production Company: Newmarket Capital Group
[on Memento (2000)] The budget was about £ 3 million, which is
low for an independent film - but yes, it was a huge leap of faith.
"Memento" was clearly on a bigger scale than Following (1998) but,
at the same time, there were very strong stylistic connections.
People want to see something that shows them you can do what
you say. That's the trick.”
- Christopher Nolan
Synopsis:
A man with short-term
memory loss attempts
to track down his
wife's murderer.
Key Terminology:
Narrative: Narrative is a chain of events in cause-and-effect relationship occurring in
time and space. It is created through the interaction of the narrative elements of
setting, character, conflict and resolution.The use of media codes and conventions
contribute to the construction of the narrative.
Narrative Structure: This is the way the chain of events or cause and effect are
manipulated to form a story (e.g., multiple plots, multiple viewpoints, chronological
order).

Mais conteúdo relacionado

Semelhante a 2.1) Manipulation of Traditional Narrative Structure Pt. 1.pptx

Revision summer2014fm4
Revision summer2014fm4Revision summer2014fm4
Revision summer2014fm4
smagdeburg
 
Brock_Bay_Jessica_2011
Brock_Bay_Jessica_2011Brock_Bay_Jessica_2011
Brock_Bay_Jessica_2011
Jessica Bay
 
Evaluation - In what ways does your media product use, develop or challenge f...
Evaluation - In what ways does your media product use, develop or challenge f...Evaluation - In what ways does your media product use, develop or challenge f...
Evaluation - In what ways does your media product use, develop or challenge f...
manjotpuaar
 
Acting and Acting StylePrepareAs we have been discussing, .docx
Acting and Acting StylePrepareAs we have been discussing, .docxActing and Acting StylePrepareAs we have been discussing, .docx
Acting and Acting StylePrepareAs we have been discussing, .docx
nettletondevon
 
Week 5 Instructor GuidanceOne of the topics we’ve been talki.docx
Week 5 Instructor GuidanceOne of the topics we’ve been talki.docxWeek 5 Instructor GuidanceOne of the topics we’ve been talki.docx
Week 5 Instructor GuidanceOne of the topics we’ve been talki.docx
cockekeshia
 
Avatar Project - Università di Messina - Lingua Inglese I Magistrale
Avatar Project - Università di Messina - Lingua Inglese I MagistraleAvatar Project - Università di Messina - Lingua Inglese I Magistrale
Avatar Project - Università di Messina - Lingua Inglese I Magistrale
Marco Lancellotti
 
Action adventure overview
Action adventure overviewAction adventure overview
Action adventure overview
Vicky Casson
 
Research (kian devine) (2)
Research (kian devine) (2)Research (kian devine) (2)
Research (kian devine) (2)
kiandevine
 
Features of a trailer
Features of a trailerFeatures of a trailer
Features of a trailer
matharuravina
 
The influence of film trailers on consumer expectations
The influence of film trailers on consumer expectationsThe influence of film trailers on consumer expectations
The influence of film trailers on consumer expectations
leannekgeorge
 
Evaluation
EvaluationEvaluation
Evaluation
louaw
 

Semelhante a 2.1) Manipulation of Traditional Narrative Structure Pt. 1.pptx (20)

Revision summer2014fm4
Revision summer2014fm4Revision summer2014fm4
Revision summer2014fm4
 
Brock_Bay_Jessica_2011
Brock_Bay_Jessica_2011Brock_Bay_Jessica_2011
Brock_Bay_Jessica_2011
 
IB Film- Documentaries
IB Film- DocumentariesIB Film- Documentaries
IB Film- Documentaries
 
Introduction to short films powerpoint
Introduction to short films powerpointIntroduction to short films powerpoint
Introduction to short films powerpoint
 
Evaluation - In what ways does your media product use, develop or challenge f...
Evaluation - In what ways does your media product use, develop or challenge f...Evaluation - In what ways does your media product use, develop or challenge f...
Evaluation - In what ways does your media product use, develop or challenge f...
 
Acting and Acting StylePrepareAs we have been discussing, .docx
Acting and Acting StylePrepareAs we have been discussing, .docxActing and Acting StylePrepareAs we have been discussing, .docx
Acting and Acting StylePrepareAs we have been discussing, .docx
 
Week 5 Instructor GuidanceOne of the topics we’ve been talki.docx
Week 5 Instructor GuidanceOne of the topics we’ve been talki.docxWeek 5 Instructor GuidanceOne of the topics we’ve been talki.docx
Week 5 Instructor GuidanceOne of the topics we’ve been talki.docx
 
Avatar Project - Università di Messina - Lingua Inglese I Magistrale
Avatar Project - Università di Messina - Lingua Inglese I MagistraleAvatar Project - Università di Messina - Lingua Inglese I Magistrale
Avatar Project - Università di Messina - Lingua Inglese I Magistrale
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Action adventure overview
Action adventure overviewAction adventure overview
Action adventure overview
 
Film Essay Structure
Film Essay StructureFilm Essay Structure
Film Essay Structure
 
Genre overview
Genre overviewGenre overview
Genre overview
 
Research (kian devine) (2)
Research (kian devine) (2)Research (kian devine) (2)
Research (kian devine) (2)
 
2
22
2
 
Features of a trailer
Features of a trailerFeatures of a trailer
Features of a trailer
 
Form research
Form researchForm research
Form research
 
NarrativeStorytellingOur textbook sets up a distinction between.docx
NarrativeStorytellingOur textbook sets up a distinction between.docxNarrativeStorytellingOur textbook sets up a distinction between.docx
NarrativeStorytellingOur textbook sets up a distinction between.docx
 
The influence of film trailers on consumer expectations
The influence of film trailers on consumer expectationsThe influence of film trailers on consumer expectations
The influence of film trailers on consumer expectations
 
Evaluation
EvaluationEvaluation
Evaluation
 
Iron man 3 presentation
Iron man 3 presentationIron man 3 presentation
Iron man 3 presentation
 

Mais de JamesDixon10403

Mais de JamesDixon10403 (20)

Media Trends & Independent Media pt. 2.pptx
Media Trends & Independent Media pt. 2.pptxMedia Trends & Independent Media pt. 2.pptx
Media Trends & Independent Media pt. 2.pptx
 
Media Trends & Independent Media pt. 1.pptx
Media Trends & Independent Media pt. 1.pptxMedia Trends & Independent Media pt. 1.pptx
Media Trends & Independent Media pt. 1.pptx
 
Meaning values and representation pt. 4.pptx
Meaning values and representation pt. 4.pptxMeaning values and representation pt. 4.pptx
Meaning values and representation pt. 4.pptx
 
9) Meaning values and representation pt. 3.pptx
9) Meaning values and representation pt. 3.pptx9) Meaning values and representation pt. 3.pptx
9) Meaning values and representation pt. 3.pptx
 
12) Meaning, Representation & Values pt. 2.pptx
12) Meaning, Representation & Values pt. 2.pptx12) Meaning, Representation & Values pt. 2.pptx
12) Meaning, Representation & Values pt. 2.pptx
 
11) Meaning, Representation & Values pt. 1.pptx
11) Meaning, Representation & Values pt. 1.pptx11) Meaning, Representation & Values pt. 1.pptx
11) Meaning, Representation & Values pt. 1.pptx
 
2.7) Aesthetics in different times.pptx
2.7) Aesthetics in different times.pptx2.7) Aesthetics in different times.pptx
2.7) Aesthetics in different times.pptx
 
2.5) Auteur Theory (Wes Anderson).pptx
2.5) Auteur Theory (Wes Anderson).pptx2.5) Auteur Theory (Wes Anderson).pptx
2.5) Auteur Theory (Wes Anderson).pptx
 
2.4) Niche Audiences.pptx
2.4) Niche Audiences.pptx2.4) Niche Audiences.pptx
2.4) Niche Audiences.pptx
 
Representation pt.1 DIXON.pptx
Representation pt.1 DIXON.pptxRepresentation pt.1 DIXON.pptx
Representation pt.1 DIXON.pptx
 
2.3) Manipulation of Traditional Narrative Structure Pt. 2.pptx
2.3) Manipulation of Traditional Narrative Structure Pt. 2.pptx2.3) Manipulation of Traditional Narrative Structure Pt. 2.pptx
2.3) Manipulation of Traditional Narrative Structure Pt. 2.pptx
 
First Day slides_GEMPA.pptx
First Day slides_GEMPA.pptxFirst Day slides_GEMPA.pptx
First Day slides_GEMPA.pptx
 
7.4 - Selection Processes.pptx
7.4 - Selection Processes.pptx7.4 - Selection Processes.pptx
7.4 - Selection Processes.pptx
 
7.1 Term 4 Introduction.pptx
7.1 Term 4 Introduction.pptx7.1 Term 4 Introduction.pptx
7.1 Term 4 Introduction.pptx
 
6.4 - Relationship between Producers and Audience.pptx
6.4 - Relationship between Producers and Audience.pptx6.4 - Relationship between Producers and Audience.pptx
6.4 - Relationship between Producers and Audience.pptx
 
6.3 - Values shape representation & Social Dilemma.pptx
6.3 - Values shape representation & Social Dilemma.pptx6.3 - Values shape representation & Social Dilemma.pptx
6.3 - Values shape representation & Social Dilemma.pptx
 
6.2 - Constructing meaning and representations.pptx
6.2 - Constructing meaning and representations.pptx6.2 - Constructing meaning and representations.pptx
6.2 - Constructing meaning and representations.pptx
 
6.1 - Representation of Reality.pptx
6.1 - Representation of Reality.pptx6.1 - Representation of Reality.pptx
6.1 - Representation of Reality.pptx
 
Intro Reality TV - Shows & Categories.pptx
Intro Reality TV - Shows & Categories.pptxIntro Reality TV - Shows & Categories.pptx
Intro Reality TV - Shows & Categories.pptx
 
3.3 Pop Culture and Context .pptx
3.3 Pop Culture and Context .pptx3.3 Pop Culture and Context .pptx
3.3 Pop Culture and Context .pptx
 

Último

Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
ciinovamais
 
The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
heathfieldcps1
 

Último (20)

Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...
Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...
Ecological Succession. ( ECOSYSTEM, B. Pharmacy, 1st Year, Sem-II, Environmen...
 
Class 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdfClass 11th Physics NEET formula sheet pdf
Class 11th Physics NEET formula sheet pdf
 
How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17
 
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
 
Micro-Scholarship, What it is, How can it help me.pdf
Micro-Scholarship, What it is, How can it help me.pdfMicro-Scholarship, What it is, How can it help me.pdf
Micro-Scholarship, What it is, How can it help me.pdf
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SD
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
Web & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdfWeb & Social Media Analytics Previous Year Question Paper.pdf
Web & Social Media Analytics Previous Year Question Paper.pdf
 
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxBasic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
 
Unit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptxUnit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptx
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
Role Of Transgenic Animal In Target Validation-1.pptx
Role Of Transgenic Animal In Target Validation-1.pptxRole Of Transgenic Animal In Target Validation-1.pptx
Role Of Transgenic Animal In Target Validation-1.pptx
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
 
Mixin Classes in Odoo 17 How to Extend Models Using Mixin Classes
Mixin Classes in Odoo 17  How to Extend Models Using Mixin ClassesMixin Classes in Odoo 17  How to Extend Models Using Mixin Classes
Mixin Classes in Odoo 17 How to Extend Models Using Mixin Classes
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...
 
Asian American Pacific Islander Month DDSD 2024.pptx
Asian American Pacific Islander Month DDSD 2024.pptxAsian American Pacific Islander Month DDSD 2024.pptx
Asian American Pacific Islander Month DDSD 2024.pptx
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
psychiatric nursing HISTORY COLLECTION .docx
psychiatric  nursing HISTORY  COLLECTION  .docxpsychiatric  nursing HISTORY  COLLECTION  .docx
psychiatric nursing HISTORY COLLECTION .docx
 

2.1) Manipulation of Traditional Narrative Structure Pt. 1.pptx

  • 1.
  • 2. Related Syllabus points & Past Exam Questions relating to Memento. Manipulation of narrative elements and narrative structures. Use of techniques, codes and conventions to challenge expectations. Auteur figures, personal expression and aesthetics Analyse how genre and/or style from different times influence media works. Analyse how an auteur’s work is influenced by changing audiences and expectations. Discuss the construction of narrative. Syllabus Exams
  • 3. Traditional Narrative Structure  Traditional Hollywood films tend to follow a fairly simplistic structure, following the point of view from one main character whilst adhering to a strict chronological order throughout the film.  The story arc is often linked through cause and effect (something happens which spurs action, and repeat)  Example:  The Matrix  Can your table think of any other examples of a film that would fit with a linear narrative? This would be the simplest diagrammatical explanation of a linear narrative
  • 4. Traditional Narrative Structure ClassT-Chart What are some pros and cons for production companies creating films that adhere to a linear narrative? *For what reason do we keep seeing similar narratives repeatedly in films? Pros Cons
  • 5. Subversion of a linear narrative There are 3 distinctive ways in which modern film makers can subvert a linear narrative: Multiple Plots MultipleViewpoints Manipulation of Structure (non-chronological ordering)
  • 6. Multiple Plots  Within film there is usually one main narrative driver that runs throughout the course of the film.  To make things more interesting for the audience sub-plots are often introduced.These may be small or large in scope. A sub-plot will tend to add another conflict to the story and there may be multiple subplots. Can you think of any films that include multiple plot lines?
  • 7. Multiple Plots  Some films have multiple plots that carry more equal weight in the narrative driver. For example, ‘Babel’ tells four different stories in different countries that are seemingly unrelated.The stories are cut up and edited together which hints at their relationship. (Montage: Parallel time)  Video: Narrative (Babel)  16:38 -20:00 https://online.clickview.com.au/libraries/videos/18119/babel
  • 8. Multiple Viewpoints In most films the plot is driven from a single perspective or point of view.This is fine, however can make the storyline somewhat one dimensional. However some films show multiple viewpoints which can add a level of complexity to the storyline making it multi- dimensional. If the audience is shown multiple perspectives, then they may be able to relate to conflicting points of view. As a result the audience have to be active in the process of passing judgment. Based on their reading of the film different audience members may side with different points of view.
  • 9. Narrative Structure  Narrative structure refers to the way the story has been sequenced (put together). Most films are sequenced chronologically (in correct time sequence). However flashbacks are also commonly used as a narrative driver too. Less common are flash forwards.  Some films however manipulate the narrative structure thereby not adhering to a chronological order.They have a non-linear narrative.  In ‘Eternal sunshine of the spotless mind’ the order of events are non-linear and played out in the present and then through the memories of the protagonist in a reverse chronological order.  It is the job of the audience to piece the story together in their mind to make meaning of it. Video: Narrative (Eternal sunshine) 1:14:40 – 1:17:00 https://online.clickview.com.au/libraries/videos/3 259825/eternal-sunshine-of-the-spotless-mind
  • 10. Christopher Nolan Best known for his cerebral, often nonlinear, storytelling, acclaimed writer-director Christopher Nolan was born on July 30, 1970 in London, England. Over the course of 20 years of feature filmmaking, Nolan has gone from low-budget independent films to working on some of the biggest blockbusters ever made. “A lot of (narrative subversion) is being done in commercials and music videos. I've never done them, but I think that those are forms in which cross-cutting and parallel action are absolutely standard and accepted as a mainstream language. Filmmakers like myself enjoy the fruits of that experimentation and absorption by the mainstream. I think people's capacity to absorb a fractured mise-en-scene is extraordinary now compared to forty years ago.”
  • 11. Memento (2000) Starring: Guy Pierce, Carrie-Ann Moss,Guy Pantoliano Budget: Approx 9,000,000 USD World Gross: Approx 40,000,000 Production Company: Newmarket Capital Group [on Memento (2000)] The budget was about £ 3 million, which is low for an independent film - but yes, it was a huge leap of faith. "Memento" was clearly on a bigger scale than Following (1998) but, at the same time, there were very strong stylistic connections. People want to see something that shows them you can do what you say. That's the trick.” - Christopher Nolan Synopsis: A man with short-term memory loss attempts to track down his wife's murderer. Key Terminology: Narrative: Narrative is a chain of events in cause-and-effect relationship occurring in time and space. It is created through the interaction of the narrative elements of setting, character, conflict and resolution.The use of media codes and conventions contribute to the construction of the narrative. Narrative Structure: This is the way the chain of events or cause and effect are manipulated to form a story (e.g., multiple plots, multiple viewpoints, chronological order).