10. Between 1200-800 B.C, there was much warfare affecting Crete and Greece.
• Up to and before 6th Century B.C., there is not much evidence of planned towns in Greece.
• From 6th century B.C till 4th century B.C i.e. Alexander’s period, a number of cities were
founded and developed on systematic lines and advanced the cause of civic structure.
• Earlier, king was the dominating figure but later power gradually shifted to the wealthy land
owning nobles who became the ruling class.
GREEK PERIOD: Chronological Development
The ruling class was were dependent on the support of the farmers and the
merchants;
• Importance of palace reduced and there was emergence of the middle class;
• During 5th century, democracy took root in city states a new form of political
organization of the community developed.
Government, By law, determined by people.
11.
12.
13. Discovery of freedom through democracy brought impetus to
search the truth-leading to- development of philosophy, science,
mathematics, logic and law.
• Freedom and spiritual values were symbolized in temples;
• Freedom of speech led to Houses of People or council
chambers;
• The community needs led to Assembly Houses, OATs and the
Agora or the market place;
• Geographical situation of Greece with sea on there sides
encourages trade and transportation by sea;
• The climate varied between rigorous cold and relaxing heat .
The hot sun and sudden showers were causes for buildings with
colonnaded porticos.
• Greece has ample supply of good building stones.
• Their religion was based on worship of natural phenomena.
14.
15. THE TOWN PLANNING
The ancient Greek towns were
divided into three parts:
Places for Gods
Administration
Dwelling Houses
The Town had to justify the
requirements of :
Hygiene
Defense
Circulation
Three Classes of people
Craftsmen
Soldiers
Workers
The heart of the city: Or the central place was to
occupy 5 % of the city area and comprise of the
temple, the assembly hall , the council chambers,
council hall, the Agora and the Agora square.
All major roads were to meet the Agora
Square.
16. Streets were paved and there were underground drains beneath the streets.
Maintained reservoirs, but no water distribution system.
Orientation with respect to the climate, Principal rooms faced the south
and opened on private courtyard.
Determinants for
Ancient Greek
city development
• Regional topography
• Climate
• Construction Material
18. Greek City States
Greeks had a clearly defined territorial organization.
Cities emerged as separate city states, instead of a single unified nation.
The disperse nature of fertile area was only available in form of isolated valley,
plains and plateau.
These conditions favored an arrangement of :
1. Urban nucleus.
2. Surrounded by country side
3. Surrounded by subordinated agricultural village
community.
19. Regional Topography
“City State” and “Polis”- “Urban” and “Rural”
• Polis is more than a city state/ urban / the nucleus
• City state is the Greek City ( the Urban Nucleus) with its clearly defined
limits, compact urban form and superficially at least- integrated social life.
• Town and country were closely knit- except in those remote parts of
Arcadia and Western Greece
• Greek city states were founded upon agriculture and remained
independent on it.
• During warfare notably against Persia city states joined together to face
the common enemy.
20. Climate
“Greece – through out the year it was generally both agreeable and
reliable- Greece is one of those countries which have a climate and not
merely weather;
• This attractive situation encouraged an open air, communally oriented
attitude to life, which assisted the development of Greek democracy.
But in direct contrast, however , the
domestic Greek world was that of privacy within the ubiquitous courtyard
house;
• Meeting took place in open air, new indoor meeting places such as
assembly hall ( ecclesiasteron), council hall (bouleuterion) were designed
with an advent of advanced
construction Technique;
• Large scale open air theatrical ceremonies were also performed initially at
the foot of conveniently sloping natural auditoria.
21. Construction Material
The ancient Greek architectural characters has a great impact because of
readily availability of high quality marble.
• Worked on a fine details, marble was the medium by which Greek
architecture attained standards of perfection seldom reached in later history.
• The importance of civic buildings were conceived as three dimensional,
free standing sculptural objects.
• Unlike the civic buildings minimal effort and concern for domestic comfort.
• Direct contrast to civic buildings houses were rudimentary and either
grouped by chance or rigidly organized along basic grid line.
23. Early Greek
Civilizatio
n
Aegean period – till 1100 B.C.
Mycenaean period – 1400 to 1100 B.C.
Hellenic Period – 800 to 323 B.C.
Hellenistic Period – 323 to 30 B.C.
24. Contributions in City Planning
Colonizing movement
Use of Grid-iron layout.
Urban form components.
Evolution of:
Acropolis: Religious Centre
Agora: The city center, the multi-purpose everyday heart.
Clear distinction between Developed city districts and organic
growth.
Colonizing Movement
This process involved the Greeks in the creation of new city states.
They imposed a limit on population.
Each colony was an independent city state which was well organized socially
and economically.
25. Greek urban form component
• The Acropolis
• The enclosing city wall
• The Agora
• Residential districts
• One or more leisure and cultural area
• A religious precinct
• The harbors and ports
• Industrial district
26. Urban form component
Priene: Port and Industrial District
Miletus: Acropolis were sometimes situated outside the city limits.
City walls were more demanded.
There was a policy of limiting population by founding new cities.
The agora, shrines, the theatres, gymnasia are occupied site determined by
traditional sanctity and houses filled the rest of the space.
27.
28. Athens
The Organic Growth
Athens was never planned as a whole;
• Destroyed and reconstructed again over the old city;
• Two main groups of civic building 1) Acropolis, 2)Agora;
• It is considered as the best natural fortress of the ancient world;
• It rises some 300 feet above the general level of the plain, irregularly
shaped roughly 350 yards by 140 yards and the long dimension oriented
east-west;
The Athenian Acropolis started as Neolithic Village Nucleus;
• Humans have been attracted to the area by the presence of natural spring
and in 1581 BC worship of Athena was established on Acropolis.
• Agora area developed from a market and meeting place;
33. Prominent
features
A powerfully assertive
landscape influenced the
Urban planning.
The high points of the city
were treated as sacred.
In case of Athens, the
high place was originally
a fortified hilltop which
became the Acropolis:
The site for the temples
of Gods, their treasures
and artifacts.
The city developed below
Acropolis.
34. ARCHITECTURE
• Hellenistic period
• classical orders
• public buildings
• geometry and symmetry in their buildings
• Acropolis
• Agora
• Temples
• tombs and house forms.
Aegean period – till 1100 B.C.
Mycenaean period – 1400 to 1100 B.C.
Hellenic Period – 800 to 323 B.C.
Hellenistic Period – 323 to 30 B.C.
35. Aegean period – till 1100 B.C.
Mycenaean period – 1400 to 1100 B.C.
36. A r c h i t e c t u r e
Mycenaean Period
• Also called Pelasgic, Cyclopean or Primitive period
• Rough walling of large stone blocks
• Corbel system, true arch evolved
Hellenic Period
• Trabeated style developed
• Refinement from Mycenaean influence
• Slender columns with refined mouldings
• Principles of design
• Correction of optical illusion
37. Barro w To mbs 4 100 BCE
• The first architecturalexpression
• Preserved memories of clan lineage
• Served as place for gathering, trade and rituals
Architecture
• Chamber (circular mound) built of stone slabs
• Narrow passageway
• In some cases fortified by retaining walls
• An artificial mound created on top
• Sometimes side chambers surround the main
chamber
38.
39. Pre -Mycen aean (Aegean) Period
• Turmoil in Mesopotamia benefitted the economies of the eastern
Mediterranean (mostly Minoans on Crete island)
• World’s first maritime trading economy
• Peaceful trading- hence no defensive installations
• Worshipped bull – Zeus, the fertilityGod
• Rituals in open landscape or in front of palace – theatre-like
setting
• Large scale drinking and feasting, joyful festivals
• No separate temple (part of Palace)
• Largest Palace at Knossos- residences, kitchens, storage rooms,
bathrooms, ceremonial rooms, workshops
• Ground water conduits and basementstorage
3000 - 1 3 0 0 B CE
40. Pre -Mycen aean and Mycenaean Period
• Three kind of masonry for walls:
1.Cyclopean- masses of rock roughly quarried stones
piled on each other, with clay mortar.
The interstices between the larger stones
were filled with smallerblocks
2. Rectangular- carefully hewn rectangular blocks
arranged in regular courses, but the joints between
stones in the same course are not always vertical.
Examples at Mycenae - the entrance passage in ‘tholos’
or beehive-tombs
3.Polygonal- many sided blocks accurately worked so as
to fit together.
2000 B CE
Minoan Palace at Knossos (Crete)
• Courtyard surrounded by verandas at upper level inpalace
42. Mycenaean Period 2000 - 4 0 0 B CE
• Traded with Sicily, Southern Italy, Egypt, Sardinia and countries bordering Black sea
• Small kingdom – lacked natural defence barriers
• Decentralized society- Small but fiercely loyal fighters
• Excellent works in ivory, carpentry and metallurgy
• Palaces used to be the administrative as well as industrial centres
• Eg- Around 550 textile and 400 metallurgical workers along with artisans, goldsmiths, ivory and
stone carvers and potters were employed in Palace of Pylos
43. Mycenaean Period
Characteristic features
• Corbels- horizontal courses of stones were laid, projecting one beyond the other till the
apex wasreached
• This produced either a triangular opening (found above the doorways of the
tholos tombs) or an apparent arch (found at the gallery at Tiryns, or a dome-
shaped roof (found at the Treasury of Atreus) in Mycenae
• Inclined blocks- triangular headed opening.
• Arches
2000 - 4 0 0 B CE
44. Mycenaean Period 2000 - 4 0 0 B CE
Megaron – The Great Hall in the Palace of Pylos
• A square rooms with 4 columns
• A hearth in the centre
• Clerestoryceiling
46. Mycenae
1300 - 400 BCE
• 1450 BCE- Thick ring walls
around(cyclopean) were built
Mycenae
• Entry to citadel through Lion Gate
• Treasury of Atreus- 6-chambered
tombs containing gold, silver and
bronze burial treasures
(Burial Tholos)
• Palace compound on an elevated
level
47. Th e L io n Gate, Mycenae
• Relief carving of two lions facing a central column
• Triangular sculpture supports the load above entrance.
• Ashlar masonry walls on the sides.
48. Tr eas ur y of At reus
• Kings were buried outside the cities in beehive tombs or
tholos – monumental symbols of wealth and power
• Circular chamber - 15m high and 15m diameter; into the
hillside.
• 36 m long and 6 m wide corridor (dromos)
• Corbelled dome was covered with earth to form conical
hill
• 2 half columns and stone lintel above the entrance.
50. Hellenic Period – 800 to 323 B.C.
Hellenistic Period – 323 to 30 B.C.
ARCHITECTURE
51. Hellenic Period – 800 to 323 B.C.
Commenced circa 900 BC, (with substantial works of
architecture appearing from about 600 BC) and ended
with the death of Alexander the Great in 323 BC.
Hellenistic Period – 323 to 30 B.C.
Hellenic culture was spread widely, throughout lands
conquered by Alexander, and then by the Roman Empire
which absorbed much of Greek culture.
53. GREEK COLUMN ORDERS
Introduced by a Roman architect, Marcus Vitruvius
Defined column styles and entablature
Order of Architecture
A set or rules or principles for designing buildings.
Classical order of architecture
An approach to building design established in Greece or Rome during the Classical
period, roughly 850 BC through 476 AD.
How Classical Architecture Began
Great buildings were constructed according to precise rules
Marcus Vitruvius (De Architectura, or Ten Books on Architecture) believed
Builders used mathematical principles when constructing temples
Without symmetry and proportion, no temple can have a regular plan
54.
55.
56. DORIC
Basic Order in Greek Architecture –used by
Spartans
1. Column –height is 7 D –plinth, dado and
stylobate
Shaft–20 flutes and arrises
General Inter columnation–2 D
Distinctive Capital –Abacus and Echinus
2. Entablature –consists of Architrave, Frieze
and Cornice
a) Architrave –¾ D, flat moulding called taenea
Regula–short band with six ‘guttae’(small cone
like blocks)
b) Frieze –¾ D, contains Triglyph and Metope.
Triglyph–formed by two V-shaped channels
with similar half channels on both ends which
are rounded at top.
Metopes–square shaped space between
Triglyph
c) Cornice –½ D high –crowning part, projects
beyond frieze
Acroteria–for ornamentatal block
1) Tympanum
2) Acroterion
3) Cyma
4) Cornice
5) Mutules
6) Frieze
7) Triglyph
8) Metope
9) Regulae
10) Guttae
11) Taenia
12) Architrave
13) Capital
14) Abacus
15) Echinus
16) Column
17) Fluting
18) Stylobate
57.
58. • Doric columns stood directly on the flat pavement (the stylobate) without a base
• Vertical shafts were fluted with 20 parallel concave grooves
• Smooth capital that flared from the column to meet a square abacus
• Carried the horizontal beam(architrave)
• The Parthenon has the Doric design columns.
59. IONIC
Named after the Ionians of ancient
Greece
1. Column –9 D, has a base, moulded
base consists of upper and lower torus-
separated by Scotia and fillets
Shaft has 24 flutes –diminishes to 5/6 D
at its top.
General Intercolumniations 4 D
Remarkable for its volute(capital)
2. Entablature –2 D
a) Architrave–¾ D, triple fasciae(three
beams)
b) Frieze–¾ D, either plain or
ornamented
c) Cornice–½ D, similar treatment like
Doric
Rainwater sprouts in the shape of lion’s
heads
Ionic Order is more ornate than the
Doric –grace, refinement of outlines
and elegance as compared to Doric
Order
60. IONIC
• More slender and more ornate
than the Doric style
• Scroll-shaped ornaments on the
capital
• A pair of volutes
• Stands on a base of stacked disks
• Shafts are usually fluted, but can
be plain
Buildings With Ionic Columns:
The Erechtheum, Athens
The Colosseum, Rome
Doric columns on the first level,
Ionic columns on the second
level, and Corinthian columns on
the third level
61. CORINTHIAN
• Emerged as an offshoot of the Ionic style
about 450 BCE
• Distinguished by its more decorative
capitals
• Corinthian capital was much taller being
ornamented with a double row of
acanthus leaves topped by voluted
tendrils.
• Typically, it had a pair of volutes at each
corner, thus providing the same view from
all sides
• The ratio of the column-height to column-
diameter in Corinthian temples is usually
10:1 (compare Doric 5:1; Ionic 9:1), with
the capital accounting for roughly 10
percent of the height.
62.
63.
64. CORINTHIAN
1. Column –10 D height
Base –½ D high, similar to Ionic
Shaft–circular and tapered to 5/6 D at
top
24 flutes separated by fillets
General Inter columnation–3 D
Distinctive capital –perhaps evolved
from a basket placed on the root of
acanthus plant
2. Entablature –2.25 D high –and bears
a close resemblance to the Ionic Order.
a) Architrave –¾ D, divided into three
fasciae
b) Frieze –¾ D, ornamented by
continuous sculptures
c) Cornice –¾ D, dentils and corona –
antefixal ornament
Rarely used by Greeks, more decorative
and delicate
70. The agora was a central spot in ancient Greek city-states. The literal meaning of the word is
"gathering place" or "assembly". The agora was the center of athletic, artistic, spiritual and
political life of the city.
71. Acropolis
The Acropolis
The acropolis is the general term for the original defensive hilltop nucleus of the older Greek
cities and the fortified citadel of many of the colonial foundation.
• Possibly the religious sanctuary of the city like Athens or left deserted and left outside the
city limit, as the Miletus.
• If the acropolis is at the centre then, there were no need of city wall.
73. Represented the sacred precinct of the city of Athens.
• The building of the Acropolis did not have a
geometrical/axial relationship with one another but had a
definite visual relation with one another as well as the natural
setting of the surrounding to be experienced by the human
eye and people on foot.
• The natural Panorama was dramatically accented by the
foreground of man made temple- adding man’s world to
nature’s.
74.
75.
76. The City Wall
In Athens, Priene and Miletus,
the walls are loosely spread
around both unplanned and
planned urban areas, in order to
take maximum advantage of the
terrain.
Athens
77. Agora
Agora is a public space in Greek cities contained sustained or intense concentration of varied
activities.
• The Agora was in fact not only a public place, but the central zone of the city- its living heart.
• A ground for social life, business and politics.
• Being ideally positioned between the main gate and entrance to the acropolis serves as a
focal point of a planned city.
78. The Agora
The Agora was the political
and commercial heart. It was
the CBD which developed at
the foot of the Acropolis.
There was a stress on a finite
size for all things.
Ideal size of a city-polis:
10000-20000
The Greek towns attempted
to fit in as another
component of nature.
Architectural massing and
detailing of building always
gave a sense of human
measure.
89. • Classification is based on:
-the number of columns on the entrance
front
-Type of collonade surrounding the naos
-Type Of Portico
Classification
90. Greek Temple Plans
Typical floor plan incorporated a colonnade of columns (peristyle) on all four sides; a
front porch (pronaos), a back porch (opisthodomos).
Categorized based on their ground plan and the way in which the columns are arranged.
1.Prostyle temple is a temple that has columns only at the front
2.Amphiprostyle temple has columns at the front and the rear.
3.One of the more unusual plans is the tholos, a temple with a circular ground plan
4. Temples with a peripteral arrangement have a single line of columns arranged all
around the exterior of the temple building.
5. Dipteral temples simply have a double row of columns surrounding the building.
91.
92. • ORIENTED TOWARDS THE EAST
• NAOS ( it refers to the Cella, i.e. the inner chamber of a temple which houses a cult
figure)
• PRONAOS ( is the inner area of the portico of a Greek or Roman temple, situated
between the portico's colonnade or walls and the entrance to the cella, or shrine)
• AND EPINAOS (OPISTHODODMOS) - a room in the rear of the cella of an ancient
Greek temple
• SURROUNDED BY OPEN COLONNADE
• ENTRANCE DOORS on the east and west walls
• WINDOWS WERE RARE
• PEDIMENT
• TYMPANUM
• TIMBER ROOFS covered with MARBLE OR TERRACOTTA TILES
• ANTIFIXAE ORNAMENT at the end of the roof tiles
Characteristics
93. Parts of a Greek Temple
There are four distinct parts to a greek temple.
The bottom, horizontal part is the steps. Most Greek
temples had three of them.
The next section is vertical and is the column.
Most columns had a base (though not the Doric), at
the bottom, a shaft in the middle, and a capital at the
top.
The shaft may be smooth or fluted.
100. Built in pentelic marble.
•On the high grounds of the Acropolis, south of temple Athena.
•Architects –Ictinus & Callicrates ; sculptor –Pheidias.
•Rectangular plan measuring 71m X 32m.
Stands on a crepidoma of 3 steps with tread 70cm & rise 50cm.
Designed in octal-style, eight columns in front & back, columns having
base d = 1.9m, h = 10.4mand of the Doric order.
The entablature is 3.4m high and curve up in the middle.
•Architrave was ornamented with bronze shields.
•Sculptured metopes are about 1.34m X 1.34m, 14 in on front, 32 on south
and north.
•The frieze lean outward slightly.
The pediment inclined at 13˚ 30 mins.
It has floral decoration called Acroteria about 3m high.
The sloping cornices
of the pediment has ornamentations.
The Tympana had fine sculptures in bright colors.
109. Residential Districts
Residences were either grouped
together, in organic growth districts or
rigidly organized along basic grid-iron
lines.
There was a contrast between
the splendor of civic areas and
squalor of housing.
Communal activities were
more important than Home
life.
Individual dwellings within the
same grid block were of
different sizes and plans.
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
VIDEO ON CITY STATES
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
Slide concept by Edeliza V. Macalandag, UAP
FOR EDUCATIONAL USE ONLY
For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.