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Pitching, pricing,
and performing
Going from video vendor to marketing partner
Ian Servin - Strategist at Animus Studios
I’m a storyteller
WHAT DO I DO?
Title Text
Body Level One
Body Level Two
Body Level Three
Body Level Four
Conversations
Title Text
Body Level One
Body Level Two
Body Level Three
Body Level Four
Sharing
Introductions
WHAT DO YOU DO?
Vendor vs Partner
LET’S GET STARTED
Videographer vs Marketer
LET’S GET STARTED
vid-ee-og-ruh-fer
What does a videographer do?
• Works project to project
• Executes a client’s vision
• Limited creative input
• Focused on the deliverable
1. from the start you don’t own the relationship
2. you’re not positioned as an expert, you’re a commodity
3. you can’t even be all that creative in production
4. you stop providing value the moment you send the
video file
and that’s ok
Agencies are usually good at
thinking strategically, but…
Agencies approach video
like a videographer
That’s not good for clients
or your business
Let’s talk about partnership
what does a video marketing partner do?
• Builds long term client relationships
• Spends time upfront understanding business challenges and goals
• Determines the best content strategy to meet those challenges
with creative solutions
• Creates and distributes content over time and optimizes future
work based on past results
• Focused on the impact, not the deliverable
this approach will make your agency
and your clients really happy
• lower cost per deliverable, higher ROI
• tighter integration with external marketing teams
• decrease ‘spin up time’ required between new projects
• better relationships = more trust = creative freedom
Tactics for a relationship-driven workflow
OK, GREAT NOW WHAT?
Let’s talk about pitching
The pitch isn’t actually the beginning of
the client relationship.
Title Text
Body Level One
Body Level Two
Body Level Three
Body Level Four
It all starts with discovery
• understanding who your client is and what they’re
trying to accomplish
• looking at their existing marketing plans and identifying
opportunities and challenges
• analyzing competitors content strategy
• outlining a path to success
The creative jam and the voice doc
TWO TACTICS FOR A BETTER PITCH PROCESS
The creative
jam
A creative jam is all about establishing
a collaborative relationship with the client
• ask about previous production experiences, what went
well? what was not so fun about the experience?
• what marketing campaigns or activities are currently
underway? how are they performing?
• What stories aren’t being shared that should be? what
audiences aren’t being communicated to?
Building a
solid voice doc
• learning the brand’s origin story, how did it get started and
what was the original mission?
• how has that mission changed/grown? what does the brand
value today?
• what industry-specific terms are important to know? how
technical or formal are our audiences?
• what does the company sound like? does that change when it
speaks to different audiences?
document, condense, and draw conclusions
let’s try it out
• learning the brand’s origin story, how did it get started and
what was the original mission?
• how has that mission changed/grown? what does the brand
value today?
• what industry-specific terms are important to know? how
technical or formal are our audiences?
• what does the company sound like? does that change when it
speaks to different audiences?
Let’s talk about pricing
videographers are commodities,
marketing partners are experts
value-based
pricing
A value based price is the price a client is willing to pay
given the amount of value your solution provides.
• value based pricing is a combination of positioning and
calculating your value
• this calculation is complex and it requires an understanding
of your client’s business
• you have to be a solutions provider to charge based on value
• VBP is focused on the total relationship, so you still need to
understand time and materials cost to budget out a project
Building a
better budget
1. Segment your budget
• You need more than one budget
• Start by building a doc that covers the entire
relationship
• Break individual projects down into their own budgets
2. Define your activities
•Setup
•Production
•Distribution
•Measurement/optimization
Distribution
• Scheduling
• Publishing
• Copywriting
• Ads management
Setup
• Initial meetings
• Content audit
• Voice guide
• Competitive analysis
• Content calendar
• Distribution plan
Measurement/Optimization
• Gathering metrics
• Analysis and reporting
• Internal retrospectives
• Client check-ins
• Adjusting
3. Track your time
• Use a tool like Harvest or Toggl to make tracking easy
• Start high level to start; if you overcomplicate things you
won’t stick with it
• Check in during and after the project and compare your
initial estimates with actual time sheets
Example: Sample budget
Let’s talk about performing
Let’s talk about executing
Understanding
distribution
• Distribution is all about making sure your video makes and
impact and ultimately helps your client achieve their goals
• you need to think about distribution at the beginning of the
project
• every channel has different benefits and use cases
• audience + content determines what channels are relevant
• client goals determine which channels are important
Distribution starts with discovery, is executed during
publishing, and ends with measurement and optimization.
Warning: Distribution is hard.
Don’t fake it.
Measurement
and optimization
• KPIs are important and should be set ahead of time
• don’t let KPIs distract you from new or surprising
insights from metrics you’re not focused on
• set up a reporting cadence from the start, and stick to it
• regroup regularly internally and with the client to
analyze performance and talk next steps
https://wistia.com/library/guide-to-video-metrics
Time for a retrospective
THE ULTIMATE OPTIMIZATION TOOL
What went well?
What didn’t go well?
What did we learn?
What new questions
do we have?
partnership is about asking the right
questions and making strategic
decisions collaboratively
Want to talk more?
Visit http://srvn.co and click ‘schedule a chat’

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Video Marketing 101: Tactics to go from vendor to marketing partner

  • 1. Pitching, pricing, and performing Going from video vendor to marketing partner Ian Servin - Strategist at Animus Studios
  • 3. Title Text Body Level One Body Level Two Body Level Three Body Level Four Conversations
  • 4. Title Text Body Level One Body Level Two Body Level Three Body Level Four Sharing
  • 5.
  • 6.
  • 11. What does a videographer do? • Works project to project • Executes a client’s vision • Limited creative input • Focused on the deliverable
  • 12. 1. from the start you don’t own the relationship 2. you’re not positioned as an expert, you’re a commodity 3. you can’t even be all that creative in production 4. you stop providing value the moment you send the video file
  • 14. Agencies are usually good at thinking strategically, but…
  • 16. That’s not good for clients or your business
  • 17. Let’s talk about partnership
  • 18. what does a video marketing partner do? • Builds long term client relationships • Spends time upfront understanding business challenges and goals • Determines the best content strategy to meet those challenges with creative solutions • Creates and distributes content over time and optimizes future work based on past results • Focused on the impact, not the deliverable
  • 19. this approach will make your agency and your clients really happy
  • 20. • lower cost per deliverable, higher ROI • tighter integration with external marketing teams • decrease ‘spin up time’ required between new projects • better relationships = more trust = creative freedom
  • 21. Tactics for a relationship-driven workflow OK, GREAT NOW WHAT?
  • 22. Let’s talk about pitching
  • 23. The pitch isn’t actually the beginning of the client relationship.
  • 24. Title Text Body Level One Body Level Two Body Level Three Body Level Four It all starts with discovery
  • 25. • understanding who your client is and what they’re trying to accomplish • looking at their existing marketing plans and identifying opportunities and challenges • analyzing competitors content strategy • outlining a path to success
  • 26. The creative jam and the voice doc TWO TACTICS FOR A BETTER PITCH PROCESS
  • 28. A creative jam is all about establishing a collaborative relationship with the client
  • 29. • ask about previous production experiences, what went well? what was not so fun about the experience? • what marketing campaigns or activities are currently underway? how are they performing? • What stories aren’t being shared that should be? what audiences aren’t being communicated to?
  • 31. • learning the brand’s origin story, how did it get started and what was the original mission? • how has that mission changed/grown? what does the brand value today? • what industry-specific terms are important to know? how technical or formal are our audiences? • what does the company sound like? does that change when it speaks to different audiences?
  • 32. document, condense, and draw conclusions
  • 34. • learning the brand’s origin story, how did it get started and what was the original mission? • how has that mission changed/grown? what does the brand value today? • what industry-specific terms are important to know? how technical or formal are our audiences? • what does the company sound like? does that change when it speaks to different audiences?
  • 38. A value based price is the price a client is willing to pay given the amount of value your solution provides.
  • 39. • value based pricing is a combination of positioning and calculating your value • this calculation is complex and it requires an understanding of your client’s business • you have to be a solutions provider to charge based on value • VBP is focused on the total relationship, so you still need to understand time and materials cost to budget out a project
  • 41. 1. Segment your budget • You need more than one budget • Start by building a doc that covers the entire relationship • Break individual projects down into their own budgets
  • 42. 2. Define your activities •Setup •Production •Distribution •Measurement/optimization
  • 43. Distribution • Scheduling • Publishing • Copywriting • Ads management Setup • Initial meetings • Content audit • Voice guide • Competitive analysis • Content calendar • Distribution plan Measurement/Optimization • Gathering metrics • Analysis and reporting • Internal retrospectives • Client check-ins • Adjusting
  • 44. 3. Track your time • Use a tool like Harvest or Toggl to make tracking easy • Start high level to start; if you overcomplicate things you won’t stick with it • Check in during and after the project and compare your initial estimates with actual time sheets
  • 46.
  • 47.
  • 48.
  • 49.
  • 50. Let’s talk about performing
  • 51. Let’s talk about executing
  • 53. • Distribution is all about making sure your video makes and impact and ultimately helps your client achieve their goals • you need to think about distribution at the beginning of the project • every channel has different benefits and use cases • audience + content determines what channels are relevant • client goals determine which channels are important
  • 54. Distribution starts with discovery, is executed during publishing, and ends with measurement and optimization.
  • 58. • KPIs are important and should be set ahead of time • don’t let KPIs distract you from new or surprising insights from metrics you’re not focused on • set up a reporting cadence from the start, and stick to it • regroup regularly internally and with the client to analyze performance and talk next steps
  • 60. Time for a retrospective THE ULTIMATE OPTIMIZATION TOOL
  • 61.
  • 62. What went well? What didn’t go well? What did we learn? What new questions do we have?
  • 63. partnership is about asking the right questions and making strategic decisions collaboratively
  • 64. Want to talk more? Visit http://srvn.co and click ‘schedule a chat’