rosss

1. Acknowledgment
My Name is Habtamu Tadesse, I would like to express my
deepest gratitude to our ALMIGHTY GOD next to our CEO
Mr. SEIFE and Mr.Negasi. I also have unwavering respect for
all of ENA staff members.
We would like to thank you very much for your support and
your understanding of this ENA StudioB&C project.

2. Day
• ARET Academy Studio and MCR B Training
Description
1. Detailed description of the Electrical Block Diagram
Studio and MCR B&C Electrical Block Diagram
2. Studio and MCR B&C Equipment Layout Block
Diagram
Studio and MCR B&C Equipment Layout Block Diagram
3. Studio B&C and MCR Video Block Diagram
Detailed description of Studio B&C Video Block Diagram
*Question and Answer
--------------------------------------------------------------------
Day-1/ 16/11/2022
-------------------------------
Training
 CLASSROOM
 CLASSROOM
 CLASSROOM
ENAAttendance
5
5
5

3. Studio B&C and MCR Audio and Intercom Block Diagram
1. Detailed description of Studio B&C Audio and Intercom
Block Diagram
2. Detailed description of MCR B&C Audio Block Diagram
*Question and Answer
----------------------------
AUDIO MIXER (Part 1-2)
General Representation of the MC^2
Detail description of the Audio Mixer integration inside the
system
PowerCore, MC^2, A-Stage48, MADI and Ravenna
Connections
Detail description of Audio Mixer Configuration
Technical Operation on Audio console
Day-2/ 17/11/2022
--------------------------------
Training
 CLASSROOM
 CLASSROOM
ENAAttendance
5
5

4. Studio B&C and MCR Audio and Intercom Block Diagram
AUDIO MIXER (Part 2-2)
Detail description of the Audio Mixer Functionalities and
Operativity
Technical Operation on Audio console
Day-3/ 18/11/2022
--------------------------------
Training
 CLASSROOM
ENAAttendance
5

5. Routing System (Part 1-2)
General Presentation of the Ultrix and its Architecture…
Input/Output—Controller—Power Supply—Network
Detail description of the video router configuration…
DashBoard—Tree Structure—Database—Communication Port
*Question and Answer
-----------------------------
Technical Operation on the router
Day-4/ 21/11/2022
--------------------------------
Training
 CLASSROOM
HANDS-ON
ENAAttendance
5

6. Routing System (Part 2-2)
Description of the Multiviewer and Custom Layout Creation
Routing Panels Configuration
Detailed description of the router integration inside the system..
Protocol—NK-IPS—NK-GPIO—Licenses
Detail description of the Emb/De-embed Signal flow
*Question and Answer
-----------------------------
Technical Operation on the router
Day-5/ 22/11/2022
--------------------------------
Training
 CLASSROOM
HANDS-ON
ENAAttendance
5

7. Studio and MCR B&C GPIO Block Diagram
Description of studio and MCR B&C GPIO Block Diagram
Video Switcher
General presentation of the Carbonite video switcher
Detailed description of the video switcher integration inside the
system
Detailed description of video switcher configuration
Technical Operation on TouchDrive panel
Day-6/ 23/11/2022
--------------------------------
Training
 CLASSROOM
 CLASSROOM
HANDS-ON
ENAAttendance
5
5

8. Video Switcher
Detailed description of video switcher configuration
*Question and Answer
--------------------------
Technical Operation on TouchDrive panel
Day-7/ 24/11/2022
--------------------------------
Training
 CLASSROOM
HANDS-ON
ENAAttendance
5

9. Studio and MCR B&C Synchronism and Network Block
Diagram
Detailed description of Studio and MCR B&C Synch Block
Diagram
Detailed description of Studio and MCR B&C Lan Block Diagram
SPG Configuration
Modular
Modulars integration inside the system block diagrams
Modular Frame Layouts
Dashboard and Modulars Configuration
Emergency Changeover
*Question and Answer
---------------------------
Technical Operation on Modular
Day-8/ 25/11/2022
--------------------------------
Training
 CLASSROOM
 CLASSROOM
HANDS-ON
ENAAttendance
5
5

10. General presentation of the MCR Mixer
General presentation of the MCR MC1 Mixer
Detailed description of the integration with the system and with
the Ultrix MCR router
Detail description of the integration with the system and with
the ultrix MCR router
Detail description of MC1 panel Operativity and Configuration
*Question and Answer
---------------------------
Day-9/ 28/11/2022
--------------------------------
Training
 CLASSROOM
ENAAttendance
5

11. Character Generator
General presentation of the xPression Character Generator
Detailed description of the Character Generator Configuration
*Question and Answer
---------------------------
Technical Operation on the Character Generator
Day-10/ 29/11/2022
--------------------------------
Training
 CLASSROOM
ENAAttendance
5

12. MDK-111A-M
Introduction to MDK-111A-M
» The MDK-111A-M is a high quality HD/SD-SDI video keyers with
four internal static/animation playout channels and one external
key/alpha channel.
» An excellent device for keying external devices such as character
generators, and graphic systems into a program feed and/or keying
with four internal logo channels.
» The MDK-111A-M offers full key control with shaped and
unshaped keying, self key or auto key, and gain and clip control.
» The Background A and B inputs allows for background dissolves
and V-Fades behind the external key source.

13. » All four inputs have line synchronization, locked to an external
analog reference, to ease system timing requirements.
» Four independent outputs for Program, Preview, and Clean
Feed offer independent Proc-Amp control with Fade to Black
capability.
» The MDK-111A-M processes embedded audio on the
Background A and Background B inputs.
» Any audio groups present on the inputs are carried through to the
outputs.
» During transitions, the audio ramps smoothly between A and B
sources, matching the video transition.
MDK-111A-M Cont………

14. Functional Block Diagrams
Figure below is a functional block diagram of the MDK-111A-M with the 8320AR-
033 rear module.

15. MDK-111A-M Installation
Overview of the MDK-111A-M components

16. Card-edge LEDs
Description of the card-edge LEDs.
Figure below Card-edge Controls Table below LEDs on the Card-edge

17. 8320AR-033 Rear Module Cabling Overview
⁂ The 8320AR-033 rear module provides four video inputs and
four programmable video outputs.
*Cabling for the Input and Outputs
To connect video input and output
cables to the rear module.
1. Connect the appropriate input video
sources to the BNC connectors on the
rear module.
2. Connect the output BNC connectors
as required for your facility.

18. Configuration
Instructions for configuring the MDK-111A-M using the options available
in DashBoard.
• Using DashBoard
• Ethernet Communication Setup
• Selecting the Reference Source
• Configuring the Video Inputs and
Outputs
• Audio Mixing Configuration
• Serial Communication Setup
• GPI/Tally Communication Setup
• LTC Communication Setup
• Loading the Factory Defaults
• Personality Options
• Software Upgrades
To launch DashBoard
1. Ensure that you are running DashBoard
software version 6.2.0 or higher.
2. Launch DashBoard by double-clicking its
icon on your desktop.
3. Ensure that the openGear frame with the
MDK-111A-M is displayed in the Tree View
located on the left-side of the DashBoard
window.

19. To access a card in DashBoard
Configure MDK-111A-M in DashBoard

20. To set up ethernet communications for the card

21. Configuring the Video Inputs and Outputs
This section outlines
how to specify the
format for all the card
outputs.
 The output must be
compatible with the
selected reference.
 Note that the EXT
KEY, and EXT
ALPHA sources
must be the same
format as the
output format.
Practically we will see……………………….

22. Media File Management
Connection using FTP
To access the MDK-111A-M via
FTP
 Have the IP address from
Config-Ethernet.
 Ensure an ethernet cable is
plugged into the MDK-111A-M
rear module.
An FTP connection to the MDK-111A-M
should be established by your facility IT
department.
The following information is required to
create an FTP connection:
• User Name — user
• Password — password
Note — The RossLinq channel in XPression must be set as a passive FTP
connection in order to set up communications between XPression and the
MDK-111A-M. Refer to the XPression documentation for details.

23. To connect to the XPression via RossLinq, establish an FTP connection using the
following information:
• IP Address — This information is displayed in the IP Address field of the Ethernet tab
in DashBoard for your card.
• User Name — xpression
• Password — password

24. MC1-PANEL-16
Overview
 The panel’s customizable
soft-touch buttons with
programmable
mnemonics and instant
control of up to 10
channels, with easily
accessible menus that
auto-follow, brings the
MC1 to a whole new
level—ensuring a reliable
and smooth experience.

25.  MC1 is scalable modular & Cost effective solution for master control
application.
 The MC1 System include Open gear based mixer keyer card which
interconnected to ross routing system /Ultrix/ , creating flexible and
modular, single or multichannel master control solution.
 Each channel offers four program/preset buses with selectable transition
types.
 Four in line keyers, internal logo stores, and external key&fill input, four
audio shuffling&processing as well as 2d sqeezeback effect.
 A varieties of control options exists in your facilities work flows.
 Touch screen based soft panel operation available using dashboard control
system or 16 button ip connected physical control panel can be utilized for
manual control.
 Upto 10 Channels of MC1 can be controlled by a single hardware and software
pannel.

26.  Channels is also put in a gained mode that permit a simultaneous control of
multiple channels of mc1 from a single panel.
 This is ideal for facilities for running multiple format or multiple language
channel at the same time.
 In addition all function in MC1 controllable simultaneously via industrial
standard automation protocol for fully automated in environment.
The latest version of MC1 software include some exiting features.this includes TSL
3.1 support support for tally with combination with ultrix.

27. SD / HD / 3G-SDI Master Control and Branding Mixer / Keyer
MC1-MK-4GB Block Diagram

28. Features
 Controls up to 10 MC1 Channels from a single panel 16
Input Crosspoint buttons for Program and Preset
 Multi-color source name mnemonics
 Full Keyer Control
 Transition control
 Audio Over control
 Smooth Audio gain knob.
 RGB LED backlighting can be customized per channel
Note:- Key and Fill is a technique used to composite graphics in broadcast vision mixers – often
for video SDI signals do not carry alpha information. Hence, the alpha channel (Key) needs to
lower third graphics. Physical be split into a separate video signal, with alpha being presented as
luminance.
Media servers have the ability to split RGBA into RGB (Fill) and A (Key) signals, with no
changes to your project’s configuration. Standalone offers this functionality by sending the Key
& Fill to two different video monitors/outputs.

29. MC1-PANEL-16 Installation and Cabling
Ethernet DIP Switches
 DIP Switch 1 and DIP Switch 2 are
used in conjunction with the
DashBoard menus to set the IP
Address of the MC1-PANEL-16.
 Please leave DIP Switch 3 and 4 in
their default (UP) positions.
Ethernet Cabling
 You will require a standard network
CAT-5 cable to connect the MC1-
PANEL-16 to your facility network.
Ensure to use only the Ethernet 1
port.

30. openGear MC1-MK Cabling
Input and Reference Cabling Note:
 This illustrates
cabling for one
MC1-MK card
and one MUX-
8258 card in an
OG3-FR series
frame.
 Our setup
requirements may
differ than what is
presented here.
The MUX-8258
is optional.

31. Output and Ethernet Cabling

32. Cabling Overview
Cabling Overview
 Figure illustrates the physical
connections in a routing system
that includes a Ross Ultrix router
and the MC1-MK.
 Routing System Workflow with a
Ross Ultrix Router and an MC1-
MK
Communications Setup
 how to configure the MC1-MK to
communicate with the Ross Ultrix
router.
 When using the Ultrix protocol,
virtual routing and a T-Bus
Address of 254 are hard coded.

33. Configuration
Before You Begin
Ensure that the following tasks are performed for each MC1-MK card that the MC1-PANEL-16
will communicate with:
1. Select the Sources — You must specify the video format and the reference source, and
configure the outputs
for each MC1-MK card that the MC1-PANEL-16 will interface with.
2. Configure the SqueezeBack feature — specifying the key order, configuring a tally/GPI for
SqueezeBack.
3. Configure the Audio sources — specify which audio group is embedded for outputs,
specify how much the Program bus audio level is reduced when an EAS alert is active, specify
whether the audio gain level is reset, to the factory default value of 0dB during transition,
configure the embedded audio sources for the Voice Over feature for audio transitions.

34. Configuring the Ethernet Communications
⁇ Contact your IT
Department before
configuring the network
settings on your MC1-
PANEL-16.
 Each MC1-PANEL-16
includes an ethernet port
on the rear panel. By
default, this port is
enabled and configured
for DHCP.
• Default configuration via DashBoard — The
MC1-PANEL-16 ships from the factory set to
Custom User mode with DHCP selected.
• Automatic Configuration using DHCP — The
MC1-PANEL-16 is configured to automatically
obtain network settings from a Dynamic Host
Configuration Protocol (DHCP) server.
• Preset Configuration using DIP switch(es) —
The MC1-PANEL-16 can be forced to use
specific pre-defined network settings by means of
the DIP switches located on the chassis rear panel.

35. MC1-MK-4Gb Video Configuration Screen shoot

36. MC1-MK-4Gb-Audio Configuration Screenshot

37. MC1-MK-4GB GPI/Tally

38. MC1-MK-4GB Video Input Configuration

39. MC1-MK-4Gb-Audio Configuration Screenshot

40. Audio Overview
 The MC1-MK provides the ability to independently configure the audio channel map
and gain of each input (up to 16) that can be selected on the crosspoint bus, and to
adjust the gain, or mute, individually, each of the 16 embedded channels.
 The audio processing and shuffle settings are retained on a per crosspoint basis.
 In addition, audio settings can be saved to one of four audio profiles that can be
applied to any crosspoint during a TAKE transition.
Figure below provides a simplified workflow diagram of the MC1-MK audio processing.

41. MC1-MK……….

42. Offline Mode Practically Cont……………

43. Introducing the mc²36
System Components
 The MC^2 36 is an all-in-one digital mixing console with integrated power
supplies, DSP processing and I/O connections.
 The console has a similar architecture, operating system and application
software to other mc^2 products.
 As a result, it benefits from a powerful feature-set and can be networked to
the other mc2 systems.

44. MC^2 36 • MC^2 36 Overview
 Unlike other mc2 consoles, the
mc^2 36 is a self-contained unit.
 The integrated DSP micro-core
provides a 512 x512 digital
routing matrix and two physical
DSP boards.
 Local I/O, within the console
frame, provides 32 mic/line in, 32
line out, 8 AES in, 8 AES out, 1
stereo headphone out, 8 GPIO, 1
MADI and 3 RAVENNA ports.

45. CONTROL PANEL
 Frames with 32 faders model with dual-fader section.
 6 banks each with 2 layers
 100mm fader + 1 freely adjustable rotary encoder (mc²36-32) +
channel display for each fader with sense-triggered change of module
display
 TFT metering: mono, stereo or up to 7.1 including bus assignment,
gain reduction for dynamics, AfV status, VCA assignment, Mix-
Minus, Signal Patching, Meter selection, Automix state
 GUI page output, e.g. metering, on an external monitor
 10 Central user buttons, 2 Central user encoders, 1 talkback button and
2 fader user buttons with 8 functions each

46. SIGNAL PROCESSING
 256 DSP channels (160 inputs and 96 summing buses)
Up to 160 inputs with A/B input, up to 96 AUX buses, up to 96 groups, up to 96 main
sums, 32 Automix groups
 Rapid switching of channel and bus to mono/stereo/surround Up to 32 surround
channels, 128 VCA groups with metering, 256 GP channels
 Surround formats: DTS&Dolby® Digital 5.1, Dolby® Pro-logic 4.0, DTS ES&
Dolby® EX 6.1, SDDS 7.1, DTS-HD 7.1,diverse panning characteristics, surround
aux bus
 2 AFL: 1 surround 8-channel, 1 stereo and 2 PFL stereo
 Modules: INMIX with MS decoder, digital amp, 2-band fully parametric filter, 4-
band fully parametric EQ, 2-band fully parametric side chain filter, insert, delay up to
1800ms –switchable units: meters, milliseconds, frames.
 32 Automix groups available for mono/stereo/surround channels with unlimited
contributing channels each.

48. MC^2 36
• MC^2 36 Front panel
 To expand the I/O capabilities, you
may connect up to three Compact
I/O stageboxes, or network to other
mc2 systems, via the console's
RAVENNA ports.
 Any source can be routed to any
input channel, and any output bus
or channel send routed to any
destination.
 In addition, you may route sources
directly to destinations, for
example to feed a mic/line in to an
AES out.

49. ENA MC^2 36 /32 Feeder version/

50. Signal Flow & Processing
 The DSP resources provide a mixture of input channels (INP),
monitor return channels (MON), groups (GRP), main outputs (SUM)
and auxiliary sends (AUX).
 The exact numbers are determined by your choice of production
template.
 Each channel comes with either full or reduced signal processing
(known as tiny channels).
 This enables EQ, Dynamics, Delay, etc. to be applied to both inputs
and outputs.
 The production template also determines the channel type (Broadcast
or Recording), and whether DSP redundancy is active.
 Channels can be configured for mono, stereo or surround operation.

51. Banks & Layers
 The console supports six control surface banks (1 to 6)
 each with two layers - Layer 1 and Layer 2 Think of
each bank as a separate console, with fast global
switching from one bank to another.
 Within each bank, layers can be switched globally or
individually.
 This makes layers ideal for related channels.

52. MC^2 36 Audio Console
Console Reset
 Productions form: folders are
created to store snapshots.
 Snapshots store: different mixes for
recall before or during the show.
 A Sequence: is a list of snapshots
which can be loaded in sequence
during a live show
 Presets are stored independently of
productions and snapshots
mxGUI (Matrix GUI)
 mxGUI is a Lawo software program
 runs on an external computer to
provide offline setup or remote
operation of any mc2 system.
 You can work offline to create
productions, snapshots, sequences
and presets which can then be
transferred to the console at a later
date

53. Compact I/O
(optional Stagebox)
Stage box
The Compact I/O is an
external stagebox (5RU)
providing 32
mic/line in, 32 line out, 8 AES
in, 8 AES out, 8 GPIO and 1
MADI port. Up to three units
may be connected via the
console's RAVENNA ports.
Note: If a new Compact I/O stagebox is installed, then the system
configuration must be edited using AdminHD.

54. The Control Surface

55. Control Surface Conti…..
1 Channel Display - metering and touch-screen operation of channel
assignments.
2 Fader Strips - 24* dedicated fader strips (* dependent on the frame
size).
3 Central Control Section - master channel control for the selected
fader (EQ, DYNAMICS, etc).
4 Central GUI - touch-screen operation of the console's setup displays.
5 Console Keyboard - space for the console keyboard and its USB port.
6 Centre Section - master controls including SCREEN CONTROL
(Central GUI) navigation.
7 Headphone & USB Ports - 1 x stereo headphone out and 2 x USB
ports.

56. Central GUI
Ⱶ The Central GUI (Graphical User Interface) is a high resolution
touch-screen providing access to the console's setup displays.
Ⱶ Settings can be adjusted via the touch-screen, trackpad and
mouse keys, or console keyboard.
Ⱶ The GUI is divided into the following areas:

57. 1 Title Bar (Headline)
2.SCREEN
CONTROL displays
3. Status Bar
4.Touch-screen
Buttons

58. MC^2 36 Installation
SFP Module Installation
o In order to use the console's rear MADI port, an
optical fibre SFP transceiver must be fitted.
o The SFP module determines the type of optical
fibre connection.
o The following transceivers can be specified at
the time of order and delivered with your
console:
981/60-80 - for MADI multi-mode fibre
981/60-81 - for MADI single-mode fibre

59. SFP module is a Small Form-Factor Pluggable
 An SFP module is a Small Form-
Factor Pluggable. Simply put, it is
a small transceiver that can send
and receive data over fiber.
 SFPs plug into your network
switch or media converter.
 They are hot-pluggable, so
modules can easily be swapped in
and out.

60. Cont……….
 The single mode SFP or
multimode SFP means the SFP
transceivers which work at
different types of optical fibers,
 ie single mode SFP will work
with single mode fiber, while
multimode SFP will work with
multimode fiber.

61. Signal Connections
You should connect all external audio, network and reference signals at the
rear of the console:

62. 1 Analogue & Digital Monitoring (XLR)
 LINE OUT 1 to 8 and AES OUT 1 to 4 are reserved for monitoring.
 Two independent monitor outputs are supported: CRM 1 (5.1 surround) and
CRM 2 (stereo).
 In each case, you may connect either an analogue or digital loudspeaker
system.
 For digital main monitoring, connect your speaker system to AES OUT 1 to
3. Or,
 for analogue main monitoring, connect your loudspeakers to LINE OUT 1
to 6.
 For digital secondary monitoring, connect your speaker system to AES
OUT 4. Or,
 for analogue secondary monitoring, connect your loudspeakers to LINE
OUT 7 & 8.

63. 2 External Mic, Line and AES Devices (XLR)
 The remaining AES IN/OUT, LINE OUT and MIC IN connectors
are free for external devices such as microphones, outboard effects,
playback machines and external metering. They comprise 8 AES IN
(1-8); 4 AES OUT (5-8); 24 LINE OUT (9-32); 32 MIC IN (1-32*).
*Note that MIC IN 32 may be reserved for talkback.
 All XLR connections are electronically balanced.
 AES INs and OUTs conform to the stereo AES 3 standard.
 For LINE OUTs, the maximum analogue level can be adjusted to
 +12, +15, +18, +21 or +24 dBu relative to digital full scale (dBFS).
This is a factory-configured setting; +24dBu is recommended.

64. 3 MADI (optical fibre via SFP Module)
 The console's MADI port carries up to 64 input and output channels.
 It is ideal for connecting a multitrack recorder or external multi-channel device.
The connection conforms to AES 10 and is available on optical fibre LC
connectors, once you have fitted the recommended SFP module.
 The LOCK / ERR LED indicates the status of the MADI link: green = active;
flashing red = link is asynchronous; off = no connection or link is invalid.

65. Ethernet B (External Network)
The ETHERNET B port provides a network connection to the mc236 control system.

66. TCP/IP Configuration
To establish communication, you will need to configure the TCP/IP settings for your
computer’s network interface card.
The following screenshots demonstrate how to do so on a computer running
Windows 7 and Mac OS X:

67. TCP/IP Configuration Cont……..

68. IPAddress
 The IP address of your computer’s network interface card must be unique, and set
within the same range as that of the mc²36 control system.
• You can check the IP address of your control system from the Central GUI (using the
Signal Settings display).
 For example, if your Lawo system's IP address = 192.168.102.36, then set your
computer's IP address to 192.168.102.101
Subnet Mask
The Subnet Mask should be identical to that of the system. The default Subnet Mask is
255.255.255.0.

69. Operation of MC^2 36
Assigning an Input Source
 On input channels, you can assign any source connected to the console's routing
matrix.
 This can be a local source (from the Rear Connector Panel), or a remote source
(from a Compact IO stagebox or networked Lawo system).
 The simplest way to assign a new source is from the Channel Display touch-screen:
 Touch the channel's source label at the bottom of the display (e.g. A: INP 1), and
then select a directory, subdirectory and input - for example: Local I/O -> Mic ->
Mic 01. Note that sources are listed using both their system name and user label -
System name / User Label:

70.  Bus Out - the bus outputs
from the console (Auxes,
Groups and Sums).
 Direct Out - the direct
output from any other
channel.
 Insert Send - the insert send
from any other channel.
 Local IO - external sources
connected to the Rear
Connector Panel.
 Ra-Link - external sources
connected to a Compact IO
stagebox (optional).
 Generator - the internal
signal generator (two sine
wave, one pink noise and
one white noise output).

71. The Signal List Display
• From the Signal List display, you can configure signal routing and edit user labels. You
can also choose which input channels, groups, sums, etc. need to be mono, stereo or
surround.
To route a source to an input channel:
 Select a source – e.g. Local I/O (Directory) -> Mic (Subdirectory) -> Mic 28. Then
select the destination – e.g. Input/Mon A + B (Directory) -> A Inp 1 (Subdirectory) ->
INP 28A.
 Note that input channels support an A/B input switch, hence you will see both A and B
INP Subdirectories.

73. Assigning Channels to Fader Strips
*To assign a single channel to a fader strip:
 First, put the channel into access - you can do this either by
pressing its fader SEL button (if the channel is already assigned
to the surface), or using the ACCESS/ASSIGN touchscreen
panel as follows:
1. On the SCREEN CONTROL front panel, press the ACCESS /
ASSIGN button to switch the right of the Central GUI from
Monitoring to Access/Assign functions:

74. 2. Enter the channel type - e.g. INP for input channels - the button flashes.
3. Enter the channel number from the numeric keypad - e.g. press 2, 5 and ENTER
for the number twenty five.
 The channel in access is shown in the ACCESS/ASSIGN display.
 With the correct channel in access, select the on-screen STRIPASSIGN button
(shown opposite) - the fader SEL buttons across the console flash, in green:

75.  Press a fader SEL to complete the
assignment. the fader strip updates and the
SEL button changes colour, from green to red.
 Deselect the on-screen STRIPASSIGN
button, or press ESC, to exit the strip
assignment mode.
To assign a range of channels to consecutive fader strips:
Repeat the steps above to put the first channel into access -
e.g INP 1. Then select the on-screen FIRST LAST
button (instead of STRIPASSIGN).
This time press the fader SEL on the first fader you wish
to assign (e.g. strip1) followed by the fader SEL on the
last fader (e.g. strip 24)

76. Saving Settings & Next Steps
 At any time you can save the current settings of the console into a new production using the
Save button (on the Production List display).
 Save keeps all the current settings, including any snapshot folders, and saves them under a
new production name. (i.e. this operation performs a "Save As..".)
1. First, select the Production List display by pressing the PROD/FILE button located on the
SCREEN CONTROL panel.
2. Then select the on-screen Save button – the current settings are saved into a new production
which is given a default name (e.g. production 0012):

77. Power Core
 Scalable High-Density I/O, Mixing, Processing & Routing Engine
 1RU AoIP I/O gateway, routing engine and DSP processor.
 DSP resources to dramatically increase flexibiliity and capability, while shrinking
costs and rack space requirements.
 multiple high-density RAVENNA/AES67 and MADI interfaces.
 8 modular mic, line, AES3 and DANTE interfaces to customize your signal mix.
 Route it all using the internal matrix of up to 1,920 x 1,920 crosspoints.
 Power Core is also a console mixing engine like no other.
 60 physical plus 60 virtual faders.
 Power Core can actually provide mixing services for as many as four independent
control surfaces simultaneously, reducing the engine-to-console ratio as much as
75%
Introduction to Power Core

78. Overview PowerCore
 To serve very large
production centers,
Power Core AIOX
(Audio I/O
Extender) adds as
many as 64 more
channels of audio in
a slim 1RU
expansion frame.

79. PowerCore Rear Module View
SOFTWARE-DEFINED
FLEXIBILITY UPGRADABLE
LICENSE PACKAGES
 we use software to configure it for
different applications.
 Flexible license packages let you
choose the configuration that matches
your needs, whether it’s pure I/O,
mixing, routing, or physical & virtual
mixing interfaces.
 Power Core is a powerful mixing /
routing engine

80. MAXIMUM DSP

81. Contin……..
 Power Core is ready for any processing job.
 DSP features include equalizers with five parameters:
I. three fully-parametric bands and
II. two semi-parametric bands that can be high- and low-shelf filters, plus
gate, expansion, limiting, compression (including) side-chain filters,
realtime de-essing & AutoGain for each mic input, and pan/balance
adjustments. Up to 5,280 ms of synchronization delay with switchable units
(milliseconds, meters, or frames) is available.

82. 96 DSP Channels*
™ Each channel equipped with input gain, direct out, insert, Aux send and more. EBU
R128 loudness metering, too.
80 Summing Busses*
™ Use as Program, Record, Aux, Group, Mix-Minus or general purpose. Apply DSP to as
many as 32 mono / 16 stereo busses.
1920 Crosspoints*
™ Available with as many as 1920 x 1920 routing crosspoints, with instant access to all
audio sources, networked or local.
6 License Options*
™ Tiered software license packs let you optimize I/O, DSP, bus and routing capacities to
fit your.
Summary

83. CONFIGURE IT YOUR WAY
» Power Core comes standard with a staggering amount of AES67 and MADI
I/O already installed.
» 8 rear-panel slots accommodate a variety of I/O modules, many with high-
density DB-25 connectors using the AES59 wiring standard to facilitate
quick and easy hookup.

84. 2x MADI I/O
 Power Core has loads of front-panel MADI, but you can add even more!
Two SFP ports provide 64 channels each.
MADI I/O With SRC
 SFP MADI card with sample-rate conversion supports asynchronous
operation with audio sources up to 96 kHz.
8x Mic / Line In
 Got mics? Of course you do. This card provides 8 switchable mic / line
channels, with selectable Phantom power.
8x Analog In
 Even today’s digital world still has some analog sources. The Line
interface provides 8 mono or 4 stereo inputs.
8x Analog Out
 8 mono or 4 stereo outputs, to interface Power Core with your legacy
equipment.
4x AES3 I/O
 Connect your AES / EBU devices. Each card has 4 digital inputs (with
sample rate conversion) and 4 digital outputs; bit-transparent.

85. 2x Dante I/O
The perfect way to connect to Dante networks. Dual-
redundant ports give access to a total of 64 Dante streams.
Studio I/O
The Swiss army knife of interfaces. Each card adds 2 Mic /
Line in, 2 Line outputs and 2 HP outputs for on-air
convenience
4x AES3id I/O
AES/EBU I/O card for use with HD-BNC connections; 4
inputs with SRC, 4 outputs. Compatible with Dolby E
sources; bit-transparent.
Finished.

86. Thank you so much
for your Attention.
Prepared By:
Habtamu Tadesse
ENA-Eng-Department