SlideShare uma empresa Scribd logo
1 de 8
Analysis 1 – Detailed Written Analysis –
Limitless
Camerawork
Example 1:
This wide shot shows the protagonist from the film perched on the edge of an
apartment balcony. The character is shown to be very small on the shot in
comparison to his surroundings, which represents him as overwhelmed and
vulnerable. This is typical in the thriller genre as it represents how the events in
the narrative have put the character under serious strain and conflict. The wide
shot also emphasizes the deadly situation the character is in which is typical of
the thriller genre and will leave the trailer on a cliffhanger ending that will
encourage the target audience to see the film.
Example 2:
This low angle long shot once again puts the protagonist in a dangerous and
daring situation typical of the thriller genre but this time shows him to be in
control. The low angle looking up on the character emphasizes his control and
power, which is a result of the pill he has taken. This is conventional of the
psychological genre as it displays the extreme feats of the pill.
Example 3:
This mid shot is at the beginning of the trailer and emphasizes the progression of
the narrative. It does this through presenting the scruffy appearance of the
protagonist. The shot begins to pan as the character walks across the road and
displays the angry look on his face, which connotes his frustration at his life that
is going nowhere. This is in juxtaposition to how his lifestyle develops
throughout the narrative therefore this shot fully establishes the equilibrium of
the film allowing the audience to have a greater understanding of the films
storyline.
Editing
Example 1:
This is an example of eyeline match as it shows the protagonist looking at what
he is holding and then a shot of the pill he is holding. The first shot displays the
curiosity on his face, which reveals to the audience that what he is holding is a
point of interest and significance. The second shot then fully reveals the pill
while the voiceover explains what it does which explains the disequilibrium of
the narrative. It also opens up a conventional story arc to the psychological genre
through the boosted mental state of the protagonist.
Example 2:
This shot shows a use of CGI that reveals a series of numbers and equations on
the ceiling. This will stand out to the audience and make the shot more
memorable as it does not reveal what is actually there but in fact provides an
insight into the protagonist’s mind allowing the audience to relate more to what
he is experiencing. The insight into his mind is also conventional of the
psychological genre as it shows his new thought process since he has taken the
pill.
Example 3:
Editing is also used to create a conventional thriller trailer through the
increasing fast paced editing. At the start of the trailer the editing is slow which
supports the portrayal of the protagonist’s life that is going nowhere. The pace of
the editing however starts to increase as the pace of the protagonist’s life does
up to the point where he is under attack from thugs where the transition
between each shot becomes more and more frequent. This adds to the sense of
excitement and tension in the trailer, which is a key characteristic of the thriller
genre.
Miseen Scene
Example 1:
This shot displays many aspects of mise-en-scene that create an introduction to
the protagonists life. For example the low-key lighting within the room connotes
the negative route in which his life is currently heading. The setting of a run
down bar creates a similar impression and contrasts some of the luxurious and
glamorous locations he is in later on in the trailer. Props are used such as the
glass of whiskey which he is drinking from which creates the impression he has a
reckless nature and has a negative attitude towards his life; this impression is
added to with the protagonists costume which is looks scruffy and dirty, once
again contrasting outfits he is seen in later on.
Example 2:
This shot is put in the trailer as a form of juxtaposition to example 1 as it shows
the protagonist in a contrasted atmosphere. The use of props such as the shot
glass he is holding link this scene to the previous one but other aspects of mise
en scene contrast it such as the setting, which is clearly a much more upmarket
bar than the one he was previously in which connotes the increase in his quality
of life.His costume is used to the same effects as his smart shirt and blazer is
clearly more expensive and professional than the plain old t-shirt he is wearing
in example 1 and signifies his wealth and power. This will create a sense of
intrigue within the audience who will be interested to see how the character
developed into what he is at this point.
Example 3:
The mise en scene is used conventionally for the thriller genre in this extract due
to the use of props such as the knife being held by the antagonist, which creates a
sense of threat and danger, conventional of this genre. As this is seen from the
perspective of the protagonist it allows the audience to feel more engaged in the
scene and persuaded to watch the film. The characters appearance and costume
adds to his menace and state of authority, which emphasizes the state of peril the
protagonist is in.
Sound
Example 1:
The action in the trailer begins with the accompaniment of a voiceover from the
main protagonist. This non-diegetic sound is a conventional trait of the start of a
trailer and a film alike and allows the audience to both engage with the character
and be introduced to the concept and themes of the film. In this trailer, the
voiceover creates a humorous tone to the scene in reference to the “I’m a writer”
quote, which adds a sense of personality to the main protagonist. It also
continues to explain the plot developments within the film throughout the
trailer, which proves it to be an efficient way of presenting an outline of the film
in a trailer to its audience.
Example 2:
Another considerable use of non-diegetic sound in the extract is the soundtrack
itself which changes in pace and tone depending on the action. It starts off slow
paced to represent his life going nowhere and begins to pick up in pace as the
protagonists life begins to change. This is a conventional and effective means of
setting the scene and helps to convey the mood and intensity of a scene. Towards
the end of the soundtrack, a famous song by Kanye West is incorporated into it
that would be well known to a large amount of the audience. This is an effective
technique, as it would help the audience remember the trailer and associate it
with that song.
Example 3:
Diegetic sound is also used in the trailer to emphasize the tension such as loud
car engines, the sound of doors being kicked in and people being punched in the
face etc. All of these are conventional for the thriller genre as it shows the
protagonist in a situation of danger and peril that is often shown in thriller
trailers. It will also appeal to the audience who will associate these sound effects
with exciting scenes and will be inclined to see how these scenes pan out.
Conventions, Representations and Narratives
The main protagonist is represented in two contrasting ways during the
narrative, firstly as a down on his luck loser and secondly as a hotshot
millionaire; the technical elements emphasize this change. Despite it being a
thriller there is no clear, main protagonist represented in the trailer despite
some minor shots of thugs threatening the lead character. This could be
explained due to the psychological nature of the film, suggesting the main
conflict of the protagonist to be with himself. The narrative follows the
traditional form of equilibrium (the pill drastically improving the quality of the
protagonists life), disequilibrium (him getting into trouble and experiencing side
effects of the pill) and the resolution is not featured within the trailer as it
typically only previews and promotes the main film. Other conventions of the
form include the companies and actors names appearing at the beginning and
end and on-screen text that outlines key themes of the plot.

Mais conteúdo relacionado

Mais procurados

04.Micro elements in City of God
04.Micro elements in City of God04.Micro elements in City of God
04.Micro elements in City of GodNaamah Hill
 
Codes & Conventions Of The Thriller Genre
Codes & Conventions Of The Thriller Genre Codes & Conventions Of The Thriller Genre
Codes & Conventions Of The Thriller Genre ChloeRandall
 
Short film analysis: The Black Hole
Short film analysis: The Black Hole Short film analysis: The Black Hole
Short film analysis: The Black Hole dorcasviela
 
Analysis on Tracking Down Maggie - Nick Broomfield
Analysis on Tracking Down Maggie - Nick BroomfieldAnalysis on Tracking Down Maggie - Nick Broomfield
Analysis on Tracking Down Maggie - Nick BroomfieldLois Hunt
 
'Gone girl' Opening scene annotation
'Gone girl' Opening scene annotation'Gone girl' Opening scene annotation
'Gone girl' Opening scene annotationrebekahannecurran
 
Mise En Scene Of Se7en
Mise En Scene Of Se7enMise En Scene Of Se7en
Mise En Scene Of Se7enburkysslide
 
Conventions of drama genre
Conventions of drama genre Conventions of drama genre
Conventions of drama genre Sharmila664
 
Film trailer woman in black textual analysis
Film trailer woman in black textual analysisFilm trailer woman in black textual analysis
Film trailer woman in black textual analysischarlottepage94
 
Representation of Gender in City of God
Representation of Gender in City of GodRepresentation of Gender in City of God
Representation of Gender in City of GodNaamah Hill
 
Pulp Fiction - Opening scene
Pulp Fiction - Opening scenePulp Fiction - Opening scene
Pulp Fiction - Opening sceneAlexbryantmedia
 
Opening sequence analysis- pulp fiction
Opening sequence analysis-  pulp fictionOpening sequence analysis-  pulp fiction
Opening sequence analysis- pulp fictionLiamShannnon
 
Codes of convention :fictional biopic
Codes of convention :fictional biopicCodes of convention :fictional biopic
Codes of convention :fictional biopicbarniep
 
Types of camera shots, Media A-level
Types of camera shots, Media A-levelTypes of camera shots, Media A-level
Types of camera shots, Media A-levelRyan_Wilkinson
 
The conjuring - research
The conjuring  - researchThe conjuring  - research
The conjuring - researchMariannaGould
 
AS Media Textual Analysis - The Conjuring
AS Media Textual Analysis - The ConjuringAS Media Textual Analysis - The Conjuring
AS Media Textual Analysis - The ConjuringScottCartwrightTHS
 
Analysis Of Opening Techniques Scream
Analysis Of Opening Techniques ScreamAnalysis Of Opening Techniques Scream
Analysis Of Opening Techniques Screamtahir369
 
City of God - Analysis
City of God - AnalysisCity of God - Analysis
City of God - AnalysisHannah Perry
 
Halloween (1978) whole film case study
Halloween (1978) whole film case studyHalloween (1978) whole film case study
Halloween (1978) whole film case studyuzzthekid
 
Codes and conventions of thriller films
Codes and conventions of thriller filmsCodes and conventions of thriller films
Codes and conventions of thriller filmslaurynrobert
 

Mais procurados (20)

04.Micro elements in City of God
04.Micro elements in City of God04.Micro elements in City of God
04.Micro elements in City of God
 
Codes & Conventions Of The Thriller Genre
Codes & Conventions Of The Thriller Genre Codes & Conventions Of The Thriller Genre
Codes & Conventions Of The Thriller Genre
 
Short film analysis: The Black Hole
Short film analysis: The Black Hole Short film analysis: The Black Hole
Short film analysis: The Black Hole
 
Analysis on Tracking Down Maggie - Nick Broomfield
Analysis on Tracking Down Maggie - Nick BroomfieldAnalysis on Tracking Down Maggie - Nick Broomfield
Analysis on Tracking Down Maggie - Nick Broomfield
 
White chicks
White chicks White chicks
White chicks
 
'Gone girl' Opening scene annotation
'Gone girl' Opening scene annotation'Gone girl' Opening scene annotation
'Gone girl' Opening scene annotation
 
Mise En Scene Of Se7en
Mise En Scene Of Se7enMise En Scene Of Se7en
Mise En Scene Of Se7en
 
Conventions of drama genre
Conventions of drama genre Conventions of drama genre
Conventions of drama genre
 
Film trailer woman in black textual analysis
Film trailer woman in black textual analysisFilm trailer woman in black textual analysis
Film trailer woman in black textual analysis
 
Representation of Gender in City of God
Representation of Gender in City of GodRepresentation of Gender in City of God
Representation of Gender in City of God
 
Pulp Fiction - Opening scene
Pulp Fiction - Opening scenePulp Fiction - Opening scene
Pulp Fiction - Opening scene
 
Opening sequence analysis- pulp fiction
Opening sequence analysis-  pulp fictionOpening sequence analysis-  pulp fiction
Opening sequence analysis- pulp fiction
 
Codes of convention :fictional biopic
Codes of convention :fictional biopicCodes of convention :fictional biopic
Codes of convention :fictional biopic
 
Types of camera shots, Media A-level
Types of camera shots, Media A-levelTypes of camera shots, Media A-level
Types of camera shots, Media A-level
 
The conjuring - research
The conjuring  - researchThe conjuring  - research
The conjuring - research
 
AS Media Textual Analysis - The Conjuring
AS Media Textual Analysis - The ConjuringAS Media Textual Analysis - The Conjuring
AS Media Textual Analysis - The Conjuring
 
Analysis Of Opening Techniques Scream
Analysis Of Opening Techniques ScreamAnalysis Of Opening Techniques Scream
Analysis Of Opening Techniques Scream
 
City of God - Analysis
City of God - AnalysisCity of God - Analysis
City of God - Analysis
 
Halloween (1978) whole film case study
Halloween (1978) whole film case studyHalloween (1978) whole film case study
Halloween (1978) whole film case study
 
Codes and conventions of thriller films
Codes and conventions of thriller filmsCodes and conventions of thriller films
Codes and conventions of thriller films
 

Semelhante a Analysis 1 - Detailed Written Analysis - Limitless

The hangover trailer detailed analysis
The hangover trailer detailed analysisThe hangover trailer detailed analysis
The hangover trailer detailed analysislucyallbutmedia
 
Lost property evaluation 1
Lost property evaluation 1Lost property evaluation 1
Lost property evaluation 1MatthewMindtrick
 
Mediapresentation Almost Done2
Mediapresentation Almost Done2Mediapresentation Almost Done2
Mediapresentation Almost Done2guest7d6423
 
Mediapresentation Almost Done2
Mediapresentation Almost Done2Mediapresentation Almost Done2
Mediapresentation Almost Done2guest7d6423
 
Textual analysis of a teaser
Textual analysis of a teaserTextual analysis of a teaser
Textual analysis of a teaserleahblundell
 
Textual Analysis Media - Zak
Textual Analysis Media - Zak Textual Analysis Media - Zak
Textual Analysis Media - Zak emmabathetaylor
 
Evaluationpart1 final
Evaluationpart1 finalEvaluationpart1 final
Evaluationpart1 finalMegan Mackay
 
my opening sequence analysis
my opening sequence analysismy opening sequence analysis
my opening sequence analysislukej123
 
Analysis of a Short Film
Analysis of a Short FilmAnalysis of a Short Film
Analysis of a Short Filmmags249
 
Trailer conventions - Conventions Of Existing Media Texts
Trailer conventions - Conventions Of Existing Media TextsTrailer conventions - Conventions Of Existing Media Texts
Trailer conventions - Conventions Of Existing Media TextsOllieHumphrisVyners
 
In what ways does your media product use, develop or chalange forms and conve...
In what ways does your media product use, develop or chalange forms and conve...In what ways does your media product use, develop or chalange forms and conve...
In what ways does your media product use, develop or chalange forms and conve...sherrymedia
 
The girl in red
The girl in redThe girl in red
The girl in redNT160371
 
Saw movie trailer analysis
Saw movie trailer analysisSaw movie trailer analysis
Saw movie trailer analysisSashawallen
 
Thriller film research
Thriller film researchThriller film research
Thriller film researchjphibbert
 
The girl in red
The girl in redThe girl in red
The girl in redNT160371
 

Semelhante a Analysis 1 - Detailed Written Analysis - Limitless (20)

The hangover trailer detailed analysis
The hangover trailer detailed analysisThe hangover trailer detailed analysis
The hangover trailer detailed analysis
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
 
Lost property evaluation 1
Lost property evaluation 1Lost property evaluation 1
Lost property evaluation 1
 
Mediapresentation Almost Done2
Mediapresentation Almost Done2Mediapresentation Almost Done2
Mediapresentation Almost Done2
 
Mediapresentation Almost Done2
Mediapresentation Almost Done2Mediapresentation Almost Done2
Mediapresentation Almost Done2
 
Sophie: Fight Club
Sophie: Fight ClubSophie: Fight Club
Sophie: Fight Club
 
Evaluation part 1
Evaluation part 1Evaluation part 1
Evaluation part 1
 
Textual analysis of a teaser
Textual analysis of a teaserTextual analysis of a teaser
Textual analysis of a teaser
 
Textual Analysis Media - Zak
Textual Analysis Media - Zak Textual Analysis Media - Zak
Textual Analysis Media - Zak
 
Evaluationpart1 final
Evaluationpart1 finalEvaluationpart1 final
Evaluationpart1 final
 
my opening sequence analysis
my opening sequence analysismy opening sequence analysis
my opening sequence analysis
 
Analysis of a Short Film
Analysis of a Short FilmAnalysis of a Short Film
Analysis of a Short Film
 
Trailer conventions - Conventions Of Existing Media Texts
Trailer conventions - Conventions Of Existing Media TextsTrailer conventions - Conventions Of Existing Media Texts
Trailer conventions - Conventions Of Existing Media Texts
 
In what ways does your media product use, develop or chalange forms and conve...
In what ways does your media product use, develop or chalange forms and conve...In what ways does your media product use, develop or chalange forms and conve...
In what ways does your media product use, develop or chalange forms and conve...
 
The girl in red
The girl in redThe girl in red
The girl in red
 
The shining
The shiningThe shining
The shining
 
Saw movie trailer analysis
Saw movie trailer analysisSaw movie trailer analysis
Saw movie trailer analysis
 
Thriller film research
Thriller film researchThriller film research
Thriller film research
 
JZ Evaluation
JZ EvaluationJZ Evaluation
JZ Evaluation
 
The girl in red
The girl in redThe girl in red
The girl in red
 

Mais de Gussssssy1

Audience feedback summary
Audience feedback summaryAudience feedback summary
Audience feedback summaryGussssssy1
 
Audience feedback summary
Audience feedback summaryAudience feedback summary
Audience feedback summaryGussssssy1
 
Link of products
Link of productsLink of products
Link of productsGussssssy1
 
Audience feedback summary
Audience feedback summaryAudience feedback summary
Audience feedback summaryGussssssy1
 
Audience research overview
Audience research overviewAudience research overview
Audience research overviewGussssssy1
 
Audience feedback summary
Audience feedback summaryAudience feedback summary
Audience feedback summaryGussssssy1
 
Link of products
Link of productsLink of products
Link of productsGussssssy1
 
Magazine cover
Magazine cover Magazine cover
Magazine cover Gussssssy1
 
Magazine cover
Magazine coverMagazine cover
Magazine coverGussssssy1
 
Control poster
Control posterControl poster
Control posterGussssssy1
 
Ancillary magazine draft 2
Ancillary magazine draft 2Ancillary magazine draft 2
Ancillary magazine draft 2Gussssssy1
 
Ancillary film poster draft 2
Ancillary film poster draft 2Ancillary film poster draft 2
Ancillary film poster draft 2Gussssssy1
 
The girl with the dragon tattoo magazine cover analysis
The girl with the dragon tattoo magazine cover analysisThe girl with the dragon tattoo magazine cover analysis
The girl with the dragon tattoo magazine cover analysisGussssssy1
 
Saw movie poster analysis
Saw movie poster analysisSaw movie poster analysis
Saw movie poster analysisGussssssy1
 
Inception magazine cover analysis
Inception magazine cover analysisInception magazine cover analysis
Inception magazine cover analysisGussssssy1
 
Risk assessment 2
Risk assessment 2Risk assessment 2
Risk assessment 2Gussssssy1
 
Audience research overview
Audience research overviewAudience research overview
Audience research overviewGussssssy1
 
Ancillary poster draft 2
Ancillary poster draft 2Ancillary poster draft 2
Ancillary poster draft 2Gussssssy1
 

Mais de Gussssssy1 (20)

Audience feedback summary
Audience feedback summaryAudience feedback summary
Audience feedback summary
 
Audience feedback summary
Audience feedback summaryAudience feedback summary
Audience feedback summary
 
Link of products
Link of productsLink of products
Link of products
 
Audience feedback summary
Audience feedback summaryAudience feedback summary
Audience feedback summary
 
Audience research overview
Audience research overviewAudience research overview
Audience research overview
 
Audience feedback summary
Audience feedback summaryAudience feedback summary
Audience feedback summary
 
Link of products
Link of productsLink of products
Link of products
 
Conventions
ConventionsConventions
Conventions
 
Technology
TechnologyTechnology
Technology
 
Magazine cover
Magazine cover Magazine cover
Magazine cover
 
Magazine cover
Magazine coverMagazine cover
Magazine cover
 
Control poster
Control posterControl poster
Control poster
 
Ancillary magazine draft 2
Ancillary magazine draft 2Ancillary magazine draft 2
Ancillary magazine draft 2
 
Ancillary film poster draft 2
Ancillary film poster draft 2Ancillary film poster draft 2
Ancillary film poster draft 2
 
The girl with the dragon tattoo magazine cover analysis
The girl with the dragon tattoo magazine cover analysisThe girl with the dragon tattoo magazine cover analysis
The girl with the dragon tattoo magazine cover analysis
 
Saw movie poster analysis
Saw movie poster analysisSaw movie poster analysis
Saw movie poster analysis
 
Inception magazine cover analysis
Inception magazine cover analysisInception magazine cover analysis
Inception magazine cover analysis
 
Risk assessment 2
Risk assessment 2Risk assessment 2
Risk assessment 2
 
Audience research overview
Audience research overviewAudience research overview
Audience research overview
 
Ancillary poster draft 2
Ancillary poster draft 2Ancillary poster draft 2
Ancillary poster draft 2
 

Último

👙 Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Serviceanamikaraghav4
 
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance BookingCall Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Bookingroncy bisnoi
 
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser... Shivani Pandey
 
2k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 92055419142k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 9205541914Delhi Call girls
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingNitya salvi
 
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...noor ahmed
 
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...noor ahmed
 
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...noor ahmed
 
Call Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service NashikCall Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girls in Nagpur High Profile
 
Low Rate Young Call Girls in Surajpur Greater Noida ✔️☆9289244007✔️☆ Female E...
Low Rate Young Call Girls in Surajpur Greater Noida ✔️☆9289244007✔️☆ Female E...Low Rate Young Call Girls in Surajpur Greater Noida ✔️☆9289244007✔️☆ Female E...
Low Rate Young Call Girls in Surajpur Greater Noida ✔️☆9289244007✔️☆ Female E...SofiyaSharma5
 
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...rahim quresi
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goasexy call girls service in goa
 
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl GoaRussian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goasexy call girls service in goa
 
College Call Girls New Alipore - For 7001035870 Cheap & Best with original Ph...
College Call Girls New Alipore - For 7001035870 Cheap & Best with original Ph...College Call Girls New Alipore - For 7001035870 Cheap & Best with original Ph...
College Call Girls New Alipore - For 7001035870 Cheap & Best with original Ph...anamikaraghav4
 

Último (20)

👙 Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Park Circus 💫💫7001035870 Model escorts Service
 
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance BookingCall Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
 
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICECHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
 
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
 
Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171
 
2k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 92055419142k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 9205541914
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
 
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
 
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
Book Paid Sonagachi Call Girls Kolkata 𖠋 8250192130 𖠋Low Budget Full Independ...
 
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
 
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
 
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Call Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service NashikCall Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
Call Girls Nashik Gayatri 7001305949 Independent Escort Service Nashik
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
 
Low Rate Young Call Girls in Surajpur Greater Noida ✔️☆9289244007✔️☆ Female E...
Low Rate Young Call Girls in Surajpur Greater Noida ✔️☆9289244007✔️☆ Female E...Low Rate Young Call Girls in Surajpur Greater Noida ✔️☆9289244007✔️☆ Female E...
Low Rate Young Call Girls in Surajpur Greater Noida ✔️☆9289244007✔️☆ Female E...
 
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
 
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl GoaRussian Escorts Agency In Goa  💚 9316020077 💚 Russian Call Girl Goa
Russian Escorts Agency In Goa 💚 9316020077 💚 Russian Call Girl Goa
 
College Call Girls New Alipore - For 7001035870 Cheap & Best with original Ph...
College Call Girls New Alipore - For 7001035870 Cheap & Best with original Ph...College Call Girls New Alipore - For 7001035870 Cheap & Best with original Ph...
College Call Girls New Alipore - For 7001035870 Cheap & Best with original Ph...
 

Analysis 1 - Detailed Written Analysis - Limitless

  • 1. Analysis 1 – Detailed Written Analysis – Limitless Camerawork Example 1: This wide shot shows the protagonist from the film perched on the edge of an apartment balcony. The character is shown to be very small on the shot in comparison to his surroundings, which represents him as overwhelmed and vulnerable. This is typical in the thriller genre as it represents how the events in the narrative have put the character under serious strain and conflict. The wide shot also emphasizes the deadly situation the character is in which is typical of the thriller genre and will leave the trailer on a cliffhanger ending that will encourage the target audience to see the film.
  • 2. Example 2: This low angle long shot once again puts the protagonist in a dangerous and daring situation typical of the thriller genre but this time shows him to be in control. The low angle looking up on the character emphasizes his control and power, which is a result of the pill he has taken. This is conventional of the psychological genre as it displays the extreme feats of the pill. Example 3:
  • 3. This mid shot is at the beginning of the trailer and emphasizes the progression of the narrative. It does this through presenting the scruffy appearance of the protagonist. The shot begins to pan as the character walks across the road and displays the angry look on his face, which connotes his frustration at his life that is going nowhere. This is in juxtaposition to how his lifestyle develops throughout the narrative therefore this shot fully establishes the equilibrium of the film allowing the audience to have a greater understanding of the films storyline. Editing Example 1: This is an example of eyeline match as it shows the protagonist looking at what he is holding and then a shot of the pill he is holding. The first shot displays the curiosity on his face, which reveals to the audience that what he is holding is a point of interest and significance. The second shot then fully reveals the pill while the voiceover explains what it does which explains the disequilibrium of the narrative. It also opens up a conventional story arc to the psychological genre through the boosted mental state of the protagonist. Example 2:
  • 4. This shot shows a use of CGI that reveals a series of numbers and equations on the ceiling. This will stand out to the audience and make the shot more memorable as it does not reveal what is actually there but in fact provides an insight into the protagonist’s mind allowing the audience to relate more to what he is experiencing. The insight into his mind is also conventional of the psychological genre as it shows his new thought process since he has taken the pill. Example 3: Editing is also used to create a conventional thriller trailer through the increasing fast paced editing. At the start of the trailer the editing is slow which supports the portrayal of the protagonist’s life that is going nowhere. The pace of the editing however starts to increase as the pace of the protagonist’s life does up to the point where he is under attack from thugs where the transition between each shot becomes more and more frequent. This adds to the sense of excitement and tension in the trailer, which is a key characteristic of the thriller genre. Miseen Scene Example 1:
  • 5. This shot displays many aspects of mise-en-scene that create an introduction to the protagonists life. For example the low-key lighting within the room connotes the negative route in which his life is currently heading. The setting of a run down bar creates a similar impression and contrasts some of the luxurious and glamorous locations he is in later on in the trailer. Props are used such as the glass of whiskey which he is drinking from which creates the impression he has a reckless nature and has a negative attitude towards his life; this impression is added to with the protagonists costume which is looks scruffy and dirty, once again contrasting outfits he is seen in later on. Example 2:
  • 6. This shot is put in the trailer as a form of juxtaposition to example 1 as it shows the protagonist in a contrasted atmosphere. The use of props such as the shot glass he is holding link this scene to the previous one but other aspects of mise en scene contrast it such as the setting, which is clearly a much more upmarket bar than the one he was previously in which connotes the increase in his quality of life.His costume is used to the same effects as his smart shirt and blazer is clearly more expensive and professional than the plain old t-shirt he is wearing in example 1 and signifies his wealth and power. This will create a sense of intrigue within the audience who will be interested to see how the character developed into what he is at this point. Example 3:
  • 7. The mise en scene is used conventionally for the thriller genre in this extract due to the use of props such as the knife being held by the antagonist, which creates a sense of threat and danger, conventional of this genre. As this is seen from the perspective of the protagonist it allows the audience to feel more engaged in the scene and persuaded to watch the film. The characters appearance and costume adds to his menace and state of authority, which emphasizes the state of peril the protagonist is in. Sound Example 1: The action in the trailer begins with the accompaniment of a voiceover from the main protagonist. This non-diegetic sound is a conventional trait of the start of a trailer and a film alike and allows the audience to both engage with the character and be introduced to the concept and themes of the film. In this trailer, the voiceover creates a humorous tone to the scene in reference to the “I’m a writer” quote, which adds a sense of personality to the main protagonist. It also continues to explain the plot developments within the film throughout the trailer, which proves it to be an efficient way of presenting an outline of the film in a trailer to its audience. Example 2: Another considerable use of non-diegetic sound in the extract is the soundtrack itself which changes in pace and tone depending on the action. It starts off slow paced to represent his life going nowhere and begins to pick up in pace as the
  • 8. protagonists life begins to change. This is a conventional and effective means of setting the scene and helps to convey the mood and intensity of a scene. Towards the end of the soundtrack, a famous song by Kanye West is incorporated into it that would be well known to a large amount of the audience. This is an effective technique, as it would help the audience remember the trailer and associate it with that song. Example 3: Diegetic sound is also used in the trailer to emphasize the tension such as loud car engines, the sound of doors being kicked in and people being punched in the face etc. All of these are conventional for the thriller genre as it shows the protagonist in a situation of danger and peril that is often shown in thriller trailers. It will also appeal to the audience who will associate these sound effects with exciting scenes and will be inclined to see how these scenes pan out. Conventions, Representations and Narratives The main protagonist is represented in two contrasting ways during the narrative, firstly as a down on his luck loser and secondly as a hotshot millionaire; the technical elements emphasize this change. Despite it being a thriller there is no clear, main protagonist represented in the trailer despite some minor shots of thugs threatening the lead character. This could be explained due to the psychological nature of the film, suggesting the main conflict of the protagonist to be with himself. The narrative follows the traditional form of equilibrium (the pill drastically improving the quality of the protagonists life), disequilibrium (him getting into trouble and experiencing side effects of the pill) and the resolution is not featured within the trailer as it typically only previews and promotes the main film. Other conventions of the form include the companies and actors names appearing at the beginning and end and on-screen text that outlines key themes of the plot.