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AUDIOMETRICS: MEASURING
INDIVIDUALS' AUDIO
CONSUMPTION IN THE UK
THROUGH MARKET RESEARCH
by
GRANT GODDARD
www.grantgoddard.co.uk
August 2013
Audio has long proven itself to be a very effective advertising medium due to low consumer
avoidance, good recall levels of messages/brands and strong consumer trust in 'radio'. The
online audio platform benefits from these established behaviours, while monetisation of
listening via the internet in the UK can be enhanced by the availability of objective market
consumption data to media buyers and potential advertisers.
In June 2013, Audiometrics published the first results of its research programme to measure
what audio content UK adults are listening to, how they listen and where they are listening.
From these data, it emerged that:
 The audio medium maintains its significance, even in our increasingly visual world.
90% of the adult population reported listening to audio content during a week. Amongst 15-
24 year olds, it was 92%. In our multi-tasking lives, audio appears to be an ideal
'secondary' medium that can accompany other activities such as travel, working at a
computer screen or fitness.
 Listening to audio via the internet is not a marginal activity. 48% of adults reported
using audio delivered via IP during a week, listening either live, to on-demand content or to
audio podcasts. Amongst 15-24 year olds, it was 75%. Recent growth in ownership of
connected devices, combined with widespread access to the internet on-the-go, has made
online audio content available much more universally.
 Listening to audio online has spread far beyond relatively young, early adopters.
Almost half of 35-54 year olds reported using audio delivered via IP during a week.
Intensive marketing of the iPlayer, having built upon the BBC's longstanding offerings of
on-demand and downloadable audio programmes, appears to have succeeded in
engaging older demographics with these technologies.
 Smartphones and mobile phones have more significance for young people as
devices for listening to audio than do radio receivers (analogue or digital). 51% of
15-24 year olds had used a phone to listen to audio during the week, but only 36% had
used a radio receiver. This trend of migration to connected devices is already evident
amongst older 25-34 year olds, of whom 42% used a phone and 54% used a radio to listen
to audio.
 Tablets and games consoles are emerging as potentially important devices for
listening to audio. Tablets/e-readers were used by 7% of adults (13% of 25-34 year olds),
whilst games consoles were used by 4% (11% of 15-24 year olds). More significant
currently are computers (desktop, laptop, notebook) used by 34% of adults to listen to
audio in a week, and portable media players used by 17%.
 Audio's characteristic as a secondary medium remains significant for vehicle
drivers, passengers and users of public transport. 51% of adults reported listening to
audio whilst in transit during a week. The arrival of smart, connected dashboards activated
by voice commands, combined with improved portability of online services between
devices, will be an important catalyst for audio delivered to vehicles by IP or 4G.
 Listening to audio in the workplace, though still not as prevalent in the UK as in
North America, is noteworthy. 17% of adults reported listening to audio at work during a
week, with an evident skew between genders (21% of males). Usage was almost even
across all ages from 15 to 54 year olds.
 Listening to music that is owned, either in physical or digital formats, remains
substantial. 47% of adults reported listening during a week to music that they own, 27%
using digital files and 34% using physical formats (CD, cassette, vinyl). Inevitably, digital
files dominate amongst younger consumers (used by 45% of 15-24 year olds), whilst
physical formats dominate amongst older consumers (used by 42% of 45-54 year olds).
These initial results indicate that UK consumers are already leaders within Europe for listening
to audio delivered via the internet. Potential advertisers and sponsors can be confident that
Audiometrics: Measuring Individuals' Audio Consumption In The UK Through Market Research Page 2
©2013 Grant Goddard
Audiometrics: Measuring Individuals' Audio Consumption In The UK Through Market Research Page 3
©2013 Grant Goddard
online audio is an effective medium to reach significant UK audiences, particularly in
environments (at work, on transport) that prove more challenging for other media.
The first results from our research programme were presented to members of the IAB's Audio
Council at its inaugural meeting in June 2013. As a founder member of the Audio Council
initiative, Audiometrics is keen to share its insights and market intelligence with stakeholders
interested in understanding the dynamics of the UK consumer market for audio.
[First published as 'What The Numbers Say – And Why You Should Care' in 'The Big Audio
Handbook' by Internet Advertising Bureau UK, September 2013]
Grant Goddard is a media analyst / radio specialist / radio consultant with thirty years of
experience in the broadcasting industry, having held senior management and consultancy
roles within the commercial media sector in the United Kingdom, Europe and Asia. Details at
http://www.grantgoddard.co.uk

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'Audiometrics: Measuring Individuals' Audio Consumption In The UK Through Market Research' by Grant Goddard

  • 1. AUDIOMETRICS: MEASURING INDIVIDUALS' AUDIO CONSUMPTION IN THE UK THROUGH MARKET RESEARCH by GRANT GODDARD www.grantgoddard.co.uk August 2013
  • 2. Audio has long proven itself to be a very effective advertising medium due to low consumer avoidance, good recall levels of messages/brands and strong consumer trust in 'radio'. The online audio platform benefits from these established behaviours, while monetisation of listening via the internet in the UK can be enhanced by the availability of objective market consumption data to media buyers and potential advertisers. In June 2013, Audiometrics published the first results of its research programme to measure what audio content UK adults are listening to, how they listen and where they are listening. From these data, it emerged that:  The audio medium maintains its significance, even in our increasingly visual world. 90% of the adult population reported listening to audio content during a week. Amongst 15- 24 year olds, it was 92%. In our multi-tasking lives, audio appears to be an ideal 'secondary' medium that can accompany other activities such as travel, working at a computer screen or fitness.  Listening to audio via the internet is not a marginal activity. 48% of adults reported using audio delivered via IP during a week, listening either live, to on-demand content or to audio podcasts. Amongst 15-24 year olds, it was 75%. Recent growth in ownership of connected devices, combined with widespread access to the internet on-the-go, has made online audio content available much more universally.  Listening to audio online has spread far beyond relatively young, early adopters. Almost half of 35-54 year olds reported using audio delivered via IP during a week. Intensive marketing of the iPlayer, having built upon the BBC's longstanding offerings of on-demand and downloadable audio programmes, appears to have succeeded in engaging older demographics with these technologies.  Smartphones and mobile phones have more significance for young people as devices for listening to audio than do radio receivers (analogue or digital). 51% of 15-24 year olds had used a phone to listen to audio during the week, but only 36% had used a radio receiver. This trend of migration to connected devices is already evident amongst older 25-34 year olds, of whom 42% used a phone and 54% used a radio to listen to audio.  Tablets and games consoles are emerging as potentially important devices for listening to audio. Tablets/e-readers were used by 7% of adults (13% of 25-34 year olds), whilst games consoles were used by 4% (11% of 15-24 year olds). More significant currently are computers (desktop, laptop, notebook) used by 34% of adults to listen to audio in a week, and portable media players used by 17%.  Audio's characteristic as a secondary medium remains significant for vehicle drivers, passengers and users of public transport. 51% of adults reported listening to audio whilst in transit during a week. The arrival of smart, connected dashboards activated by voice commands, combined with improved portability of online services between devices, will be an important catalyst for audio delivered to vehicles by IP or 4G.  Listening to audio in the workplace, though still not as prevalent in the UK as in North America, is noteworthy. 17% of adults reported listening to audio at work during a week, with an evident skew between genders (21% of males). Usage was almost even across all ages from 15 to 54 year olds.  Listening to music that is owned, either in physical or digital formats, remains substantial. 47% of adults reported listening during a week to music that they own, 27% using digital files and 34% using physical formats (CD, cassette, vinyl). Inevitably, digital files dominate amongst younger consumers (used by 45% of 15-24 year olds), whilst physical formats dominate amongst older consumers (used by 42% of 45-54 year olds). These initial results indicate that UK consumers are already leaders within Europe for listening to audio delivered via the internet. Potential advertisers and sponsors can be confident that Audiometrics: Measuring Individuals' Audio Consumption In The UK Through Market Research Page 2 ©2013 Grant Goddard
  • 3. Audiometrics: Measuring Individuals' Audio Consumption In The UK Through Market Research Page 3 ©2013 Grant Goddard online audio is an effective medium to reach significant UK audiences, particularly in environments (at work, on transport) that prove more challenging for other media. The first results from our research programme were presented to members of the IAB's Audio Council at its inaugural meeting in June 2013. As a founder member of the Audio Council initiative, Audiometrics is keen to share its insights and market intelligence with stakeholders interested in understanding the dynamics of the UK consumer market for audio. [First published as 'What The Numbers Say – And Why You Should Care' in 'The Big Audio Handbook' by Internet Advertising Bureau UK, September 2013] Grant Goddard is a media analyst / radio specialist / radio consultant with thirty years of experience in the broadcasting industry, having held senior management and consultancy roles within the commercial media sector in the United Kingdom, Europe and Asia. Details at http://www.grantgoddard.co.uk