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kenya hara
                                       senseware




Lia Estrellado | Michelle Lee | Marissa McMillan | Gracey Mesina
The Design Approach
        OF


 KENYA HARA
“If design is the transforming
of the world based on
understanding, which forms
our environment, the beginning
of human wisdom may have
been the beginning of design.”
“Constantly pushing the era
forward isn’t always progress.”
“Design, which is accustomed to
showing its strength in ‘making
what's fresh today look old
tomorrow’ as well as bringing
novel goods to a ... curious
audience is further exacerbating
it contortions, in obedience to
the new technology.”
Kenya Hara assigned a different artificial




senseware
            material to each collaborator, inspiring a
            wide range of interesting showcases. “I
            wanted each artist to visualize the
            functionality of the product but not to
            worry about the difficulties of manufacturing
            the idea for mass consumption,” said Hara.

            “Inspiration was the function.”
Toys Comprising Visible Air
Art director Kashiwa Sato used a highly elastic
monofilament fiber known as BREATHAIR to
create blocks for young children.
These lightweight cubes can be used to build or
pile onto one another for children to climb on
top or play with. Being 95% air, BREATHAIR is
lightweight with superior capability to maintain
its elasticity
references
http://www.philippawagner.co.uk/features/view/senseware/
http://www.ndc.co.jp/hara/works/en/2007/06/tokyo_fiber_07_senseware.html
http://www.ndc.co.jp/hara/works/en/2011/12/tokyo_fiber_09_1.html
http://www.yatzer.com/1706_tokyofiber09_-_senseware,_
http://www.dmh.org.il/pages/default.aspx?PageId=94&catid=-1
http://www.designersreviewofbooks.com/2009/03/designing-design/
http://www.thememagazine.com/stories/muji-kenya-hara/

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