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THEORY OF
ARCHITECTURE
2.1
ARTA 2 Grade components
Exams (2 term exams minimum) 50%
Quizzes 25
Reporting 10
Projects/Research/Recitation 15
100%
Design Elements
Design elements are the basic units of a visual
image. These elements include:
The 3 F's
• Form follows function is known as the 3 F's of
Design. Form refers to what something looks
like, and function refers to how it works.
• Mies van der Rohe
• Louis Sullivan - Form ever follows function
Elements of Art
1. Space
• May have 2 dimensions such as a floor
or it may have 3 dimensions .
• Space includes the background,
foreground and middle ground.
• Space refers to the distances or areas
around, between or within components
of a piece.
Elements of Art
Space
• There are 2 types of space
–positive space refers to the space of a
shape representing the subject matter
–negative space refers to the space
around and between the subject
matter.
Burj Al Arab
Elements of Art
2. Line
• Line is the basic
element that
refers to the
continuous
movement of a
point along a
surface.
• The edges of
shapes and forms
also create lines.
Elements of Art
Colour
• Color is seen either by the way light
reflects off a surface, or in colored light
sources.
• Color and particularly contrasting color is
also used to draw the attention to a
particular part of the image.
Fenestration = openings
Elements of Art
3. Shape
• A shape is defined as an area that stands
out from the space next to or around it due
to a defined or implied boundary, or
because of differences of value, color, or
texture.
• Shapes can also show perspective by
overlapping. They can be geometric or
organic.
• Shapes can be used to add interest, style,
theme to a design like a door.
Elements of Art
4. Texture
• Texture is perceived surface quality.
• There are 2 types of texture:
– Tactile texture is the way the surface of an
object actually feels.
–Implied texture is the way the surface of an
object looks like it feels. The texture may
look rough, fizzy, gritty, but cannot actually
be felt.
Elements of Art
5. Form
• Form is any 3-dimensional object. Form
can be measured, from top to bottom,
side to side, and from back to front.
• Form is also defined by light and dark.
• There are 2 types of form
–geometric (man-made)
– natural (organic form).
• Form may be created by the combining
of two or more shapes. It may be
enhanced by tone, texture and color. It
can be illustrated or constructed.
The Kauffman House (aka The Fallingwater, Frank Lloyd Wright)
Prairie style architecture - organic
Elements of Art
6. Value
• Value is an element of art that refers
to the relationship between light and
dark on a surface or object and also
helps with Form.
• It gives objects depth and
perception. Value is also referred to
as tone.
Architectural Character
Architectural Character of a Building
has 3 basic characters:
• Functional Character
• Associated Character
• Personal Character
Functional Character
• Every building has specific functions and is
made for specific broad purpose. The
internal planning is in co-ordination with
the exterior facade that tells us the
purpose of the building.
• The external appearance plays an
important role in determining the
purpose and the function of the structure.
buildings
Functional Character
• Designing skylights instead of windows can
indicate a museum.
• Designing a long wall having numerous
windows in a particular order can also
indicate a museum.
• Designing tall and wide windows suggest a
library.
• Designing a symmetrical entrance to a
central block having a wide entrance to
express balance and rhythm indicates
public buildings.
Abteirburg Museum (1972-1982)
Einstein Tower, Berlin, Germany (1908 - 1909 )
Corning Museum of Glass (1951-1978)
Kresge Museum (1950-1955)
Los Angeles Museum of Contemporary Art
Milwaukee Art Museum, Quadracci Pavilion (2001)
Norwegian Glacier Museum (1991)
San Francisco Modern Art Museum (1991)
The National Museum of Women in the Arts (1987)
Weisman Art Museum (1990)
Associated Character
• The character of some buildings is
expressed through elements
associated with certain influences.
Such influences often go thousands
of years back in history and culture.
USA Supreme Court
(1935)
Washington National Cathedral (1990)
Associated Character
• Cultural aspects play an important
role in determining the Associated
Character of a particular structure….
• We recognize a building by its
features, which we associate with a
particular structural style.
National Metropolitan Bank (1907)
Notre Dame du
Raincy (1922)
Personal Character
Personal Character of a Building
• Characters in architecture is comparable with
the attributes of an individual. If a building is
designed in the proper spirit, personal
characteristics such as grace, dignity and
vitality can be expressed as an integral part
of the structure.
Mannerism = in the manner Michelangelo
column = coconut tree (no tap root) Filipino Architecture
Palladio
Transamerica Pyramid
(1969-1972)
The Tribune Tower (1925)
TWA Airport (1962)
DIVA - RHINO
Personal Character
• Every building that is constructed for a
specific purpose has a specific form
which itself depicts its original function.
The inter-connection between the
interiors and the exterior of a building is
essential.
• The true style of a building reflects the
particular period in which it has been
built.
St. Mary’s Cathedral (1963)
Taliesin (1911-1925)
Team Disney Building (1989-1990)
Eugene City Hall (1960-1964)
Indian Habitat Centre, New Delhi
• Just like an
individual’s
personality is
made up of unique
qualities resulting
from a
combination of
genetic factors,
environment, and
upbringing, which
distinguishes a
person from
others. BAUHAUS
Chapel of Notre Dame du Haut
Personal Character
• Symbolism has
become a major
principle of
architecture. For
instance, The
structure of the
bank should be
such that it
should look
massive and
represent the
country’s financial
stability.
China Bank Tower (1982-1990)
Building Character
Hongkong and Shanghai Bank (1979-1986)
• All aesthetic
components, such as
unity, composition,
contrast and scale
together make up
the character of a
building. Character
also brings out the
utility and purpose
of a building.
Whether it is a bank
or a church or a
library, it should
possess an
appropriate
character.
Investment Building (1922)
Building Character
• Usually civic
buildings are
designed such
that they
convey the
purpose for
which they are
built.
Tower of Philadelphia City Hall
(1901)
Building Character
Environmental Psychology
• Environmental
psychology is an
interdisciplinary field
focused on the interplay
bet humans
& surroundings.
• The field encompasses
natural environments,
social settings, built
environments, learning
environments, and
informational
environments.
• Public realm
Environmental Psychology
• When solving
problems involving
human-
environment
interactions, one
must have a model
of human nature
that predicts the
environmental
conditions under
which humans will
behave in a decent
and creative
manner.
Environmental Psychology
• human nature while retaining a broad and
inherently multidisciplinary focus.
• dissimilar issues
– property resource mgmt
– Wayfinding
– effect of environmental stress on human performance
– characteristics of restorative environments
– human information processing
– promotion of durable conservation behavior.
Environmental Psychology
• To understand and solve environmental problems,
environmental psychologists believe concepts and
principles should come directly from the physical
settings & problems being looked at. For example,
factors that reduce feelings of crowding within
buildings include:
– Windows - particularly ones that can be opened and ones
that provide a view as well as light
– High ceilings
– Doors to divide spaces (Baum and Davies) and provide
access control
– Room shape - square rooms feel less crowded than
rectangular ones (Dresor)
Environmental Psychology
– Using partitions to create smaller, personalized
spaces within an open plan office or larger work
space.
– Providing increases in cognitive control over
aspects of the internal environment, such as
ventilation, light, privacy, etc.
– Conducting a cognitive appraisal of an environment
and feelings of crowding in different settings. For
example, one might be comfortable with crowding
at a concert but not in school corridors.
– Creating a defensible space (Calhoun)
– Defensible space (Oscar Neumann)
Sociology of Architecture
Describes the
sociological
study of either:
• the built
environment
• the role and
occupation of
architects in
societies
Sociology of Architecture
• Architecture is
basically constituted
of the aesthetic, the
engineering and the
social aspects.
• The built
environment which is
made up of designed
spaces and the
activities of people
are inter-related and
inseparable.
Human Behavior & Interior Envi
• Perception of one's environment is affected
by sociological needs, psychological state, &
individual differences.
• The environment itself also influences human
behavior. Both mental and physical stimuli
affect behavioral responses.
4 Concepts
1. Privacy
2. Personal interaction levels
3. Territoriality
4. Crowding
Human Behavior & Interior Envi
1. Privacy -- is a central regulatory human
process by which persons make themselves
more or less accessible to others.
Human Behavior & Interior Envi
2. Interaction levels is one mechanism used in
achieving a desired level of privacy.
• The size of a space determines perceptions,
experiences, and uses of that particular
environment.
• People inherently discern their relationship
with others in terms of distances, or spaces,
between them.
• Edward T. Hall defines 4 distinct distances @
which interpersonal transactions normally
take place. These are categorized as
intimate, personal, social, and public.
Human Behavior & Interior Envi
Intimate space
Intimate space is that area immediately surrounding the individual’s body. This area is the
most private and involves both physical and emotional interactions.
Personal space
Personal space is that area within which a person allows only select friends, or
fellow workers with whom personal conversation is mandatory.
Social space
Social space is that area within which the individual expects to make purely
social contacts on a temporary basis.
Public space
Public space is that area w/in which the individual does
not expect to have direct contact w/ others. The more
intimate the spatial relationship, the more people resist
intrusion by others. Personal space factors are
important in establishing privacy requirements for
interior design.
3. Territoriality -- is a means of achieving
a desired level of privacy. It involves the
exclusive control of a space by an
individual or group.
Human Behavior & Interior Envi
4. Crowding occurs when personal space
and territoriality mechanisms are
ineffective, resulting in an excess of
undesired external social contact.
– People respond to crowding in different ways
depending upon the situation.
– Sometimes humans tolerate crowding though
it may be unpleasant, because they know it is
only temporary.
– In some situations crowding may be
considered desirable, it may even be sought
after if it is perceived as "part of the fun" or
the expectation within a social setting.
Human Behavior & Interior Envi
Psychological Human
Response
Responses to the
environment are
complex and best
understood in terms
of 3 psychological
stages of human
behavior:
perception,
cognition, and
spatial behavior.
Human Behavior & Interior Envi
Perception of the environment
refers to the process of becoming
aware of a space by the
acquisition of information
through the sensations of sight,
hearing, smell, touch, and taste.
Human Behavior & Interior Envi
Cognition is the mental processing
of this sensory information. This
may involve the activities of
thinking about, remembering, or
evaluating the information
Human Behavior & Interior Envi
Spatial behavior refers to responses &
reactions to the environmental
information acquired thru perception
and cognition.
The designer creates environmental
stimuli to direct these psychological
stages as well as the secondary
processes of motivation, effect and
development.
Human Behavior & Interior Envi
Human Response to Interior Envi
Each person responds uniquely
when confronted w/ a specific
situation or experience. These
responses fall into 3 categories:
sociological, psychological and
physiological—all of which are
influenced by factors w/in the
interior environment.
Human Response to Interior Envi
Psychological determinants
Sociological determinants
Physiological determinants
MASTERS OF ARCHITECTURE
3 Pritzker Prize
3 National Artists
3 Famous Women Architects
5-7 minutes
PPT or
Bio, sample of works - concept

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TOA2.1.pdf

  • 2. ARTA 2 Grade components Exams (2 term exams minimum) 50% Quizzes 25 Reporting 10 Projects/Research/Recitation 15 100%
  • 3. Design Elements Design elements are the basic units of a visual image. These elements include: The 3 F's • Form follows function is known as the 3 F's of Design. Form refers to what something looks like, and function refers to how it works. • Mies van der Rohe • Louis Sullivan - Form ever follows function
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  • 5. Elements of Art 1. Space • May have 2 dimensions such as a floor or it may have 3 dimensions . • Space includes the background, foreground and middle ground. • Space refers to the distances or areas around, between or within components of a piece.
  • 6. Elements of Art Space • There are 2 types of space –positive space refers to the space of a shape representing the subject matter –negative space refers to the space around and between the subject matter.
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  • 10. Elements of Art 2. Line • Line is the basic element that refers to the continuous movement of a point along a surface. • The edges of shapes and forms also create lines.
  • 11. Elements of Art Colour • Color is seen either by the way light reflects off a surface, or in colored light sources. • Color and particularly contrasting color is also used to draw the attention to a particular part of the image.
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  • 15. Elements of Art 3. Shape • A shape is defined as an area that stands out from the space next to or around it due to a defined or implied boundary, or because of differences of value, color, or texture. • Shapes can also show perspective by overlapping. They can be geometric or organic. • Shapes can be used to add interest, style, theme to a design like a door.
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  • 19. Elements of Art 4. Texture • Texture is perceived surface quality. • There are 2 types of texture: – Tactile texture is the way the surface of an object actually feels. –Implied texture is the way the surface of an object looks like it feels. The texture may look rough, fizzy, gritty, but cannot actually be felt.
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  • 22. Elements of Art 5. Form • Form is any 3-dimensional object. Form can be measured, from top to bottom, side to side, and from back to front. • Form is also defined by light and dark. • There are 2 types of form –geometric (man-made) – natural (organic form). • Form may be created by the combining of two or more shapes. It may be enhanced by tone, texture and color. It can be illustrated or constructed.
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  • 25. The Kauffman House (aka The Fallingwater, Frank Lloyd Wright) Prairie style architecture - organic
  • 26. Elements of Art 6. Value • Value is an element of art that refers to the relationship between light and dark on a surface or object and also helps with Form. • It gives objects depth and perception. Value is also referred to as tone.
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  • 28. Architectural Character Architectural Character of a Building has 3 basic characters: • Functional Character • Associated Character • Personal Character
  • 29. Functional Character • Every building has specific functions and is made for specific broad purpose. The internal planning is in co-ordination with the exterior facade that tells us the purpose of the building. • The external appearance plays an important role in determining the purpose and the function of the structure. buildings
  • 30. Functional Character • Designing skylights instead of windows can indicate a museum. • Designing a long wall having numerous windows in a particular order can also indicate a museum. • Designing tall and wide windows suggest a library. • Designing a symmetrical entrance to a central block having a wide entrance to express balance and rhythm indicates public buildings.
  • 32. Einstein Tower, Berlin, Germany (1908 - 1909 )
  • 33. Corning Museum of Glass (1951-1978)
  • 35. Los Angeles Museum of Contemporary Art
  • 36. Milwaukee Art Museum, Quadracci Pavilion (2001)
  • 38. San Francisco Modern Art Museum (1991)
  • 39. The National Museum of Women in the Arts (1987)
  • 41. Associated Character • The character of some buildings is expressed through elements associated with certain influences. Such influences often go thousands of years back in history and culture.
  • 44. Associated Character • Cultural aspects play an important role in determining the Associated Character of a particular structure…. • We recognize a building by its features, which we associate with a particular structural style.
  • 47. Personal Character Personal Character of a Building • Characters in architecture is comparable with the attributes of an individual. If a building is designed in the proper spirit, personal characteristics such as grace, dignity and vitality can be expressed as an integral part of the structure. Mannerism = in the manner Michelangelo column = coconut tree (no tap root) Filipino Architecture Palladio
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  • 54. Personal Character • Every building that is constructed for a specific purpose has a specific form which itself depicts its original function. The inter-connection between the interiors and the exterior of a building is essential. • The true style of a building reflects the particular period in which it has been built.
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  • 58. Team Disney Building (1989-1990)
  • 59. Eugene City Hall (1960-1964)
  • 61. • Just like an individual’s personality is made up of unique qualities resulting from a combination of genetic factors, environment, and upbringing, which distinguishes a person from others. BAUHAUS Chapel of Notre Dame du Haut Personal Character
  • 62. • Symbolism has become a major principle of architecture. For instance, The structure of the bank should be such that it should look massive and represent the country’s financial stability. China Bank Tower (1982-1990) Building Character
  • 63. Hongkong and Shanghai Bank (1979-1986)
  • 64. • All aesthetic components, such as unity, composition, contrast and scale together make up the character of a building. Character also brings out the utility and purpose of a building. Whether it is a bank or a church or a library, it should possess an appropriate character. Investment Building (1922) Building Character
  • 65. • Usually civic buildings are designed such that they convey the purpose for which they are built. Tower of Philadelphia City Hall (1901) Building Character
  • 66. Environmental Psychology • Environmental psychology is an interdisciplinary field focused on the interplay bet humans & surroundings. • The field encompasses natural environments, social settings, built environments, learning environments, and informational environments. • Public realm
  • 67. Environmental Psychology • When solving problems involving human- environment interactions, one must have a model of human nature that predicts the environmental conditions under which humans will behave in a decent and creative manner.
  • 68. Environmental Psychology • human nature while retaining a broad and inherently multidisciplinary focus. • dissimilar issues – property resource mgmt – Wayfinding – effect of environmental stress on human performance – characteristics of restorative environments – human information processing – promotion of durable conservation behavior.
  • 69. Environmental Psychology • To understand and solve environmental problems, environmental psychologists believe concepts and principles should come directly from the physical settings & problems being looked at. For example, factors that reduce feelings of crowding within buildings include: – Windows - particularly ones that can be opened and ones that provide a view as well as light – High ceilings – Doors to divide spaces (Baum and Davies) and provide access control – Room shape - square rooms feel less crowded than rectangular ones (Dresor)
  • 70. Environmental Psychology – Using partitions to create smaller, personalized spaces within an open plan office or larger work space. – Providing increases in cognitive control over aspects of the internal environment, such as ventilation, light, privacy, etc. – Conducting a cognitive appraisal of an environment and feelings of crowding in different settings. For example, one might be comfortable with crowding at a concert but not in school corridors. – Creating a defensible space (Calhoun) – Defensible space (Oscar Neumann)
  • 71. Sociology of Architecture Describes the sociological study of either: • the built environment • the role and occupation of architects in societies
  • 72. Sociology of Architecture • Architecture is basically constituted of the aesthetic, the engineering and the social aspects. • The built environment which is made up of designed spaces and the activities of people are inter-related and inseparable.
  • 73. Human Behavior & Interior Envi • Perception of one's environment is affected by sociological needs, psychological state, & individual differences. • The environment itself also influences human behavior. Both mental and physical stimuli affect behavioral responses.
  • 74. 4 Concepts 1. Privacy 2. Personal interaction levels 3. Territoriality 4. Crowding Human Behavior & Interior Envi
  • 75. 1. Privacy -- is a central regulatory human process by which persons make themselves more or less accessible to others. Human Behavior & Interior Envi
  • 76. 2. Interaction levels is one mechanism used in achieving a desired level of privacy. • The size of a space determines perceptions, experiences, and uses of that particular environment. • People inherently discern their relationship with others in terms of distances, or spaces, between them. • Edward T. Hall defines 4 distinct distances @ which interpersonal transactions normally take place. These are categorized as intimate, personal, social, and public. Human Behavior & Interior Envi
  • 77. Intimate space Intimate space is that area immediately surrounding the individual’s body. This area is the most private and involves both physical and emotional interactions. Personal space Personal space is that area within which a person allows only select friends, or fellow workers with whom personal conversation is mandatory. Social space Social space is that area within which the individual expects to make purely social contacts on a temporary basis. Public space Public space is that area w/in which the individual does not expect to have direct contact w/ others. The more intimate the spatial relationship, the more people resist intrusion by others. Personal space factors are important in establishing privacy requirements for interior design.
  • 78. 3. Territoriality -- is a means of achieving a desired level of privacy. It involves the exclusive control of a space by an individual or group. Human Behavior & Interior Envi
  • 79. 4. Crowding occurs when personal space and territoriality mechanisms are ineffective, resulting in an excess of undesired external social contact. – People respond to crowding in different ways depending upon the situation. – Sometimes humans tolerate crowding though it may be unpleasant, because they know it is only temporary. – In some situations crowding may be considered desirable, it may even be sought after if it is perceived as "part of the fun" or the expectation within a social setting. Human Behavior & Interior Envi
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  • 81. Psychological Human Response Responses to the environment are complex and best understood in terms of 3 psychological stages of human behavior: perception, cognition, and spatial behavior. Human Behavior & Interior Envi
  • 82. Perception of the environment refers to the process of becoming aware of a space by the acquisition of information through the sensations of sight, hearing, smell, touch, and taste. Human Behavior & Interior Envi
  • 83. Cognition is the mental processing of this sensory information. This may involve the activities of thinking about, remembering, or evaluating the information Human Behavior & Interior Envi
  • 84. Spatial behavior refers to responses & reactions to the environmental information acquired thru perception and cognition. The designer creates environmental stimuli to direct these psychological stages as well as the secondary processes of motivation, effect and development. Human Behavior & Interior Envi
  • 85. Human Response to Interior Envi Each person responds uniquely when confronted w/ a specific situation or experience. These responses fall into 3 categories: sociological, psychological and physiological—all of which are influenced by factors w/in the interior environment.
  • 86. Human Response to Interior Envi Psychological determinants Sociological determinants Physiological determinants
  • 87. MASTERS OF ARCHITECTURE 3 Pritzker Prize 3 National Artists 3 Famous Women Architects 5-7 minutes PPT or Bio, sample of works - concept