2. Fauvism
Style of French painting from c. 1898 to 1906 characterized by a
violence of colours, often applied unmixed from commercially
produced tubes of paint in broad flat areas, by a spontaneity
and even roughness of execution and by a bold sense of surface
design.
3. Fauvism
It was the first of a succession of avant-garde movements in
20th-century art and was influential on near-contemporary and
later trends such as Expressionism, Orphism and the
development of abstract art.
5. Fauvism
"My choice of colors does not rest on
any scientific theory; it is based on
observation, on sensitivity, on felt
experience."
– Henri Matisse
7. Fauvism
Fauvism wasn't officially a movement. It had no written
guidelines or manifesto, no membership roster, and no
exclusive group exhibitions.
"Fauvism" is simply a word of periodization used in
place of: "An assortment of painters who were loosely
acquainted with one another, and experimented with
color in roughly the same way at roughly the same
time."
16. Fauvism
Movements, styles and artists influenced by Fauvism:
German Expressionists (Max Beckmann, Oskar Kokoschka, Egon
Schiele, George Baselitz)
Abstract Expressionists (Pollock, Rothko, etc.)
28. Fauvism
Derain -- after a brief flirtation with Cubism, became a widely
popular painter in a somewhat neoclassical manner.
Matisse -- pursued the course he had pioneered, achieving a
sophisticated balance between his own emotions and the world
he painted.
*Braque -- cofounder of Cubism along with Picasso
29. Fauvism
For most of these artists, Fauvism was a transitional,
learning stage.
By 1908, a revived interest in Paul Cézanne's vision of
the order and structure of nature had led many of them
to reject the turbulent emotionalism of Fauvism in favor
of the logic of Cubism.