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Tadao Ando
‘ ’
The Architect Of Light
fathima tabassum s
311318251039
sec d 3rd year
Content:
01
INTRODUCTION
03
CHURCH OF THE LIGHT
02
PHILOSOPHY
05 THE CHICHU ART MUESEUM
04
AMUZA HOUSING
01
Introduction
Born in Osaka Japan in
1941. he is a self taught
architect. he is inpired by th
works of le corbusier and
also considers Mies van der
Rohe.. Alvar etc
TADAO ANDO
02
Philosophy
'in al of my works, light is an
important controlling factor.”
“i create enclosed spaces mainly by
means of thick concrete wall.”e
“when the external factor of a city's
environment require the wall to be
without openings, the interior must be
especially full and satisfying.”
“i create architectural order on he basis of
geometry squares,circles,triangles and rectangles. i
try to use forces in the area where i am building,
to restore the unity between house and nature
Philosophy
‱ style- element of light, water, concrete and
glass.
‱ simplified,rectilinear forms.
‱ favors designing complex spatial circulation
while maintaining the appearance of
simplicity
‱ bare concrete walls that define the spaces
within.
‱ interior of the building are the forms itself,
ridicules the idea of masking it.
L O C A T I O N : I b a r a k i , O s a k i , J a p a n
C O N T E T X :
‱ T i g h t l y - p a c k e d r e s i d e n t i a l n e i g h b o u r h o o d .
‱ v e r y s m a l l s p a c e
‱ l o c a t i o n i n f l u e n c e s f o r m
‱ l-shaped wall seperates church from busy surrounding
‱ no good veiws, so the window is minimal- only the disstinctive
narrow cross window and a window opening into the l-shaped
Church Of The Light, 1999
‱ entrace is from the back
‱ must turn 180 degree to face
the front of the building
Church Of The Light, 1999
‱ the building can described as
bare concrete box with a wall
cutting through it at a 15
d e g r e e a n g l e
‱ propotion: 1:3-rectangle can
hold 3 spheres, each 5.9 metre
i n d i a m e t e r
F U N C T I O N ;
‱ Building is an addition to
a n e a r l i e r w o o d e n
s t r u c t u r e
Church Of The Light, 1999
Amuza Housing
Location; Osaka,Japan
Area: 65 sq mtr
Year of construction: 1975-1976
l
‱ his approach was to connect the art of the
building with the arrt of living
‱ he relates the form and compositional
methods to the kind of life that will be lived in
the given space and regional society
‱ it is a narrow rectangular concrete block with
living spacess surrounding the courtyard
‱ it depicts traditional japanese life style
connected with light, air and rain and other
natural elements
Amuza Housing
PLAN AND SECTION
‱ Ground floor-living room,
kitchen seperated by a
central courtyard and
staircase
‱ upper floor-two bedrooms
joined by central uncovered
walkway which is the only
source of light
Amuza Housing
LOCATION: Southeren portion of the island
of Naoshima, Japan
Year of construction: 2004
The Chichu Art museum
‱ Limiting the architecture to an
underground structure
‱ no external design rising out of the
ground
CONCEPT:
The Chichu Art museum
‱ The site is a place where national forest abounds
and was a former salt field. Hence to a preserve the
existing atmosphere and beauty of the site the
museum is wisely buried underground
‱ it is possible to create almost any form
underground as there are no axes or direction as
exist above ground on earth
‱ the outer expression of an underground building is
invisible and therefore, the obvious issues of form
were not an issue
‱ the museum was intended, holisically, to be visited
with light as a guide
‱ chichu means underground
‱ part of the front lobby and acessway are dar, but the ain
exibition space brings in natural light
‱ a series of small concrete openings and geometric
skylights floats among the greenery
‱ there are five galleries alogether, of various sizes and
characters featuring the work of three artist-Claude
Manet, Walter de Mari and James Turrel
‱ the triangular space connects the galleries of three artist
The Chichu Art museum
MATERIAL
‱ Concrete
‱ Steel
‱ Glass
‱ Wood
The Chichu Art museum
Thanks
‘ ’
LO
GO

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Tadao ando architect of light

  • 1. Tadao Ando ‘ ’ The Architect Of Light fathima tabassum s 311318251039 sec d 3rd year
  • 2. Content: 01 INTRODUCTION 03 CHURCH OF THE LIGHT 02 PHILOSOPHY 05 THE CHICHU ART MUESEUM 04 AMUZA HOUSING
  • 4. Born in Osaka Japan in 1941. he is a self taught architect. he is inpired by th works of le corbusier and also considers Mies van der Rohe.. Alvar etc TADAO ANDO
  • 6. 'in al of my works, light is an important controlling factor.” “i create enclosed spaces mainly by means of thick concrete wall.”e “when the external factor of a city's environment require the wall to be without openings, the interior must be especially full and satisfying.” “i create architectural order on he basis of geometry squares,circles,triangles and rectangles. i try to use forces in the area where i am building, to restore the unity between house and nature Philosophy
  • 7. ‱ style- element of light, water, concrete and glass. ‱ simplified,rectilinear forms. ‱ favors designing complex spatial circulation while maintaining the appearance of simplicity ‱ bare concrete walls that define the spaces within. ‱ interior of the building are the forms itself, ridicules the idea of masking it.
  • 8. L O C A T I O N : I b a r a k i , O s a k i , J a p a n C O N T E T X : ‱ T i g h t l y - p a c k e d r e s i d e n t i a l n e i g h b o u r h o o d . ‱ v e r y s m a l l s p a c e ‱ l o c a t i o n i n f l u e n c e s f o r m ‱ l-shaped wall seperates church from busy surrounding ‱ no good veiws, so the window is minimal- only the disstinctive narrow cross window and a window opening into the l-shaped Church Of The Light, 1999
  • 9. ‱ entrace is from the back ‱ must turn 180 degree to face the front of the building Church Of The Light, 1999 ‱ the building can described as bare concrete box with a wall cutting through it at a 15 d e g r e e a n g l e ‱ propotion: 1:3-rectangle can hold 3 spheres, each 5.9 metre i n d i a m e t e r F U N C T I O N ; ‱ Building is an addition to a n e a r l i e r w o o d e n s t r u c t u r e
  • 10. Church Of The Light, 1999
  • 11. Amuza Housing Location; Osaka,Japan Area: 65 sq mtr Year of construction: 1975-1976 l ‱ his approach was to connect the art of the building with the arrt of living ‱ he relates the form and compositional methods to the kind of life that will be lived in the given space and regional society ‱ it is a narrow rectangular concrete block with living spacess surrounding the courtyard ‱ it depicts traditional japanese life style connected with light, air and rain and other natural elements
  • 12. Amuza Housing PLAN AND SECTION ‱ Ground floor-living room, kitchen seperated by a central courtyard and staircase ‱ upper floor-two bedrooms joined by central uncovered walkway which is the only source of light
  • 14. LOCATION: Southeren portion of the island of Naoshima, Japan Year of construction: 2004 The Chichu Art museum ‱ Limiting the architecture to an underground structure ‱ no external design rising out of the ground
  • 15. CONCEPT: The Chichu Art museum ‱ The site is a place where national forest abounds and was a former salt field. Hence to a preserve the existing atmosphere and beauty of the site the museum is wisely buried underground ‱ it is possible to create almost any form underground as there are no axes or direction as exist above ground on earth ‱ the outer expression of an underground building is invisible and therefore, the obvious issues of form were not an issue ‱ the museum was intended, holisically, to be visited with light as a guide
  • 16. ‱ chichu means underground ‱ part of the front lobby and acessway are dar, but the ain exibition space brings in natural light ‱ a series of small concrete openings and geometric skylights floats among the greenery ‱ there are five galleries alogether, of various sizes and characters featuring the work of three artist-Claude Manet, Walter de Mari and James Turrel ‱ the triangular space connects the galleries of three artist The Chichu Art museum MATERIAL ‱ Concrete ‱ Steel ‱ Glass ‱ Wood
  • 17. The Chichu Art museum