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2012 DIWAKAR CHINTALA
2012DIWAKARCHINTALA
Diwakar Chintala
1260 65th
street
Emeryville, CA 94608, U.S.A
diwakar.chintala@gmail.com
510.469.5559
Diwakar Chintala
1260 65th
street
Emeryville, CA 94608, U.S.A
diwakar.chintala@gmail.com
510.469.5559
Diwakar Chintala
1260 65th
street
Emeryville, CA 94608, U.S.A
diwakar.chintala@gmail.com
510.469.5559
Hewlett Packard Executive Briefing Center
Taramati Residence
WorldHaus
The Tower at PNC Plaza
Mantri Mixed-Use Complex
Downtown Champaign Bicycle Shelter
Centennial Towers
Tianjin Global Financial Center
Vedic Temple and Meditation Centers
Treasure Island Master Plan
The Boloyan Residence
UCSF Mission Bay Student Housing
Beijing Finance Street
PostModern
Madrona Marsh Nature Center
The Studio Chintala Chair, Sofa and Daybed
Bus Shelter Competition
The studio chintala Credenza
Project Minuteman
Two Streets, a Square and People
Museum for Architecture and Fine Arts Campus
Watercolors
History of Islamic Architecture
History of Modern Architecture
2010
2011
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2011HPENTRY&EBC
NEWFRONTDOORFORTHEHEWLETTPACKARDWORLDHEADQUARTERS
&EXECUTIVEBRIEFINGCENTER
PaloAlto, California,USA
TheHPExecutiveBriefingCenteroffersbusinessandenterprisecustomersa
specialopportunitytoexperienceone-on-onetimewithHPexpertsandsenior
executives,gainfirst-handknowledgeofHPinnovations,andcollaboratewith
technologyspecialiststoplanreal-worldbusinessandtechnologystrategies.
Thebuildingisdesignedasacontinuationoftheexistingadministrative
buildingwithacourtyardenclosedbetweenthetwobuildings.Thedesign
ofthenewlobbyaimstobeaboldgatewayintotheexistingcorporate
headquarters.
ProjectDetails
ConstructionCost:$40Million
Area:35,000SF.
DateofCompletion:September2012
Image:Bird’sviewoftheproposedproject
Thefirstfloorprovidessmallerconferencerooms,alargecafeteriawithindoorand
outdoorseatingandalargeoutdoorcourtyard. Thedoubleheightlobbyconnects
thetwobuildingsandservesasanentrytobothbuildings.Thesecondflooris
comprisedmainlyoflargerconferenceroomswithinformalmeetingspacesanda
largeroofterrace.
SiteDesignPrinciples:
Thebuildinglocationandlayoutwereprimarilydrivenbyissues
relatedtoconnectivitytotheexistingbuilding,setbacks/easements,
preservationofexistingvegetation,parkingandaccesstothesite
Facingpage:CourtyardviewshowingtheexistingBuilding20andthe
proposedEBCandthecafeteria.
Below:Conceptualstudiesofthecantilevered“boxes”inthecourtyardwith
detailingofthehorizontalshadingdevicesaroundthe“boxes”.
Above:Designtoolsusedintheprojectincludedseveralphysicalmodelsthatwerealso
usedforpresentationstotheclientaswellasthecity.TheuseofBuildingInformation
ModelingtoolssuchasRevitenabledthedesignteamtorefinedesignastheconstruc-
tiondocumentswereinprogressprovidingaseamlesstransitionbetweenproject
phases.
Facingpage:Theentrylobbyisdesignedtobeaboldandmonumentalspacewitha
cablenetwallandastainlesssteelentryportal.
Designsketchestocommunicateintentanddetailingto
design-buildcontractors.Thisprocessaidedinanactive
dialoguebetweenthedesignteamandthecontractorsandin
goingfromdesignsketchesdirectlytoshop-drawings.
Thelobbyisaminimalistspacewithaglowingceiling.A
largeLEDscreenhangsinfrontofthecurtainwallalongthe
courtyard.Thescreen willbeusedfor“branding”toshowcase
thelatestHPproducts.
ALIGN
MT03
3/8"
LEVEL 2
+17'0"
ALIGN
MT03
LEVEL 2
+17'0"
3/8"
ALIGN
MT03
LEVEL 2
+17'0"
3/8"
HP ANNEX SOLAR LIGHTING STUDY
SPRING/FALLEQ.[MAR20/SEP23]WINTERSOLSTICE[DEC22]SUMMERSOLSTICE[JUNE21]
8:00 AM
8:00 AM
8:00 AM
12:00 PM
12:00 PM
12:00 PM
3:00 PM
3:00 PM
3:00 PM
GALLERY PERSPECTIVE
ALIGN
MT03
3/8"
LEVEL 2
+17'0"
ALIGN
MT03
LEVEL 2
+17'0"
3/8"
ALIGN
MT03
LEVEL 2
+17'0"
3/8"
ALIGN
MT03
3/8"
LEVEL 2
+17'0"
ALIGN
MT03
LEVEL 2
+17'0"
3/8"
ALIGN
MT03
LEVEL 2
+17'0"
3/8"
Above:Buildingexteriorshowingthecurvedcurtain-wall;the
interfacebetweenthegarageandtheSouthTowershowingthe
perforatedmetalscreen;thebalconyonthe4thleveloftheSouth
Tower.
Left:DesignSketchesoflandscapefeaturesincludingseatingop-
tionsintegratedwithplantersfortheroofterracegarden.
Right:Interiordetailingshowingarticulationofglazedslidelitesat
conferenceroomentrancesandinterfacewithglassguardrail.
Belowandfacingpage:Themassingofthebuildingwasderivedfromthefunction
oftheinteriorspacesandtheprogramofthebuilding.The“boxes”representthe
informalgatheringspacesandmeetingareas.Theoverallmassofthebuildingis
predominantlyformalconferencerooms.Thenotionthattheinformalspacesare
insertedintoaformalsettingisclearlycommunicatedthroughthemassing.
Above:Designsketchesshowingrelationshipsofvariousexterior
finishes/materials.Thecantilevered“boxes”aredetailedtoseem
likeindependentshaftsinsertedintohebuildingmass.Thealumi-
numplaterainscreenanditsinterfacewiththeconcretepanelsare
articulatedtoreinforcethisconcept.
Level 02
17' - 0"
T.O.S. L
XG XH
T.O
T.O.S. H
3
A09.32
5
A09.32
MT-02
ML-01
MT-03
GL-04
CP-01
GL-07
MT-01
MT-01
MT-03
Box
9
A12.16
TYP.
7
X7
XG XH
X6
A12.16
5
3
A12.12
Sim
GREEN ROOF
A09.324
Ground
0"
Level 01
2' - 0"
Level 02
17' - 0"
T.O.S. Low Roof
31' - 6"
X7X6
T.O. Portal
40' - 6"
T.O.S. High Roof
40' - 0"
2
A12.12
Sim
1
A12.11
Sim
13
A12.16
Sim
MT-03
MT-03
Box Parapet
33' - 0"
A12.16
9
7
2
A12.17
Sim
Ground
0"
Level 01
2' - 0"
Level 02
17' - 0"
T.O.S. Low Roof
31' - 6"
X7X6
2
A12.11
8'-6"
7
A12.16
Sim
A12.16
9
Box Parapet
33' - 0"
-
---
A12.13
4
A12.13
4
Level 02
17' - 0"
T.O.S. Low Roof
31' - 6"
X7 X6
T.O. Portal
40' - 6"
T.O.S. High Roof
40' - 0"
Box Parapet
33' - 0"
GL-04
TYP. BOTH SIDES
MT-03
SCALE: 3/8" = 1'-0"
PARTIAL ELEVATION AT NORTH TERRACE
SCALE: 3/8" = 1'-0"
SECTION @ NORTH TERRACE 3SCALE: 3/8" = 1'-0"
SECTION @ NORTH METAL BOX 5
Above:Constructionphotographsshowingearlysiteworkand
foundationwork.Thebuilding20interfaceinvolvesseveralinterior
modificationsandnewexteriorcurtainwall.
HP B20 Annex – Rebar and Anchor Bolt Installation
2011TARAMATIRESIDENCE
Hyderabad,India
A2,500SF.residentialprojectnearthehistoricGolcondaFortandwith
aviewoftheTaramati-BaradariMonument.Thehouseisdesigned
asindividual3barsthatenclosea raisedcourtyardwhichopensthe
housetotheviews.The2barsonthegroundfloorareon2levelswith
storageandparkingonlevel1. Astudioandmasterbedroomare
locatedontheupperbar.
2011WORLDHAUS
Chennai,Pondicherry,variouslocations,
India,
Tomeetthegrowingneedforlow-cost
housing,WorldHausmanufacturesand
buildscustomized,weatherproofhomesthat
Indianfamilieswantandarewillingtopayfor.
WorldHaus’modularbuildingsystemallows
familiestobuildtoanysizeandconfiguration
theydesireandincludeamenitieslikeclean
burningstoves,toilets,andsolarelectricity
systems.WorldHaus’localmanufacturing
andconstructionmodelallowsustocutthe
costofqualityhousinginhalf.Astandard20
squaremeterhousecanbebuiltinlessthana
weekbyalocalmasonforaround$1,500.
WorldHausisworkingwithmicrofinance
institutionsandregionalruralbankstomake
ourhomesavailableformonthlyinstallments
of$20,wellwithinthereachofruralmiddle
classfamiliesmakingbetween$3and$10
aday.
WorldHausisalsointheprocessofsettingup
partnershipswithstategovernments,NGOs,
andlandlordstomakethehomesavailable
tofamiliesmakinglessthan$2adaythrough
subsidiesandrentalhousingprograms.for
around$1,500.
2011THETOWERATPNCPLAZA
TheFinancialHeadquartersofPNCFinancialServicesGroup
Pittsburgh,Pennsylvania,USA
TheToweratPNCPlaza--thenewheadquartersofPNCFinancialSer-
vicesGroup-willcontain33floorsofofficespaceandaslopedroofthat
willhouseequipmenttohelpmanagethebuilding’senvironment.
ProjectFacts
CompletionYear:2015
SiteArea:800,000SF.
ProjectArea:345,302m2
ConstructionCost:$400Million
NumberofStories:33
ENLARGED SITE PLAN
W
Campus
B
D
C
E
F
G
pg5
THETOWERatPNCPLAZA25OCTOBER2011
A
FIFTH AVENUE
FORBES AVENUE
WOODSTREET
OLIVER AVENUE
SMITHFIELDSTREET
FOURTH AVENUE
SIXTH AVENUELIBERTY AVENUE
OCTOBER24,2011THETOWERatPNCPLAZA
H H H
H H H
L L L
L L L
P P
S
S
H H H
H H H
L L L
L L L
P P
S
S
P P
DN
H H H
H H H
L L L
L L L
P P
S
S
H H H
H H H
L L L
L L L
P P
S
S
DESIGN DEVELOPMENT 1
PODIUM
Plan Option 2
| ENTRY LEVEL | LOBBY | RETAIL | AUDITORIUM | MEETING ROOMS | LEGACY GALLERY
The building will occupy a major portion of a block
bounded by Fifth and Forbes avenues and Wood
Street, which PNC acquired for about $18 million.
The site is about a block from One, Two and Three
PNC Plazas.
Meeting rooms or auditoriums will be on the sec-
ond and third floors and will be available for use by
the community,
PITTSBURGH PLANNING REVIEW
Tower Form Development
TYPICAL HIGHRISE
TOWER
BREAK TOWER UP
INTO VERTICAL
STACK OF SMALLER
COMMUNITIES
INTRODUCE
GRADIENT OF
THERMAL ZONES
AND BUFFER WEST
FACADE
REDUCE
TYPICAL LEASE
SPAN AND
ORIENT SOUTH
FACADE TO OP -
TIMAL SOLAR
ORIENTATION
TO MAXIMIZE
DAYLIGHTING
OPPORTUNI -
TIES
DOUBLE-SKIN FACADE PRO -
VIDES ADDED THERMAL BUF -
FER AND ALLOWS EXTERIOR
WALL TO BREATHE
SHAPE TOP OF
TOWER TO OP -
TIMIZE SOLAR
CHIMNEY AND
PHOTOVOLTAIC
ARRAY
PASSIVE STRATEGIES
DESIGN DEVELOPMENT 1
DOUBLE SKIN FACADE
Vertical Breathing Wall
| OUTER LAYER
Unitized Panel Assembly
Flush exterior glass surface
Exterior Mullions
Vertical Air Intake
| INNER LAYER
Manual Sliding Doors
Reduce number of Doors per bay
Refined extent of Wood
The $400 million project will feature a double-glass ex-
terior skin that will allow fresh air to circulate through-
out. Other environmentally friendly features previously
disclosed include a state-of-the-art geothermal heating
and cooling system, which will reduce the amount of
water used, and large amounts of natural sunlight
would cut energy costs.
Conceptualsketchesofvariouswaystoallowtheunitized
curtainwallto“breathe”.Optionsincludecablesup-
portedcurtainwallwithhorizontalandverticalvents.
2010MANTRIKORAMANGALAAGARA
Bangalore,India
ThevisionforMantriKoramanglaAgaraistocreateanewdistrictcenter
andanintegratedmixed-usedestinationcommunitythatisforward
looking,highlysustainable,andsupportstheformationofapolycentric
Bangalore.
Sitearea:70Acres
RETAIL			1,200,000sf
COMMERCIAL		 1,477,000sf
RESIDENTIAL		 1,869,000sf
HOTEL+SERVICEAPT		 605,000sf
SEZ			4,034,000sf
		
Program&area*
4totalbuiltUParea9,185,000SF
RETAIL
Joining the two lakes, the shopping street is
fashioned after a river that scores and cuts the
landscape, exposing rock and a natural, curving
passage.
On either side, the stores hum with life, while
the sky above brings light and a natural sense of
openness to the environment. At its center, a plaza
and a tributary lead the visitor to the cinema,
providing a focus and center to the public space.
The retail environment is rich, diverse,
and of very considerable scale. It
combines a number of significant anchor
stores with boutiques, restaurants, and
extensive food court, and a Cineplex.
THE MULTIPLEX
The cinema is a portal into a magical
world. Fashioned from a rock-like solid
form, it is cut to expose a brightly
lit interior that promises to inspire and
entertain.
A large courtyard connects the cinema to
shopping, with views from one to another,
Encouraging the visitor to explore and
enjoy. Entertainment and a luxurious
lifestyle are at the heart of the Mantri
Agara complex, and the Cineplex offers
both, with a variety of complementary
cinematic experiences, and a retail
component that makes this building a
focus for visitors.
The extensive glass facade invites
the visitor the Cineplex to, and
makes this a place to see and be seen.
Site Sections showing the hierarchy of
various buildings and program elements
of the site.
THE 5-STAR HYATT REGENCY
India is home to the greatest mountains
in the world. The fivestar hotel expresses
the soaring height of the mountain, with
a plunging waterfall that brings light and
excitement to the building.
A bridge across the very top reflects the
role of the Mantri Agara Koramangala
project in creating a new environment for
economic development and a 21st century
lifestyle.
Various massing options were considered in
collaboration with Hyatt and the operator.
THE SEZ
The Special Economic Zone, like all
aspects of the conceptual design for
Mantri Agara, is built on an appreciation
of nature. The primary expression is
that of the forest, with the lines of trees
rising along the facades, filtering light,
and creating a gently varying texture
across the expanse of the SEZ.
The density of the tree pattern changes
from high density on the most important
facades, to a lower level of intensity
on less visible facades, with a positive
impact on cost, while increasing the
variation and interest of the facades.
Design studies of prototypes for office
buildings using local materials and
in response to the climatological
considerations. Passive solar design ideas
such as large overhangs and recessed
windows were studied.
THE RESIDENTIAL
Land and water meet: the intersection
of the elements that sustain life.
The ideal location for a sophisticated
residential development offering
unparalleled views, with easy access to
shopping, the business park, and
transportation throughout Bangalore.
Set at the water’s edge, the
residential development accommodates
a wide range of lifestyles from the
compact to the luxurious.
The residential towers with the lake view
and the terraced balconies allowing for
ample view from most units.
2010DOWNTOWNCHAMPAIGNBICYCLESHELTER
Champaign,Illinois
StudioChintalaprovideddesignservicestoTheIllinoisGreenBusinessAssocia-
tiontorealizetheprojecttoprovidesustainableand“green”bicycleshelters.
ThisprojectisslatedtobeaLEED certifiedbuilding.
TheKCDprojectwhileservingitsfunctionasabike-shelter,hasthepotentialto
showcasetheUrbanaGreenSociety’svaluesandcommitmenttosustainability.
Preliminaryideasfortheprojectincludeincorporatingsolarpanelsthatwould
generateenergytopowerafanforhotdays,anelectriccarchargingstation
andanyinteractivedisplaythatmaybecomepartofthedesign.Thebuilding
materialsusedtoconstructthestructurecouldsendastrongmessagebyusing
reclaimedorrecycledmaterialsfromthelocalcommunity.
Byemploying“green”constructiontechniques,thesustainabilitythemecould
befurtherreinforced,theprojectcouldpotentiallybeconstructedbyapartner-
shipofvolunteersfromthecampuscommunityaswellasthelocalconstruc-
tionindustry.Suchacollaborationcouldsendthemessagethattheideasof
“sustainability”asnotrestrictedtothebuildingmaterialsandtheconstruction
techniquesbutcanincludeeveryaspectoftheproject.Thesuccessfuluseof
severalofthesesustainableideascouldpotentiallymakeitpossibleforaLEED
certification.
Thedesignofbikesheltershouldadequatelyaddressallaspects
ofefficiencyanduser-friendlinessandalsoaspiretoserveas
“UrbanArt”andmustbeconceivedassuch.Anappealingbeau-
tifulformcouldenliventhespacearounditandperhapsbecome
amuchdesirableplaceforsocialinteraction.Thedesignofthe
structurecouldresultinasculpturalformthatcouldpotentially
becomeagemintheUrbana’scampustownandasymbolof
sustainable,functionalcivicart.Avisuallyappealingstructurewill
alsogoalongwayindispellingthenotioninsomequartersthata
projectcannotbe“green”attractiveatthesametime.
Signage
Small LED lights flush
mounted
Display LED or Bulletin-
Board type
Finish material- sheet
metal, reclaimed wood,etc.
Roof structure designed to
accommodate solar panels
Bicycle parking
with lock anchors
Bench
Steel or wood
structure
Steel or wood legs
Street
2009CENTENNIALTOWERS
SouthSanFrancisco,CA,USA
CentennialTowerislocatedona20-acresitewhereHighway101curvespastthe
SanBrunoMountain.Thetower’ssoftcontoursvisuallyechothetypographyof
thehillside.Whenseenfromamovingcar,the332,00squarefootbuildingreveals
itselfasasculpturalobject.Thetwotowersareconnectedbyaunderground
tunneltoa7-levelparkinggarage.
ProjectDetails
ProjectCost:$105million
Commercial: 303,612S.F.
Retail: 14,771S.F.
ProjectRentableArea: 680,000S.F.
SouthTowerOffice(PhaseI): 306,000S.F.
NorthTowerOffice(PhaseII): 345,000S.F.
Parking:2,000spaces
ConferenceandPerformingArtsCenter:200seats
ChildCare:100child-carefacility
Images(ThisPage)
Renderingshowingthe2Phases
SitePlan
Belowleft:Curtainwalldesignanddetailsshowinghorizontalshad-
ingelementsandcurvedglazingunits.
Belowright:UnfoldedelevationofcurtainwallandA-Framesupport
systemforthebuilding“crown”.
SouthTowerFloorPlansshowingspace-planningop-
tions.
MainentryintotheSouthBuildinglobby.
Thetoweriswrappedinacontinuous,veil-likeglasscurtainwall
whichextendsabovetheroofasatranslucentglasspara-
pet.Throughouttheday,theskinbecomesashiftingcanvas,
changingfromsilvers,toblues,towarmtones.Withthetower
occupyingonly8ofthesite’s20acres,morethanhalfofthearea
hasbeenreservedforconservationeffortsincludingareplanting
program.Thisprogramwillhelptorestorethemountain’sorigi-
naledgewhichwasscarredduringthemakingofthefreeway
andbycutsforbay-fill.
SouthTowerpublicspaces
Buildinglobby,LEDartinstallation,recep-
tiondesk,tunnelinterior
Belowleft:ConstructionimagesshowingA-Frames
ontheroofsupportingthe“crown”curtainwall;
Below:Sketchesdoneduringconstructionadmin-
istration, clarifyingandresolvingconstructability
issuesandcommunicatingthedesignintenttothe
contractor.
Belowandright:
Thegaragescreenwasconceivedasa3separate
translucentlikeplanes.Thedetailingincluded1/4”
anglesthat capturethecorrugated-perforated
aluminumpanels.
Above:Buildingexteriorshowingthecurvedcurtain-wall;the
interfacebetweenthegarageandtheSouthTowershowingthe
perforatedmetalscreen;thebalconyonthe4thleveloftheSouth
Tower.
2006TIANJINGLOBALFINANCIALCENTER
Tianjin,China
TianjinGlobalFinancialCenter,sitedinthehistoricheartofTianjin,
embodiesthecity’sinternationalprominenceasaphysicalandcultural
gatewaytoChina.AcrosstheHaiheRiverfromTianjin’shighspeedrail
andtransithub,the337-metertowermarksthecitycenterandprovidesa
visualpointofreferenceforvisitorsandresidentsalike.
ProjectFacts
CompletionYear:2010
SiteArea:2,258m2
ProjectArea:345,302m2
BuildingHeight:337m
NumberofStories:72
Tianjin,China
Thisdesignproposalorganizesthesitebyaunifying
setofbuildingrelationshipsthatsignifytheidentityof
theplaceasthetrueandtimelesscenterofTianjin’s
commercialandrecreationalactivity.Theprojects
spanstwoseparateparcelsjoinedseamlesslybythe
landscapedesign.
The329.6metertall74-storyJintaTowerinTian-
jin,China,isexpectedtobethetallestbuilding
intheworldwithslendersteelplateshearwalls
usedastheprimarylateralloadresistingsystem.
Aboveleft:Spaceplansoptionsincludevarious
speculativeconfigurations.
Below right: The four level basement includes
parking, mechanical building systems and the
retail component.
Below left: The retail level (B1) is directly acces-
sible from the tower and can also be accessed
from a retail podium which is wrapped by a
bicycle ramp.
Left: Conceptual sketches for a two-level res-
taurant building.
The skin of the residential building was primar-
ily designed to take advantage of the view of the
Haihe River. Concealing the air-conditioning
units located on the façade required that a lou-
vered or perforated element be integrated into
the skin. The curtainwall module are based on
the speculative residential units and accommo-
date various floor plan configurations.
Thearchitectureofthe236,000-smJinmensiteisa
dramatic,symmetricalcompositionorganizedonthe
Hamidaoaxis.A68.8meter-highopencubecontains
approximately36,000SMoffivestarhotelspace,with
itsgrandlobbyconfiguredasagreatgateorportalto
thenorth,flankedattheeastandwestbytwin147.6
meter-highapartmenttowers.
Tianjin Global Financial Center’s structural
framework is uniquely slender for a region with
high wind loads. Tubular steel columns filled
with high-strength concrete support the tower,
while its tapered form incorporates steel plate
shear walls, adapted from recent advance-
ments in shipbuilding technology. The innovative
application of steel plate shear walls reduced
material usage by 20 to 25 percent over more
conventional structural steel systems.
Thepleatedglasscladdingthatenclosesthetower
recallsthestructureandlightnessofChinesepaperarts.
TheCentercontains240,000squaremetersoffirst-class
officespace,whileanobservationdeckandskyrestau-
rantprovidepublicaccessto360-degreeviewsofthecity.
Atthebaseofthetower,apublicgardenestablishesa
formalentranceandoverlookstheHaiheRiver.
2009VEDICTEMPLEANDMEDITATIONCENTER
LosAngeles,California,USA
A1970scinematheaterbuildingwasacquiredbytheVedicTempleofLos
Angelesandconvertedintoatempleandmeditationcenter.Theproject
includeddemolitionofseveralinteriorpartitionsandceilingsandproviding
newfinishes.
Theoldcarpetwasreplacedwithconcretefloorswithanepoxyfinish.Wall
panelingdatingbacktothe70swasremovedandsmoothgypsumboard
finishesapplied,alargereceptiondeskwaslocatedinthecenterofthelobby
area.Thisprojectincludingthedesignandconstructionwascompletedin
twoweeks,alldrawingswerecompletedonsite.
TheSanJoseVedicTemplewasatenantimprovementprojectinalarge
warehouse.Re-zoningandplanningdepartmentreviewswerealargepart
oftheeffort.Theoldwarehousespacehadtobeinsulatedandroof-top
air-conditioningunitshadtobeprovided.Thedesigncalledforaminimalist
“Zen-like”spacewithameditationhall,templearea,kitchen,diningand
restrooms.
2009VEDICTEMPLE
SanJose,California,USA
TheSanJoseVedicTempleandMeditationCenterislarge
warehousespacethatservesover2000devotees.The
designcreatedaminimalistspacewithamuseum-like
spacethatisneutralandpeacefulatthesametime.
Theprojectwasbuilttoatightbudgetandextremely
aggressiveschedule.Thismeantthatdesigndecisions
weremadebasedoncost-effectivematerialsandeaseof
constructability.
2009VEDICASHRAM(MONASTERY)
Bangalore,India
The60-acreVedicAshramormonasteryintheoutskirtsofthecityofBangalore,
IndiaisdesignedaccordingtotheancientIndiaArchitecturalprinciplescalled
“Vastu”.Allaspectsofdesignandconstructionareclearlyexpressedinthis
5000year-oldscience.Theprogramincludedmaster-planningofthecampus,
largemeditationhalls,dininghallsfor5000people,landscapedesign, amphi-
theaters,officespaces,residentialquartersforvisitorsandmonks.
Thisisanongoingprojectwithconstructioninseveralphases.Theashram
hasrecentlyacquireda50acreadjacentplotforexpansionofthecampus.
Constructionmethodsfollowthetraditionalsystemswithintegrationwithsome
moderntechnology.
2005TREASUREISLANDMASTERPLAN
TreasureIsland,SanFrancisco
Acomplexandthoroughlyarticulatedurbandesignand
architecturalplanestablishesrelationshipsbetweenbuildings,
publicopenspace,transportation,views,andnaturalforces,
creatingacompact,transit-orientedcommunitywithacom-
mitmenttosustainabilityunparalleledintheSanFranciscoBay
Area.
SiteArea:393acres
Thedesignprovidesavarietyofresidentialbuilding
typestoallowforadiversecommunity.Utilizingtall-
erbuildingtypestoincreasedensityandconsume
lesslandareathusallocatingmoreopenspacefor
publicuse.Theneighborhoodblocksaredesigned
withinterlockinglandscapezonesandconnecting
pedestrianwalkways.Thestreetedgeisactivated
withattractive,engagingresidentialentriesinclud-
ingstoopsandfrontcourtyardsandcommunityor
commercialspaceson groundfloor.
2004THEBOLOYANRESIDENCE
ElCerrito,California
Aremodelingprojectforamid-centurymodern
furniturerestorerandhisfamily.Thisproject
beganasasimpleexerciseofaddingafloorwith
bedroomsforthetwoteenagesons.However,the
projectevolvedintoamorecomprehensiverede-
signresultingintherearrangementofallspaces
inthehouse.Thehouseislocatedonthefoothills
oftheeastbayhillswithviewsoftheSanFrancisco
bay.Thehousewasbuiltonahumblebudgetwith
flowingspacesandminimizingwalls,however,not
compromisingonessentialfinishes.
Asimplepaletteconsistingofaplasterexteriorwith
massingthatseparatestheformalandinformal
spacesonthesecondfloor.Theroofisdesignedtoac-
commodateaclerestorytappingdiffusednorthlight.
Windowsonthesecondflooraresizedandlocatedto
takeadvantageoftheviewsofthebay.
19'-3"X16-'9"
LIVING
DINING
19'-2"X 12'-0"
6'-4"X9-'9"
BATHROOM
MASTER
BEDROOM
9'-10"X12-'2"
KITCHEN
14'-6"X10-'2"
DOWN
10'6X11'3"
EXISTING CHIDREN'S
BEDROOM 1
11'-3"X13'-1"
EXISTING LIVING ROOM
11'-8"X12-'7"
EXISTING DINING
CONVERTED INTO
PROPOSED STUDY
/ GUEST BED
PROPOSED
GUEST
BATHROOM
EXISTING
BATHROOM
6'-4"X 9'-9"
10'-2"X11'-2"
EXISTING CHIDREN'S
BEDROOM 2
LAUNDRY
11'-7"
11'-8 1/4"
6'-9"
CLOSET
PROPOSED FIRST FLOOR PLANPROPOSED SECOND FLOOR PLAN
14'-1"
6"3'-0"8'-1"3'-0"10'-1"3'-0"6"
4'-4" 3'-8" 8'-10" 6'-0" 6"
7'-10"
6" 6'-0" 10'-4"
9'-8"3'-0"4'-6"4'-0"2'-3"3'-0"7'-1"3'-0"6"
6" 14'-1 1/2" 7 1/2"
EQ. EQ. EQ. EQ. EQ. EQ.
11'-5" 13'-0" 6"
1'-0"
7'-6"
2'-6"
2'-9 1/2"3'-8 1/2"6'-6"
12'-2"
7'-4"5'-3"
13'-1"
2'-6"8'-6"2'-1"
9'-5" 2'-2"6'-10 1/2"
10'-2"3'-8"
4'-5"
19'-2"
UP
A A
B
B
A A
B
B
NN
3'-0"
7'-6"8"
EQ.EQ.EQ.
8" CAST-IN-PLACE
CONCRETE WALL
4" CAST-IN-PLACE
CONCRETE WALL
CHIMNEY
FINISHED SURFACE TO BE 1/2"
BELOW INTERIOR FINISHED FLOOR
SLOPE
1/4"PERFOOT
4'-0"
10'-4"
5'-6"
2'-3"4'-51/2"3'-10"
9'-0"
6'-0"
6'-4"
11'-3"
11'-6"2'-6"4'-0"16'-2"
8'-10" 2'-0" EQ. EQ.
6'-0"
12'-7 3/4"
2'-0"
6'-0"
14'-1"
2'-0"
6'-11 3/4" 4'-2" 3'-0" 5'-8 1/4" 3'-0"
EQ.6'-0"EQ.
13'-2"
2'-0"
5'-1"
4'-6"
1'-2"
10'6X11'3"
EXISTING CHIDREN'S
BEDROOM 1
11'-3"X13'-1"
EXISTING LIVING ROOM
11'-8"X12-'7"
EXISTING DINING
CONVERTED INTO
PROPOSED STUDY
/ GUEST BED
PROPOSED
GUEST
BATHROOM
EXISTING
BATHROOM
6'-4"X 9'-9"
10'-2"X11'-2"
EXISTING CHIDREN'S
BEDROOM 2
LAUNDRY
11'-7"
11'-8 1/4"
6'-9"
PROPOSED FIRST FLOOR PLAN
UP
A A
B
B
N
3'-0"
7'-6"8"
EQ.EQ.EQ.
8" CAST-IN-PLACE
CONCRETE WALL
4" CAST-IN-PLACE
CONCRETE WALL
CHIMNEY
FINISHED SURFACE TO BE 1/2"
BELOW INTERIOR FINISHED FLOOR
SLOPE
1/4"PERFOOT
4'-0"
10'-4"
5'-6"
2'-3"4'-51/2"3'-10"
9'-0"
6'-0"
6'-4"
11'-3"
11'-6"2'-6"4'-0"16'-2"
8'-10" 2'-0" EQ. EQ.
6'-0"
12'-7 3/4"
2'-0"
6'-0"
14'-1"
2'-0"
6'-11 3/4" 4'-2" 3'-0" 5'-8 1/4" 3'-0"
EQ.6'-0"EQ.
13'-2"
2'-0"
5'-1"
4'-6"
1'-2"
Variousoptionswerestudiedforthebuildingexterior,
somemoreminimalthanthefinaloption.Abalcony
optionwasconsideredtotakeadvantageoftheviews,
however,theowners’strongpreferenceforasloped
roofandresultedinthefinaldesign.
Thelargelivingroomislocatedonthesecondfloor,
whiletwobedroomsoccupythefirstfloor.Theobjec-
tivewastocreatealargeinformalflowingspaceon
thesecondfloorthatbecomestheheartofthehouse
andwouldbeflexibleandfunctionaslargeliving
room.Inafurthermovetoencouragefamilyinterac-
tion,thebedroomsareminimallysizedandtherefore
servemerelyassleepingspaces.
Thekitchen,diningandlivingspacesarecontiguous
spacesandflow whileprovidingdistinctareasforvari-
ousactivities.Thecablerailstairwithadoubleheight
spaceprovidesthevisualconnectionbetweenthetwo
floors.Themaster-bedroomislocatedonthesecond
floorwithaviewoftheeastbayhillsandoverlooksthe
backyard.Thefirstfloorcontainsalargeoffice,guest
bedroomandthetwochildren’sbedrooms.
2003UCSF MISSIONBAYSTUDENTHOUSING
SanFrancisco,California
TheUCSFMissionBayCampusisaresultoftheUniversityofCalifornia,San
Francisco’seffortstoincreaseresearchcapabilityanddevelopastate-of-art
facility.Thenew2.65million-SFresearchandteachingcampuswillserve
UCSFstudents,faculty,andstaffaswellasthepublicinterestatMission
Bay.
Theprojecttotalsapproximately410,513GSFofresidentialunits(431units),
10,296SFofretailspace,a1,962SFCommunityRoom,44,650SFofopen
spaceand127,687GSFofparkingfor400cars.
Imagesabove:
Conceptualstudiesconnectingthebuildingstotheurbancontext
Solarshadinganalysis
UCSFMissionBayCampusinthelargercontext
UCSFMissionBayCampusMasterPlan
GroundFloorPlanshowingpublicspacesandlandscape
design
Theprojectconsistsoffourbuildingelementssurrounding
amulti- leveledGardenCourtyard.Thewestbuildingis85
feettallwhilethenorthbuildingis115feethigh.Thesouth
buildingfrontsalargelandscapedplaza,wherethebuilding
heightisreducedto75feet.Thispresentsalowervolumefor
thepedestrian-orientedplazaandprovidesadditionallight
intotheGardenCourtyard.
Theeasttowerbuildingrisesto160feet,providingacity
landmark,andservesasagatewaytotheUCSFCampus.
2004BEIJINGFINANCESTREET
Beijing,China
Locatedinthecity’shistoriccenter,BeijingFinanceStreetisChina’snew“WallStreet.”Thisvibrant
mixed-usedistrictprioritizesplace-makingandoffersadiversefamilyofbuildingsandspaces.BFS’s
18buildingsareanchoredbyacentralparkandconnectedbygardens,courtyards,andlandscaped
pathwayscreatingawalkableurbanenvironment.ItisnowthecenteroftheWestDistrict.
ProjectFacts
CompletionYear:2007
SiteArea:1,030,000m2
ProjectArea:1,500,000m2
2010POSTMODERN
Mailboxesbystudiochintala
Overtheyears,therehavebeennumerouschoicesinmanufacturedmailboxes
forthehomeowner.Oftenthearchitecturalstyleofthehousedictatedthestyleof
themailbox.Mailboxeswitha“traditional”aesthetic,appealedtothemajorityof
thedeveloper-builtsingle-familyhousesoverthepastseveraldecades.However,
therearenotmanyoptionsforthehome-ownertodaytobuya“modern”mailbox
“off-the-shelf”.
Whilepeoplehavebeenattractedtothe“modern”designaestheticandbeen
buildingmodernhousesforover50years,ithasonlyrecentlybecomelesselitist
andmoreamatterofsimplepracticaldesign.Withseveraldevelopersrealizingthe
marketformoderndesign,themodernaesthetichasbecomeincreasinglydesir-
able,whilethenumberofmoderncustom-houseshasincreasedexponentially.
Itisinresponsetothisdemandthatthe“post-modernmailbox”hasbeen
designed.Itprovidesasustainable,functional,uncomplicated,elegantandsophis-
ticatedchoiceforthehomeownerwithapreferenceforamoderndesignaesthetic.
Thepostmodernmailboxismadefromquarterinch-thickaluminumplatecontain-
ing30-50%recycledmetalcontentandis100%recyclable.Thepowdercoatsare
epoxyresinbasedandengineeredtoendure15-20yearsofdirectsunlight.Post-
modernisbuilttolastyetitislightweightanduseslessmaterialsandprocessesto
makethanotherproductsinthesamecategory.
Eco-friendly-sociallyresponsible-modernmailboxesarereadyforoutdooruse;
theyemployanindustrialgradepowdercoatingonthealuminumstructure,which
naturallyresistscorrosion.
Postmodernmailboxesfeaturethedurability,quality,andstylethatyouexpectfrom
buildingproductsexposedtotheelements.
modernpost
v
mailboxesbystudiochintala
Firstimpressions
Thecurbsidemailboxisoftenthefirstelementofthebuildingthatmeetstheeye,itisinmany
waysagatewayintoyourhome,yourbuilding’spresenceonthestreetsidecurb.Thesleekforms
anddetailsofthe“post-modern“mailboxcommunicateasophisticationofdesign.
Privateletterboxesormailslotsdidnotbecomepopularin
mostofEuropeuntilthemidtolate1800s,althoughthey
wereusedinParis,Francefromthelate1700s.In1849,
theBritishPostOfficefirstencouragedpeopletoinstall
letterboxestofacilitatethedeliveryofmail.Beforethen,let-
terboxesofasimilardesignhadbeeninstalledinthedoors
andwallsofpostofficesforpeopletodropoffoutgoingmail.
In1915,thefamiliarU.S.curbsidemailboxwithitscurved,
tunnel-shapetop(topreventwaterandsnowcollection),
latchingdoor,andmovablesignalflagwasdesignedbyU.S.
PostOfficeemployeeRoyJ.Joroleman.
modernpost
TM
mailboxesbystudiochintala
modernpost
TM
mailboxesbystudiochintala
Easeofuse-thedoor
openstoacomfortable
100degrees.Analumi-
numpianohingecon-
nectsthedoortothebox.
Amagneticcatchkeeps
thedoorfirmlyshut.
Asolarpanel
integratedinto
theboxprovides
energytolightthe
Postmodernat
night.
The3/8inchslotbetweenthedoor
andtheboxkeepsPostmodern
glowingallnight.AnLEDrope
lightconcealedbehindthedoor
flangeprovidestheillumination.
Allelementsofthe
Postmodernare
designedtothe
samehighdesign
standards.Theflag
is1/4inchaluminum
platewithamagnetic
catch.
Eventhedoorpull
hasbeencare-
fullydesignedand
thought-out.Custom
aluminumextrusions
areergonomically
designed.
Theattentiontodetailis
evidentineveryaspectof
thePostmodern-thebaseis
elevated1/2”fromtheground
withconceledattachment,
creatingtheillusionthatthe
Postmodernisfloating.
Housenumbers
areinstalled
andshipped
witheach
Postmodern.
modernpost
TM
mailboxesbystudiochintala
modernpost
TM
mailboxesbystudiochintala
modernpost
TM
mailboxesbystudiochintala
Stage01:Stamping
Eachpiecestartsasaflatpieceofaluminum.Thealuminumusedis
anywherebetween18and50%recycled.Thesheetsarepre-stamped
withahydraulicpressintotheirouterdefiningforms.Thedimensions
areengineeredtomaximizematerialyieldleavingtheleastamountof
scrappossible.
Stage02:Water-Jet
Usingahighlypressurizedstreamofwatercontainingfinediamond
dustasacuttingbladeacomputercontrolledmachineguidesthehead.
Theresultsaremagicalandthisprocessisveryenvironmentallyclean.
Therearenotoxicfumesorhighconsumptionofenergysincenoheatis
produced.Thereisalsovirtuallyzeromaterialwasted.
Stage03:Forming
Usingacomputercontrolledhydraulicformingpresseachpieceisthen
bentintothecorrectshape.
Stage04:Welding
Thepedestal,themailboxandthefastenersareconnectedwithwelded
joints.
Stage05:PowderCoating
Theunitsarethenpowder-coatedwithacolorspecifiedbyyou.Powder
coatingisatypeofdrycoating,whichisappliedasafree-flowing,dry
powder.
Stage06:AssemblyandPackaging
Lastlythefeetaresecuredandthentheunitsarepackedinacorru-
gatedboxwhichispartlymadefromrecycledpaperandisrecyclable.
Stage07:Shipment
ThenthePostmodern isreadytobeshippedanywhereintheworld.Our
manufacturingleadtimesare4weeksorless.Additionallywedonot
carryanystockallofourproductismadetoorder.Thisapproachoc-
cupieslessspaceandreducesproductdamagesduetostockhandling.
1999MADRONAMARSHNATURECENTER
Torrance,California
TheMadronaMarshNatureCenterwasconceivedasaplacefor
peopletoexperienceandlearnaboutthelastremainingvernal
wetlandintheLosAnglesarea.Themarshservesasasymbolof
hopethatconfirmsthatthereishopetopreservethewetlands.The
marshhumblydefiesthecitygrid,andtheNatureCenterresponds
totheimpliedgeometryandaxesestablishedbytheresultingcolli-
sionofthenaturalandbuiltenvironments.Theplantsandanimalsof
MadronaMarshareamongthefewremnantsofthefloraandfauna
thatoncewerenativetothisarea.
Theprojectsiteisbisectedbyanaxisthatcreatesadialoguewiththe
marsh-alinethatextendsfromtheentrancetothemarshandpen-
etratesthebuildingsite.Thislinebecomesthemajorbuildingaxis
aroundwhichthecomplexisconfigured.Acourtyardthatcontains
alandscapedspaceshowcasesthevegetationofthemarsh,and
becomesthecenterofthecomplex.
Thiscourtyardservesasanoutdoormultipurposespace;
aplacethatbindsthevariouselementsofthecomplex;a
placeforsocialinteraction;anamphitheater;aplacefor
smallinformalgatherings;aplaceformeetings;anoutdoor
classroom.Also,thecourtyardbecomesthecentralexhibit,a
sourceoflearningaboutplantsandsmallcreaturesthatdwell
inthemarsh.Thenotionofdisplayingthemarshasaprotected
elementispromotedbyenclosingthecourtyardwithwallsand
buildingmasses,whichinturnrepresenttheideaof“preserva-
tion”-thehumaneintervention.
As an edifice of the marsh, the complex of buildings
acts as a mouthpiece through which the marsh can
communicate to the people of Los Angeles. The Nature
Center is a platform for the “Friends of the Madrona
Marsh” to educate people about the significance of
conservation; a place to pay homage to the land. The
Nature Center represents the various facets of the
marsh.
1		 Entry Plaza
2		 Entry from Marsh
3		 Lobby
4		 Courtyard
5		 Exhibit Hall
6		 Gift Shop
7		 Restrooms
8	 Docent Room
9	 Project Lab
10 Curators
11 Classroom
12 Administrative Offices
13 Service Area
1
13
12
3
6
4
5
2
11
10
9
8
7
Above: Images of the Exhibit Hall exterior showing the
slot windows that are lit at night.
Facing page: Images of the exterior of the building
showing the various materials; views of the courtyard.
2006THEstudiochintalaLOUNGECHAIR,SOFAAND DAYBED
Itstartedasasketchingexerciseinfurnituredesign,butbecamerealitywhen
aclientwhoisamid-centurymodernfurniturerestorerproposedtobean
upholsterytutor.Fabricationofthesteelwasdoneincollaborationwithalocal
fabricator,theplywoodstructurewascutandshapedperthefull-scaledrawings
thatservedastemplates.
Daybed
Sofa
Chair
Construction Images
2007BUSSHELTERCOMPETITION
DesignCompetition,SanFrancisco
Acompetitiontodesignabusshelterprototypeforthe
SFMuniastheyplantoinstall1,500newbusshelters
inthenest15years.
Thisentryproposedminimizingcostbysimplifying
themanufacturingprocesswhilemakingitdurable.
Thedesignproposesabus-sheltermanufactured
fromonepieceofplatesteelthatisachievedbythe
processofstamping.
2005THEstudiochintalaCREDENZA
Designandconstructionofthedccredenza.
Thiscredenzawasdesignedtomatchthedimensions
ofanexisting livingroomspace.Thispieceunitincor-
poratesadeskwhichincludesspaceforthecomputer,
aswellasachaseforcablestoberoutedthroughtothe
drawerthatcontainsportabledevicesandtheprinter.
MaterialsincludewalnutveneeroverMDFandmarble
top.
1/8" GAP
1/4" GAP
WALNUT(VENEER/PLYWOOD)
STAINLESS STEEL LEGS
DESK
GRANITE COUNTERTOP
1
8" GAP BETWEEN DRAWERS
1
4 " REVEAL BETWEEN STONE TOP AND DRAWERS
AmericanInstituteofArchitectureStudents,
AnnualIdeasCompetition,FirstPrize
Thisnationalcompetitionopentoallarchi-
tecturestudentsandfacultycalledforthe
reinterpretationofthousandsofnuclearsilos
scatteredalloverthemidwestthatwerebuilt
duringthecold-war.
Thisentrydisagreedwiththepremisethat“war
wasathingofthepast”.Whilethecoldwaris
certainlyover,itisunrealistictothinkthatthe
worldisattotalpeace.Warswillcontinueas
longasideologieswereimposed.Thedesign
proposesthatthesilosbedissectedtoexpose
thecontentsforalltosee,asareminderofthe
coldwarandaasplaceofcontemplation.
1995PROJECTMINUTEMAN
1993TWOSTREETS,ASQUAREANDPEOPLE
UndergraduateDesignThesis
AlthoughtherearenumeroussmallurbancentersthroughoutthecityofHyderabad,thecitylacksacentral
urbanopenspaceofconsiderablescaleandimagetoserveasthecitysquare.
Thisdesignthesisintendstoevolveacomprehensivedesignwhichwhilefulfillingallthefunctionalneeds
associatedwiththemovementoftrafficandcivicamenitiesessentialtosuchareas,wouldalsofocusonthe
imageofsuchacentralopenspaceinthecity.Thestreetscape,street-furnitureandbuildingsinterfacing
thestreetarestudiedandincorporatedintothedesign.
Thestudyofthecontextinvolvedunder-
standingtheactivitiesthatoccurinother
urbanspacesinthecityandprovidefor
themintheproposeddesign.Siteanalysis
includedstudyofvisualaxes,existingbuild-
ingsintheimmediatecontextaswellas
pedestrianmovementpatterns.
Literaturereviewincludedreviewofdesignprinciplesof
streetscapesandcentralurbanopenspaces.KevinLynch’s
theoriesof“imageability”incitiesservedasameanstostudy
thecity’simageabilityandtoarriveatthedesiredelementsin
thedesign.Imagesketchesweresolicitedfromoverhundred
citizensandanalyzedtoarriveattherequirementsforsucha
comprehensivecitycenter.
Thedesignproposedalargeplazaenclosedbya
museum,tourismofficesandothercivicamenities.The
plazaflowsintoanamphitheaterthatallowsforcultural
eventsandisconnectedtoanetworkofshopping
streets.Variousstreetscapeconceptswereappliedinthe
designoftheshoppingstreets.
1990MUSEUMFORARCHITECTUREANDFINEARTSCAMPUS
AcademicWork,SecondYear,B.ArchProgram
Thisacademicprojectaimedatexploringtheconceptof“monumentality”.Themuseumwasa
liveprojectandthereforeinvolvedsite-analysisandextensivestudyoftheexistingbuildings.The
projectalsoinvolvedinterviewingfacultyandstudentsofalldepartmentstowardsdeveloping
theprogram.EarlyinfluencesofLeCorbusiers’sarchitecture,especiallyinChandigarhare
clearlyvisibleintheuseofbuildingmaterialsandexpressingmonumentality.Theprojectwas
presentedasamonographandtheabovetextservedasthe“IntroductiontotheMuseum”.
Theproposeddesignisinfluencedbyearlymodernistssuch
asLeCorbusierandhisworkinIndia.Thedesignproposeda
concretebuildingwithpunchedwindowswithcastexpansesof
glazing.Theinteriorsweredesignedtobeminimalistwithwhite
wallsthatmerelyformthebackdropfortheart.
Thedesignprocessandintentisexplainedgraphically
ascritsoftenfollowedreviewofprojectdrawings.
Thesizeofthesiterequireda2-storybuilding.A
courtyardisproposedtocreateanenclosedopenspace
essentialtotheprogram.Theshapeofthesiteresults
inatriangularbuilding,andhenceasmalltriangular
courtyardspace.Thebuildingisthereforeresolvedas
an“L-Shaped”structure.Thetallwallwhileenclosing
theoutdoorspace,isalsoanopportunitytocreate
“monumentality”.
Theprojectexaminesthedebatesurroundingmuseum
design-whetherthemuseummustmerelybea
humblespacetodisplayartorshouldthemuseum
itselfbeanexhibit.Thedesignassumesanambivalent
attitudewiththeexteriorofthebuildingassuming
amonumentalcharacter,whiletheinteriorsare
designedtobeminimalistspacestodisplayart.
2003,2005WATERCOLORS
Hyderabad-India,LosAngeles,Florence-Italy
Travelwatercolorsfromvarioustrips.
1989HISTORYOFISLAMICARCHITECTURE
AcademicWork,SecondYear,B.ArchProgram
TheHistoryofArchitecture,athree-semesterlectureandseminarcourseprovidedachronologicalstudyofthecultural,aes-
thetic,technologicalandsociopoliticaldimensionsofarchitectureasinvestigatedthroughtheevolutionofbuildingsandcities.
HinduArchitecture,IslamicArchitectureandModernArchitecturewerestudiedineachsemester.
TheHistoryofIslamicArchitecturecoursefocusedonstudyingarchitectureoftheMoghulEmpireinIndiainthe16thcentury
whichisafusionofArabic,PersianandHinduelements.
Felt-penonbrownwrappingpaper.
1990HISTORYOFMODERNARCHITECTURE
AcademicWork,SecondYear,B.ArchProgram
TheHistoryofArchitecture,athree-semesterlectureandseminarcourseprovidedachronologicalstudyofthecultural,
aesthetic,technologicalandsociopoliticaldimensionsofarchitectureasinvestigatedthroughtheevolutionofbuildings
andcities.HinduArchitecture,IslamicArchitectureandModernArchitecturewerestudiedineachsemester.TheHistoryof
ModernArchitecturecoursefocusedonstudyingarchitectsthe,stylisticmovements,andthetechnologythroughlectures,
seminarsandsketching.
Felt-penonbrownwrappingpaper.
Chintala Portfolio 2012 Low
Chintala Portfolio 2012 Low
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