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Writing Ireland


Week 10: “A people who were satisfied with frugal comfort”?:
                Nostalgia & Prudery in the Mid-Century
John McGahern                                       (1934-2006)




Read more at:

http://www.guardian.co.uk/news/2006/mar/31/guar
dianobituaries.books

http://www.guardian.co.uk/books/2002/jan/05/ficti
on.books
“The semi-autobiographical nature of many Irish novels
may remind us that autobiography itself has an important
place in Anglo-Irish Literature. Many writers have written
autobiographies, memoirs, reminiscences, or
recollections – the term used varies – and there are times
when autobiography reads like a novel of revenge.”


Roger Joseph McHugh and Maurice Harmon, Short
History of Anglo-Irish Literature from Its Origins to the
Present Day (Dublin, 1982), p.285.
“There was no running water then,
other than in streams or rivers, no
electricity, no TV, very few radios,
and when newspapers were bought
they were shared between houses.”
McGahern, Memoir, p.16
“A somewhat condescending backward look at an
allegedly more innocent time, the barely credible
precursor of the much more accelerated here and
now, and on the other hand as
appropriating, endorsing and promoting images and
ideas, which, by being represented as simple and
traditional, function as a means of resisting the
modernising present.”
O’Brien in Harte, Modern Irish Autobiography, p.234.
“In that country, individual thought and
speech were discouraged. Its moral
climate can be glimpsed in the warning
catch phrases: a shut mouth catches no
flies; think what you say but don’t say what
you think; the less you say, the more you’ll
hear. By 1950, against the whole spirit of
the 1916 Proclamation, the State had
become a theocracy in all but name.”

McGahern, Memoir, p.210.
“Over many days and months, gradually, a
fantastical idea formed. Why take on any
single life – a priest, a soldier, teacher,
doctor, airman – if a writer could create all
these people far more vividly? In that one
life of the mind, the writer could live many
lives and all of life. I had not even the
vaguest idea how books came into being,
but the dream took hold, and held.”
McGahern, Memoir, p.205.
“My father said he loved oranges then, and when
he knew he was going to be married he bought two
dozen oranges in Galway and went to sit on a park
bench and ate them all. He felt he would never be
able to afford oranges again once he was married.
In those first years his fears couldn’t have been
much realized other than in his imagination. My
mother’s salary was higher than his.”

McGahern, Memoir, p.57.
Kate O’Brien   (1897-1974)




                                           Read more at:

                  http://www.tcd.ie/longroomhub/digital-
                               atlas/writers/kate-obrien/

                       http://www.jstor.org/pss/3509330
Next Week
      Week 11: A
   Special Role?:
    Irish Women
   as Image and
            Idea

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EN3604 Week 10: "A people who were satisfied with frugal comfort"? Nostalgia and prudery in the mid-century

  • 1. Writing Ireland Week 10: “A people who were satisfied with frugal comfort”?: Nostalgia & Prudery in the Mid-Century
  • 2. John McGahern (1934-2006) Read more at: http://www.guardian.co.uk/news/2006/mar/31/guar dianobituaries.books http://www.guardian.co.uk/books/2002/jan/05/ficti on.books
  • 3. “The semi-autobiographical nature of many Irish novels may remind us that autobiography itself has an important place in Anglo-Irish Literature. Many writers have written autobiographies, memoirs, reminiscences, or recollections – the term used varies – and there are times when autobiography reads like a novel of revenge.” Roger Joseph McHugh and Maurice Harmon, Short History of Anglo-Irish Literature from Its Origins to the Present Day (Dublin, 1982), p.285.
  • 4. “There was no running water then, other than in streams or rivers, no electricity, no TV, very few radios, and when newspapers were bought they were shared between houses.” McGahern, Memoir, p.16
  • 5. “A somewhat condescending backward look at an allegedly more innocent time, the barely credible precursor of the much more accelerated here and now, and on the other hand as appropriating, endorsing and promoting images and ideas, which, by being represented as simple and traditional, function as a means of resisting the modernising present.” O’Brien in Harte, Modern Irish Autobiography, p.234.
  • 6. “In that country, individual thought and speech were discouraged. Its moral climate can be glimpsed in the warning catch phrases: a shut mouth catches no flies; think what you say but don’t say what you think; the less you say, the more you’ll hear. By 1950, against the whole spirit of the 1916 Proclamation, the State had become a theocracy in all but name.” McGahern, Memoir, p.210.
  • 7. “Over many days and months, gradually, a fantastical idea formed. Why take on any single life – a priest, a soldier, teacher, doctor, airman – if a writer could create all these people far more vividly? In that one life of the mind, the writer could live many lives and all of life. I had not even the vaguest idea how books came into being, but the dream took hold, and held.” McGahern, Memoir, p.205.
  • 8. “My father said he loved oranges then, and when he knew he was going to be married he bought two dozen oranges in Galway and went to sit on a park bench and ate them all. He felt he would never be able to afford oranges again once he was married. In those first years his fears couldn’t have been much realized other than in his imagination. My mother’s salary was higher than his.” McGahern, Memoir, p.57.
  • 9. Kate O’Brien (1897-1974) Read more at: http://www.tcd.ie/longroomhub/digital- atlas/writers/kate-obrien/ http://www.jstor.org/pss/3509330
  • 10. Next Week Week 11: A Special Role?: Irish Women as Image and Idea

Notas do Editor

  1. The son of a police officer and a school teacher, McGahern grew up in Leitrim, midwest Ireland, which eventually became his home and the milieu for much of his writing. He gained an English degree from University College Dublin, then qualified as a teacher, teaching at a national school in Dublin. While he was taking a sabbatical as a result of winning an Arts Council fellowship for The Barracks (which was removed from the local library in his village), The Dark was banned by the Irish board of censorship, and he was told not to resume his teaching position. He defied the instruction, resumed his job and was dismissed on the instructions of the Catholic Archbishop of Dublin, John Charles McQuaid.