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Vocus Whitepaper 
2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




          2010 State of the Media: 
          An Analysis of the Changing Media Landscape by the Vocus 
          Media Research Team




0 
Vocus Whitepaper 
2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




Vocus White Paper 
Vocus State of the Media Report 2009/2010 


Contributors: 

David Coates, Managing Editor, Newspaper Content 
Rebecca Bredholt, Managing Editor, Magazine Content 
Julie Holley, Managing Editor, Television Content 
Kyle Johnson, Managing Editor, Radio Content 
Katrina Mendolera, Editor in Chief, inVocus 


Introduction 

In 2009, the media bled as reporters from all four traditional parts of the industry found themselves 
jobless, while predictions of its imminent demise blared from headlines. 

According to Vocus Media Research Group, approximately 293 newspapers folded, with nearly 100 of 
those shuttering in the year’s first quarter alone. Meanwhile, eight magazines with a circulation of 1 
million or more ceased publication, and 600 staff members were laid off from top tier publications. 
Including print and online, a startling number of magazines shuttered this year, totaling 1,126. 

In broadcast, radio stations are down from the previous year, and more than 10,000 jobs were lost. 
Meanwhile in television, bankruptcies were common as more than 100 TV stations were affected by 
their parent companies filing Chapter 11. 

What does it all mean? This report offers analysis from Vocus media research experts, while also 
providing a peek into an increasingly uncertain future. 

The Ghosts of the Media’s Past, Present and Future: A look back at the trials and tribulations 
of 2009 and the future of the media in 2010. 

Newspapers 

Back in the late 1990’s and continuing into the early part of the decade, Web sites and the Internet 
were considered a “fad” – a place where editors could post a story for early morning viewers. “In their 
minds, nothing could replace the feeling of having an actual newspaper in your hands, and as a result 
the newspaper business was late to the party when it came to taking advantage of the Internet for 
news distribution,” said David Coates, managing editor of newspaper content at Vocus Media Research 
Group. 

Ten years later, it is obvious that digital is the future. In 2009, the Seattle Post­Intelligencer dropped 
its print edition entirely, while the storied Christian Science Monitor went primarily online. Advance 
Newspapers shuttered the Ann Arbor News and in its place launched AnnArbor.com. Meanwhile, the 
blogosphere swelled. “Blogs offered more opinions and provided more water cooler discussions. Never 
mind that the skill of reporting quickly became a lost art. Once, three or four sources were required for 
a newspaper to go with a story; now just one source is enough for a blogger to put it on the Web site 
and spur a heated debate,” Coates noted. 


In 2009, newspapers dropped like flies as corporate­owned community newspapers folded – many of 
them Journal Register Company­owned – while the Rocky Mountain News and Baltimore Examiner said

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Vocus Whitepaper 
2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




their final goodbyes. Approximately 293 papers folded and 45 launched – nine of those being online or 
Web­first. Meanwhile, major newspapers, including the Wall Street Journal, USA Today, New York 
Times, Los Angeles Times, Washington Post, Chicago Tribune, and Houston Chronicle, had a combined 
number of approximately 421 layoffs and buyouts in the newsroom alone. 


 Newspaper Types 
                                             Newspaper Closures in 2009 




                 250 
                                           Weeklies, 230 



                 200 




                 150 


     Closures 


                 100 




                  50 
                                                                               Monthlies/Other 
                                                                                    32 
                            Dailies, 14                     Bi­Weeklies, 14                       Online, 3 


                   0 
                                           Newspaper Types




Will the gutting continue? Coates said he doesn’t think papers can afford to. “I think that the major 
newspapers have cut as much as they can cut and they need to figure out what to do with what they 
have.” As it is, many journalists are performing dual roles, splitting up the duties of a person who was 
laid off and adding extra duties to remaining staff. And while jobs on the print side will continue to be 
low in 2010, editorial job openings on the digital side may become more common. 

Looking ahead to 2010, we will probably see large papers continue to form content sharing 
partnerships like the Dallas Morning News and Fort Worth Star­Telegram, which began sharing sports 
coverage at the onset of 2009, and the Tulsa World and The Oklahoman, which share selected stories 
and news content across both print and online mediums. The Washington Post and Baltimore Sun also 
formed a similar agreement in late 2008/early 2009 when they agreed to share suburban coverage. 
While combining resources cuts costs for an ailing industry, there is a breakdown in competition. 

Propublica, Chicago News Co­op, Voice of San Diego, Voice of the OC, and the Seattle PostGlobe are 
just a few examples of the nonprofit, investigative journalism sector of online journalism gaining 
popularity. In December, the Illinois Statehouse News launched, and in early 2010, another nonprofit 
called Bay Area News Project is slated to debut. 

Paywalls will continue to dominate headlines and more newspapers will join that model, but while the 
controversy among analysts and industry heads continues to be split down the middle, Coates said he 
doesn’t think it will stick, at least not for general news outlets, “because people are used to getting 
things for free.” For instance, Newsday went behind a paywall in October and by November had seen a 

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Vocus Whitepaper 
2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




drop in unique users to 1.7 million from 2.2 million. Meanwhile, niche products utilizing paywalls may 
have a chance since their content is more audience­targeted. 



                                             Newspaper Launches in 2009 




               30 
                                            Weeklies, 29 



               25 




               20 




     Launches  15 




               10 
                                                                                               Online, 9 



                5            Dailies, 5 


                                                             Bi­Weeklies, 1    Monthlies, 1 
                0 
                                           Newspaper Types




Magazines 

A decade ago, journalism was a profession where media professionals could make a living. Today, it’s 
an unstable environment where more than 600 reporters from the magazine industry alone can find 
themselves jobless in a matter of a year. Just between Newsweek and Bloomberg’s BusinessWeek, 
hundreds were laid off in 2009. Meanwhile, approximately 1,126 magazines folded and publishers took 
a hard look at the figures, eliminating magazines that just weren’t making the grade. Among those to 
go were Condé Nast’s Gourmet, Cookie, Elegant Bride, Modern Bride and Domino. One magazine 
tragically slated for closure was the illustrious Editor & Publisher, which ceased to be with the close of 2009. Only two 
weeks later, it was brought back from the abyss when California­based Duncan McIntosh Co. Inc. purchased the 
publication from Nielsen Business Media. As the economy recovers, Rebecca Bredholt, managing editor of 
magazine content at Vocus Media Research Group said she doesn’t believe the magazine industry will 
do the same. “The current recession was like a naturally occurring brush fire. It got rid of dead wood. 
The green shoots we’ll see will be from online trade and association publications.” 

Ad revenue bled while publishers selling titles became a common theme. The Washington Post 
Company recently announced that it would sell Budget Travel magazine, while Nielsen’s Business 
Media sold off Adweek, Backstage, Billboard, Brandweek, The Hollywood Reporter, and Mediaweek to 
e5 Global Media, a company formed by Pluribus Capital Management LLC and Guggenheim Partners. 
BusinessWeek became Bloomberg’s BusinessWeek as it underwent new ownership. Meanwhile, 
Playboy joined the chopping block but was saved from purchase when the deal between the magazine 
and Iconix Brand Group Inc. fell through. 



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2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




In the coming year, duplicate or competing consumer titles that cater to similar audiences will most 
likely fold, while online magazines will continue to launch but will not have the staying power to outlast 
the three­to­five­year magazine mortality rate. 

Many magazines will decrease their publication frequency and more will develop editions “re­imagined” 
for digital distribution, such as electronic readers, which will continue to launch in 2010. Bredholt said 
she believes the magazine tablet will tank because the technology is not ready, but iPhone versions of 
magazines will do well. 

Magazines that struggled in 2009 will cease to be in 2010. While the online sector of magazines will 
continue to grow, it will not be sustainable because getting profitable advertising on these sites is not 
easy. 

Publishers will continue to try to grow readership. Only brands that figure out how to package 
themselves will thrive, becoming the new industry giants. There will be no in­between; all other 
publications will struggle to keep afloat. Meanwhile, printing on paper beyond 2010 will be a luxury 
many publishers cannot afford. However, for many magazine brands, printing will be totally 
unnecessary in order to provide in­demand content their readers want. The question will be whether 
that content is strong enough to now compete against brands that were “born” on the Web. 

“What still belongs in print is long­form journalism and tactile graphic experiences. Kindle didn’t kill 
book publishing; it made it smaller,” Bredholt noted. “E­readers just provided an alternative. With 
more alternatives come more fractionalizing of audiences. Because these audiences are fractionalizing, 
it is becoming harder to reach ‘the masses.’ In a sense, this is actually good news for magazines 
because they are better at targeting ‘niches.’” 




                                         U.S. Magazine Closures in 2009




               600         599 




               500 




               400 
                                                                              376 



     Closures  300 




               200 




               100 
                                          61                                                 54 
                                                            36 

                 0 
                      Consumer      Business       Tech/Scientific        Trade         Online 
                                                   Magazine Type 




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2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




Television 

Print media’s downward spiral contributed to the television industry’s woes when the Tribune Company 
(parent of the Chicago Tribune) filed Chapter 11, affecting its 23 stations. In fact, bankruptcies were 
the hardest thing to hit the industry. In addition to the Tribune Company, both Pappas Telecasting and 
Michigan­based Young Broadcasting also filed, resulting in the closure of multiple stations. Sinclair 
Broadcasting, which owns 58 stations, said in July that it may not be far off from filing as well but so 
far has yet to do so. 

According to Vocus Media Research Group, about 100 stations were affected by the mass 
bankruptcies. “The interesting thing we are noticing is that remaining stations – or their owners in 
most cases – are filing Chapter 11, which allows for reorganizations,” said Julie Holley, managing 
editor of television content at Vocus Media Research Group. “So stations are continuing to broadcast 
through the bankruptcy while the parent organization gets back on its feet, meaning there is no 
obvious effect on what the viewers see. I say ‘obvious’ because there is no doubt a lot of cost cutting 
going on behind the scenes.” 

In the first and second quarters, stations around the country pooled resources and started sharing 
news footage. Initially, it started at smaller stations but eventually hit major markets. Some stations 
that formed these partnerships eventually dropped out while stations like WLS­TV in Chicago publicly 
stated the content agreements were hurting news coverage. Meanwhile, stations cut costs by 
eliminating veteran newscasters from their payrolls and hiring green reporters for lower wages. Along 
with many smaller stations, metro stations such as D.C.’s WJLA­TV and Baltimore’s WMAR­TV cut their 
weekend morning news. 

While in other areas of the media the volume of staff has fallen significantly in recent years, television 
stations have been working with skeleton crews for the past decade as they competed against the 
Internet. Even when the economy was at its best, positions vacated years before were left unfilled, 
resulting in more work for fewer people. “In record number, stations are trying to make some of their 
reporters’ one­man bands so they will not have to pay for a photographer,” Holley said. The result, she 
added, is sloppier broadcasts. “The number of on­air mistakes that I saw as a producer and now as a 
viewer has really risen over the years. Not to mention the morale of TV station employees has been on 
a steady decline.” 

In 2010, television will continue toward an “every­man­for­himself” mentality as on­air talent, which 
once was valued for generating viewer loyalty, will be cut to make room for low­cost staff. Stations will 
also continue to work with diminished crews, as they have for the last 10 years. 

When the economy was good, stations filled up air time with local news. But as newscasts are 
cancelled to save money, stations are hard­pressed to fill that time with other content, Holley said. 
Small stations and those without major network affiliations that have cancelled newscasts will probably 
fill the timeslot with infomercials. Bigger market stations may fill the empty slots with syndicated 
programming such as talk shows and old sitcoms. 

There will continue to be a pooling of resources as bigger market stations continue to try to 
concentrate on local news in any way they can. “All stations will continue to try to make viewers think 
they have a strong focus on local news,” Holley said. 

To retain more viewers, local stations will gravitate to a less news­based format. In February, Chicago­ 
based WBBM­TV will debut a morning show that replaces its morning newscast, called “Monsters & 
Money in the Morning.” Meanwhile in Philadelphia, KYW­TV premiered a new morning show called 
“Talk Philly,” which is a talk show featuring minimal news updates.

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Radio 

The radio industry also felt the recession this year as revenues for radio stations dropped from the 
previous year, with estimates ranging from 15 to 20 percent. 
Meanwhile, 10,000 jobs were lost, the majority coming from the largest owner of radio stations in the 
country: Clear Channel. Citadel Broadcasting, which is the third­largest radio group, filed for Chapter 
11 in December. “While many analysts believe there is an upturn on the horizon, it may also be an 
indication that radio needs to make changes in terms of how it brings in advertising revenue and how 
it distributes its programming,” said Kyle Johnson, managing editor of radio content at Vocus Media 
Research Group. 

To keep costs low, stations have been forced to run nationally syndicated shows like Don Imus and 
Rush Limbaugh in favor of original programming. “But syndication takes away one of the primary 
aspects of radio that allowed it to weather previous competitive storms, including television, cable and 
the music video era: localism,” Johnson said. Like the other three mediums, program directors, which 
used to be able to focus their energy on improving the on­air talent, have ventured into promotional 
efforts, branding and online. “Some program directors are even going out on sales calls, which would 
have seemed preposterous years ago,” Johnson said. 
Technology has played a big part in these changes since people are not as dependent on traditional 
radio to get news, music and entertainment. This includes satellite radio, iPods/MP3 players, streamed 
audio, CD players and other audio. “So while terrestrial radio is still the main way people listen, it is 
losing its stranglehold,” Johnson added. 

In the coming year, more radio stations are likely to continue to stream on­air signals on their Web 
sites and provide links to previous material, making the industry well­placed to move into the digital 
future. 

Automobile manufacturers will offer satellite and HD radio in more models. Ford just announced that it 
will be the first American auto company to carry HD radio technology with iTunes tagging capability, 
which will be available sometime this year. 

In addition, there will be more interplay between radio and portable music devices, such as the fusion 
of FM radio with the iPod Nano and Zune. There will also be an increase in applications, allowing users 
to tune into a specific radio station. Perhaps 2010 will merge old and new technologies with a 
combination of FM tuners on cell phones. 

As newspapers diminish, look for more joint ventures between surviving papers and broadcast outlets 
and an increase in media integration. 

“Radio has always been known as a survivor. When television, and later, cable TV came about, radio’s 
demise was widely predicted. But radio adapted, became more specialized, and differentiated itself 
with a sense of localism. Now there is another challenge with satellite, iPods, Internet radio and other 
media devices attracting listeners.” Johnson said. “Radio is currently in a state of flux, and the 
question is whether it will decline like newspapers, or embrace the technology that could allow it to 
expand its reach and scope.”




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2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




                                                   Adult Daily Listening Habits (%) 




                          Other Audio (restaurants, 
                        department stores, elevators, 
                                   etc.) 
                                   13% 
             MP3’s Stored on computers 
                        4% 
                Streamed Audio on 
                    computers 
                       4% 
                Ipod/MP3 Players 
                      5% 


                                                                                                         Broadcast (AM/FM Radio) 
                       Satellite Radio                                                                             51% 
                             7% 
                                     CD/Tape Player 
                                         16% 




                                          According to the Council of Research Excellence , on 
                                          average adults (over 18) listen to 165 minutes of some form 
                                          of pre­produced/live audio per day.




How Business Models Changed in 2009 

As the media struggled to survive during a tumultuous year, business models were experimented with 
and new marketing endeavors were undertaken. 

In print, industry heads and analysts debated over the effectiveness of paywalls, while a slew of e­ 
readers geared at books, newspapers and magazines were set to release in 2010. In the case of 
magazines, almost all the top publishers are launching an electronic tablet meant for reading their 
content – Time Inc., Hearst and Meredith included. In addition, some publishers have advertised 
phone applications for about $2.00 a piece. “I think each company needs to really brand themselves 
as a content company – then go back and realize the best medium through which to distribute their 
content,” Bredholt said. “I also think there’s a bit of a city­centric thinking going on here. Not 
everyone lives in Manhattan and prefers digital hand­held devices over print – especially when it 
comes to long­form editorial.” 

InStyle and Esquire magazine delved into “augmented reality” as a marketing gimmick. If you hold the 
magazine cover to your computer’s Web camera, the computer screen will read the bar code and 
launch a flashy video clip. Some magazines even have a bar code on advertisements that allows you 
to order it instantly just by taking a picture with your camera. “Anything that takes their print product 
and brings an ‘immediacy’ factor to it has been very popular in 2009. Other than receiving a lot of 
press, there’s no proof this has increased subscriptions or newsstand sales,” Bredholt said. 

In a drastic departure from the traditional newspaper business model, the Dallas Morning News 
announced in December that section editors would start reporting to the paper’s sales managers. In 
addition, newspapers continued to outsource staff, including copy editors, to cut costs. The nonprofit, 
online news source rose in popularity, based on the Voice of San Diego model, which was a pioneer 
when it launched back in 2005. Since then we have seen the rise of MinnPost, ProPublica, Investigative 
Voice and the Seattle PostGlobe, as well as the Texas Tribune, which launched in November and 

7 
Vocus Whitepaper 
2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




provides research and statistics for reporters and the general public interested in information from 
Texas. Slated to launch in coming months is the Bay Area News Project and the Voice of the OC, also 
nonprofit ventures that tout a focus on investigative journalism. These news organizations will 
continue to pop up, not replacing metro dailies, but supplementing the void left as those dailies cut 
staff and publication frequency. 

In all four mediums, marketing and interactivity dominated the year as platforms like Twitter went 
from semi­obscurity to a tool heavily utilized by the media. Facebook, which has been widely used by 
the general public in past years, was embraced by the media. In some cases, a little­known newspaper 
or radio station may not even have an official Web site but will have a Facebook page or a reporter 
who can be followed on Twitter. 

Effects of the Media’s Woes on the Public Relations Industry 

As the gutting of newsrooms continues, it might be frustrating for the public relations professional who 
has put in time toward building trusting relationships with reporters. Maintain those relationships – 
given the odds, that journalist may end up at another media source. 

Now more than ever, PR professionals need to invest more energy to get the attention of reporters, 
who are being asked to do more with less. In television for example, stations are willing to devote only 
a small amount of space to soft news and instead lean toward covering cheap and easy news – fires 
and crime. Since many stations are broadcasting in HD, when a PR person sends in a B­roll, it should 
be high­quality and edited to professional standards. In any newsroom, high­quality news stories sent 
to targeted reporters is always the best approach, while smartly crafted angles may help yield a 
response. If a journalist bites on your story, you need to be willing to bend over backward to 
accommodate them so they can easily meet their constantly impending deadline. 

In the new media world, content includes multiple platforms such as photos, video and audio. Pitching 
an article just for print doesn’t cut it anymore. The more flexible and creative a PR professional is with 
pitches, the better. Think about how the story could come to life in multiple ways. For instance, 
journalists in the broadcast arena often have to provide Web copy or blog posts to accompany a 
segment, while print journalists may produce podcasts or video. PR professionals who prepare 
complimentary material can be of great assistance to the media. 

Keep in mind radio continues to offer PR people an effective way to get their message out as there are 
still more than 13,000 licensed over­the­air radio stations. These stations are actually required by the 
Federal Communications Commission to donate a certain amount of time toward serving the 
community. However, with AM/FM radio growing smaller, PR professionals should look more to 
Internet radio, podcasts and mobile media to keep up with the listening habits of consumers. 

Good advice for capturing the attention of viewers and the media is to create your own blog. According 
to the Society for New Communications Research, less than 20 percent of Fortune 500 Companies 
publish corporate blogs. Meanwhile, PR organizations that are active in social media and create enough 
buzz about company news may attract the attention of the traditional media. 

For effective PR amid a dynamic landscape don’t forget the basics. Make pitches relevant and timely. 
Respect the hectic schedule of a journalist. Keep an eye on the headlines as reporters can quickly 
change outlets. Experiment with new platforms and content as we head into a new world.




8 
Vocus Whitepaper 
2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




Conclusion: 

Both media industry and PR professionals look into an unknown future as new frontiers continue to 
reveal themselves. It is evident that new business models will arise as the media struggles to hang 
onto some semblance of tradition, while cross­medium relationships will continue to evolve. 
Regardless, the media isn’t going anywhere and will continue to exist. However, what it looks like next 
year, the following year or into the next decade surely will be very different than what it was at the 
start of the 21st century. 

About the Contributors 


David Coates 
Managing Editor, Newspaper Content 

David Coates had 15 years of newspaper reporting and editing experience before joining Vocus in 
November 2004. He came to Vocus from the Washington Times, where he was the assistant sports 
editor and oversaw a staff of more than 20 writers and editors. He assigned stories, attended editorial 
meetings, edited copy and coordinated the daily production of the newspaper’s sports section. Prior to 
joining the Washington Times in 1999, he spent 10 years at the (Newark) Star­Ledger in New Jersey 
as a sports reporter. He covered national golf – including the Masters, U.S. Open, British Open, PGA 
Championship and Ryder Cup – and local golf as well as New Jersey high school sports. Between his 
jobs at the Star­Ledger and the Washington Times, Mr. Coates worked part­time in media relations at 
SportsAmerica, a sports marketing firm in Rockville, Md. 

Mr. Coates earned a bachelor’s degree in journalism from the University of Maryland in 1988. 

Mr. Coates lives in Columbia, Md., with his wife Tara, who is the Money Channel producer for AARP’s 
Web Strategy Operations and is also a former sportswriter and producer for BaltimoreSun.com. He is 
an avid golfer and his hobbies include fishing and poker. 

Rebecca Bredholt 
Managing Editor, Magazine Content 

Orlando­native Rebecca Bredholt has more than 10 years of magazine industry experience. She has 
worked for more than half a dozen trade magazines, edited two national magazines, and in one 
quarter launched 18 localized versions of one magazine. The launch party she chaired for Create 
Magazine gained front­page Style section coverage from the Los Angeles Times. That magazine won 
several first place awards under her redesign and carried interviews with major designers from HBO’s 
The Wire and from movies like Madagascar and Iron Man. 

Ms. Bredholt has worked in every magazine department possible, from art directing cover shoots, to 
managing editorial, to supervising printing – and even in marketing/public relations. She has covered 
a variety of industries, including financial, film, religion, travel, digital photography and advertising. 
She was also a beauty columnist for a national trade magazine. 

She covered the AIDS awareness campaigns from Namibia as an international correspondent and 
photojournalist. In 2004, Ms. Bredholt completed a master’s degree in liberal studies. Her 
undergraduate degree is in journalism. She has also taught writing seminars in Florida and Ukraine.




9 
Vocus Whitepaper 
2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




Prior to joining Vocus, Ms. Bredholt was editor of NewsFactor.com, an online magazine in Los Angeles 
covering high tech. With more than 100 articles published, she continues to freelance for national 
magazines and write for her women and film blog. 

Julie Holley 
Managing Editor, TV/Online/Blog/IRO Content 

Julie Holley brings a wealth of journalism, editorial and technical skills to her position at Vocus. She 
joined Vocus from WUSA­TV, the CBS television affiliate in Washington, D.C., where she was a 
newscast producer. Prior to that, she served as a newscast producer for the 24­hour cable station and 
ABC affiliate Newschannel 8, also in the Washington, D.C. market. 

In addition to the skills that she brings to the company as a former producer, such as writing and 
project management, she also brings an understanding of television as a whole. Before becoming a 
producer, Ms. Holley worked in a number of positions in the newsroom including assignment editor, 
field producer and guest booker. She also has experience in a number of technical positions in 
television including audio operator, feed room operator (tuning in satellite and microwave signals for 
live­shots from the field), photographer (in studio and out in the field) and video editor. 

Ms. Holley holds a bachelor’s degree in communications from Columbia Union College in Takoma Park, 
Md. 

In her spare time, Ms. Holley volunteers as a public affairs officer for the U.S. Air Force Auxiliary. She 
has received three state­level awards, one national­level award, and two Civil Air Patrol Achievement 
Medals for her work with the nonprofit organization. Additionally, she has twice served as a judge for 
local television Emmy awards and for the U.S. Army’s annual Soldiers Radio & Television Awards. 


Kyle Johnson 
Managing Editor, Radio Content 

Kyle Johnson brings both broadcast and public relations experience to Vocus. He spent 18 years at 
WTOP Radio, the all­news CBS affiliate in Washington, D.C. During his tenure at the station, he 
performed nearly every conceivable function there, including stints as assistant editor, drive­time 
editor, traffic reporter, weekend anchor, and general assignment reporter. His last seven years at the 
station were spent as the station’s primary reporter for the state of Maryland, including state 
legislature in Annapolis. He covered many high­profile stories for the station, including the terrorist 
attacks on September 11, 2001, and the Million Man March. His knowledge of the local issues led to his 
appearance on local television shows to discuss transportation and politics. 

In addition to his radio experience, Mr. Johnson worked as an assignment editor at WUSA­TV, the CBS 
affiliate in Washington, D.C. His duties at the station included fielding pitches from those trying to 
publicize their stories and products, and dispatching news crews to breaking events. Mr. Johnson 
participated in daily meetings to determine news coverage and to plan logistics of future stories. 

Mr. Johnson has also worked as a freelance PR professional. He served as a writer and researcher for 
the Media Network, a broadcast and social marketing company in Silver Spring, Md. His duties there 
included writing press releases for federal government agencies and securing interviews with hundreds 
of broadcast outlets across the country. 

Mr. Johnson is a graduate of American University with a bachelor’s degree in broadcast journalism. He 
lives in Germantown, Md., with his wife and two children.


10 
Vocus Whitepaper 
2010 State of the Media: An Analysis of the Changing Media Landscape by the Vocus Media Research Team 




Katrina M. Mendolera 
Editor in Chief, inVocus 

Katrina Mendolera has written stories and lent editorial support to inVocus since its creation in late 
2008. Before joining the Vocus research team as a senior media researcher in 2007, Ms. Mendolera 
worked in daily and weekly newspapers in Rochester, N.Y., with Messenger Post Newspapers. As a 
reporter, she specialized in covering education and religion, as well as general assignment stories. Also 
during her tenure, she was responsible for the creation of a weekly feature that profiled a different 
church or religion in the surrounding areas. Prior to that, she covered Indigenous cultures across the 
globe for an anthropological­based magazine in Cambridge, Mass. 

She is a graduate of the S.I. Newhouse School of Public Communications at Syracuse University with a 
master’s degree in journalism. In her spare time, she enjoys reading, camping and hiking with her 
husband and working on publishing her book.




11 

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