2. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
MODERN ADAPTATIONS OF CLASSICAL MEDIA: PERSONAL PROJECT
Adobe Illustrator and InDesign
MODERN ADAPTATIONS OF CLASSICAL MEDIA AS WEB SERIESthe lydia bennet
The Lizzie Bennet Diaries
7.13.12-1.29.13
Pemberley Digital
maria of the lu
The Lizzie Bennet Diaries
9.7.12-9.28.12
Pemberley Digital
collins and collins
The Lizzie Bennet Diaries
11.9.12-5.24.14?
Pemberley Digital
domino
The Lizzie Bennet Diaries
1.30.13-2.15.13
Pemberley Digital
harriet’s music
Emma Approved
2.27.14-8.23.14
Pemberley Digital
THE LIZZIE BENNET DIARIES
Pride and Prejudice–Jane Austen
4.9.12-3.28.13
Pemberley Digital
the autobiography of jane eyre
Jane Eyre–Charlotte Bronte
2.28.13-6.21.14
Nessa Aref
welcome to sanditon
Sanditon–Jane Austen
5.13.13-8.12.13
Pemberley Digital
emma approved
Emma–Jane Austen
10.7.13-8.21.14
Pemberley Digital
classic alice
Many; Crime and
Punishment–Dostoyvetsky
3.4.14-1.12.16
Kate Hackett Productions
jules and monty
Romeo and Juliet–Shakespeare
3.10.14-5.5.14
Tufts University
nothing much to do
Much Ado About Nothing–
William Shakespeare
3.25.14-10.28.14
The Candle Wasters
the new adventures
of peter and wendy
Peter Pan–J.M. Barrie
5.9.14-9.6.15?
Epic Robot TV
the march family letters
Little Women–Louisa May Alcott
12.25.14-6.25.15?
Created by Cherrydale Productions,
distributed by Pemberley Digital
A4O (ALL FOR ONE)
The Three Musketeers–Alexandre Dumas
3.7.16-5.20.16
Created by Cherrydale Productions,
distributed by Kinda TV
green gables fables
Anne of Green Gables–L.M. Montgomery
1.8.14-4.26.16
Created by Marie Trotter, Alicia Whitson,
and Mandy Harmon frankenstein, md
Frankenstein–Mary Shelley
8.19.14-10.31.14
Pemberley Digital with
PBS Digital Studios
carmilla
Carmilla–J. Sheridan Le Fanu
8.19.14-10.1.2015?
Created by Smokebomb Entertainment,
produced by U by Kotex,
distributed by KindaTV
“The Lizzie Bennet Diaries” and “Emma Approved” both
created spin-off series featuring characters from the show, as a
way of adding to characterization to the series’ main players.
Notably, the writers of “The Lizzie Bennet Diaries” published
two books from the perspectives of Lizzie and Lydia Bennet,
taking place during the series.
The trend of adapting classical works of media began with “The
Lizzie Bennet Diaries” in 2012. Originally concieved by producer
Hank Green as a love letter of sorts to his wife Katherine, the vlog
series presented as a project by Lizzie Bennet quickly went viral,
with the series’s first episode currently having over two million views
on YouTube. In addition to creating a video series presenting the
main conflict from the classic novel, Green, producer/writer/director
Bernie Su, and writers Katie Rorick, Tracy Bitterolf, and Tamara
Krinsky created an extensive “transmedia” experience: not only
the original “Lizzie Bennet” video series, but also Twitter accounts
for their characters that interacted with viewers, four spin-off vlog
series, two books, and a sequel of sorts in the miniseries “Welcome
to Sanditon.” One of the first spiritual successors of “Lizzie Bennet,”
“The Autobiography of Jane Eyre,” based on the Charlotte Bronte
novel, debuted on YouTube close to the end of “Lizzie Bennet.” This
series was different from its predecessor, as “Jane Eyre” had a much
smaller creative team, cast, and budget, but it paved the way for future
productions by smaller or student-led web series.
The creative team behind “Lizzie Bennet,” rebranded as Pemberley
Digital, next produced an adaptation of Jane Austen’s novel “Emma,”
this time extending the transmedia experience to a fashion blog
covering the outfits worn by the titular Ms. Woodhouse. For their
efforts, both “Lizzie Bennet” and “Emma Approved” won Creative
Arts Emmy Awards for Original Interactive Programs. “Lizzie
Bennet” also won two Streamy awards.
After this outstanding success at adapting classical novels to web
series, many groups across the globe tried their hand at creating
adaptations of previously worn-out material. The groups included
more professional production companies, such as Cherrydale
Productions (“The March Family Letters” and “All for One”) and
Epic Robot TV (“The New Adventures of Peter and Wendy”);
allegiances between production companies and their distributers, like
Pemberley Digital with PBS Digital Studios (“Frankenstein, MD”)
and Smokebomb Entertainment with U by Kotex and Kinda TV
(“Carmilla”); and student-created projects, including “Green Gables
Fables,” “Jules and Monty,” and “Nothing Much to Do.”
Some series even combined multiple classical media sources into one
cohesive narrative, such as “Classic Alice,” where the central Alice
is a graduate student who explores literature like “The Odyssey,”
“Macbeth,” and “Persuasion.”
Adapting classical media to web series also allows for an exploration of
current topics, such as media like “Carmilla,” “All for One,” and “The
March Family Letters” exploring gender identity and sexuality, and
“Lizzie Bennet” addressing Internet privacy and familial relationships.
THE LIZZIE BENNET DIARIES
Pride and Prejudice–Jane Austen
4.9.12-3.28.13
Pemberley Digital
the autobiography of jane eyre
Jane Eyre–Charlotte Bronte
2.28.13-6.21.14
Nessa Aref
welcome to sanditon
Sanditon–Jane Austen
5.13.13-8.12.13
Pemberley Digital
emma approved
Emma–Jane Austen
10.7.13-8.21.14
Pemberley Digital
Anne
Creat
the lydia bennet
The Lizzie Bennet Diaries
7.13.12-1.29.13
Pemberley Digital
maria of the lu
The Lizzie Bennet Diaries
9.7.12-9.28.12
Pemberley Digital
collins and collins
The Lizzie Bennet Diaries
11.9.12-5.24.14?
Pemberley Digital
domino
The Lizzie Bennet Diaries
1.30.13-2.15.13
Pemberley Digital
THE LIZZIE BENNET DIARIES
Pride and Prejudice–Jane Austen
4.9.12-3.28.13
Pemberley Digital
MODERN ADAPTATIONS OF CLASSICAL MEDIA AS WEB SERIESthe lydia bennet
The Lizzie Bennet Diaries
7.13.12-1.29.13
Pemberley Digital
maria of the lu
The Lizzie Bennet Diaries
9.7.12-9.28.12
Pemberley Digital
collins and collins
The Lizzie Bennet Diaries
11.9.12-5.24.14?
Pemberley Digital
domino
The Lizzie Bennet Diaries
1.30.13-2.15.13
Pemberley Digital
harriet’s music
Emma Approved
2.27.14-8.23.14
Pemberley Digital
THE LIZZIE BENNET DIARIES
Pride and Prejudice–Jane Austen
4.9.12-3.28.13
Pemberley Digital
the autobiography of jane eyre
Jane Eyre–Charlotte Bronte
2.28.13-6.21.14
Nessa Aref
welcome to sanditon
Sanditon–Jane Austen
5.13.13-8.12.13
Pemberley Digital
emma approved
Emma–Jane Austen
10.7.13-8.21.14
Pemberley Digital
classic alice
Many; Crime and
Punishment–Dostoyvetsky
3.4.14-1.12.16
Kate Hackett Productions
jules and monty
Romeo and Juliet–Shakespeare
3.10.14-5.5.14
Tufts University
nothing much to do
Much Ado About Nothing–
William Shakespeare
3.25.14-10.28.14
The Candle Wasters
the new adventures
of peter and wendy
Peter Pan–J.M. Barrie
5.9.14-9.6.15?
Epic Robot TV
green gables fables
Anne of Green Gables–L.M. Montgomery
1.8.14-4.26.16
Created by Marie Trotter, Alicia Whitson,
and Mandy Harmon frankenstein, md
Frankenstein–Mary Shelley
8.19.14-10.31.14
Pemberley Digital with
PBS Digital Studios
carmilla
Carmilla–J. Sheridan Le Fanu
8.19.14-10.1.2015?
Created by Smokebomb Entertainment,
produced by U by Kotex,
distributed by KindaTV
“The Lizzie Bennet Diaries” and “Emma Approved” both
created spin-off series featuring characters from the show, as a
way of adding to characterization to the series’ main players.
Notably, the writers of “The Lizzie Bennet Diaries” published
two books from the perspectives of Lizzie and Lydia Bennet,
taking place during the series.
The trend of adapting classical works of media began with “The
Lizzie Bennet Diaries” in 2012. Originally concieved by producer
Hank Green as a love letter of sorts to his wife Katherine, the vlog
series presented as a project by Lizzie Bennet quickly went viral,
with the series’s first episode currently having over two million views
on YouTube. In addition to creating a video series presenting the
main conflict from the classic novel, Green, producer/writer/director
Bernie Su, and writers Katie Rorick, Tracy Bitterolf, and Tamara
Krinsky created an extensive “transmedia” experience: not only
the original “Lizzie Bennet” video series, but also Twitter accounts
for their characters that interacted with viewers, four spin-off vlog
series, two books, and a sequel of sorts in the miniseries “Welcome
to Sanditon.” One of the first spiritual successors of “Lizzie Bennet,”
“The Autobiography of Jane Eyre,” based on the Charlotte Bronte
novel, debuted on YouTube close to the end of “Lizzie Bennet.” This
series was different from its predecessor, as “Jane Eyre” had a much
smaller creative team, cast, and budget, but it paved the way for future
productions by smaller or student-led web series.
The creative team behind “Lizzie Bennet,” rebranded as Pemberley
Digital, next produced an adaptation of Jane Austen’s novel “Emma,”
this time extending the transmedia experience to a fashion blog
covering the outfits worn by the titular Ms. Woodhouse. For their
efforts, both “Lizzie Bennet” and “Emma Approved” won Creative
Arts Emmy Awards for Original Interactive Programs. “Lizzie
Bennet” also won two Streamy awards.
After this outstanding success at adapting classical novels to web
series, many groups across the globe tried their hand at creating
adaptations of previously worn-out material. The groups included
more professional production companies, such as Cherrydale
Productions (“The March Family Letters” and “All for One”) and
Epic Robot TV (“The New Adventures of Peter and Wendy”);
allegiances between production companies and their distributers, lik
Pemberley Digital with PBS Digital Studios (“Frankenstein, MD”)

3. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“DAY OF CARING:” LOGO REDESIGN
Variable sizes, Adobe Illustrator

4. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“SHE DID WHAT SHE WANTED (WOMAN CRUSH MONTH: GINA RODRIGUEZ)”:
PERSONAL PROJECT
8x10” pages, Adobe Illustrator and InDesign

5. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“ANCHORED:” T-SHIRT DESIGN FOR AWAKENING 2014 RETREAT
10x8”, Adobe Illustrator

6. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“ANCHORED:” POSTER DESIGN FOR AWAKENING 2014 RETREAT
11x17”, Adobe Illustrator

7. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“LET US SING:” FALL T-SHIRT DESIGN FOR CATHOLIC CAMPUS MINISTRY
10x9”, Adobe Illustrator

8. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“JACK FROST:” POSTER DESIGN FOR JACK FROST 5K RUN/WALK
11x17”, Adobe Illustrator, Photoshop and InDesign
Special thanks to our sponsors:
Saturday, January 31, 2015
O’Reilly Catholic Student Center
847 South Holland Avenue
Springfield, MO 65806
Registration/Packet Pickup 8:00 a.m. @ CCM
Race 9:00 a.m. @ CCM
Cost: $20.00 before Jan. 30th, 4:00
p.m. OR $25.00 the day of the race.
(All registrations are non-refundable.)
Awards given to 1st, 2nd and 3rd place 5K finishers in each age group,
male and female. The award ceremony immediately follows the race.
Long-sleeve Dry-Fit shirts will be given to the
first 250 registered and paid participants!
T-shirt size guaranteed if registered and paid by January 9th!
Age groups: Under 15, 15-19, 20-29, 30-39,
40-49, 50-59, 60-69, Over 69
For more information, call (417) 865-0802.
GOLD SPONSORS
SILVER SPONSORS
BRONZE SPONSORS
ANDY’S FROZEN CUSTART
BAMBINO’S
BEACON STUDENT HOUSING
HASELHORST PROPERTIES
HEALTH TRACKS
MERCY
SAMEK & CO., CPA
SPERRY CAN NESS/RANKIN COMPANY
SPRINGFIELD UNDERGROUND
KEITH SEIWERT, CPA
WOOTEN COMPANY

9. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“JACK FROST:” LOGO, T-SHIRT AND POSTER DESIGN FOR JACK FROST 5K RUN/WALK
9x9”, Adobe Illustrator, Photoshop and InDesign

10. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“PTX WORLD TOUR:” PERSONAL PROJECT
11x17”, Letterpress with polymer cuts

11. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“THE SALMON OF MILD SYMPATHY:” PERSONAL PROJECT
4x6”, Colored pencil and inks

12. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“REASONS TO LOVE BEING A BADGER:” PERSONAL PROJECT
8x10”, Pen and ink, Adobe Photoshop and Illustrator
JUST TRUE
FLEXIBLE
RUPERT
GRINT
DETERMI
NED
HUMBLE
TRUSTING
HARDWO
RKING
FRIENDLY
GOOD
LUCKY
DWAYNE
JOHNSON
family
multi-
talented
GOOD
THEY LIVE
BY THE
KITCHEN
MATTHEW
LEWIS
reasons to love
being a
badger

13. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“WINTER:” COVER DESIGN
8x11,” Pen and Ink, Adobe Photoshop

14. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“BEAR WITH ME:” PERSONAL PROJECT
9x9”, two-color linoleum print

15. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“HARRY POTTER HIGH FANTASY:” PERSONAL PROJECT
Variable sizes, pen and Adobe Photoshop

16. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“HUEVEMBER:” PERSONAL PROJECT
Variable sizes, pen and ink, Adobe Photoshop

17. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“INKTOBER:” PERSONAL PROJECT
Each 5.5x8”, pen and ink

18. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“TRAVELOGS:” PERSONAL PROJECT
Variable sizes, watercolor paint, ink

19. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
12
“FRIENDS AND FAMILY:” PERSONAL PROJECT
Black and white film, 120mm

20. Illustration and Graphic Design
314.258.3527
cininaw@gmail.com
Christina Woods on Behance and LinkedIn
“THE DAILY DOODLES:” PERSONAL PROJECT
Variable sizes, dry-erase marker

21. If you’d like to see more of my work, a more complete portfolio
can be viewed on my LinkedIn page!