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Erik Spiekermann
& Zuzana Ličko
Matéria: Tipografia
Professor Rodrigo Souza
Carol Staudinger
Giovana Guimarães
Erik Spierkermann
• 1947 – Hanover, Alemanha
• Estudou História da Arte em Berlim
• Tipógrafo, autor, professor e designer
gráfico
• 1972-1979 – Trabalhou como
freelancer em Londres
MetaDesign
• 1979 – Berlim, Alemanha
• Spiekermann, Florian Fisher e Dieter Heil
• Escritórios em Berlim, Londres e São Francisco
• Bank für Gemeinwirtschaft, Berthold, Linotype e
Sena Grapich
• Design corporativo Audi, Volkswagen, Lexus,
Düsseldorf Airport
FontShop
• 1989 – Berlim, Alemanha
• Spiekermann, Joan Spiekermann e Neville Brody
• Typefoundry
FF Meta
• 1984 – German Post Office
• 1991 – FF Meta
Tornou-se uma das tipografias mais
populares
• Números
desalinhados
(text figures)
• Ligaturas
• Versaletes
(small caps)
FF Info
• 1996 – Düsseldorf Airport
• Tipografia temporária
• Redução em 50% de dúvidas no aeroporto
• Ligaturas
• Versaletes
(small caps)
• Ideal para
sinalização
Zuzana Ličko
• 1961 – Bratislava, Checoslováquia
• Estudou Arquitetura, Fotografia e Programação
de Computadores e se formou em Comunicação
Gráfica na Universidade da Califórnia (EUA)
Émigré
• 1991 – fundação da Émigré Graphics com seu
marido, Rudy VanderLans
Compartilhar com outros designers as
criações de Licko
• 1984 – Revista Émigré
ˇ
Fontes Bitmaps
• 1985 – Lo-Res (1ª fonte)
• 1986 – Citizen
Fontes para resoluções grosseiras da primeira
geração dos computadores Macintosh (1984) e
impressoras matriciais.
Licko é considerada uma das primeiras
designers a ver pontecial no pixel a
braçar técnicas digitais.
Avanço da tecnologia fontes em alta resolução
Baskerville Mrs. Eaves
• 1996
• Versão levemente solta da Baskerville
Recriação de fontes clássicas
• Sofisticação da tecnologia dos computadores
e necesidade de vários tipos de texto para a
Revista Émigré
• 213 ligaturas
• Altura de X
baixa
• 1996
• Robusta e com menos contraste
• Geometria e simetria
• Grand aplicações em display
• Unicase altura única de caracteres
Bodoni Filosofia • Ascendentes e
descendentes
longas
• Altura de X
baixa
• Eixo vertical
• Serifas finas em
ângulos retos
• Hastes finas
com a mesma
espessura da
serifaA
Protegido pela Lei 9.610/98

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Erik Spiekermann & Zuzana Licko

  • 1. Erik Spiekermann & Zuzana Ličko Matéria: Tipografia Professor Rodrigo Souza Carol Staudinger Giovana Guimarães
  • 2. Erik Spierkermann • 1947 – Hanover, Alemanha • Estudou História da Arte em Berlim • Tipógrafo, autor, professor e designer gráfico • 1972-1979 – Trabalhou como freelancer em Londres
  • 3. MetaDesign • 1979 – Berlim, Alemanha • Spiekermann, Florian Fisher e Dieter Heil • Escritórios em Berlim, Londres e São Francisco • Bank für Gemeinwirtschaft, Berthold, Linotype e Sena Grapich • Design corporativo Audi, Volkswagen, Lexus, Düsseldorf Airport
  • 4. FontShop • 1989 – Berlim, Alemanha • Spiekermann, Joan Spiekermann e Neville Brody • Typefoundry
  • 5. FF Meta • 1984 – German Post Office • 1991 – FF Meta Tornou-se uma das tipografias mais populares • Números desalinhados (text figures) • Ligaturas • Versaletes (small caps)
  • 6. FF Info • 1996 – Düsseldorf Airport • Tipografia temporária • Redução em 50% de dúvidas no aeroporto • Ligaturas • Versaletes (small caps) • Ideal para sinalização
  • 7. Zuzana Ličko • 1961 – Bratislava, Checoslováquia • Estudou Arquitetura, Fotografia e Programação de Computadores e se formou em Comunicação Gráfica na Universidade da Califórnia (EUA)
  • 8. Émigré • 1991 – fundação da Émigré Graphics com seu marido, Rudy VanderLans Compartilhar com outros designers as criações de Licko • 1984 – Revista Émigré ˇ
  • 9. Fontes Bitmaps • 1985 – Lo-Res (1ª fonte) • 1986 – Citizen Fontes para resoluções grosseiras da primeira geração dos computadores Macintosh (1984) e impressoras matriciais. Licko é considerada uma das primeiras designers a ver pontecial no pixel a braçar técnicas digitais. Avanço da tecnologia fontes em alta resolução
  • 10. Baskerville Mrs. Eaves • 1996 • Versão levemente solta da Baskerville Recriação de fontes clássicas • Sofisticação da tecnologia dos computadores e necesidade de vários tipos de texto para a Revista Émigré • 213 ligaturas • Altura de X baixa
  • 11. • 1996 • Robusta e com menos contraste • Geometria e simetria • Grand aplicações em display • Unicase altura única de caracteres Bodoni Filosofia • Ascendentes e descendentes longas • Altura de X baixa • Eixo vertical • Serifas finas em ângulos retos • Hastes finas com a mesma espessura da serifaA
  • 12. Protegido pela Lei 9.610/98