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Visual design principles and L2 learners:
   What teachers need to know

                     Cameron Romney
                     Center for Foreign Language Education

                              Momoyama Gakuin University

                     Asian Conference on Language Learning

                                        June 11, 2011
Connecting
Theory and Practice
Why should you care?
Visual design effects
                  on readers
•   Motivation
    Smiley (2004); Misanchuk (1992); Bell & Sullivan (1981)



•   Comprehension
    Gasser, Boeke, Haffernan, & Tan (2005); Romney (2004); Smiley (2004); Walker (2001), Hoener, Salend & Kay (1997); Garofalo
    (1988), Lewis & Walker (1989)



•   Recall
    Gasser, Boeke, Haffernan, & Tan (2005); Smiley (2004); Lewis & Walker (1989)



•   Efficiency/Speed
    Smiley (2004); Hoener, Salend & Kay (1997)
“...more easily perceiving ... text on a
page ... less attentional resources are
required for the process of reading. More
attentional resources can then be
devoted to attending to the message in
the text, which results in deeper
processing and an easier recall of the
information presented.” (p. 185)

                  Gasser, Boek, Haffernan & Tan (2005)
Agenda

• Typefaces, i.e. fonts
 • Line Length & Spacing
   • White Space
     • Lines & Shapes
       • Graphics, i.e. clip art and photographs
Typefaces
Theory

“people most easily read material
printed in the typefaces with
which they are most familiar.” (p. 32)

                  Hoener, Salend & Kay (1997)
Copyright page
Identifont & WhatTheFont




 www.identifont.com   http://new.myfonts.com/WhatTheFont
                              (includes an iPhone app)
Theory

“...serifed typefaces are easier to
read than san serif” (p. 68)

                            Felici (2003)
EM EM
Line Length & Spacing
Theory

“When long lines are set...there
is a tendency of the reader to
read the same line twice” (p. 86)

                           Craig (1990)
Line Length Guides

• 50 - 60 characters (White 2002)
• 2 times the alphabet (Craig 1990)
• 27 characters minimum, 40 optimum, 70
  maximum (Felici 2003)
Theory

“...the reader has an effortless
return path to the left edge ... for
the next line.” (p. 115)

                           White (2002)
White Space
Theory

“Space attracts readers by
making the page look accessible,
unthreatening, and manageable”

                        White (2002)
Lines & Shapes
Theory

“...directing the readers eye
around the page, drawing attention
to specific parts... breaking copy
into sections” (p.86)

                        Dabner (2004)
Graphics
Theory

“The fear of ‘wasted space’ drives
design novices to fill in any empty
space with unnecessary clip
art.” (p. 37)
                     White (2002)
Theory

“If instructional facilitation is not
highly probable, then ... graphics
should not be used in instructional
material.” (p. 239)
                      Misanchuk (1992)
Visual design principles and L2 learners:
   What teachers need to know

                     Cameron Romney
                    romney.cameron@gmail.com
                      http://cameronromney.com
                    www.updatesfromosaka.com
                      Twitter: @cameronromney
                       SlideShare.net: C-Romney

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Visual design principals and l2 learners

  • 1. Visual design principles and L2 learners: What teachers need to know Cameron Romney Center for Foreign Language Education Momoyama Gakuin University Asian Conference on Language Learning June 11, 2011
  • 4. Visual design effects on readers • Motivation Smiley (2004); Misanchuk (1992); Bell & Sullivan (1981) • Comprehension Gasser, Boeke, Haffernan, & Tan (2005); Romney (2004); Smiley (2004); Walker (2001), Hoener, Salend & Kay (1997); Garofalo (1988), Lewis & Walker (1989) • Recall Gasser, Boeke, Haffernan, & Tan (2005); Smiley (2004); Lewis & Walker (1989) • Efficiency/Speed Smiley (2004); Hoener, Salend & Kay (1997)
  • 5. “...more easily perceiving ... text on a page ... less attentional resources are required for the process of reading. More attentional resources can then be devoted to attending to the message in the text, which results in deeper processing and an easier recall of the information presented.” (p. 185) Gasser, Boek, Haffernan & Tan (2005)
  • 6. Agenda • Typefaces, i.e. fonts • Line Length & Spacing • White Space • Lines & Shapes • Graphics, i.e. clip art and photographs
  • 8. Theory “people most easily read material printed in the typefaces with which they are most familiar.” (p. 32) Hoener, Salend & Kay (1997)
  • 10. Identifont & WhatTheFont www.identifont.com http://new.myfonts.com/WhatTheFont (includes an iPhone app)
  • 11. Theory “...serifed typefaces are easier to read than san serif” (p. 68) Felici (2003)
  • 12. EM EM
  • 13. Line Length & Spacing
  • 14. Theory “When long lines are set...there is a tendency of the reader to read the same line twice” (p. 86) Craig (1990)
  • 15. Line Length Guides • 50 - 60 characters (White 2002) • 2 times the alphabet (Craig 1990) • 27 characters minimum, 40 optimum, 70 maximum (Felici 2003)
  • 16.
  • 17.
  • 18. Theory “...the reader has an effortless return path to the left edge ... for the next line.” (p. 115) White (2002)
  • 19.
  • 21. Theory “Space attracts readers by making the page look accessible, unthreatening, and manageable” White (2002)
  • 22.
  • 23.
  • 25. Theory “...directing the readers eye around the page, drawing attention to specific parts... breaking copy into sections” (p.86) Dabner (2004)
  • 26.
  • 27.
  • 28.
  • 30. Theory “The fear of ‘wasted space’ drives design novices to fill in any empty space with unnecessary clip art.” (p. 37) White (2002)
  • 31.
  • 32. Theory “If instructional facilitation is not highly probable, then ... graphics should not be used in instructional material.” (p. 239) Misanchuk (1992)
  • 33.
  • 34. Visual design principles and L2 learners: What teachers need to know Cameron Romney romney.cameron@gmail.com http://cameronromney.com www.updatesfromosaka.com Twitter: @cameronromney SlideShare.net: C-Romney

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