Europe’s Common Cultural Heritage – Unity in Diversity: Digital Technologies and Cultural Heritage (G. De Francesco)
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Bellevue Programme 2011 - EU Seminar: Bruxelles, 2 March 2011. Presentation by Giuliana De Francesco (Ministry for Cultural Heritage, Italy, Stiftung Preussischer Kulturbesitz, Germany)
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Europe’s Common Cultural Heritage – Unity in Diversity: Digital Technologies and Cultural Heritage (G. De Francesco)
- 1. Europe’s Common Cultural Heritage – Unity in Diversity European cultural heritage and digital technologies Giuliana De Francesco Ministry for Cultural Heritage and Activities, Italy Bellevue Fellow at the Foundation for Prussian Cultural Heritage, Germany Bellevue Programme 2011 – EU Seminar
- 16. http://www.michael-culture.se http://www.michael-culture.fi http://www.michael-culture.cl.bas.bg http://www.michael-culture.pl http://www.michael-culture.fr http://www.michael-culture.hu http://www.michael-portal.de http://www.michael-culture.org.uk http://www.michael-culture.kul.ee http://www.michael-culture.es http://www.michael-culture.cz http://www.michael-culture.nl http://www.michael-culture.gr http://www.michael-culture.it
- 18. Local coordination Regional service Local service National coordination European Coordination National aggregator Thematic sercice International aggregator International aggregator
- 20. Europeana.eu Aims at offering a single multilingual access point to Europe‘s distributed cultural heritage information “ A digital library that is a single, direct and multilingual access point to the European cultural heritage.” European Parliament, 27 September 2007
- 21. Europeana aggregates content from aggregators and individual data providers APENET Archives Libraries Museums TV archives The European Library ATHENA European Film Gateway Film archives Euscreen MLAs www.bam-portal.de MLAs Culture.fr MLAs CulturaItalia.it
- 23. ATHENA Encouraging museums to share their content with Europeana and supporting them in the process
- 29. DATA MODEL, ORGANISATION, GOVERNANCE DIGITAL CULTURAL HERITAGE e-INFRASTRUCTURE Local, National and Regional programmes and initiatives Linked Heritage RECOMMENDATIONS & GUIDELINES 2002 2004 2008 2009 2011 2014 EUROPEANA 2002 2005 2010 2014
Notas do Editor
- BOSCH logo and seminar title
- Verifica ultima riorganizzazione
- National Centre for the Union Catalogue created in 1951 with the task of cataloguing the entire national bibliographic heritage
- History of the Foundation By 1947, as a result of the Second World War and the dissolution of Prussia, parts of the Prussian State's museum and library collections had been destroyed, looted or scattered. In the eastern part of Germany the surviving buildings, most notably those on the Museum Island and the State Library on Unter den Linden, were provisionally re-opened for use. In West Germany some Federal States took over as trustees with temporary responsibility for former Prussian collections. On 25 July 1957 a law was passed establishing the Stiftung Preußischer Kulturbesitz (Prussian Cultural Heritage Foundation), based on the German Federal Constitution which states that, where the Federal interest is greater, the legal succession to former Prussian possessions can be ruled by Federal law. After years of constitutional wrangling between the Federal Government and some individual states, the Foundation was finally able to start work in 1961, with its headquarters in Berlin. Initially, alongside the Federal Government, the Prussian "successor states" of Baden-Württemberg, Berlin, North Rhine-Westphalia and Schleswig-Holstein were members of the Foundation; in 1975 the other West German Federal States also joined. Later, the Unification Treaty allowed for the temporary inclusion of former GDR institutions (Berlin State Museums, German State Library, the Merseburg branch of the GDR Central State Archive). After all the new Federal States joined the Foundation in 1992, a permanent settlement was confirmed in 1994. The Prussian Cultural Heritage Foundation In 2007, the Prussian Cultural Heritage Foundation celebrated its 50th anniversary. The Foundation is one of the world's major cultural organisations. The State Museums of Berlin, the State Library, the Secret State Archives Prussian Cultural Heritage Foundation, the Ibero-American Institute and the State Institute for Music Research, all with their origins in the collections and archives of the State of Prussia, are linked to form a close network for cultural transmission. From the beginning it was scholars and artists rather than princes and kings who gave the collections their distinctive profile. Although individual treasures such as the world-famous Pergamon Altar or the bust of Nefertiti draw the attention, the encyclopaedic range and ordered structure of the collections as a whole reflect an all-embracing interest in education. The preservation and care of the collections, their structure and development, and the continuation of academic and scientific research form the basis for a mediation of cultures with a mission to encourage learning and understanding between different peoples. The Foundation embodies the shared governmental responsibility for culture in Germany. The Federal Government and the sixteen individual states share the legal and financial responsibility, a living manifestation of constitutional reality.
- The Prussian Cultural Heritage Foundation In 2007, the Prussian Cultural Heritage Foundation celebrated its 50th anniversary. The Foundation is one of the world's major cultural organisations. The State Museums of Berlin, the State Library, the Secret State Archives Prussian Cultural Heritage Foundation, the Ibero-American Institute and the State Institute for Music Research, all with their origins in the collections and archives of the State of Prussia, are linked to form a close network for cultural transmission. From the beginning it was scholars and artists rather than princes and kings who gave the collections their distinctive profile. Although individual treasures such as the world-famous Pergamon Altar or the bust of Nefertiti draw the attention, the encyclopaedic range and ordered structure of the collections as a whole reflect an all-embracing interest in education. The preservation and care of the collections, their structure and development, and the continuation of academic and scientific research form the basis for a mediation of cultures with a mission to encourage learning and understanding between different peoples. The Foundation embodies the shared governmental responsibility for culture in Germany. The Federal Government and the sixteen individual states share the legal and financial responsibility, a living manifestation of constitutional reality. Institutions A closed network for cultural transmission linking: The Staatliche Museen zu Berlin - Preußischer Kulturbesitz (Berlin State Museums - Prussian Cultural Heritage), with 16 separate museums devoted to the ancient cultures of the Mediterranean (Egypt, the Near East, Greece, Rome), to all branches of modern art and culture (paintings, sculpture, graphic arts, applied art, photography, film, video), to the great non-European cultures (India, the Islamic world, East Asia), and to the ethnology of all five continents. Altogether the Berlin State Museums form the largest and most multi-faceted museum complex in Germany, and one of the largest in the world. The Staatsbibliothek zu Berlin - Preußischer Kulturbesitz (Berlin State Library - Prussian Cultural Heritage), with holdings of more than 10 million volumes and 38,600 current periodicals as well as comprehensive special collections of western and non-European manuscripts, music manuscripts, maps and early books. It is the largest and most important universal research library in Germany. The Geheimes Staatsarchiv Preußischer Kulturbesitz (Secret State Archives Prussian Cultural Heritage Foundation) holds some 35,000 metres of archives (including those of the Prussian Central Government, the Household Archives of Brandenburg-Prussia, the historic State Archives of Königsberg in Prussia with the archive of the Teutonic Knights) and a specialist library of around 190,000 volumes. It is a public research institute for the history of (Brandenburg-)Prussia, covering all its historic territories between the lower Rhine and East Prussia. The Ibero-Amerikanisches Institut - Preußischer Kulturbesitz (Ibero-American Institute) is an interdisciplinary center for academic and cultural exchange between Germany and Latin America, the caribbean, Spain and Portugal. It is home to the largest specialist library in Europe for the Ibero-American region. Combining an information center, a research center and a cultural center, the Ibero-American Institute is both a platform for cooperation and a catalyst for intercultural and transcultural dialog.. The Staatliches Institut für Musikforschung - Preußischer Kulturbesitz (State Institute for Music Research - Prussian Cultural Heritage), with the Musikinstrumenten-Museum (Museum of Musical Instruments), comprises a collection of historic instruments from the 16th to the 20th centuries and research departments for the study of instruments, musical acoustics, music theory and music history.
- Institut für Museumsforschung Das Institut für Museumsforschung ist eine bundesweit tätige Forschungs- und Dokumentationseinrichtung mit Konzentration auf sammlungsübergreifende Aspekte des Museumswesens. Das Institut für Museumsforschung erbringt Leistungen für die Museen in Deutschland in den Bereichen Forschung, anwendungsorientierte Vermittlung und Dokumentation. Das Institut arbeitet in Ergänzung zu den regionalen, teilweise hoheitlich tätigen Museumsämtern und Fachberatungsstellen der Bundesländer. Es hat keine hoheitlichen Aufgaben im Sinne einer zentralstaatlichen Einrichtung und greift damit nicht in die Kulturhoheit der Länder ein. Die Forschungsvorhaben werden in Kooperation mit Fachleuten aus dafür relevanten wissenschaftlichen Disziplinen durchgeführt (Sozialwissenschaften, Erziehungswissenschaft, Ingenieur- und Naturwissenschaften usw.). Die Projekte sind am Forschungsbedarf der Museen sowie an übergreifenden museumskundlichen Arbeitsfeldern und praxisrelevanten Fragestellungen orientiert. Das Institut für Museumsforschung wurde 1979 gegründet und als Abteilung der Staatlichen Museen zu Berlin dem Generaldirektor unterstellt. In den letzten Jahren verlagert sich der Schwerpunkt von einer mehr nationalen zu einer europäischen bzw. internationalen Perspektive, von pragmatischen Einzellösungen zur Entwicklung von Guidelines und Standards. Das "globale Dorf" existiert bereits in der Forschungsplanung und im Lernen von Partnern, bei denen manche Fragen schon seit längerer Zeit bearbeitet werden. Die Einführung Neuer Medien beschleunigt diese Entwicklung. Und nicht zuletzt werden auch die Museen von dem allgemeinen Strukturwandel ergriffen (Stichworte: neue Trägermodelle, Budgetierung, Privatisierung, Betriebswirtschaft statt Kameralistik), wodurch neue Aufgaben für das Institut entstehen. Arbeitsstelle für Provenienzrecherche und -forschung Institut für Museumsforschung Museumsstatistik Das Institut für Museumsforschung dokumentiert die Entwicklung der deutschen Museen und des Museumsbesuches. Jährlich wiederkehrend werden alle deutschen Museen um Angabe aktueller Daten gebeten. Die Ergebnisse der Befragung werden publiziert und dienen darüber hinaus als Grundlage für die Erteilung von Auskünften und für weitere Analysen. Mehr Informationen Europäische Projekte Das Institut für Museumsforschung strebt einen stärker museumsfachlichen Informationstransfer mit allen relevanten EU-Programmen an. Es fungiert daher als Clearingstelle für Projekte der Museen, dokumentiert und aktualisiert die notwendigen Projekt- und Antragsinformationen und macht sie interessierten Antragstellern zugänglich. Mehr Informationen Museumsdokumentation Bei der "Museumsdokumentation" geht es im Institut für Museumsforschung um die Methodik des Sammelns, Bewahrens und Vermittelns von Informationen zur Sammlung. Dabei wird angestrebt, das Rationalisierungs- und Kommunikationspotential des Computers für diese zentrale Aufgabe des Museums nutzbar zu machen. Mehr Informationen Neue Medien und Museumsdidaktik Im Arbeitsbereich "Neue Medien" werden Evaluationsprojekte und Wirkungsanalysen zu im Einsatz und in der Entwicklung befindlichen Medien (interaktive Audio-Systeme für Museen, interaktive Bildschirm-Informationssysteme und CD-ROM-Produktionen) durchgeführt. Besonders interessant scheint derzeit die Frage nach der Nutzung elektronischer Medienangebote durch Besucher, die diese im Museum oder über das Museum erwerben können und im Anschluß an oder als Vorbereitung auf ihren Museumsbesuch zu Hause nutzen (Infotainment, Edutainment). Mehr Informationen Museumsrecht Das Gebiet der museumsbezogenen Rechtsfragen wird derzeit schwerpunktmäßig durch die Herausgabe der Reihe "Handbuch des Museumsrechts" zu Publikationen bearbeitet. Daneben werden weitere, rechtssystematisch schwer zuzuordnende Themen in Einzelgutachten bearbeitet. Mehr Informationen Kooperationen Das Institut für Museumsforschung ist in verschiedenen nationalen und internationalen Kooperationen aktiv, in einigen übernimmt es leitende Funktionen. Mehr Informationen Besucherforschung In Projekten der Besucherforschung werden Veränderungen der Struktur des Museumspublikums untersucht und Wirkungsanalysen bestimmter didaktischer und medialer Angebote der Museen durchgeführt. Mehr Informationen Museumsmanagement Fragen von Museumsmanagement und -trägerschaft werden verstärkt bearbeitet. Zusammen mit dem Deutschen Museumsbund und der Robert Bosch Stiftung bemüht sich das Institut für Museumsforschung derzeit um die Entwicklung eines berufsbegleitenden Weiterbildungsprogramms für wissenschaftliches Museumspersonal, das speziell Fragen des Museumsmanagements aufgreift. Mehr Informationen Museumstechnik Auf dem Gebiet der Museumstechnik werden Forschungsleistungen in Form von Kooperationsprojekten erbracht. Schwerpunkt in diesem Bereich sind Fragen des Schutzes von Kulturgut. Hierbei sollen insbesondere auch extern erarbeitete Forschungsergebnisse, die für die Museumspraxis relevant sind, vermittelt werden. Mehr Informationen
- e Europe is a political initiative to ensure the European Union fully benefits for generations to come from the changes the Information Society is bringing. These changes, the most significant since the Industrial Revolution, are far-reaching and global. They are not just about technology: they affect everyone, everywhere. Managing this transformation represents the central economic and social challenge for the Union. e Europe is intended to accelerate positive change in the Union. It aims at ensuring this change towards the Information Society is cohesive rather than divisive, integrating rather than fragmenting, an opportunity not a threat. In essence, e Europe aims at bringing the benefits of the Information Society within reach of all Europeans. e Europe 2002 At the European Council held in Lisbon on 23-24 March 2000, the Heads of Government and State of the EU-15 set the ambitious goal for Europe for the next decade to become 'the most competitive and dynamic knowledge-based economy in the world'. This declaration recognised the urgent need for Europe to quickly exploit the opportunities of the knowledge-based economy and, in particular, the internet. In response, an e Europe 2002 Action Plan was launched in the Feira European Council on 19-20 June 2000.
- Collection and description of data close to where the CH collections are
- VERIFICA URL Brussels, 1.6.2005 - COM(2005) 229 final COMMUNICATION FROM THE COMMISSION TO THE COUNCIL, THE EUROPEAN PARLIAMENT, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS “ i2010 – A European Information Society for growth and employment”
- Verificare fonte citazione
- The slide will be completed with action buttons to show aggregation, horizontal and vertical
- Museums, archives and libraries collect, hold, preserve, document, catalogue, exhibit, communicate, promote cultural and scientific heritage and associated information for public benefit (learning, study, reference, research, enjoyment etc) (Common/Diverse)
- Note that this is the first reference to cultural organisations as members of civil society. This may be an important conceptual change for the future.