2. Tennessee Williams
■ BornThomas LanierWilliams III
■ March 26, 1911 at Columbus, Mississippi
■ Leading playwright of his age (post-WorldWar
II)
■ Had won prestigious awards such as Pulitzer
Prize and NewYork DramaCritics’ Awards
(Streetcar Named Desired & Cat on a HotTin
Roof)
■ His works seemed to be preoccupied with the
extremes of human brutality, and sexual
behavior: madness, rape, incest,
nymphomania, violence, deaths
■ Died on February 25, 1983 at the age of 71.
4. Introduction
■ Published in 1944 by theTenesse Williams
■ The Glass Menagerie is a memory play, and its action is drawn from the memories of
the narrator.
■ TomWingfield, tells the story from his present time (1940s) about his life in the
1930s
■ The play revolves around the escapistTom, who is responsible to look after his
crippled sister and nagging mother.
■ The play is set against the background of depression where the characters struggle
with the past, the future and with each other.
5.
6. ■ Glass Menagerie is autobiographical
■ Was born “Thomas LanierWilliams III,” but changed his name to “Tennessee” at
the age of 28. Different sources report various reasons for the new moniker. Some
claim he received the name from a college roommate, others argue that he picked it
to pay tribute to his ancestors who lived in the state ofTennessee, and some think
he simply wanted to break with his past and conceal his age.
■ WhenWilliams’ older sister Rose first became infatuated with a certain boy,Williams
soon realized that he was also attracted to the same boy and his own sex.
■ Two Hollywood movie versions of The Glass Menagerie have been produced.
■ The Glass Menagerie has had a number of Broadway revivals
May 4, 1965 to October 2, 1965 at the BrooksAtkinsonTheatre
December 18, 1975 to February 22, 1976 at the Circle in the SquareTheatre
December 1, 1983 to February 19, 1984 at the Eugene O'NeillTheatre
7. 1989 at the Royal Exchange, Manchester directed by Ian Hastings
November 15, 1994 to January 1, 1995 at Criterion Center Stage Right
March 22, 2005 to July 3, 2005 at the Ethel BarrymoreTheatre
April 2008 at the Royal Exchange, Manchester directed by Braham Murray
Off-Broadway at the RoundaboutTheatre Company, March 24, 2010 to June
13, 2010
The 2013 Broadway revival began previews on September 5 with an official
opening on September 26, 2013 at the BoothTheatre and closed on February 23,
2014. his production received seven 2014Tony Award nominations
9. • Laura and Tom's mother.
• A proud, vivacious woman who clings
fervently to memories of a vanished,
genteel past.
• Simultaneously admirable, charming,
pitiable and laughable.
10. • Amanda's daughter and Tom's older sister.
• Laura has a bad leg, on which she has to
wear a brace, and walks with a limp.
• Twenty-three years old and painfully shy.
• She has largely withdrawn herself from the
outside world and devotes her time to old
records and her collection of glass figurines.
11. • Amanda's son and Laura's younger brother.
• An aspiring poet.
• Works at a shoe warehouse to support the
family.
• He is frustrated by the numbing routine of
his job and escapes from it through
movies, literature and alcohol.
12. • An old acquaintance of Tom and Laura.
• A popular athlete in high school.
• A shipping clerk at the shoe warehouse in
which Tom works.
• He is unwaveringly devoted to goals of
professional achievement and ideals of personal
success.
13. • Amanda's husband, Laura and Tom's father.
• A handsome man who worked for a
telephone company.
• Abandoned his family years before the action of
the play and never reappears onstage.
• His picture is prominently displayed in the
Wingfields' living room.
14. Setting of The Glass Menagerie
SETTING OF
THE GLASS
MENAGERIE
19. • Tom Wingfield, the narrator, explains directly to
the audience that the scenes are “memory,”
therefore nonrealistic.
• Tom reveals the historical and social background
of the play.
• Tom describes his role in the play and the other
characters. One character, his father, does not
appear on stage.
• Amanda begins describing all her gentleman-
callers from her southern Blue Mountain days, and
21. • Amanda tells Laura that she visited Laura’s
business college and now knows that she has been
lying to her.
• Amanda whines to her daughter about her terror
of what will happen to the two of them if Laura
remains untrained for work, and that the only
alternative is marriage.
• Laura tells her mother about Jim, her high school
crush.
• Laura says marriage will not be possible because
23. • After the fiasco of the business college, the
idea of a gentleman caller for Laura becomes
an obsession with Amanda.
• Tom and Amanda quarrel after she has sent
back his library books without telling him.
• This results to a fight which ends with Tom
leaving.
• Tom breaks Laura’s glass menagerie.
25. • Tom went home drunk and loses his keys at the
middle of the night. He just went home from
watching a movie.
• The next day, Laura went to him and beg him
to apologize and make up for their mother.
Then, she went outside.
• Tom speaks and apologizes to Amanda.
• Amanda gave him few lessons and make him
promise not to become a drunkard.
26. • Amanda asked him how he feels about his life
in their apartment and shared how Laura feels
toward him.
• Amanda started talking about Laura’s attitude
and future. She also promised to Tom that he
can leave the house if Laura got herself a
husband.
• Amanda asked Tom to find Laura a
“gentleman caller” in the warehouse where he
28. •Amanda is giving instructions to Tom
about his smoking.
•Tom narrates about “Paradise Dance
Hall”.
•Amanda and Tom made a wish upon
seeing the moon.
•Tom tells Amanda that he got Laura a
gentleman caller. And was expected to
29. • Amanda was very excited upon hearing the
news and wanted to make preparations for
tomorrow.
• Amanda asked Tom about the name of the
gentleman caller and his work and life.
• Tom however is much worried about Laura
being different and peculiar woman.
• Amanda brushes it aside and called Laura to
31. • Tom is speaking about Jim O’Connor who was
“the most likely to succeed” during their high
school years.
• Amanda gave her best for the upcoming
dinner and prepared everything by her own.
Laura was well-dressed and so do Amanda.
• Amanda showed Laura the dress that she
worn during her youth days.
32. • Laura found out about the identity of the
gentleman caller who is coming for dinner.
She knew that it was her crush during her high
school year.
• Laura after knowing it was too nervous to
open the door but she doesn’t have the choice
because Amanda command her to do it.
• Jim and Tom came inside and talk about
work.
33. • Jim told Tom that Mr. Mendoza their
employer is telling Jim that Tom will lose his
job if he will not change.
• Tom told Jim that he paid his dues instead of
the light bill to become a member of The
Union of a Merchant. (He was planning to
leave and become a seaman.)
• Amanda went over and started talking
nonstop to Jim.
34. •Amanda built-up Laura to Jim and called
Laura to join them for supper.
•Laura knowing the identity of the ‘caller’,
she hides in the kitchen and becoming
faint and ill with a fever.
•Amanda told her to just stay in the living
room and Jim, Amanda and Tom blessed
the food.
36. • The lights go out in the apartment so Amanda
lit a candle.
• Amanda realizes that Tom didn’t pay the light
bill so as a consequence she asked him to
wash the dishes with her.
• Jim went to Laura. They talk for a short time
until Laura asked him if he still sings.
• Jim suddenly remembered that he met her
37. • Jim tried to cheer up Laura and gave him an
advice about being confident.
• Laura told Jim her great interest- glass
collection and she showed a unicorn glass
menagerie.
• Jim asked Laura to dance with him and so
they did it. The unicorn fell and broke its horn.
• Jim told Laura how pretty she is and he kissed
38. • Jim confesses that he won’t be able to give
Laura a call, text her or come again because
he’s already engaged. Jim accepted the
invitation because his fiancée is out of town.
• Laura handed him her favorite menagerie- the
unicorn as a souvenir. Then he bid goodbye.
• Amanda finds out about Jim’s engagement
and she fights with Tom. Tom runaway
leaving them.
42. The Difficulty of Accepting Reality
Of the threeWingfields, reality has by far
the weakest grasp on Laura.The private
world in which she lives is populated by
glass animals—objects that, like Laura’s
inner life, are incredibly fanciful and
dangerously delicate.
43. The Difficulty of Accepting Reality
Tom is capable of functioning in the real world, as we see in
his holding down a job and talking to strangers. But, in the
end, he has no more motivation than Laura does to pursue
professional success, romantic relationships, or even
ordinary friendships, and he prefers to retreat into the
fantasies provided by literature and movies and the stupor
provided by drunkenness.
44. The Difficulty of Accepting Reality
Amanda’s relationship to reality is the most
complicated in the play. Unlike her children, she is
partial to real-world values and longs for social
and financial success.Yet her attachment to these
values is exactly what prevents her from
perceiving a number of truths about her life.
45.
46. The play takes an ambiguous attitude toward the
moral implications and even the effectiveness of
Tom’s escape. As an able-bodied young man, he is
locked into his life not by exterior factors but by
emotional ones—by his loyalty to and possibly
even love for Laura and Amanda.
47.
48. In The Glass Menagerie, duty and responsibility
largely arise from family.The play examines the
conflict between one’s obligations and one’s real
desires, suggesting that being true to one may
necessitate abandonment of the other. We also
see that duties are gender specific, and arise
largely from the expectations of societal norms.
49.
50.
51.
52.
53. Laura’s Glass
Menagerie
Laura’s collection of glass animal figurines
represents a number of facets of her
personality. The menagerie also represents
the imaginative world to which Laura
devotes herself—a world that is colorful and
enticing but based on fragile illusions.
54. The Glass
Unicorn
The glass unicorn in Laura’s collection—
significantly, her favorite figure—
represents her peculiarity. Laura too is
unusual, lonely, and ill-adapted to
existence in the world in which she
lives.The fate of the unicorn is also a
smaller-scale version of Laura’s fate in
Scene Seven.
55. The Fire
Escape
The fire escape, a physical symbol, is used
symbolically to represent various aspects of
being trapped or as a method of escape. As
Williams writes, the "huge buildings are
always burning with the slow and
implacable fires of human desperation."
56. REFERENCES:
Play Summary. Retrieved November 1, 2016 from
https://www.cliffsnotes.com/literature/g/the-glass-menagerie/play-
summary
The Glass Unicorn. Retrieved November 1, 2016 from
https://www.google.com.ph/search?q=glass+menagerie&biw=1366&b
ih=638&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjdmbacjIfQAh
XHzLwKHS6NCe8Q_AUIBigB#tbm=isch&q=The+Glass+Unicorn&img
rc=5W5xr9Cn8Z60-M%3A
The Fire Escape. Retrieved November 1, 2016 from
https://www.google.com.ph/search?q=themes&biw=1366&bih=589&s
ource=lnms&tbm=isch&sa=X&ved=0ahUKEwiMwP2UoYfQAhWGxbw
KHZDyAVQQ_AUIBigB#tbm=isch&q=The+Fire+Escape&imgrc=4RQ-
vL9Ne3UakM%3A
57. REFERENCES:
The Glass Menagerie. Retrieved November 1, 2016 from
http://www.shmoop.com/glass-menagerie/dreams-hopes-plans-
theme.html
The Glass Menagerie. Retrieved November 1, 2016 from
http://debbiejlee.com/the_glass_menagerie.pdf
http://m.sparknotes.com/lit/menagerie/characters.html
http://www.gradesaver.com/the-glass-menagerie/study-
guide/summary
http://www.sparknotes.com/lit/menagerie/section1.rhtml
http://tomwingfieldblog.blogspot.com/2011/03/continental-
shoemakers.html
The action of The Glass Menagerie takes place in the Wingfield family's apartment in St. Louis, 1937. The events of the play are framed by memory - Tom Wingfield is the play's narrator, and usually smokes and stands on the fire escape as he delivers his monologues. The narrator addresses us from the undated and eternal present, although at the play's first production (1944-5), Tom's constant indirect references to the violence of the Second World War would have been powerfully current.
The action of the play centers on Tom, his mother Amanda, and his sister Laura. In 1937 they live together in a small apartment in St. Louis. Their father abandoned them years earlier, and Tom is now the family's breadwinner. He works at the Continental Shoemakers warehouse during the day, but he disappears nightly "to the movies." Amanda is a loving mother, but her meddling and nagging are hard to live with for Tom, who is a grown man and who earns the wages that support the entire family. Laura is a frightened and terribly shy girl, with unbelievably weak nerves. She is also slightly lame in one leg, and she seldom leaves the apartment of her own volition. She busies herself caring for her "glass menagerie," a collection of delicate little glass animals.
Each member of the Wingfield family is unable to overcome this difficulty, and each, as a result, withdraws into a private world of illusion where he or she finds the comfort and meaning that the real world does not seem to offer.
Escape can mean two things here: escape from reality into an alternate world, or escape from a trap or confinement. This play hints at the moral ramifications of some kinds of escape, asking the question of who is left behind and what happens to them when you leave.
Like the figurines, Laura is delicate, fanciful, and somehow old-fashioned. Glass is transparent, but, when light is shined upon it correctly, it refracts an entire rainbow of colors.