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A. Kelleher 
LIS 647 Visual Resources Management 
Final Presentation | Spring 2014 
art in streets 
BSHWCK
Community Murals
Graffiti
“HARLEM”
Street 
Art
ArtCrimes.com
Art streets bshwck
Art streets bshwck

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Art streets bshwck

Notas do Editor

  1. Hands-On Project in Omeka 25 Original Photos Art present in Bushwick Public Spaces
  2. “Art in Public Spaces” includes many localized genres Many Community Murals Series based on the Poem “Sleepless City” Cuidad Sin Sueño by Federico Garcia Lorca Mural 1
  3. While Photographing I ran into a person repairing the Mural Jane Weisman, Director of Artmakers NYC Repairs left “ArtThirsty” Intact
  4. Artmakers NYC Attribution Wall Vandalized with white-out Signature of Artist: Optimo “Thanks for the Wall”
  5. Vandalized Names were whited out; Artists contacted Artmakers Credits Listing for Community Mural VR _ Heavily Credited, Usually findable online, Community Murals are very thorough with publicly attributing information able to be catalogued.
  6. Graffitti is a Different story. It is included in the scope of this project as a territorial art form which essentially gave the public space foundations for street Art and Community Murals. Also for Facebook. Here, I want to draw Attention to : HARLEM
  7. Across the street, another HARLEM How do we catalogue Graffiti for which the only information left to us is ultimately right here? Titles “HARLEM” was funny in Omeka. +Medium +Style +PhotoDocumentation + Geotagging – can be embedded
  8. HARLEM - Iterations of a Street Artist’s Work On a nearby Street, the placement of HARLEM’s works is another feature necessitating photodocumentation – placement or where the work is “up” significant HARLEM is also in Manhattan, right there!
  9. Mixing Caricature and Tagging Story of James outside the Wyckoff Starr Including the year for some tags is helpful
  10. I would have walked right past this one if it weren’t for James indicating the artist’s prominence. False is from North Dakota, and was up in a few places around the city. Can add stylistic features in descriptions aiding in the historical trending of the movements.
  11. You see them everywhere! Wideshots of where art is collected together spoke to the community of this group.
  12. Shok.1 of Bushwick Collective Permission to use Walls Authorship is useful Love when people take photos of the Art
  13. Precedents Maybe or maybe Not Street Art as a reclaiming of public space is important to document as a record of that dynamic, that work.
  14. Another Bushwick Collective Piece Large Scale Authorship and Collective Important
  15. Halsey Street Murals, all along the side of an industrial Block Declarations of Community Authorship Interaction between Artists is able to be documented
  16. “Documentary Photographic Style” and Street Art
  17. Documenting Street Art – Other Initiatives Different initiatives for Community Murals, Memorial Murals, Street Art, Graffiti, and Tags / bombs – the last are often undocumented anywhere.