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Drawing  
Generic  skill  2	
Duration: 12 days [February 17th –
March1th2014]
Facilitator: Sonia Jose
Day  1	
A page full of circles
A page full of triangles
Circles  of  different  sizes  and  applying  	
different  pressure  gave  a  hold  of  the  pencil	
in  drawing  continuous  line.	
Triangles  of  different  sizes  have  
straight  lines  which  allowed  us  to  
make  rigid  lines  and  gave  a  space  to  
explore  the  angles.  
A page full of
circles or triangles
of the same size
with thick and thin
lines separately
made me look at
different tones of
the same pencil.
Also a sense of
visual application of
lines was observed
by me very
appropriately.
Exploring  continuous  lines  by  making  dark  to  light  and  light  to  dark  single  
lines  by  swirling  forms  and  straight  lines  without  lifting  the  pencil  allowed  me  
to  understand  pressure  of  the  same  medium  in  one  stroke.
My  medium  to  do  the  above  exercises  was  an  HB  pencil.  
Drawing  parallel  lines  keeping  consistency  in  application  and  the  slightly  
altering  application  in  terms  of  consistency,  pressure  and  spacing.
Continuous  parallel  lines  with  or  without  obstacles  in  pen  made  my  hade  more  	
comfortable  with  drawing  lines  accurately  and  increased  my  concentration  also  
while  drawing  lines.
Line  drawings  of  many  objects  on  an  imperial  sheet  gave  an  initial  sense  of  
composition.  It  even  included  an  observation  of  objects  while  drawing  them  
quickly.  Adding  different  thickness  of  the  pencil  gave  it  a  3D  view.
Line  drawing  of  a  genre(shoe)  in  10  	
different  species  and  composing  them	
is  a  visually  appealing  way  was  an  	
interesting  exercise  because  it  included  	
drawing  skills  as  well  as  a  sense  of  
space  to  build  a  composition.	
Giving  different  
tones  to  the  same  
gave  it  a  3D  look.  
Also  allowed  me  
to  understand  
different  tones  
that  can  be  
achieved  in  a  
single  pencil.  
Day  2
Img  2.1
Img  2.2
Img  2.3
Tracing  and  layering	
The first exercise using tracing paper we had to explore
application of line by using different mediums as well as
altering pressure. I added tones to my image although that
was not required. But then in the second composition I
could focus on line and making a whole new composition
by various experiments of overlapping and layering using
contrasts in line. I experimented with the second
composition in 3 stages. Img 2.1 was my first attempt where
by overlapping and layer I took different images and
combined them. In img 2.2 I added more imaged to my
first image which did not quite work out. Them finally I used
img 2.1 to make my third composition which was img 2.3. It
came out to be a very well balanced composition.
Day  3	
Line  exercises  continued/  looking  at  shapes  and  proportions
Quick sketches of human form was an exercise which
was new for me as I am not very fond of drawing
human structures. But as I did these quick sketches I
was able to capture essence proportions. I could
understand the basic structure of the human form and
all the gestures that gives the human body a form.
These sketches were 2 min drawing each and done in
2 ways. Initially the person was standing still and we
had to draw them and after that it was more about
capturing that one moment of the persons gesture
and putting it down on paper. So we had limited time
and so much to remember.
An  upside  down  drawing	
.	
Draw  a  portrait  or  a  
human  form  from  a  
picture  that  is  
turned  upside  
down.  It  was  an  
interesting  
experience  and  
gives  a  beRer  sense  
of  line  and  
negative-­‐‑positive  in  
an  image.  It  did  not  
come  out  to  be  a  
perfect  portrait  but  
it  was  very  much  
similar  to  the  
image.
5  sketches  of  you  hands  using  your  dominant  hand
A  drawing  of  your  hand  using  your  non-­‐‑dominant  other  hand  	
A  blind  of  your  hand  by  not  looking  at  the  paper	
A  blind  drawing  of  your  hand  with  your  other  non-­‐‑dominant  hand
A  rendered  drawing  of  your  dominant  hand.
BeRy  Edward’s  ‘Drawing  
from  the  right  side  of  the  
brain’  	
This was an interesting exercise. I had a lot of fun
drawing with my left hand. It was all about hand eye
coordination. In another exercise it was all about
observation with eyes and coordinating your hand
likewise with intuition. It was not at all difficult but I way
of observation for me. I think it was more like a eye-
hand coordination test for me. It was important to
understand how my left brain is more strong
compared to my right side of the brain.
A  portrait  from  life  with  right  hand  and  one  blind  drawing  of  the  same.
Objects
Day  4	
Perspective  is  something  very  important  to  understand  while  drawing  and  
because  I  have  never  learnt  about  it  this  exercise  was  a  good  way  for  me  to  start  
with  this.  I  got  to  know  about  how  people  observe  from  different  angles  and  
come  up  with  one  point,  two  point  or  more  perspectives  while  drawing  a  
certain  space  indoor  or  outdoor.
Tone	
Grey  scale  exploration  gives  a  
beRer  understanding  of  the  
tones  from  a  single  medium.  
After  doing  this  exercise  I  
could  now  device  the  
flexibility  of  one  color  tone.  It  
gave  me  more  shades  of  a  
single  color  which  I  thought  
couldn’t  be  there.  Applying  
this  table  I  made  objects  with  
as  many  tones  as  possible.  
Earlier  I  used  to  use  one  pencil  
and  complete  my  drawing.  But  
now  when  I  know  how  
different  pencils  work  I  use  the  
darkest  6B  to  lightest  2H  in  
most  my  sketches.
Applying  grey  scale  to  objects.
Day  5/6	
Drawing  the  human  form  separately  gave  a  sense  of  structure,  proportions  and  
composition  while  placing  it  on  a  single  sheet  of  paper.  The  different  exercises  
involved  one  figure  on  one  page,  two  figures  on  one  page  and  three  figures  on  
one  page.
Line  exercise  with  flicking  the  pencil  and  altering  pressure  without  lifting  the  
palm  from  the  sheet  and  applying  the  marks  achieved  in  a  creative  drawing
Bags  and  shoes 	
 	
	
6  compositional  studies  
Drawing  the  same  thing  from  different  angles  give  a  basic  composition  and  a  
sense  of  placing  the  objects  on  paper.  And  detailed  rendering  of  the  bags  gave  
more  basic  knowledge  about  tones  and  lines.  Giving  the  texture  of  a  cloth  was  a  
challenge  but  it  was  very  much  interesting  as  I  used  many  tones  of  grey.
Day  7	
Studying  line  and  tone  in  drawing  keeping  in  mind  form,  proportions,  
contrasts  and  composition
Black  card  
drawing	
This  was  one  the  most  
interesting  work  because  the  
whole  style  was  changed.  
Usually  we  draw  on  white  in  
black,  but  drawing  on  black  card  
in  white  was  totally  different.  I  
think  this  was  because  the  part  
that  we  used  to  sketch  becomes  
the  part  we  don’t  sketch  now,  we  
leave  it  black.  More  of  
observations  and  more  of  hand-­‐‑
eye  coordination.  I  could  use  
another  darker  shade  of  black  
but  as  an  image  it  came  out  to  be  
a  perfect  drawing.
Day  8	
Textures
Tone,  lines  and  textures  
together    was  explored  
in  this  exercise.  I  tried  
two  organic  and  two  
inorganic  objects.  I  
found  organic  objects  to  
be  easier  may  be  
because  the  texture  is  
more  lively  and  
interesting  which  gives  
the  objects  some  kind  
of  smoothness  and  
visual  appeal.
Day  9
Preparatory  drawings
Still  life	
The  still  life  is  all  about  
observations  and  copying  down  
what  you  see.  I  did  this  detailed  
study  of  a  still-­‐‑life  with  3  -­‐‑4  objects  
of  my  choice  to  bring  out  my  
understanding  of  contrasts  in  line,  
tone,  texture  proportions  and  
composition.  I  figured  out  I  am  
good  with  tone  but  weak  with  
form  and  appropriate  lines.  The  
composition  was  also  very  
important.  Arranging  the  still  life  
and  composing  it  on  paper  was  
something  I  learned.  And  one  
problem  that  I  largely  faced  was  
the  movement  of  objects  thrice.	
Full  Imperial  size  drawing
Day  10  	
A half imperial size
detailed drawing
incorporating tones/
textures of a human
figure. This was from live
and I tried to complete it
in 10 min. The proportions
were fairly fine. This
activity was necessary for
me as to understand how
to compose a human
form on paper and also
how tones work when
the canvas in enlarged.
100  drawings
The 100 sketches I did were of human body. I am not
fond of making them so it became my weak point
and now I wanted them to be perfect. So I chose to
make these sketches. I am fine with proportions of
objects but human proportions are not my cup of tea.
So I tried to do that and practice the same as much
as possible. To me this was a great opportunity. There
are still problem with my form and lines whilst
sketching but maybe if I continue doing that I could
improve on that too.
Final  Day	
When  the  graphite  touches  the  blank  
sheet  of  paper  there  is  a  thought  of  
something  coming  up  on  the  canvas.  
And  when  it  is  not  the  same  it  
probably  weakens  your  aspirations.  I  
love  drawing  and  I  am  doing  that  
since  2  years  now.  But  this  course  was  
very  necessary  to  build  up  my  skills  
and  improve  my  quality  of  work.  It  
was  of  great  help  as  I  was  drawing  on  
my  own  but  needed  a  skillful  support  
for  my  mistakes  to  come  across.  And  
it  did.  So  my  lines,  form  and  human  
proportions  is  something  I  need  to  
work  upon  more  than  my  tones  and  
gradations  which  are  at  par  fine.  This  
course  allowed  me  to  know  what  I  
knew  but  I  couldn’t  figure  out.
The  End

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Drawing 2 pdf 2

  • 1. Drawing   Generic  skill  2 Duration: 12 days [February 17th – March1th2014] Facilitator: Sonia Jose
  • 2. Day  1 A page full of circles A page full of triangles Circles  of  different  sizes  and  applying   different  pressure  gave  a  hold  of  the  pencil in  drawing  continuous  line. Triangles  of  different  sizes  have   straight  lines  which  allowed  us  to   make  rigid  lines  and  gave  a  space  to   explore  the  angles.  
  • 3. A page full of circles or triangles of the same size with thick and thin lines separately made me look at different tones of the same pencil. Also a sense of visual application of lines was observed by me very appropriately.
  • 4. Exploring  continuous  lines  by  making  dark  to  light  and  light  to  dark  single   lines  by  swirling  forms  and  straight  lines  without  lifting  the  pencil  allowed  me   to  understand  pressure  of  the  same  medium  in  one  stroke.
  • 5. My  medium  to  do  the  above  exercises  was  an  HB  pencil.  
  • 6. Drawing  parallel  lines  keeping  consistency  in  application  and  the  slightly   altering  application  in  terms  of  consistency,  pressure  and  spacing.
  • 7. Continuous  parallel  lines  with  or  without  obstacles  in  pen  made  my  hade  more   comfortable  with  drawing  lines  accurately  and  increased  my  concentration  also   while  drawing  lines.
  • 8. Line  drawings  of  many  objects  on  an  imperial  sheet  gave  an  initial  sense  of   composition.  It  even  included  an  observation  of  objects  while  drawing  them   quickly.  Adding  different  thickness  of  the  pencil  gave  it  a  3D  view.
  • 9. Line  drawing  of  a  genre(shoe)  in  10   different  species  and  composing  them is  a  visually  appealing  way  was  an   interesting  exercise  because  it  included   drawing  skills  as  well  as  a  sense  of   space  to  build  a  composition. Giving  different   tones  to  the  same   gave  it  a  3D  look.   Also  allowed  me   to  understand   different  tones   that  can  be   achieved  in  a   single  pencil.  
  • 14. Tracing  and  layering The first exercise using tracing paper we had to explore application of line by using different mediums as well as altering pressure. I added tones to my image although that was not required. But then in the second composition I could focus on line and making a whole new composition by various experiments of overlapping and layering using contrasts in line. I experimented with the second composition in 3 stages. Img 2.1 was my first attempt where by overlapping and layer I took different images and combined them. In img 2.2 I added more imaged to my first image which did not quite work out. Them finally I used img 2.1 to make my third composition which was img 2.3. It came out to be a very well balanced composition.
  • 15. Day  3 Line  exercises  continued/  looking  at  shapes  and  proportions
  • 16.
  • 17. Quick sketches of human form was an exercise which was new for me as I am not very fond of drawing human structures. But as I did these quick sketches I was able to capture essence proportions. I could understand the basic structure of the human form and all the gestures that gives the human body a form. These sketches were 2 min drawing each and done in 2 ways. Initially the person was standing still and we had to draw them and after that it was more about capturing that one moment of the persons gesture and putting it down on paper. So we had limited time and so much to remember.
  • 18. An  upside  down  drawing . Draw  a  portrait  or  a   human  form  from  a   picture  that  is   turned  upside   down.  It  was  an   interesting   experience  and   gives  a  beRer  sense   of  line  and   negative-­‐‑positive  in   an  image.  It  did  not   come  out  to  be  a   perfect  portrait  but   it  was  very  much   similar  to  the   image.
  • 19. 5  sketches  of  you  hands  using  your  dominant  hand
  • 20. A  drawing  of  your  hand  using  your  non-­‐‑dominant  other  hand   A  blind  of  your  hand  by  not  looking  at  the  paper A  blind  drawing  of  your  hand  with  your  other  non-­‐‑dominant  hand
  • 21. A  rendered  drawing  of  your  dominant  hand.
  • 22. BeRy  Edward’s  ‘Drawing   from  the  right  side  of  the   brain’   This was an interesting exercise. I had a lot of fun drawing with my left hand. It was all about hand eye coordination. In another exercise it was all about observation with eyes and coordinating your hand likewise with intuition. It was not at all difficult but I way of observation for me. I think it was more like a eye- hand coordination test for me. It was important to understand how my left brain is more strong compared to my right side of the brain.
  • 23. A  portrait  from  life  with  right  hand  and  one  blind  drawing  of  the  same.
  • 25. Day  4 Perspective  is  something  very  important  to  understand  while  drawing  and   because  I  have  never  learnt  about  it  this  exercise  was  a  good  way  for  me  to  start   with  this.  I  got  to  know  about  how  people  observe  from  different  angles  and   come  up  with  one  point,  two  point  or  more  perspectives  while  drawing  a   certain  space  indoor  or  outdoor.
  • 26. Tone Grey  scale  exploration  gives  a   beRer  understanding  of  the   tones  from  a  single  medium.   After  doing  this  exercise  I   could  now  device  the   flexibility  of  one  color  tone.  It   gave  me  more  shades  of  a   single  color  which  I  thought   couldn’t  be  there.  Applying   this  table  I  made  objects  with   as  many  tones  as  possible.   Earlier  I  used  to  use  one  pencil   and  complete  my  drawing.  But   now  when  I  know  how   different  pencils  work  I  use  the   darkest  6B  to  lightest  2H  in   most  my  sketches.
  • 27. Applying  grey  scale  to  objects.
  • 28. Day  5/6 Drawing  the  human  form  separately  gave  a  sense  of  structure,  proportions  and   composition  while  placing  it  on  a  single  sheet  of  paper.  The  different  exercises   involved  one  figure  on  one  page,  two  figures  on  one  page  and  three  figures  on   one  page.
  • 29.
  • 30. Line  exercise  with  flicking  the  pencil  and  altering  pressure  without  lifting  the   palm  from  the  sheet  and  applying  the  marks  achieved  in  a  creative  drawing
  • 31. Bags  and  shoes 6  compositional  studies  
  • 32. Drawing  the  same  thing  from  different  angles  give  a  basic  composition  and  a   sense  of  placing  the  objects  on  paper.  And  detailed  rendering  of  the  bags  gave   more  basic  knowledge  about  tones  and  lines.  Giving  the  texture  of  a  cloth  was  a   challenge  but  it  was  very  much  interesting  as  I  used  many  tones  of  grey.
  • 33. Day  7 Studying  line  and  tone  in  drawing  keeping  in  mind  form,  proportions,   contrasts  and  composition
  • 34.
  • 35. Black  card   drawing This  was  one  the  most   interesting  work  because  the   whole  style  was  changed.   Usually  we  draw  on  white  in   black,  but  drawing  on  black  card   in  white  was  totally  different.  I   think  this  was  because  the  part   that  we  used  to  sketch  becomes   the  part  we  don’t  sketch  now,  we   leave  it  black.  More  of   observations  and  more  of  hand-­‐‑ eye  coordination.  I  could  use   another  darker  shade  of  black   but  as  an  image  it  came  out  to  be   a  perfect  drawing.
  • 36. Day  8 Textures Tone,  lines  and  textures   together    was  explored   in  this  exercise.  I  tried   two  organic  and  two   inorganic  objects.  I   found  organic  objects  to   be  easier  may  be   because  the  texture  is   more  lively  and   interesting  which  gives   the  objects  some  kind   of  smoothness  and   visual  appeal.
  • 37.
  • 40. Still  life The  still  life  is  all  about   observations  and  copying  down   what  you  see.  I  did  this  detailed   study  of  a  still-­‐‑life  with  3  -­‐‑4  objects   of  my  choice  to  bring  out  my   understanding  of  contrasts  in  line,   tone,  texture  proportions  and   composition.  I  figured  out  I  am   good  with  tone  but  weak  with   form  and  appropriate  lines.  The   composition  was  also  very   important.  Arranging  the  still  life   and  composing  it  on  paper  was   something  I  learned.  And  one   problem  that  I  largely  faced  was   the  movement  of  objects  thrice. Full  Imperial  size  drawing
  • 41. Day  10   A half imperial size detailed drawing incorporating tones/ textures of a human figure. This was from live and I tried to complete it in 10 min. The proportions were fairly fine. This activity was necessary for me as to understand how to compose a human form on paper and also how tones work when the canvas in enlarged.
  • 43.
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  • 50. The 100 sketches I did were of human body. I am not fond of making them so it became my weak point and now I wanted them to be perfect. So I chose to make these sketches. I am fine with proportions of objects but human proportions are not my cup of tea. So I tried to do that and practice the same as much as possible. To me this was a great opportunity. There are still problem with my form and lines whilst sketching but maybe if I continue doing that I could improve on that too.
  • 51. Final  Day When  the  graphite  touches  the  blank   sheet  of  paper  there  is  a  thought  of   something  coming  up  on  the  canvas.   And  when  it  is  not  the  same  it   probably  weakens  your  aspirations.  I   love  drawing  and  I  am  doing  that   since  2  years  now.  But  this  course  was   very  necessary  to  build  up  my  skills   and  improve  my  quality  of  work.  It   was  of  great  help  as  I  was  drawing  on   my  own  but  needed  a  skillful  support   for  my  mistakes  to  come  across.  And   it  did.  So  my  lines,  form  and  human   proportions  is  something  I  need  to   work  upon  more  than  my  tones  and   gradations  which  are  at  par  fine.  This   course  allowed  me  to  know  what  I   knew  but  I  couldn’t  figure  out.