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Japanese Art before 1392 
From the Prehistoric to the Kamakura period
Goggle-Eyed Dogū, excavated from the 
Tsurugaoka site, Aomori prefecture, 1000-400 BC, 
Jōmon period, earthenware, 36.7 cm.
Goggle-Eyed Dogū, excavated from the 
Tsurugaoka site, Aomori prefecture, 
1000-400 BC, Jōmon period, 
earthenware, h. 36.7 cm.
Goggle-Eyed Dogū, excavated from the 
Tsurugaoka site, Aomori prefecture, 
1000-400 BC, Jōmon period, 
earthenware, h. 36.7 cm. 
Woman of Willendorf, 30,000-25,000 BC, 
limestone, h. 11 cm.
Goggle-Eyed Dogū, excavated from 
the Tsurugaoka site, Aomori 
prefecture, 1000-400 BC, Jōmon 
period, earthenware, h. 36.7 cm. 
Dragon Quest IV (video game, 1990); 
“Ancient Japan attacked by Aliens,” a 
children’s book, 1970s; a monster character 
from a live action TV series, 2000s.
Storage Jar, 100-300 AD, Yayoi period, 
earthenware with incised decoration, h. 25.4 cm; 
diam. 22.9 cm.
Haniwa figurines 
From left (clockwise): Haniwa Warrior, 6th century,130.5 cm; Monkey, 
6th century, 27.3 cm; House, 5th century, 54.5 cm; Dog, 6th century, 
47.1 cm; Dancing People, 6th century, 64.1 cm; 57 cm, Kofun period, 
earthenware.
Arrangement of haniwa 
on the roof of a kofun 
(old mound) tumulus 
Key hole shaped kofun 
Tomb of Emperor Nintoku 
(d.399), Sakai, Osaka, 5th 
century, Kofun period, main axis 
length 486 m; h. 35 m.
Haniwa Warrior (from Izuka-chō, Gunma 
prefecture), 6th century, Kofun period, 
earthenware, 130.5 cm.
Haniwa Warrior (from Izuka-chō, Gunma 
prefecture), 6th century, Kofun period, 
earthenware, 130.5 cm. 
Terracotta Soldiers, from the tomb of 
Qin Shihuangdi, c. 210 BC, 
earthenware, life-size.
Ise Shrine 
Torii gate at Ise Shrine, Mie prefecture.
Shinmei zukuri 神明造り 
• 3 bays wide and 2 bays deep 
• Entrance on the long side 
• Built on a raised floor, 
supported by round pillars 
(hottate bashira) 
• Surrounded by a veranda 
• The entire bottom part is 
capped by the gabled roof 
• Pillars on short ends support 
the roof 
• No windows and the interior 
contains only one room 
Main Hall, Inner Shrine of Ise Shrine, Mie 
prefecture, last rebuilt 2013.
Hōryūji temple, Ikaruga, Nara prefecture, original 607 (destructed in 
fire 670), reconstructed c. 711, Asuka-Nara period.
Aerial view of Hōryūji temple, c. 711; 
reconstruction view of original Hōryūji 
temple, 607. 
Plan of Hōryūji temple, as it is 
today.
Five-Story Pagoda, Hōryūji temple. 
Great Stupa, Sanchi, India, 3rd-1st 
century BC, Maurya period.
Golden Hall, Hōryūji temple. 
Main Hall, Inner Shrine at Ise Shrine
Tori Busshi, Shaka Triad, Golden Hall, Hōryūji 
temple, Ikaruga, Nara, 623, Asuka period, gilt 
bronze, 116.8 cm.
Tori Busshi, Shaka Triad, Golden Hall, Hōryūji 
temple, Ikaruga, Nara, 623, Asuka period, gilt 
bronze, 116.8 cm. 
Shakyamuni Buddha group, Binyangdong, 
Longmen cave temple, Henan, 6th c., late 
Northern Wei dynasty, stone.
Tori Busshi, Shaka Triad, Golden Hall, Hōryūji 
temple, Ikaruga, Nara, 623, Asuka period, gilt 
bronze, 116.8 cm. 
Meditating Buddha, Koguryo, Korea, 
6th c., gilt bronze, 6.6 cm.
Jātaka Tale of Hungry Tigress, on the 
side panel of Tamamushi Shrine, Hōryūji 
temple, c. 650, lacquer on wood. 
Tamamushi Shrine, Hōryūji temple, c. 
650, Asuka period, cypress and camphor 
wood with lacquer, 233 cm.
Jātaka Tale of Hungry Tigress, on the 
side panel of Tamamushi Shrine, Hōryūji 
temple, c. 650, lacquer on wood.
Yakushi Triad, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c., Nara 
period, bronze, h. Yakushi (center), 254 cm; Nikkō (right), 317.3 cm; Gakkō (left), 
315.3 cm.
Gakkō (Moonlight) Bodhisattva, Yakushi Triad, 
Golden Hall, Yakushi-ji temple, Nara, late 7th-early 
8th c., Nara period, bronze 315.3 cm. 
Buddha, late 1st-3rd c., Gandhara, Kushan 
period, Phyllite, 182.9 cm.
Gakkō (Moonlight) Bodhisattva, Yakushi Triad, 
Golden Hall, Yakushi-ji temple, Nara, late 7th-early 
8th c., Nara period, bronze 315.3 cm. 
Attendant Bodhisattva, from the 
Vairocana Buddha group, Longmen cave 
temple, 672-675, Tang dynasty, stone.
Tori Busshi, Shaka Triad, Golden Hall, Hōryūji 
temple, Ikaruga, Nara, 623, Asuka period, gilt 
bronze, h. 116.8 cm. 
Yakushi (Medicine) Buddha, Golden Hall, 
Yakushi-ji temple, Nara, late 7th-early 8th c., 
Nara period, bronze, h. 254 cm.
Vairocana Buddha, Longmen cave temple, 
672-675, Tang dynasty, stone, 13.37 m. 
Yakushi (Medicine) Buddha, Golden Hall, 
Yakushi-ji temple, Nara, late 7th-early 8th c., 
Nara period, bronze, h. 254 cm.
Greek “grape vines” motif 
Persian “lotus flower” motif 
Indian “yaksha” figures 
4 Chinese mythological animals: 
- Blue Dragon (east) 
- White Tiger (west) 
- Red Phoenix (south) 
- Black Turtle/snake (north) 
The base of Yakushi Buddha, seen from the west.
A scene from Kashiwagi chapter, The Tale of Genji Scrolls, 12th c., Heian period, 
handscroll; ink and color on paper, 21.9 x 41.9 cm.
Kana かな (平仮名) 
The development of 
kana phonograms, 
abstracted from 
kanji (Chinese 
characters). 
47 kana phonograms in modern standard forms
Emaki-mono 絵巻物 (Illustrated Narrative Handscroll) 
Meant to be unrolled from 
right to left and read/viewed 
in segments of about 2 feet 
each.
A scene from Kashiwagi chapter, The Tale of Genji Scrolls, 12th c., Heian period, 
handscroll; ink and color on paper, 21.9 x 41.9 cm.
Formerly attributed to Toba Sōjō, details of Frolicking of Animals, volume 1, 12th c., 
Heian period, handscroll; ink on paper, 31 cm x 1150 cm.
Detail of Night Attack on Sanjō Palace, from The Tale of Heiji Scrolls, second half of 
13th c., Kamakura period, handscroll; ink and color on paper, 45.9 x 774.5 cm.
Detail of Night Attack on Sanjō Palace, from The Tale of Heiji Scrolls, second half of 
13th c., Kamakura period, handscroll; ink and color on paper, 45.9 x 774.5 cm.
Akira Toriyama, Dragon Ball, vol. 1, 1985.

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Japanese art final

  • 1. Japanese Art before 1392 From the Prehistoric to the Kamakura period
  • 2. Goggle-Eyed Dogū, excavated from the Tsurugaoka site, Aomori prefecture, 1000-400 BC, Jōmon period, earthenware, 36.7 cm.
  • 3. Goggle-Eyed Dogū, excavated from the Tsurugaoka site, Aomori prefecture, 1000-400 BC, Jōmon period, earthenware, h. 36.7 cm.
  • 4. Goggle-Eyed Dogū, excavated from the Tsurugaoka site, Aomori prefecture, 1000-400 BC, Jōmon period, earthenware, h. 36.7 cm. Woman of Willendorf, 30,000-25,000 BC, limestone, h. 11 cm.
  • 5. Goggle-Eyed Dogū, excavated from the Tsurugaoka site, Aomori prefecture, 1000-400 BC, Jōmon period, earthenware, h. 36.7 cm. Dragon Quest IV (video game, 1990); “Ancient Japan attacked by Aliens,” a children’s book, 1970s; a monster character from a live action TV series, 2000s.
  • 6. Storage Jar, 100-300 AD, Yayoi period, earthenware with incised decoration, h. 25.4 cm; diam. 22.9 cm.
  • 7. Haniwa figurines From left (clockwise): Haniwa Warrior, 6th century,130.5 cm; Monkey, 6th century, 27.3 cm; House, 5th century, 54.5 cm; Dog, 6th century, 47.1 cm; Dancing People, 6th century, 64.1 cm; 57 cm, Kofun period, earthenware.
  • 8. Arrangement of haniwa on the roof of a kofun (old mound) tumulus Key hole shaped kofun Tomb of Emperor Nintoku (d.399), Sakai, Osaka, 5th century, Kofun period, main axis length 486 m; h. 35 m.
  • 9. Haniwa Warrior (from Izuka-chō, Gunma prefecture), 6th century, Kofun period, earthenware, 130.5 cm.
  • 10. Haniwa Warrior (from Izuka-chō, Gunma prefecture), 6th century, Kofun period, earthenware, 130.5 cm. Terracotta Soldiers, from the tomb of Qin Shihuangdi, c. 210 BC, earthenware, life-size.
  • 11. Ise Shrine Torii gate at Ise Shrine, Mie prefecture.
  • 12. Shinmei zukuri 神明造り • 3 bays wide and 2 bays deep • Entrance on the long side • Built on a raised floor, supported by round pillars (hottate bashira) • Surrounded by a veranda • The entire bottom part is capped by the gabled roof • Pillars on short ends support the roof • No windows and the interior contains only one room Main Hall, Inner Shrine of Ise Shrine, Mie prefecture, last rebuilt 2013.
  • 13. Hōryūji temple, Ikaruga, Nara prefecture, original 607 (destructed in fire 670), reconstructed c. 711, Asuka-Nara period.
  • 14. Aerial view of Hōryūji temple, c. 711; reconstruction view of original Hōryūji temple, 607. Plan of Hōryūji temple, as it is today.
  • 15. Five-Story Pagoda, Hōryūji temple. Great Stupa, Sanchi, India, 3rd-1st century BC, Maurya period.
  • 16. Golden Hall, Hōryūji temple. Main Hall, Inner Shrine at Ise Shrine
  • 17. Tori Busshi, Shaka Triad, Golden Hall, Hōryūji temple, Ikaruga, Nara, 623, Asuka period, gilt bronze, 116.8 cm.
  • 18. Tori Busshi, Shaka Triad, Golden Hall, Hōryūji temple, Ikaruga, Nara, 623, Asuka period, gilt bronze, 116.8 cm. Shakyamuni Buddha group, Binyangdong, Longmen cave temple, Henan, 6th c., late Northern Wei dynasty, stone.
  • 19. Tori Busshi, Shaka Triad, Golden Hall, Hōryūji temple, Ikaruga, Nara, 623, Asuka period, gilt bronze, 116.8 cm. Meditating Buddha, Koguryo, Korea, 6th c., gilt bronze, 6.6 cm.
  • 20. Jātaka Tale of Hungry Tigress, on the side panel of Tamamushi Shrine, Hōryūji temple, c. 650, lacquer on wood. Tamamushi Shrine, Hōryūji temple, c. 650, Asuka period, cypress and camphor wood with lacquer, 233 cm.
  • 21. Jātaka Tale of Hungry Tigress, on the side panel of Tamamushi Shrine, Hōryūji temple, c. 650, lacquer on wood.
  • 22. Yakushi Triad, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c., Nara period, bronze, h. Yakushi (center), 254 cm; Nikkō (right), 317.3 cm; Gakkō (left), 315.3 cm.
  • 23. Gakkō (Moonlight) Bodhisattva, Yakushi Triad, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c., Nara period, bronze 315.3 cm. Buddha, late 1st-3rd c., Gandhara, Kushan period, Phyllite, 182.9 cm.
  • 24. Gakkō (Moonlight) Bodhisattva, Yakushi Triad, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c., Nara period, bronze 315.3 cm. Attendant Bodhisattva, from the Vairocana Buddha group, Longmen cave temple, 672-675, Tang dynasty, stone.
  • 25. Tori Busshi, Shaka Triad, Golden Hall, Hōryūji temple, Ikaruga, Nara, 623, Asuka period, gilt bronze, h. 116.8 cm. Yakushi (Medicine) Buddha, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c., Nara period, bronze, h. 254 cm.
  • 26. Vairocana Buddha, Longmen cave temple, 672-675, Tang dynasty, stone, 13.37 m. Yakushi (Medicine) Buddha, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c., Nara period, bronze, h. 254 cm.
  • 27. Greek “grape vines” motif Persian “lotus flower” motif Indian “yaksha” figures 4 Chinese mythological animals: - Blue Dragon (east) - White Tiger (west) - Red Phoenix (south) - Black Turtle/snake (north) The base of Yakushi Buddha, seen from the west.
  • 28. A scene from Kashiwagi chapter, The Tale of Genji Scrolls, 12th c., Heian period, handscroll; ink and color on paper, 21.9 x 41.9 cm.
  • 29. Kana かな (平仮名) The development of kana phonograms, abstracted from kanji (Chinese characters). 47 kana phonograms in modern standard forms
  • 30. Emaki-mono 絵巻物 (Illustrated Narrative Handscroll) Meant to be unrolled from right to left and read/viewed in segments of about 2 feet each.
  • 31. A scene from Kashiwagi chapter, The Tale of Genji Scrolls, 12th c., Heian period, handscroll; ink and color on paper, 21.9 x 41.9 cm.
  • 32. Formerly attributed to Toba Sōjō, details of Frolicking of Animals, volume 1, 12th c., Heian period, handscroll; ink on paper, 31 cm x 1150 cm.
  • 33. Detail of Night Attack on Sanjō Palace, from The Tale of Heiji Scrolls, second half of 13th c., Kamakura period, handscroll; ink and color on paper, 45.9 x 774.5 cm.
  • 34. Detail of Night Attack on Sanjō Palace, from The Tale of Heiji Scrolls, second half of 13th c., Kamakura period, handscroll; ink and color on paper, 45.9 x 774.5 cm.
  • 35. Akira Toriyama, Dragon Ball, vol. 1, 1985.

Notas do Editor

  1. The inscription on the reverse side of the halo: the deaths of two court ladies and the illness of Prince Shōtoku and his consort in 621 motivated Empress Suiko to commission Tori Busshi to create this triad; votive offering to promote Shōtoku’s recovery, and his rebirth in paradise.
  2. The inscription on the reverse side of the halo: the deaths of two court ladies and the illness of Prince Shōtoku and his consort in 621 motivated Empress Suiko to commission Tori Busshi to create this triad; votive offering to promote Shōtoku’s recovery, and his rebirth in paradise.
  3. The inscription on the reverse side of the halo: the deaths of two court ladies and the illness of Prince Shōtoku and his consort in 621 motivated Empress Suiko to commission Tori Busshi to create this triad; votive offering to promote Shōtoku’s recovery, and his rebirth in paradise.