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IP Considerations for New Businesses/Start Ups 
Harriet Seymour, Partner 
12 August 2014
Overview 
1) The value of IP and why you should protect 
www.fieldfisher.com 2 
your brand. 
2) What can you protect? 
3) Choosing a trading/product name 
4) Developing and extending your protection. 
5) Enforcing your rights (and steering clear of 
trouble).
1) The value of IP and why you should protect your brand 
• Customers will pay a substantial price premium for a 
www.fieldfisher.com 3 
brand and remain loyal to that brand. 
• For example, in the pharmaceutical field, brands often 
survive generic competition post patent expiry and 
can maintain a premium e.g Nurofen. 
• Customers “trust” branded products and pay for that 
reassurance. 
• Price comparison of premium brands vs. “own brand” 
supermarket products. 
• Opportunities to profit from IP during ownership i.e 
licensing opportunities and ultimately, the price on 
sale.
The value of IP and why you should protect your brand 
www.fieldfisher.com 4 
Value of top brands 2013 (Interbrand) 
Rank (2012 
ranking) 
Brand 2013 Brand Value 
($millions) 
1 2 Apple 98,316 
2 4 Google 93,291 
3 1 Coca-Cola 79,213 
4 3 IBM 78,808 
5 5 Microsoft 59,546 
6 6 GE 46,947 
7 7 McDonald’s 41,992 
8 9 Samsung 36,610 
9 8 Intel 37,257 
10 10 Toyota 35,346
What is a trade mark? 
• Anything that is capable of distinguishing your 
products or services from those of your 
competitors: 
“Any sign capable of being represented 
graphically which is capable of distinguishing 
goods or services of one undertaking from 
those of other undertakings”. 
www.fieldfisher.com 5 
2) What can you protect?
www.fieldfisher.com 6 
What can you protect? 
Trade marks can be:
What can you protect? 
Functions of a trade mark 
• Distinguish your goods / services: “badge of origin” 
• Guarantee quality: “what the public wants is the 
www.fieldfisher.com 7 
same again” 
• Indicator of origin: “Who makes it? Where does it 
come from? 
• Business asset in itself if registered 
• Symbol of goodwill whether registered or not 
• Advertise / promote goods & services
www.fieldfisher.com 8 
What can you protect? 
For example… 
CHRISTIAN 
LOUBOUTIN
What can you protect? 
A sign may not be registered if an absolute ground for 
refusal applies, namely if the sign: 
• is devoid of any distinctive character 
e.g. APPLE for apples – but ok for computer software 
and hardware and music labels. 
• Is descriptive including nature, quality, purpose and 
www.fieldfisher.com 9 
geographical origin. 
Needs to apply in respect of the goods and services which 
is why JUICY is ok for clothes but not for apples. 
There are also (less common) shape objections, 
deceptiveness objections and public policy / morality 
objections.
What can you protect? 
• has become customary in the current language or 
in the bona fide and established practices of the 
trade; 
e.g. XEROX, you cannot “xerox” a document but 
can copy it on a XEROX brand copier. 
• Trade mark owners can lose their registrations 
www.fieldfisher.com 10 
when challenged …
What can you protect? 
Examples of lost registered trade marks: 
www.fieldfisher.com 11 
 Petrol 
 Escalator 
 Cellophane 
 Touch-tone 
 Dry Ice 
 Videotape 
 Heroin
www.fieldfisher.com 12 
What can you protect? 
Relative grounds for refusal 
• Relative grounds means that the application is 
examined in relation to earlier marks on the register 
that are identical or similar with a likelihood of 
confusion. 
• UKIPO and OHIM do not examine on relative 
grounds (although the UKIPO used to). 
• Other countries still examine on relative grounds e.g. 
USPTO, Chinese IPO, IP Australia, IPONZ and 
many more. 
• An earlier rights search can help establish risk of 
conflicts (as well as infringement risks).
What can you protect? 
• Registering your trade mark gives you the exclusive 
right to use your mark for the goods and/or services 
that it covers. 
• If you have a registered trade mark you can put the 
® symbol next to it to warn others against using it. 
However, using this symbol for a trade mark that is 
not registered is an offence. In that case you would 
use ™. 
• A registered trade mark may put people off using 
www.fieldfisher.com 13 
your trade mark without your permission. 
• A registration allows you to take legal action 
against anyone who uses your trade mark without 
your permission.
What can you protect? 
• It will allow Trading Standards Officers or Police to bring criminal 
charges against counterfeiters if they use your trade mark. 
• Is your property, which means you can sell it, or let other people have a 
www.fieldfisher.com 14 
licence that allows them to use it. 
• If you don't register your trade mark, you may still be able to take action 
if someone uses your mark without your permission, using the common 
law action of passing off (BUT this can be much more difficult and 
expensive to prove than infringement of a registered trade mark NB 
“Holy trinity” – Goodwill, misrepresentation and damage). 
BUT 
⃰ A domain name/URL does not give you rights in the name. 
⃰ A registered company name does not give you rights in the name.
How do you challenge other parties’ applications 
and registrations? 
• Notice of opposition – oppose an application during 
the opposition period. A watching service is important 
so that you are made aware of publication for 
opposition purposes. 
• Invalidate a registration – challenge basis of the 
registration because of earlier rights or other grounds 
but after it has been registered. 
www.fieldfisher.com 15 
What can you protect?
What can you protect? 
• Revocation action – challenge basis of the application 
www.fieldfisher.com 16 
on the basis of non-use. 
• “Use it or lose it” in the UK and EU there is a five year 
grace period from registration date (not application 
date) where you don’t need to use your mark and it is 
not vulnerable to revocation on the basis of non-use.
www.fieldfisher.com 17 
What can you protect? 
Designs 
• Laws vary greatly across the world. 
• Separate systems exist in the EU and the UK. 
• Design protection takes two forms: 
Registered design protection gives stronger 
protection and involves filing an application. 
Unregistered design protection gives weaker 
protection without the need to file an application.
What can you protect? 
In order for a design to be protected by: 
Registered UK or Community design (both): 
1. It must be new 
2. It must have individual character. 
UK Unregistered design: 
1. Original 
2. Must not be commonplace (anywhere in the 
www.fieldfisher.com 18 
EU)
What can you protect? 
Copyright: what is it? 
• Arises automatically: not registrable (in the UK) 
• The right to stop copying/reproduction and other 
certain things being done to your creative works 
without your permission. 
• Balance between creator/investor’s interests and 
those of user achieved through limitations and 
exceptions to copyright. 
• NB: works do not become free to use because 
someone else has put them on their website. 
• Image libraries (e.g. Getty) copyright claims are big 
www.fieldfisher.com 19 
business
www.fieldfisher.com 20 
What can you protect? 
What does copyright protect? 
• Original “underlying” works: 
• Artistic (incl. photographs and drawings) 
• Musical 
• Literary (incl. computer software and certain databases) 
• Dramatic (dance/mime) 
• Composite or “signal” works 
• Sound recordings 
• Films 
• Broadcasts 
• Typographical arrangements 
• e.g. printed versions of literary, dramatic or musical works 
(books, sheet music etc)
www.fieldfisher.com 21 
What can you protect? 
What does copyright protect? 
• Requirements for Original Works: 
• Original. 
• Recorded in writing or otherwise. 
• Created by “qualifying person”. 
A “Qualifying Person” is: 
• A British citizen; 
• Domiciled or resident in the UK; or 
• Resident of Berne Convention country – see 
http://www.copyrightaid.co.uk/copyright_information/berne_convention_signatories
www.fieldfisher.com 22 
What can you protect? 
ip 
Copyright ownership 
• First ownership of copyright: 
• Where works are created by employees in the course of 
employment, the employer is the first owner. 
• BUT where works are commissioned, the author remains 
the first owner of copyright and an assignment is 
necessary to vest ownership in the commissioner. 
• Protection lasts for 70 years after death of 
author (literary, dramatic, musical or artistic 
works).
www.fieldfisher.com 23 
3) Choosing a trading/product name 
Two main issues on selection: 
1. Absolute grounds issues i.e. making sure it 
qualifies as a trade mark and can be 
registered; and 
2. Earlier conflicting rights i.e. will your use 
infringe someone else's existing rights?
Choosing a trading/product name 
1. Avoid trademarks that may not be 
www.fieldfisher.com 24 
accepted for registration. 
As well as considering the availability of a mark 
in terms of earlier conflicting rights (infringement 
risks) also consider avoiding certain types of 
marks which are inherently difficult to register. 
This will include words and images.
www.fieldfisher.com 25 
Choosing a trading/product name 
a. Avoid purely descriptive words. 
Words which describe a characteristic of the 
goods or services sold under the mark will be 
refused. It is a tough test: it is enough that the 
mark "may serve" to designate characteristics of 
the goods. 
Examples: LITE, BLUE, CRUNCHY
b. Avoid non-distinctive /"generic" words. 
Ideally you want a brand / mark which stands 
out so avoid generic terms such as MINI, 
PREMIUM, ULTRA, UNIVERSAL, 
WONDERFUL (or accept that they add little from 
an enforcement perspective). 
www.fieldfisher.com 26 
Choosing a trading/product name
2. Coin a new mark: invented words are the 
best 
Not easy, but ideal if you can come up with them 
(or pay someone else to)! 
Think like George Eastman (founder of Kodak 
Eastman) … 
www.fieldfisher.com 27 
Choosing a trading/product name
Choosing a trading/product name 
George Eastman – a trade mark should 
be: 
– Short 
– Vigorous 
– Incapable of being misspelled to an 
extent that will destroy its identity 
www.fieldfisher.com 28 
– It must mean nothing
www.fieldfisher.com 29 
Choosing a trading/product name 
ARBITRARY OR 
FANCIFUL 
ALLUSIVE DESCRIPTIVE 
GEOGRAPHIC 
PERSONAL NAME 
KODAK LINKEDIN COCA-COLA 
GOOGLE CABLE & WIRELESS NOKIA 
APPLE WALL STREET 
JOURNAL 
TOYOTA
www.fieldfisher.com 30 
Choosing a trading/product name 
3. Avoid other people's marks: 
Clearance Searching 
• When to search? 
• Where to search? 
• Why should I bother? 
Infringement risks 
Market knowledge 
Citations risk (on application)
4) Developing and Extending your Trade Mark Protection 
www.fieldfisher.com 31 
Trade mark registration – options 
Within the European Union: 
• Community Trade Mark (CTM) registration 
• National registrations, country by country 
Beyond the European Union: 
• National (local) and International registrations (Madrid 
System) – NB. Contracting parties 
• Some multi-country options (eg NW Africa, OAPI)
Developing and Extending your Trade Mark Protection 
Going International –review your trade mark portfolio 
www.fieldfisher.com 32 
Check the territorial extent of trade mark protection - 
• It is not always obvious e.g. A CTM covers 28 EU member 
states, plus future accession countries so Switzerland, 
Iceland and Norway are not covered. 
• Check clearance issues - will I be sued if I start using the mark 
in this country? 
• Most countries have "a use it or lose it" rule with differing periods 
for non-use. Check if there are any challenges to the use of the 
trade mark.
Developing and Extending your Trade Mark Protection 
Going International and keeping the protection useful 
• Re-file new versions (NB. logos) 
• Check the coverage of the goods and services. 
• Be aware of (slow) prosecution time frames and build them into 
www.fieldfisher.com 33 
your plans. 
• Consider passing on costs e.g. trade mark costs can be built into 
the fee that a franchisor might charge a franchisee in the 
International Development Agreement.
5) Enforcing your rights (and steering clear of trouble) 
Trade mark infringement 
• A person infringes a registered trade mark if he uses in the 
www.fieldfisher.com 34 
course of trade a sign which is:- 
• identical to the trade mark for identical goods & services; or 
• identical or similar to the trade mark for identical or similar goods & 
services where there is a likelihood of confusion; or 
• identical with or similar to a trade mark of repute where use of the 
sign is without due cause and takes unfair advantage of, or is 
detrimental to, the distinctive character or repute of the mark (s10 
of the Trade Marks Act 1994 (“TMA”)). 
• To infringe the use must also affect one of the functions of the 
trade mark e.g. its ability to designate origin.
Enforcing your rights (and steering clear of trouble) 
www.fieldfisher.com 35 
• “Use of sign” includes:- 
• affixing it to goods or packaging; 
• offering goods or services for sale, or supplying goods & 
services under the sign; 
• importing or exporting goods under the sign; and/or 
• using the sign on business papers or in advertising. 
• This is a non-exhaustive list. 
• “Use” does not need to be in a graphic sense - 
oral use is enough.
Enforcing your rights (and steering clear of trouble) 
Defences 
• In the UK, a registered trade mark is not infringed by: 
• Use of another registered trade mark in relation to the goods and 
www.fieldfisher.com 36 
services for which it is registered (s.11(1) TMA). 
• Any of the following, provided the use is in accordance with honest 
practices in industrial or commercial matters (s.11(2) TMA): 
• “the use by a person of his own name and address”; 
• “the use of indications concerning the kind, quality, quantity, intended 
purpose, value, geographical origin, the time of production of goods or 
rendering of services, or other characteristics of goods or services”; 
• “…where [use] is necessary to indicate the intended purpose of a product 
or service (in particular, as accessories or spare parts)”. 
• Use of an “earlier right” in a particular locality. 
• No knowledge requirement.
Enforcing your rights (and steering clear of trouble) 
www.fieldfisher.com 37 
Some examples…
Enforcing your rights (and steering clear of trouble) 
www.fieldfisher.com 38 
Passing off and unfair competition 
• In the UK, passing off occurs where: 
• Party A enjoys goodwill and reputation in a particular mark or 
get-up; 
• a misrepresentation is made by Party B in the course of trade 
that is likely to cause consumers to believe that Party B’s 
business is in some way connected to that of Party A; and 
• such misrepresentation results in damage to Party A. 
• Unregistered rights are more difficult and expensive to 
enforce. It is virtually impossible to enforce rights in 
unregistered marks in some countries. e.g. China 
• Trade mark infringement and passing off are completely 
separate actions.
Enforcing your rights (and steering clear of trouble) 
Community design right infringement 
Test:- 
1. Identify overall impression of registered design 
(what strikes the mind of the informed user when 
the design is carefully viewed) 
2. Identify overall impression of the allegedly 
www.fieldfisher.com 39 
infringing design 
3. If they do not differ, there is infringement. 
For Unregistered Community Design Right, it is also 
necessary to show that the contested use results from 
copying the design.
Enforcing your rights (and steering clear of trouble) 
www.fieldfisher.com 40 
An example: 
“a bucket bag with a double row of large eyelets threaded with a 
belt and interrupted by a clasp strap appearing to run around the 
bag longitudinally, and with handles which terminate in a lozenge 
shape integral with the eyelet design”
Enforcing your rights (and steering clear of trouble) 
Copyright – primary infringement 
• Restricted acts include doing the following without 
consent of copyright owner in relation to the work, 
or a substantial part of it: 
• copying (s. 17 of the Copyright, Designs and Patents Act 1988 
www.fieldfisher.com 41 
(“CDPA”)); 
• issuing copies to the public (s.18 CDPA); 
• communicating the work to the public (s. 20 CDPA); and/or 
• making an adaptation, or doing any of the above in relation to 
an adaptation (s. 21 CDPA). 
• No knowledge requirement (but must prove work 
copied).
Enforcing your rights (and steering clear of trouble) 
Copyright – secondary infringement 
• The following are prohibited if the person concerned 
knows that they are infringing (or potentially 
infringing): 
• importing an infringing article into the UK otherwise than 
www.fieldfisher.com 42 
for private or domestic use; 
• possessing an infringing copy in the course of business; 
• selling or offering for sale an infringing copy; 
• exhibiting in public or distributing an infringing copy in the 
course of business; or 
• providing means for making infringing copies.
Enforcing your rights (and steering clear of trouble) 
s 
Copyright defences 
• Temporary copies 
• Research for non-commercial purposes and 
www.fieldfisher.com 43 
private study 
• Criticism and review (subject to 
acknowledgement) 
• Reporting current events (subject to 
acknowledgement) 
• Prescribed educational and library uses
Enforcing your rights (and steering clear of trouble) 
Remedies for infringement of IPRs 
Civil Remedies 
• Civil remedies are broadly the same for 
www.fieldfisher.com 44 
infringement of all IP rights: 
• Injunction 
• Damages (subject to knowledge) 
• An account of profits 
• Delivery up/destruction
Enforcing your rights (and steering clear of trouble) 
www.fieldfisher.com 45 
Remedies for infringement of IPRs 
Criminal Remedies 
• Criminal remedies exist for: 
• trade mark infringement (in relation to goods, not services); 
• copyright infringement; and 
• registered design infringement. 
• But not for: 
• passing off; or 
• unregistered design infringement 
• Remedies include: 
• fine and/or imprisonment; 
• delivery up of infringing copies can also be ordered. 
• Criminal remedies generally require knowledge.
Enforcing your rights (and steering clear of trouble) 
Groundless threats 
• When a threat of proceedings for trade mark 
infringement is made, an “aggrieved” person may 
bring a claim against the threatener for: 
• a declaration that the threat is unjustifiable; 
• an injunction to prevent further threats; and 
• damages (s.21 TMA). 
• There are exceptions for threats worded in a 
particular way (e.g. threats relating to “the 
application of a mark to goods or their packaging”). 
• Similar provisions exist in relation to threats 
regarding patent infringement and design right 
infringement. 
• Be very careful when threatening infringement. 
www.fieldfisher.com 46
Conclusions 
• Trade marks and brands are vital to all businesses 
• In a competitive marketplace, you need to do 
www.fieldfisher.com 47 
everything you can to stand out 
• Choose your trade marks carefully 
• Register appropriately, considering other IP rights 
too 
• Do everything you can to maintain your rights 
• Pick your battles
www.fieldfisher.com 48 
Questions:
www.fieldfisher.com 49 
Contact Details 
Harriet Seymour | Partner 
Fieldfisher 
dd: +44 (0)20 7861 4899 
Email: harriet.seymour@fieldfisher.com

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IP Considerations for New Businesses and Start Ups

  • 1. IP Considerations for New Businesses/Start Ups Harriet Seymour, Partner 12 August 2014
  • 2. Overview 1) The value of IP and why you should protect www.fieldfisher.com 2 your brand. 2) What can you protect? 3) Choosing a trading/product name 4) Developing and extending your protection. 5) Enforcing your rights (and steering clear of trouble).
  • 3. 1) The value of IP and why you should protect your brand • Customers will pay a substantial price premium for a www.fieldfisher.com 3 brand and remain loyal to that brand. • For example, in the pharmaceutical field, brands often survive generic competition post patent expiry and can maintain a premium e.g Nurofen. • Customers “trust” branded products and pay for that reassurance. • Price comparison of premium brands vs. “own brand” supermarket products. • Opportunities to profit from IP during ownership i.e licensing opportunities and ultimately, the price on sale.
  • 4. The value of IP and why you should protect your brand www.fieldfisher.com 4 Value of top brands 2013 (Interbrand) Rank (2012 ranking) Brand 2013 Brand Value ($millions) 1 2 Apple 98,316 2 4 Google 93,291 3 1 Coca-Cola 79,213 4 3 IBM 78,808 5 5 Microsoft 59,546 6 6 GE 46,947 7 7 McDonald’s 41,992 8 9 Samsung 36,610 9 8 Intel 37,257 10 10 Toyota 35,346
  • 5. What is a trade mark? • Anything that is capable of distinguishing your products or services from those of your competitors: “Any sign capable of being represented graphically which is capable of distinguishing goods or services of one undertaking from those of other undertakings”. www.fieldfisher.com 5 2) What can you protect?
  • 6. www.fieldfisher.com 6 What can you protect? Trade marks can be:
  • 7. What can you protect? Functions of a trade mark • Distinguish your goods / services: “badge of origin” • Guarantee quality: “what the public wants is the www.fieldfisher.com 7 same again” • Indicator of origin: “Who makes it? Where does it come from? • Business asset in itself if registered • Symbol of goodwill whether registered or not • Advertise / promote goods & services
  • 8. www.fieldfisher.com 8 What can you protect? For example… CHRISTIAN LOUBOUTIN
  • 9. What can you protect? A sign may not be registered if an absolute ground for refusal applies, namely if the sign: • is devoid of any distinctive character e.g. APPLE for apples – but ok for computer software and hardware and music labels. • Is descriptive including nature, quality, purpose and www.fieldfisher.com 9 geographical origin. Needs to apply in respect of the goods and services which is why JUICY is ok for clothes but not for apples. There are also (less common) shape objections, deceptiveness objections and public policy / morality objections.
  • 10. What can you protect? • has become customary in the current language or in the bona fide and established practices of the trade; e.g. XEROX, you cannot “xerox” a document but can copy it on a XEROX brand copier. • Trade mark owners can lose their registrations www.fieldfisher.com 10 when challenged …
  • 11. What can you protect? Examples of lost registered trade marks: www.fieldfisher.com 11  Petrol  Escalator  Cellophane  Touch-tone  Dry Ice  Videotape  Heroin
  • 12. www.fieldfisher.com 12 What can you protect? Relative grounds for refusal • Relative grounds means that the application is examined in relation to earlier marks on the register that are identical or similar with a likelihood of confusion. • UKIPO and OHIM do not examine on relative grounds (although the UKIPO used to). • Other countries still examine on relative grounds e.g. USPTO, Chinese IPO, IP Australia, IPONZ and many more. • An earlier rights search can help establish risk of conflicts (as well as infringement risks).
  • 13. What can you protect? • Registering your trade mark gives you the exclusive right to use your mark for the goods and/or services that it covers. • If you have a registered trade mark you can put the ® symbol next to it to warn others against using it. However, using this symbol for a trade mark that is not registered is an offence. In that case you would use ™. • A registered trade mark may put people off using www.fieldfisher.com 13 your trade mark without your permission. • A registration allows you to take legal action against anyone who uses your trade mark without your permission.
  • 14. What can you protect? • It will allow Trading Standards Officers or Police to bring criminal charges against counterfeiters if they use your trade mark. • Is your property, which means you can sell it, or let other people have a www.fieldfisher.com 14 licence that allows them to use it. • If you don't register your trade mark, you may still be able to take action if someone uses your mark without your permission, using the common law action of passing off (BUT this can be much more difficult and expensive to prove than infringement of a registered trade mark NB “Holy trinity” – Goodwill, misrepresentation and damage). BUT ⃰ A domain name/URL does not give you rights in the name. ⃰ A registered company name does not give you rights in the name.
  • 15. How do you challenge other parties’ applications and registrations? • Notice of opposition – oppose an application during the opposition period. A watching service is important so that you are made aware of publication for opposition purposes. • Invalidate a registration – challenge basis of the registration because of earlier rights or other grounds but after it has been registered. www.fieldfisher.com 15 What can you protect?
  • 16. What can you protect? • Revocation action – challenge basis of the application www.fieldfisher.com 16 on the basis of non-use. • “Use it or lose it” in the UK and EU there is a five year grace period from registration date (not application date) where you don’t need to use your mark and it is not vulnerable to revocation on the basis of non-use.
  • 17. www.fieldfisher.com 17 What can you protect? Designs • Laws vary greatly across the world. • Separate systems exist in the EU and the UK. • Design protection takes two forms: Registered design protection gives stronger protection and involves filing an application. Unregistered design protection gives weaker protection without the need to file an application.
  • 18. What can you protect? In order for a design to be protected by: Registered UK or Community design (both): 1. It must be new 2. It must have individual character. UK Unregistered design: 1. Original 2. Must not be commonplace (anywhere in the www.fieldfisher.com 18 EU)
  • 19. What can you protect? Copyright: what is it? • Arises automatically: not registrable (in the UK) • The right to stop copying/reproduction and other certain things being done to your creative works without your permission. • Balance between creator/investor’s interests and those of user achieved through limitations and exceptions to copyright. • NB: works do not become free to use because someone else has put them on their website. • Image libraries (e.g. Getty) copyright claims are big www.fieldfisher.com 19 business
  • 20. www.fieldfisher.com 20 What can you protect? What does copyright protect? • Original “underlying” works: • Artistic (incl. photographs and drawings) • Musical • Literary (incl. computer software and certain databases) • Dramatic (dance/mime) • Composite or “signal” works • Sound recordings • Films • Broadcasts • Typographical arrangements • e.g. printed versions of literary, dramatic or musical works (books, sheet music etc)
  • 21. www.fieldfisher.com 21 What can you protect? What does copyright protect? • Requirements for Original Works: • Original. • Recorded in writing or otherwise. • Created by “qualifying person”. A “Qualifying Person” is: • A British citizen; • Domiciled or resident in the UK; or • Resident of Berne Convention country – see http://www.copyrightaid.co.uk/copyright_information/berne_convention_signatories
  • 22. www.fieldfisher.com 22 What can you protect? ip Copyright ownership • First ownership of copyright: • Where works are created by employees in the course of employment, the employer is the first owner. • BUT where works are commissioned, the author remains the first owner of copyright and an assignment is necessary to vest ownership in the commissioner. • Protection lasts for 70 years after death of author (literary, dramatic, musical or artistic works).
  • 23. www.fieldfisher.com 23 3) Choosing a trading/product name Two main issues on selection: 1. Absolute grounds issues i.e. making sure it qualifies as a trade mark and can be registered; and 2. Earlier conflicting rights i.e. will your use infringe someone else's existing rights?
  • 24. Choosing a trading/product name 1. Avoid trademarks that may not be www.fieldfisher.com 24 accepted for registration. As well as considering the availability of a mark in terms of earlier conflicting rights (infringement risks) also consider avoiding certain types of marks which are inherently difficult to register. This will include words and images.
  • 25. www.fieldfisher.com 25 Choosing a trading/product name a. Avoid purely descriptive words. Words which describe a characteristic of the goods or services sold under the mark will be refused. It is a tough test: it is enough that the mark "may serve" to designate characteristics of the goods. Examples: LITE, BLUE, CRUNCHY
  • 26. b. Avoid non-distinctive /"generic" words. Ideally you want a brand / mark which stands out so avoid generic terms such as MINI, PREMIUM, ULTRA, UNIVERSAL, WONDERFUL (or accept that they add little from an enforcement perspective). www.fieldfisher.com 26 Choosing a trading/product name
  • 27. 2. Coin a new mark: invented words are the best Not easy, but ideal if you can come up with them (or pay someone else to)! Think like George Eastman (founder of Kodak Eastman) … www.fieldfisher.com 27 Choosing a trading/product name
  • 28. Choosing a trading/product name George Eastman – a trade mark should be: – Short – Vigorous – Incapable of being misspelled to an extent that will destroy its identity www.fieldfisher.com 28 – It must mean nothing
  • 29. www.fieldfisher.com 29 Choosing a trading/product name ARBITRARY OR FANCIFUL ALLUSIVE DESCRIPTIVE GEOGRAPHIC PERSONAL NAME KODAK LINKEDIN COCA-COLA GOOGLE CABLE & WIRELESS NOKIA APPLE WALL STREET JOURNAL TOYOTA
  • 30. www.fieldfisher.com 30 Choosing a trading/product name 3. Avoid other people's marks: Clearance Searching • When to search? • Where to search? • Why should I bother? Infringement risks Market knowledge Citations risk (on application)
  • 31. 4) Developing and Extending your Trade Mark Protection www.fieldfisher.com 31 Trade mark registration – options Within the European Union: • Community Trade Mark (CTM) registration • National registrations, country by country Beyond the European Union: • National (local) and International registrations (Madrid System) – NB. Contracting parties • Some multi-country options (eg NW Africa, OAPI)
  • 32. Developing and Extending your Trade Mark Protection Going International –review your trade mark portfolio www.fieldfisher.com 32 Check the territorial extent of trade mark protection - • It is not always obvious e.g. A CTM covers 28 EU member states, plus future accession countries so Switzerland, Iceland and Norway are not covered. • Check clearance issues - will I be sued if I start using the mark in this country? • Most countries have "a use it or lose it" rule with differing periods for non-use. Check if there are any challenges to the use of the trade mark.
  • 33. Developing and Extending your Trade Mark Protection Going International and keeping the protection useful • Re-file new versions (NB. logos) • Check the coverage of the goods and services. • Be aware of (slow) prosecution time frames and build them into www.fieldfisher.com 33 your plans. • Consider passing on costs e.g. trade mark costs can be built into the fee that a franchisor might charge a franchisee in the International Development Agreement.
  • 34. 5) Enforcing your rights (and steering clear of trouble) Trade mark infringement • A person infringes a registered trade mark if he uses in the www.fieldfisher.com 34 course of trade a sign which is:- • identical to the trade mark for identical goods & services; or • identical or similar to the trade mark for identical or similar goods & services where there is a likelihood of confusion; or • identical with or similar to a trade mark of repute where use of the sign is without due cause and takes unfair advantage of, or is detrimental to, the distinctive character or repute of the mark (s10 of the Trade Marks Act 1994 (“TMA”)). • To infringe the use must also affect one of the functions of the trade mark e.g. its ability to designate origin.
  • 35. Enforcing your rights (and steering clear of trouble) www.fieldfisher.com 35 • “Use of sign” includes:- • affixing it to goods or packaging; • offering goods or services for sale, or supplying goods & services under the sign; • importing or exporting goods under the sign; and/or • using the sign on business papers or in advertising. • This is a non-exhaustive list. • “Use” does not need to be in a graphic sense - oral use is enough.
  • 36. Enforcing your rights (and steering clear of trouble) Defences • In the UK, a registered trade mark is not infringed by: • Use of another registered trade mark in relation to the goods and www.fieldfisher.com 36 services for which it is registered (s.11(1) TMA). • Any of the following, provided the use is in accordance with honest practices in industrial or commercial matters (s.11(2) TMA): • “the use by a person of his own name and address”; • “the use of indications concerning the kind, quality, quantity, intended purpose, value, geographical origin, the time of production of goods or rendering of services, or other characteristics of goods or services”; • “…where [use] is necessary to indicate the intended purpose of a product or service (in particular, as accessories or spare parts)”. • Use of an “earlier right” in a particular locality. • No knowledge requirement.
  • 37. Enforcing your rights (and steering clear of trouble) www.fieldfisher.com 37 Some examples…
  • 38. Enforcing your rights (and steering clear of trouble) www.fieldfisher.com 38 Passing off and unfair competition • In the UK, passing off occurs where: • Party A enjoys goodwill and reputation in a particular mark or get-up; • a misrepresentation is made by Party B in the course of trade that is likely to cause consumers to believe that Party B’s business is in some way connected to that of Party A; and • such misrepresentation results in damage to Party A. • Unregistered rights are more difficult and expensive to enforce. It is virtually impossible to enforce rights in unregistered marks in some countries. e.g. China • Trade mark infringement and passing off are completely separate actions.
  • 39. Enforcing your rights (and steering clear of trouble) Community design right infringement Test:- 1. Identify overall impression of registered design (what strikes the mind of the informed user when the design is carefully viewed) 2. Identify overall impression of the allegedly www.fieldfisher.com 39 infringing design 3. If they do not differ, there is infringement. For Unregistered Community Design Right, it is also necessary to show that the contested use results from copying the design.
  • 40. Enforcing your rights (and steering clear of trouble) www.fieldfisher.com 40 An example: “a bucket bag with a double row of large eyelets threaded with a belt and interrupted by a clasp strap appearing to run around the bag longitudinally, and with handles which terminate in a lozenge shape integral with the eyelet design”
  • 41. Enforcing your rights (and steering clear of trouble) Copyright – primary infringement • Restricted acts include doing the following without consent of copyright owner in relation to the work, or a substantial part of it: • copying (s. 17 of the Copyright, Designs and Patents Act 1988 www.fieldfisher.com 41 (“CDPA”)); • issuing copies to the public (s.18 CDPA); • communicating the work to the public (s. 20 CDPA); and/or • making an adaptation, or doing any of the above in relation to an adaptation (s. 21 CDPA). • No knowledge requirement (but must prove work copied).
  • 42. Enforcing your rights (and steering clear of trouble) Copyright – secondary infringement • The following are prohibited if the person concerned knows that they are infringing (or potentially infringing): • importing an infringing article into the UK otherwise than www.fieldfisher.com 42 for private or domestic use; • possessing an infringing copy in the course of business; • selling or offering for sale an infringing copy; • exhibiting in public or distributing an infringing copy in the course of business; or • providing means for making infringing copies.
  • 43. Enforcing your rights (and steering clear of trouble) s Copyright defences • Temporary copies • Research for non-commercial purposes and www.fieldfisher.com 43 private study • Criticism and review (subject to acknowledgement) • Reporting current events (subject to acknowledgement) • Prescribed educational and library uses
  • 44. Enforcing your rights (and steering clear of trouble) Remedies for infringement of IPRs Civil Remedies • Civil remedies are broadly the same for www.fieldfisher.com 44 infringement of all IP rights: • Injunction • Damages (subject to knowledge) • An account of profits • Delivery up/destruction
  • 45. Enforcing your rights (and steering clear of trouble) www.fieldfisher.com 45 Remedies for infringement of IPRs Criminal Remedies • Criminal remedies exist for: • trade mark infringement (in relation to goods, not services); • copyright infringement; and • registered design infringement. • But not for: • passing off; or • unregistered design infringement • Remedies include: • fine and/or imprisonment; • delivery up of infringing copies can also be ordered. • Criminal remedies generally require knowledge.
  • 46. Enforcing your rights (and steering clear of trouble) Groundless threats • When a threat of proceedings for trade mark infringement is made, an “aggrieved” person may bring a claim against the threatener for: • a declaration that the threat is unjustifiable; • an injunction to prevent further threats; and • damages (s.21 TMA). • There are exceptions for threats worded in a particular way (e.g. threats relating to “the application of a mark to goods or their packaging”). • Similar provisions exist in relation to threats regarding patent infringement and design right infringement. • Be very careful when threatening infringement. www.fieldfisher.com 46
  • 47. Conclusions • Trade marks and brands are vital to all businesses • In a competitive marketplace, you need to do www.fieldfisher.com 47 everything you can to stand out • Choose your trade marks carefully • Register appropriately, considering other IP rights too • Do everything you can to maintain your rights • Pick your battles
  • 49. www.fieldfisher.com 49 Contact Details Harriet Seymour | Partner Fieldfisher dd: +44 (0)20 7861 4899 Email: harriet.seymour@fieldfisher.com