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Still Life Painting
 With Tempera
Still life is a traditional
  subject in painting and
            drawing
 They can show off an artist’s skill in realism

 Romans painted them in fresco on the walls
  of their homes, often as background

 Netherlands artists in 1600s created a fashion
  for them as a stand-alone subject
Paint
• Ground: receiving surface

• Pigment: coloring agent

• Binder: the “glue” that determines paint
  type
     Acrylic: liquid plastic
     Oil: linseed (flax) or other veg oil
     Casein: milk
     Watercolor: agar gum
     Fresco: water and plaster
     Tempera: egg yolk
Did you say Egg Yolk?!!




http://www.bieduo.com/tag/egg-yolk/
Well, yes, but…
                                    our school
                                    tempera
                                    paint is
                                    REALLY an
                                    opaque (not
                                    see through)
                                    watercolor
http://www.demco.com/goto?BLK6076
And now some examples of
tempera still life paintings
                No, not by one of our
                   students…


                Groundhog Day
                         by Andrew Wyeth


                Posted on Leah Waichulis Fine Art
                   blog. That’s how these things
                   get around.
                •   http://www.leahwaichulis.com/2010/01/groundhog-day-by-andrew-
                    wyeth.html
Still Life Paintings by Ms. Henson’s 8th grade
                 http://karenhensonart.blogspot.com/
Karen Henson
Is a K-8
Art teacher
In Longmont,
Colorado



 http://artatcva.blogspot.com/
Still Life with Apples, Jame Hayes
http://fineartamerica.com/featured/still-life-with-apples-jame-hayes.html
Jame C. Hayes was born in
Keokuk, Iowa.
He was educated at the
University of Iowa, earning a
B.F.A. in painting and
drawing and a M.A. in Art
Education.
Jame primarily works on
medium to large scale
paintings and drawings.
Jame works in various media
with drawing and primarily
acrylics for painting.
James' works are held in
many private collections.
Jame does custom works
upon request.
Jame works in many themes
with baseball mitts and

                                Jame C. Hayes
tornadoes being his current
long term themes.
Jame currently teaches
Junior High art and resides     http://jame-hayes.fineartamerica.com/
in Muscatine, Iowa.
Little Peasant




Ioana Prisacariu, Oslo Area, Norway
graphic designer (multimedia and web publishing)
 http://www.angeloti.info/arts_and_crafts/paintings/LittlePeasant.jpg
Requirements for Tempera
          Still Life Painting
•Use 18 x 24” white bond paper and tempera paint: r, y, blu, bla, wh only

•Start with an underpainting in water-thinned tempera working out shapes,
colors, placement of shapes from observation. Do not pencil start with
pencil.

•Develop the painting by mixing colors on both palette and ground and
applying background to foreground, large to small shapes, thin to thick paint
consistency, large to small brushes, details and linework last.

•More mixed colors are better than unmixed colors; keep colors clean not
muddy (accidental blends of 3)

•Look every few seconds at the still life set up in order to adjust
composition for value, proportion, placement and details. Pay as much
attention to background as foreground or zero in on the set up.

•Remember: changes in a painting demand more changes, depending on what
your eyes see at this stage.
Still Life Tempera
      Painting

  Presentation
       by
Sandra Whitmore

  October, 2011

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Still Life Tempera Painting

  • 1. Still Life Painting With Tempera
  • 2. Still life is a traditional subject in painting and drawing  They can show off an artist’s skill in realism  Romans painted them in fresco on the walls of their homes, often as background  Netherlands artists in 1600s created a fashion for them as a stand-alone subject
  • 3. Paint • Ground: receiving surface • Pigment: coloring agent • Binder: the “glue” that determines paint type Acrylic: liquid plastic Oil: linseed (flax) or other veg oil Casein: milk Watercolor: agar gum Fresco: water and plaster Tempera: egg yolk
  • 4. Did you say Egg Yolk?!! http://www.bieduo.com/tag/egg-yolk/
  • 5. Well, yes, but… our school tempera paint is REALLY an opaque (not see through) watercolor http://www.demco.com/goto?BLK6076
  • 6. And now some examples of tempera still life paintings No, not by one of our students… Groundhog Day by Andrew Wyeth Posted on Leah Waichulis Fine Art blog. That’s how these things get around. • http://www.leahwaichulis.com/2010/01/groundhog-day-by-andrew- wyeth.html
  • 7. Still Life Paintings by Ms. Henson’s 8th grade http://karenhensonart.blogspot.com/
  • 8. Karen Henson Is a K-8 Art teacher In Longmont, Colorado http://artatcva.blogspot.com/
  • 9. Still Life with Apples, Jame Hayes http://fineartamerica.com/featured/still-life-with-apples-jame-hayes.html
  • 10. Jame C. Hayes was born in Keokuk, Iowa. He was educated at the University of Iowa, earning a B.F.A. in painting and drawing and a M.A. in Art Education. Jame primarily works on medium to large scale paintings and drawings. Jame works in various media with drawing and primarily acrylics for painting. James' works are held in many private collections. Jame does custom works upon request. Jame works in many themes with baseball mitts and Jame C. Hayes tornadoes being his current long term themes. Jame currently teaches Junior High art and resides http://jame-hayes.fineartamerica.com/ in Muscatine, Iowa.
  • 11. Little Peasant Ioana Prisacariu, Oslo Area, Norway graphic designer (multimedia and web publishing) http://www.angeloti.info/arts_and_crafts/paintings/LittlePeasant.jpg
  • 12. Requirements for Tempera Still Life Painting •Use 18 x 24” white bond paper and tempera paint: r, y, blu, bla, wh only •Start with an underpainting in water-thinned tempera working out shapes, colors, placement of shapes from observation. Do not pencil start with pencil. •Develop the painting by mixing colors on both palette and ground and applying background to foreground, large to small shapes, thin to thick paint consistency, large to small brushes, details and linework last. •More mixed colors are better than unmixed colors; keep colors clean not muddy (accidental blends of 3) •Look every few seconds at the still life set up in order to adjust composition for value, proportion, placement and details. Pay as much attention to background as foreground or zero in on the set up. •Remember: changes in a painting demand more changes, depending on what your eyes see at this stage.
  • 13. Still Life Tempera Painting Presentation by Sandra Whitmore October, 2011