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Post-Impressionism:
    Moving towards more
    personal interpretations.




                                    ABSTRACTION




EXPRESSION


                                FANTASY
Toulouse-Lautrec Portrait of Van Gogh                Van Gogh Self-portrait


                                 Van Gogh Portrait
Van Gogh: Potato Eaters
                          Empathy with a brush without clients.
Eastern Influence.

                    Van Gogh The Blooming Plumtree
Van Gogh: Patch of Grass




Van Gogh Patch of Grass
Impressionist’s influence could not restrain personal expression.
Van Gogh Sunflowers
Psychological attachment
        to color.




          Van Gogh
          Café Terrace at Night
Toulouse-Lautrec: Subjects from Paris night life.
Toulouse-Lautrec Moulin Rouge Patronage

Personal and social deformities.
The Entertainers of Lautrec’s world.
Lautrec: Toilet




                                                Degas The Bath


                                   Candid moments
                                   Unusual views



Lautrec The Toilet
Lautrec: Two Half-naked Women
Lautrec Bed
Lautrec

       Nobility in search
       of another nobility?

Lautrec: Portrait of Justine Dieuhl
Gauguin: Where Do We Come From? What Are We? Where Are We Going?


     A search for a reality beneath appearances.
Shapes and Colors
For their own sake.




                      Gauguin: Les Alyscamps, Arles
Gauguin: Swineherd
Why so flat
& stylized?




                                                       Gauguin: Spirit of the Dead Watching
              The “Noble Savage”.
              Portrayal of the significance of reality.
“…if you see a blue tree in the forest
and you like the color, paint it all blue!”
    Paying homage to color for its own sake.




                                               Gauguin The White Horse
Photograph of Gauguin




   The Great Escape
   From Convention.


           Gauguin: Self-Portrait
Controlled arrangements of form and color.
Seurat: Sunday Afternoon
Art Takes From Science
Chevreul was a French chemist who
restored old tapestries. During his
restorations of tapestries he noticed that
the only way to restore a section properly
was to take into account the influence of
the colors around the missing wool; he
could not produce the right hue unless he
recognized the surrounding dyes.
Chevreul discovered that two colors
juxtaposed, slightly overlapping or very
close together, would have the effect of
another color when seen from a distance.
The discovery of this phenomenon
became the basis for the Pointillist
technique of the Neoimpressionist
painters.

Neo-Impressionism/Pointillism/Divisionism

                              Seurat Profile
Cezanne: Self-Portrait

Paul Cezanne: The Father Of Modern Art
Cezanne: Still-life With Apples
Particulars surrender to the Universal
Cezanne: Still-life
More than one side to every story…
Cezanne The Card Players
          Paying homage to the canvas; not the subjects.
Cezanne: Mt. St. Victoire




Spatial illusion in mutation.
 Perceptual rules of nature no
   longer serve as the guide.
Wanda’s Quote
“We have to reconnect to that wild stream of creativity; and
again I think that education has practically banished
creativity because we've so siphoned it through a tunnel of
the rational that you're fortunate if you can come out at the
other end with any imagination still intact; and I even speak
to graduates of our art institutions and our music
conservatories, that very often they succumb to technique
and they kill the wild spirit of the soul that has entered that
learning place in order to discipline the wildness, to find
language for it, but not to domesticate it.”

Mathew Fox
Art and plants thrive in fertile soil. For some, art is only
               there for the picking. They plant and harvest endlessly,
               with little thought of replenishing or rotating the crop.

               But there are those artists and patrons who replenish, and
               in so doing, harvest a crop rich in both tradition and insight.
               Their soil encourages new growth and a mutation of endless
Art & Plants   varieties of new visual and tactile experiences.

               And then there are those who plant a new variety of seed
               which germinates to become esoteric concepts. Their soil
               bears abundant fruit, rich in verbal, philosophical, social
               and political pronouncements for a chosen few. This crop
               is not a feast for the eye or touch of a hand, for such
               qualities are no longer recognized by these artist or their
               followers.




                                                               © 2009Richard Nelson

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Art History 2009 Class 7 Lecture Part 2

  • 1. Post-Impressionism: Moving towards more personal interpretations. ABSTRACTION EXPRESSION FANTASY
  • 2. Toulouse-Lautrec Portrait of Van Gogh Van Gogh Self-portrait Van Gogh Portrait
  • 3. Van Gogh: Potato Eaters Empathy with a brush without clients.
  • 4. Eastern Influence. Van Gogh The Blooming Plumtree
  • 5. Van Gogh: Patch of Grass Van Gogh Patch of Grass Impressionist’s influence could not restrain personal expression.
  • 7. Psychological attachment to color. Van Gogh Café Terrace at Night
  • 9. Toulouse-Lautrec Moulin Rouge Patronage Personal and social deformities.
  • 10. The Entertainers of Lautrec’s world.
  • 11. Lautrec: Toilet Degas The Bath Candid moments Unusual views Lautrec The Toilet
  • 14. Lautrec Nobility in search of another nobility? Lautrec: Portrait of Justine Dieuhl
  • 15. Gauguin: Where Do We Come From? What Are We? Where Are We Going? A search for a reality beneath appearances.
  • 16. Shapes and Colors For their own sake. Gauguin: Les Alyscamps, Arles
  • 18. Why so flat & stylized? Gauguin: Spirit of the Dead Watching The “Noble Savage”. Portrayal of the significance of reality.
  • 19. “…if you see a blue tree in the forest and you like the color, paint it all blue!” Paying homage to color for its own sake. Gauguin The White Horse
  • 20. Photograph of Gauguin The Great Escape From Convention. Gauguin: Self-Portrait
  • 21. Controlled arrangements of form and color. Seurat: Sunday Afternoon
  • 22. Art Takes From Science Chevreul was a French chemist who restored old tapestries. During his restorations of tapestries he noticed that the only way to restore a section properly was to take into account the influence of the colors around the missing wool; he could not produce the right hue unless he recognized the surrounding dyes. Chevreul discovered that two colors juxtaposed, slightly overlapping or very close together, would have the effect of another color when seen from a distance. The discovery of this phenomenon became the basis for the Pointillist technique of the Neoimpressionist painters. Neo-Impressionism/Pointillism/Divisionism Seurat Profile
  • 23. Cezanne: Self-Portrait Paul Cezanne: The Father Of Modern Art
  • 24. Cezanne: Still-life With Apples Particulars surrender to the Universal
  • 25. Cezanne: Still-life More than one side to every story…
  • 26. Cezanne The Card Players Paying homage to the canvas; not the subjects.
  • 27. Cezanne: Mt. St. Victoire Spatial illusion in mutation. Perceptual rules of nature no longer serve as the guide.
  • 28. Wanda’s Quote “We have to reconnect to that wild stream of creativity; and again I think that education has practically banished creativity because we've so siphoned it through a tunnel of the rational that you're fortunate if you can come out at the other end with any imagination still intact; and I even speak to graduates of our art institutions and our music conservatories, that very often they succumb to technique and they kill the wild spirit of the soul that has entered that learning place in order to discipline the wildness, to find language for it, but not to domesticate it.” Mathew Fox
  • 29. Art and plants thrive in fertile soil. For some, art is only there for the picking. They plant and harvest endlessly, with little thought of replenishing or rotating the crop. But there are those artists and patrons who replenish, and in so doing, harvest a crop rich in both tradition and insight. Their soil encourages new growth and a mutation of endless Art & Plants varieties of new visual and tactile experiences. And then there are those who plant a new variety of seed which germinates to become esoteric concepts. Their soil bears abundant fruit, rich in verbal, philosophical, social and political pronouncements for a chosen few. This crop is not a feast for the eye or touch of a hand, for such qualities are no longer recognized by these artist or their followers. © 2009Richard Nelson