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Chapter 31  Art 1D
Colonial Empires About 1900
Goals ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
35.1  Europe, 1900 to 1920 ,[object Object],[object Object],[object Object],[object Object],[object Object]
The Art of the Fauves ,[object Object],[object Object],[object Object]
HENRI MATISSE,  Woman with the Hat , 1905. Oil on canvas, 2’ 7 ¾” X 1’ 11 ½”. San Francisco Museum of Modern Art., San Francisco (bequest of Elise S. Haas).
The German Expressionists ,[object Object],[object Object],[object Object]
ERNST LUDWIG KIRCHNER,  Street, Dresden,  1908   (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. Museum of Modern Art, New York.
EMIL NOLDE,  Saint Mary of Egypt among Sinners , 1912. Left panel of a triptych, oil on canvas, approx. 2’ 10” x 3’ 3”. Hamburger Kunsthalle, Hamburg.
VASSILY KANDINSKY,  Improvisation 28  (second version), 1912. Oil on canvas, 3’ 7 7/8” x 5’ 3 7/8”. Solomon R. Guggenheim Museum, New York (gift of Solomon R. Guggenheim, 1937).
FRANZ MARC,  Fate of the Animals , 1913. Oil on canvas, 6’ 4 3/4” x 8’ 9 1/2”. Kunstmuseum, Basel.
Evolution of Cubism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PABLO PICASSO,  Gertrude Stein , 1906–1907. Oil on canvas, 3’ 3 3/8” x 2’ 8”. Metropolitan Museum of Art, New York (bequest of Gertrude Stein, 1947).
PABLO PICASSO,  Les Demoiselles d’Avignon , 1907. Oil on canvas, 8’ x 7’ 8”. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).
GEORGES BRAQUE,  The Portuguese , 1911. Oil on canvas, 3’ 10 1/8” x 2’ 8”. Kunstmuseum, Basel (gift of Raoul La Roche, 1952).
ROBERT DELAUNAY,  Champs de Mars or The Red Tower , 1911. Oil on canvas, 5’ 3” x 4’ 3”. Art Institute of Chicago, Chicago.
PABLO PICASSO,  Still Life with Chair-Caning , 1912. Oil and oilcloth on canvas, 10 5/8” x 1’ 1 3/4”. Musée Picasso, Paris.
GEORGES BRAQUE,  Bottle, Newspaper, Pipe and Glass , 1913. Charcoal and various papers pasted on paper, 1’ 6 7/8” x 2’ 1 1/4”. Private collection, New York.
Figure 35-41  PABLO PICASSO,  Guernica , 1937. Oil on canvas, 11’ 5 1/2” x 25’ 5 3/4”. Museo Nacional Centro de Arte Reina Sofia, Madrid.
FERNAND LÉGER,  The City,  1919. Oil on canvas, 7’ 7” x 9’ 9 1/2”. Philadelphia Museum of Art, Philadelphia (A. E. Gallatin Collection).
Futurism ,[object Object],[object Object],[object Object],[object Object],[object Object]
GIACOMO BALLA,  Dynamism of a Dog on a Leash , 1912. Oil on canvas, 2’ 11 3/8” x 3’ 7 1/4”. Albright-Knox Art Gallery, Buffalo, New York (bequest of A. Conger Goodyear, gift of George F. Goodyear, 1964).
UMBERTO BOCCIONI,  Unique Forms of Continuity in Space , 1913 (cast 1931). Bronze, 3’ 7 7/8” x 2’ 10 7/8” x 1’ 3 3/4”. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).
Dada  ,[object Object],[object Object],[object Object],[object Object],[object Object]
MARCEL DUCHAMP,  Fountain , (second version), 1950  (original version produced 1917).  Readymade glazed sanitary china with black paint, 1’ high. Philadelphia Museum of Art, Philadelphia.
35.2  America, 1900 to 1930 ,[object Object],[object Object],[object Object],[object Object]
Figure 35-31  JOHN SLOAN,  Sixth Avenue and Thirtieth Street, New York City , 1907, 1909. Oil on canvas, 2’ 1/4” x 2’ 8”. Philadelphia Museum of Art, Philadelphia (gift of Meyer P. Potamkin and Vivian O. Potamkin, 2000).
The Remarkable Armory Show ,[object Object]
Figure 35-32  Installation photo of the Armory Show, New York National Guard’s 69th Regiment, New York, 1913. Museum of Modern Art, New York.
MARCEL DUCHAMP,  Nude Descending a Staircase, No. 2 , 1912. Oil on canvas, 4’ 10 “x 2’ 11”. Philadelphia Museum of Art, Philadelphia (Louise and Walter Arensberg Collection).
ALFRED STIEGLITZ,  The Steerage , 1907 (print 1915). Photogravure (on tissue), 1’ 3/8” x 10 1/8”. Courtesy of Amon Carter Museum, Fort Worth.
Europe, 1920 to 1945 ,[object Object],[object Object],[object Object]
Surrealism ,[object Object],[object Object],[object Object]
GIORGIO DE CHIRICO,  Melancholy and Mystery of a Street , 1914. Oil on canvas, 2’ 10 1/4” x 2’ 4 1/2”. Private collection.
MAX ERNST , Two Children Are Threatened by a Nightingale, 1924. Oil on wood with wood construction, 2’ 3 1/2” x 1’ 10 1/2” x 4 1/2”. Museum of Modern Art, New York.
SALVADOR DALÍ,  The Persistence of Memory , 1931. Oil on canvas, 9 1/2” x 1’ 1”. Museum of Modern Art, New York.
RENÉ MAGRITTE ,  The Treachery (or Perfidy) of Images,  1928–1929. Oil on canvas, 1’ 11 5/8” x 3’ 1”. Los Angeles County Museum of Art, Los Angeles (purchased with funds provided by the Mr. and Mrs. William Preston Harrison Collection).
MERET OPPENHEIM,  Object (Le Déjeuner en fourrure),  1936. Fur-covered cup, 4 3/8” diameter; saucer, 9 3/8” diameter; spoon, 8” long. Museum of Modern Art, New York.
JOAN MIRÓ,  Painting , 1933. 5’ 8” x 6’ 5”. Museum of Modern Art, New York (Loula D. Lasker Bequest by exchange).
PAUL KLEE,  Twittering Machine , 1922. Watercolor and pen and ink, on oil transfer drawing on paper, mounted on cardboard, 2’ 1” x 1’ 7”. Museum of Modern Art, New York.
The Utopian Styles ,[object Object]
KAZIMIR MALEVICH,  Suprematist Composition: Airplane Flying , 1915 (dated 1914). Oil on canvas, 1’ 10 7/8” x 1’ 7”. Museum of Modern Art, New York.
PIET MONDRIAN,  Composition in Red, Blue, and Yellow , 1937-1942. Oil on canvas, 1’ 11 ¾” X 1’ 9 7/8”. Museum of Modern Art, New York. © 2008 Mondrian/Holtzman Trust c/o HCR International, Warrenton, VA, USA.
America, 1930 to 1945 ,[object Object],[object Object],[object Object],[object Object],[object Object]
ALEXANDER CALDER,  Lobster Trap and Fish Tail , 1939. Painted sheet aluminum and steel wire. 8’ 6” X 9’ 6”. Museum of Modern Art, New York.
DOROTHEA LANGE,  Migrant Mother, Nipomo Valley , 1935. Gelatin silver print. 1’ 1” x 9”. Oakland Museum of California, Oakland (gift of Paul S.Taylor)
JACOB LAWRENCE,  No. 49  from  The Migration of the Negro , 1940–1941. Tempera on masonite, 1’ 6” x 1’. The Phillips Collection, Washington, D.C.
Documenting Lives in Art ,[object Object]
GRANT WOOD,  American Gothic , 1930. Oil on beaverboard, 2’ 5 7/8” x 2’ 7/8”. Art Institute of Chicago, Chicago (Friends of American Art Collection). Art © Estate of Grant Wood/Licensed by VAGA, New York.
THOMAS HART BENTON,  Pioneer Days and Early Settlers , State Capitol, Jefferson City, Missouri, 1936. Mural. Art © T. H. Benton and R. P. Benton Testamentary Trusts/Licensed by VAGA, New York, NY.
20 th  Century Mexican Artists ,[object Object],[object Object]
DIEGO RIVERA,  Ancient Mexico , from the  History of Mexico  fresco, National Palace, Mexico City, 1929–1935. Fresco.
FRIDA KAHLO,  The Two Fridas , 1939. Oil on canvas, 5’ 7” x 5’ 7”. Museo de Arte Moderno, Mexico City.
Discussion Questions ,[object Object],[object Object],[object Object]

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Chap31

  • 1. Chapter 31 Art 1D
  • 3.
  • 4.
  • 5.
  • 6. HENRI MATISSE, Woman with the Hat , 1905. Oil on canvas, 2’ 7 ¾” X 1’ 11 ½”. San Francisco Museum of Modern Art., San Francisco (bequest of Elise S. Haas).
  • 7.
  • 8. ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. Museum of Modern Art, New York.
  • 9. EMIL NOLDE, Saint Mary of Egypt among Sinners , 1912. Left panel of a triptych, oil on canvas, approx. 2’ 10” x 3’ 3”. Hamburger Kunsthalle, Hamburg.
  • 10. VASSILY KANDINSKY, Improvisation 28 (second version), 1912. Oil on canvas, 3’ 7 7/8” x 5’ 3 7/8”. Solomon R. Guggenheim Museum, New York (gift of Solomon R. Guggenheim, 1937).
  • 11. FRANZ MARC, Fate of the Animals , 1913. Oil on canvas, 6’ 4 3/4” x 8’ 9 1/2”. Kunstmuseum, Basel.
  • 12.
  • 13. PABLO PICASSO, Gertrude Stein , 1906–1907. Oil on canvas, 3’ 3 3/8” x 2’ 8”. Metropolitan Museum of Art, New York (bequest of Gertrude Stein, 1947).
  • 14. PABLO PICASSO, Les Demoiselles d’Avignon , 1907. Oil on canvas, 8’ x 7’ 8”. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).
  • 15. GEORGES BRAQUE, The Portuguese , 1911. Oil on canvas, 3’ 10 1/8” x 2’ 8”. Kunstmuseum, Basel (gift of Raoul La Roche, 1952).
  • 16. ROBERT DELAUNAY, Champs de Mars or The Red Tower , 1911. Oil on canvas, 5’ 3” x 4’ 3”. Art Institute of Chicago, Chicago.
  • 17. PABLO PICASSO, Still Life with Chair-Caning , 1912. Oil and oilcloth on canvas, 10 5/8” x 1’ 1 3/4”. Musée Picasso, Paris.
  • 18. GEORGES BRAQUE, Bottle, Newspaper, Pipe and Glass , 1913. Charcoal and various papers pasted on paper, 1’ 6 7/8” x 2’ 1 1/4”. Private collection, New York.
  • 19. Figure 35-41 PABLO PICASSO, Guernica , 1937. Oil on canvas, 11’ 5 1/2” x 25’ 5 3/4”. Museo Nacional Centro de Arte Reina Sofia, Madrid.
  • 20. FERNAND LÉGER, The City, 1919. Oil on canvas, 7’ 7” x 9’ 9 1/2”. Philadelphia Museum of Art, Philadelphia (A. E. Gallatin Collection).
  • 21.
  • 22. GIACOMO BALLA, Dynamism of a Dog on a Leash , 1912. Oil on canvas, 2’ 11 3/8” x 3’ 7 1/4”. Albright-Knox Art Gallery, Buffalo, New York (bequest of A. Conger Goodyear, gift of George F. Goodyear, 1964).
  • 23. UMBERTO BOCCIONI, Unique Forms of Continuity in Space , 1913 (cast 1931). Bronze, 3’ 7 7/8” x 2’ 10 7/8” x 1’ 3 3/4”. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).
  • 24.
  • 25. MARCEL DUCHAMP, Fountain , (second version), 1950 (original version produced 1917). Readymade glazed sanitary china with black paint, 1’ high. Philadelphia Museum of Art, Philadelphia.
  • 26.
  • 27. Figure 35-31 JOHN SLOAN, Sixth Avenue and Thirtieth Street, New York City , 1907, 1909. Oil on canvas, 2’ 1/4” x 2’ 8”. Philadelphia Museum of Art, Philadelphia (gift of Meyer P. Potamkin and Vivian O. Potamkin, 2000).
  • 28.
  • 29. Figure 35-32 Installation photo of the Armory Show, New York National Guard’s 69th Regiment, New York, 1913. Museum of Modern Art, New York.
  • 30. MARCEL DUCHAMP, Nude Descending a Staircase, No. 2 , 1912. Oil on canvas, 4’ 10 “x 2’ 11”. Philadelphia Museum of Art, Philadelphia (Louise and Walter Arensberg Collection).
  • 31. ALFRED STIEGLITZ, The Steerage , 1907 (print 1915). Photogravure (on tissue), 1’ 3/8” x 10 1/8”. Courtesy of Amon Carter Museum, Fort Worth.
  • 32.
  • 33.
  • 34. GIORGIO DE CHIRICO, Melancholy and Mystery of a Street , 1914. Oil on canvas, 2’ 10 1/4” x 2’ 4 1/2”. Private collection.
  • 35. MAX ERNST , Two Children Are Threatened by a Nightingale, 1924. Oil on wood with wood construction, 2’ 3 1/2” x 1’ 10 1/2” x 4 1/2”. Museum of Modern Art, New York.
  • 36. SALVADOR DALÍ, The Persistence of Memory , 1931. Oil on canvas, 9 1/2” x 1’ 1”. Museum of Modern Art, New York.
  • 37. RENÉ MAGRITTE , The Treachery (or Perfidy) of Images, 1928–1929. Oil on canvas, 1’ 11 5/8” x 3’ 1”. Los Angeles County Museum of Art, Los Angeles (purchased with funds provided by the Mr. and Mrs. William Preston Harrison Collection).
  • 38. MERET OPPENHEIM, Object (Le Déjeuner en fourrure), 1936. Fur-covered cup, 4 3/8” diameter; saucer, 9 3/8” diameter; spoon, 8” long. Museum of Modern Art, New York.
  • 39. JOAN MIRÓ, Painting , 1933. 5’ 8” x 6’ 5”. Museum of Modern Art, New York (Loula D. Lasker Bequest by exchange).
  • 40. PAUL KLEE, Twittering Machine , 1922. Watercolor and pen and ink, on oil transfer drawing on paper, mounted on cardboard, 2’ 1” x 1’ 7”. Museum of Modern Art, New York.
  • 41.
  • 42. KAZIMIR MALEVICH, Suprematist Composition: Airplane Flying , 1915 (dated 1914). Oil on canvas, 1’ 10 7/8” x 1’ 7”. Museum of Modern Art, New York.
  • 43. PIET MONDRIAN, Composition in Red, Blue, and Yellow , 1937-1942. Oil on canvas, 1’ 11 ¾” X 1’ 9 7/8”. Museum of Modern Art, New York. © 2008 Mondrian/Holtzman Trust c/o HCR International, Warrenton, VA, USA.
  • 44.
  • 45. ALEXANDER CALDER, Lobster Trap and Fish Tail , 1939. Painted sheet aluminum and steel wire. 8’ 6” X 9’ 6”. Museum of Modern Art, New York.
  • 46. DOROTHEA LANGE, Migrant Mother, Nipomo Valley , 1935. Gelatin silver print. 1’ 1” x 9”. Oakland Museum of California, Oakland (gift of Paul S.Taylor)
  • 47. JACOB LAWRENCE, No. 49 from The Migration of the Negro , 1940–1941. Tempera on masonite, 1’ 6” x 1’. The Phillips Collection, Washington, D.C.
  • 48.
  • 49. GRANT WOOD, American Gothic , 1930. Oil on beaverboard, 2’ 5 7/8” x 2’ 7/8”. Art Institute of Chicago, Chicago (Friends of American Art Collection). Art © Estate of Grant Wood/Licensed by VAGA, New York.
  • 50. THOMAS HART BENTON, Pioneer Days and Early Settlers , State Capitol, Jefferson City, Missouri, 1936. Mural. Art © T. H. Benton and R. P. Benton Testamentary Trusts/Licensed by VAGA, New York, NY.
  • 51.
  • 52. DIEGO RIVERA, Ancient Mexico , from the History of Mexico fresco, National Palace, Mexico City, 1929–1935. Fresco.
  • 53. FRIDA KAHLO, The Two Fridas , 1939. Oil on canvas, 5’ 7” x 5’ 7”. Museo de Arte Moderno, Mexico City.
  • 54.