The Third Year of our Bachelor in Photography and Camera aims to consolidate the acquired knowledge and to get introduced to the camera and cinematographic technique on Film and Digital Cinema. Students will use the acquired knowledge performing different roles in the shooting of two 35 mm short films, six Red One and two Red Epic Digital Cinema projects.

1. 1.- Cinema History.
• Cinema History: Period from 1959 to 2009. La Nouvelle Vague and the
second-avantgarde. New Cinema: USA: New York takes over: Cassavetes, Mekas,
Clarke... The free cinema: Richardson, Reisz, Anderson....
• History of Animated Film. Cohl and the birth of cartoons. Pioneers. Abstrac-
tions and vanguards. Screens pins. From the splendor of the Disney to Cartoons.
Stop motion. Lyrics of the third dimension. The Anime. Puppets, hybrids,
invasions and applications. Adult animation. The outsiders. The manga univer-
se. The Pixar renewal.
2.- Cinematography I.
• Team’s dynamic. Evaluative lighting exercises depending on its implemen-
tation and quickness. Photographic emulsions: variable depending on the
project. Lighting of different emulsions. Lighting atmospheres. Directionality of
light. The value of lighting for the shot.
• Proposing and evaluating outdoor lighting. Incident or reflected: issues to
consider.
• Things to consider when breaking down a script. Cinematography memory,
to the director and to the producer.
• The stepper. Trucages with mirrors. The double negative impressions.
Cromas. Overhead projections. Ratings effects shot.
3.- The Digital Film Camera I.
• The job of the Camera Operator. Fixation test camera, picture, focus. Focal
plane. Viewers. Shooting speed. The sealing .
• The job of Camera Operato . Relationship with the team. Relationship with
the director: choice of optics, presentation and composition of the frame
elements.
• The job of Camera Operator. Exercise in moving frames. Limits box. Working
with other teams. Methodology and responsibilities.
• The job of Camera Operator. Camera car, Car Mount, Laps. The second unit .
• The job of camera assistant and focus puller. The camera tests. Focus.
Loading and unloading chassis. Camera Parts and labeling material.
• Practical Seminar on camera filters. The filters for color films. Factor of the
filter. Density . Color temperature correctors. Contrast and neutral filters.
Skylight . U.V Filters for black and white. Filter effect. Lenses approximation .
Polarizers.
• The HD Video Camera II. The Technology Network Cameras and Digital
Cinema specifications. Meanings of 2K, 4K , 5K . Comparisons with 16mm,
35mm, and SD. RAW images, possibilities for growth. The RED cameras (Red
One, Red Epic ). Signal processing. RED Accessories.
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www.bandeapart.org
París 143 - local. 08036 Barcelona
Tel: +34 93 444 76 78. Fax: +34 93 419 13 89
info@bandeapart.org
B.A IN CINEMATOGRAPHY
3rd Photography and Camera
Direction Major.
DIRECCIÓN FOTOGRAFÍA
Y CÁMARA
MONTAJE ,
SONIDO Y
POSTPRODUCCIÓN.
COURSE STARTS 2016/2017:
OCTOBER 2016
SCHEDULE:
• MORNING :
10:00 to 14:00 hours.
• AFTERNOON:
16:00 to 20:00 hours
PRICE:
Choose from single monthly
payment and single payment:
• Total amount of the course
monthly Payment: 5800€.
REGISTER:1.840€ y 8 Fees of 495€
october 2016 to may 2017.
• Total amount of the course
Single payment : 5100€
This method of payment is a bonus of € 700
cost of the course.
• Places will be allocated in strict
order of registration.
• Check validation of students from
other schools.
OBJETIVES AND STRUCTURE
TheThirdYear of our B.A in Photography and
Camera aims to consolidate the acquired
knowledge and to get introduced to the
camera and cinematographic technique on
Film and Digital Cinema. Students will use the
acquired knowledge performing different roles
in the shooting of two 35 mm short films, six
Red One and two Red Epic Digital Cinema
projects. Wewantthestudenttosearchforhis
style as a creator and technician, to acquire
self-confidence working in a professional
environment.The students will be coordinated
and tutored as well as careful followed-up in
their performance in the different film crews.At
the end of the Third Year the students
participate to the selection of the photography
and camera teams for the final projects in Red
Epic Digital Cinema which will be filmed by the
studentswhohaveshownthebestevolutionin
the exercises filmed during the Bachelor.

2. 4.- Lighting Technology & Machinery.
• MACHINERY. The Travelling, parts and assembly. Storage, transportation and
execution.The Dolly.The small cranes, assembly and safety. Large cranes, machi-
ning. The hot-headed cranes, basic notions.
• STEADY CAM AND HANDLED CAMERA II. Handled cameras, embodiments
according to the model. Fixation techniques. Mechanical alternatives. The
professional Steady Cam 35 mm. The easy ring and stabilizers.
• Electricity, Power and Electrical. The Gafer. Best Boy. Types of starts. Genera-
tors. Structures, tools and techniques. Workplace Safety
5.- Lighting Cinema History.
• View of the different styles of light that marked the history of cinema. From
expressionism Arno Wagner, Hoffman and Freund... to the new cinema of
Coutard, Almendros, Delli Colli, Ruban, Vierny, Rotunno and Nykvist... Great
cinematographers: From Bitzer, Glennon, Garmes, Schüfftan, Toland, and Miller...
to Musuraca Willis, Müller, Lubtchansky, Kaminski, Pollock, Hirsch and Doyle...
The characteristics types of lightening of certain genders. Making light planes of
every style and genre.
6.- Film Laboratory.
• Sensitometry. Light intensity.Transparency, opacity and density.The sensito-
metric curve. Densitometers. Contrast or gamma factor. Exposure latitude.
• The film laboratory. The negative film. Emulsions. Ortochromatic and
panchromatic negative. The revealed. Special processes. Forced without
bleaches. Grading and printing of copies.
• Specifics of the 35mm camera. Components. Types and possibilities. The
camera body 35mm ARRI. Opticians specific to 35mm. Practice shutter speeds.
Speed camera. Soundproofing. Camera accessories. Assessable exercises with
35mm camera.
7.- The Documentary Film.
• Filmmakers at war. Dissemination and awareness. Chronicles of the Nazi
horrors. The poetic documentary. Mazes and nightmares. An ethnographic film.
The cinema-verité. Mockumentary. Drew's group.
• Direct Cinema. Apocryphal documentary. Policy. Daily. New routes.
• The documentary in Spain. Cinematographic documents. Documentaries of
our time.
-2-
www.bandeapart.org
París 143 - local. 08036 Barcelona
Tel: +34 93 444 76 78. Fax: +34 93 419 13 89
info@bandeapart.org
B.A IN CINEMATOGRAPHY
3rd Photography and Camera
Direction Major.
REGISTER NOW
1. Download the registration form in
www.bandeapart.org.
2. Fill in all pages and select the
course and payment form (single or
monthly).
3. Sing all pages of the application
form and, once you have paid, send
them toghether with the payment
proof and a photocopy of your identity
card or passport to our administration
departament.
By e-mail:
administracion@bandeapart.org
By fax:
Nº de Fax: +34 934191389
By post:
Bande a Part Escuela de Cine
c/ París, 143 · Local
08036 Barcelona · España
4. Once all documents have been
receibed,you will receive confirmation
of your place.
If you have any queries, please
address them to our department of
student assistance and information.
Monday to Friday
from 10:00 am to 9:00 pm
Tel.:+34 934447678
Skype: bandeapartbcn
Email
info@bandeapart.org
Visit us at:
Bande a Part Escuela de Cine
c/ París, 143 · Local
08036 Barcelona · España
www.bandeapart.org

3. -3-
8.- Digital Color Grading and DIT (Digital Imaging Technician).
• Digital Video. Basics. The value of the pixel. Possibilities of digital postpro-
duction. The value of the truca.
• Image Retouching: mass, density, color. Digital camps. Davinci Resolve color
grading. Alternatives in the grading. Progress. Colorimetry Interpretation of the
the monitors.
• The job of DIT. Link Preproduction to postproduction. Value beyond the
custody and downloaded material. Relationship and coordination with teams of
Light, Camera and direction.
• After Effects Introduction. Interface and handling. Import material and
project configuration. Basic 2D Animation. Spatial and temporal interpolation of
keyframes. Auxiliary tools for creating animations. Masks and track mattes. Text
animation. Animation in 3D space. Introduction to the composition (motion
tracking, keying and rotoscoping).
9 -. Aesthetic Language and VI. Creating and Mounting Film.
• Analogies. Vanguard and structures. Redefining language. Orbital editing.
Repeat. Duration. Elongation time. Edition in ruins. The Secret Position:
Apotheosis of ellipsis. Indirect editing. The tonal and harmonic. Ruptures of the
internal and external time. Antiflash-back. The untimely. Time stagnant, integra-
ted time. Reversing the time arrow. The new worlds. Order. Counter-structures.
Off-Off. All possible cinemas.
10 - Projects III.
• Red one’s projects exhibition. Exhibition by the director of photography.
Photography and camera memory. Choice of projects to shoot during the
course. Shootings.
• Multidisciplinary Practices.
• Teasers / Pitching Projects in Red Epic.
• Shortfilms and Color Grading by each student.
www.bandeapart.org
París 143 - local. 08036 Barcelona
Tel: +34 93 444 76 78. Fax: +34 93 419 13 89
info@bandeapart.org
B.A IN CINEMATOGRAPHY
3rd Photography and Camera
Direction Major.