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S Y ,[object Object],[object Object],E T R Y SY ETRY E  X  E C  I  S  E  T   W  O
and SHA P ES
The origin of  shape   ,[object Object],We can find  natural  shapes  in nature. For example, seeds are natural shapes that grow to form spheres.  Shapes  are formed randomly by nature. These smooth rocks are made by gradual erosion  with other materials   like wind, water, sun, temperature and seasons  Intelligent shapes (also known as artificial shapes) are designed by humans. They sometimes copy nature itself. A light bulb is sphere-shaped so it can send light all around it.
Image  and  reality   ,[object Object],Representative forms give a three- dimensional effect (height, width, depth). This 'volume' makes them seem real. Paul Klee. Senecio. 1922. This painting by Paul Klee has a low degree of likeness. A photograph has a high degree of likeness.
Flat  shapes   ,[object Object],[object Object],Parts of a shape The graphic resources we use can make shapes look different. The line is the visual element we use the most. When we endose a space, there are three parts to the form we create. These are: Contour . This is the outside line of a figure. It is a simple element with few details and gives a dear visual message. S ilhouette . It is defined by an endosed space of the same colour or texture. It highlights the most important part of a shape and focuses on its visual message.
Regular and irregular  shapes ,[object Object],[object Object],Positive and negative  shapes We usuelly write on paper using black as the positive element we write with and white as the negative element we write on. Positive shapes  take up a specific space and  negative shapes  are the empty space that is left over.
SY MM ETRY ,[object Object]
[object Object]
Gustave Eiffel: Torre Eiffel, París, 1887-1889

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SYMMETRY AND SHAPES