Digital Photography Basics with Jason Barnette
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Digital Photography Basics with Jason Barnette
- 1. What is Photography? Jason Barnette Photojournalist and Travel Photographer
- 2. Photography Basics What makes a great photo? It tells a story It has meaning It is powerful It is unique
- 7. Photography Basics Composition and framing
- 8. Photography Basics Composition and framing Use the space wisely
- 9. Photography Basics Composition and framing Use the space wisely Keep the camera level
- 10. Photography Basics Composition and framing Use the space wisely Keep the camera level Make sure you draw attention to subject of photo
- 11. Photography Basics Rule of Thirds
- 12. Photography Basics Rule of Thirds Divide a photo into thirds both horizontally and vertically
- 13. Photography Basics Rule of Thirds Divide a photo into thirds both horizontally and vertically Horizon line should be on one of the horizontal lines
- 14. Photography Basics Rule of Thirds Divide a photo into thirds both horizontally and vertically Horizon line should be on one of the horizontal lines Place main subject in either 1/3 or 2/3 of the frame
- 15. Photography Basics Rule of Thirds Divide a photo into thirds both horizontally and vertically Horizon line should be on one of the horizontal lines Place main subject in either 1/3 or 2/3 of the frame Use “sweet spots” for perfect placement
- 17. How to Choose Camera Equipment Camera Bodies
- 18. How to Choose Camera Equipment Camera Bodies Lenses
- 19. How to Choose Camera Equipment Camera Bodies Lenses Lighting (Strobes)
- 20. How to Choose Camera Equipment Camera Bodies Lenses Lighting (Strobes) Accessories
- 21. How to Choose Camera Equipment Camera Bodies - Types Cellphones Point & Shoot DSLR (Digital Single Lens Reflex) Medium Format Large Format
- 22. How to Choose Camera Equipment Camera Bodies – Brand Names Nikon Canon Pentax Sigma Olympus Sony
- 23. How to Choose Camera Equipment Camera Bodies – What to Look For Fully manual controls Uses something other than AA batteries Uses CF or SD memory cards Replaceable lenses Resolution is irrelevant
- 24. How to Choose Camera Equipment Camera Lenses – Types Fisheye: 10mm or smaller
- 25. How to Choose Camera Equipment Camera Lenses – Types Fisheye: 10mm or smaller Wide Angle: 10-30mm
- 26. How to Choose Camera Equipment Camera Lenses – Types Fisheye: 10mm or smaller Wide Angle: 10-30mm Normal: 35-70mm
- 27. How to Choose Camera Equipment Camera Lenses – Types Fisheye: 10mm or smaller Wide Angle: 10-30mm Normal: 35-70mm Telephoto: 85-200mm
- 28. How to Choose Camera Equipment Camera Lenses – Types Fisheye: 10mm or smaller Wide Angle: 10-30mm Normal: 35-70mm Telephoto: 85-200mm Supertelephoto: 200-600mm
- 29. How to Choose Camera Equipment
- 30. How to Choose Camera Equipment
- 31. How to Choose Camera Equipment
- 32. How to Choose Camera Equipment
- 33. How to Choose Camera Equipment Camera Lenses – Prime vs. Zoom
- 34. How to Choose Camera Equipment Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length
- 35. How to Choose Camera Equipment Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly
- 36. How to Choose Camera Equipment Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly Prime lenses are sharper, lighter, cheaper
- 37. How to Choose Camera Equipment Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly Prime lenses are sharper, lighter, cheaper Prime lenses are often the better choice for portraits, landscapes, products, and marketing
- 38. How to Choose Camera Equipment Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly Prime lenses are sharper, lighter, cheaper Prime lenses are often the better choice for portraits, landscapes, products, and marketing Zoom lenses are heavier, more expensive, more easily broken
- 39. How to Choose Camera Equipment Camera Lenses – Prime vs. Zoom Prime lenses use a single focal length Zoom lenses can vary greatly or only slightly Prime lenses are sharper, lighter, cheaper Prime lenses are often the better choice for portraits, landscapes, products, and marketing Zoom lenses are heavier, more expensive, more easily broken Zoom lenses are better for sports, editorial
- 40. How to Choose Camera Equipment Camera Lenses – Fixed Aperture vs. Variable Aperture
- 41. How to Choose Camera Equipment Camera Lenses – Fixed Aperture vs. Variable Aperture Cheaper lenses = variable maximum aperture
- 42. How to Choose Camera Equipment Camera Lenses – Fixed Aperture vs. Variable Aperture Cheaper lenses = variable maximum aperture Better lenses = fixed maximum aperture
- 43. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using
- 44. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using Get the right lens for the job
- 45. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups
- 46. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common
- 47. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife
- 48. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife If you can be flexible during shoots, go with primes
- 49. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife If you can be flexible during shoots, go with primes If you don’t have much money to spend, buy one or two zooms (worth three primes)
- 50. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife If you can be flexible during shoots, go with primes If you don’t have much money to spend, buy one or two zooms (worth three primes) Start with 50mm prime
- 51. How to Choose Camera Equipment Camera Lenses – Tips on Buying and Using Get the right lens for the job Wide angle for tight spaces and large groups Normal range for individual portraits and most common Telephoto for sports and wildlife If you can be flexible during shoots, go with primes If you don’t have much money to spend, buy one or two zooms (worth three primes) Start with 50mm prime Have at least one lens with an aperture of f/1.8 or f/1.4
- 52. How to Choose Camera Equipment Lighting (Strobes) Internal flashes are weak, narrow, consume battery power
- 53. How to Choose Camera Equipment Lighting (Strobes) Internal flashes are weak, narrow, consume battery power External flashes, also known as Strobes, are more commonly used
- 54. How to Choose Camera Equipment
- 55. How to Choose Camera Equipment Lighting (Strobes) Internal flashes are weak, narrow, consume battery power External flashes, also known as Strobes, are more commonly used Light modification kits, bounce boards, diffusers
- 56. How to Choose Camera Equipment Lighting (Strobes) Internal flashes are weak, narrow, consume battery power External flashes, also known as Strobes, are more commonly used Light modification kits, bounce boards, diffusers Remotes, such as Pocket Wizards, help fire strobes remotely, but are not required
- 57. How to Choose Camera Equipment Lighting (Strobes) Internal flashes are weak, narrow, consume battery power External flashes, also known as Strobes, are more commonly used Light modification kits, bounce boards, diffusers Remotes, such as Pocket Wizards, help fire strobes remotely, but are not required Light stands, clamps, special adaptors
- 58. How to Choose Camera Equipment Accessories
- 59. How to Choose Camera Equipment Accessories Bags, cases, protection
- 60. How to Choose Camera Equipment Accessories Bags, cases, protection Tripod, monopod
- 61. How to Choose Camera Equipment Accessories Bags, cases, protection Tripod, monopod Filters (UV, CPL, ND)
- 62. How to Choose Camera Equipment
- 63. How to Choose Camera Equipment
- 64. How to Choose Camera Equipment Accessories Bags, cases, protection Tripod, monopod Filters (UV, CPL, ND) Remotes
- 65. How to Choose Camera Equipment Accessories Bags, cases, protection Tripod, monopod Filters (UV, CPL, ND) Remotes Sensor and lens cleaning
- 66. Camera Basics Camera Basics – Aperture
- 67. Camera Basics Camera Basics – Aperture Aperture determines how much light enters the camera body through the lens
- 68. Camera Basics Camera Basics – Aperture Aperture determines how much light enters the camera body through the lens Uses a scale called the F-Scale and looks like f/5.6
- 69. Camera Basics Camera Basics – Aperture Aperture determines how much light enters the camera body through the lens Uses a scale called the F-Scale and looks like f/5.6 The larger the aperture, the smaller the number
- 70. Camera Basics Camera Basics – Aperture Aperture determines how much light enters the camera body through the lens Uses a scale called the F-Scale and looks like f/5.6 The larger the aperture, the smaller the number The smaller the aperture (larger the number) the more limited the Depth of Field
- 71. Camera Basics Camera Basics – Exposure (Shutter Speed)
- 72. Camera Basics Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to light
- 73. Camera Basics Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to light Minimum exposure times are required for different situations
- 74. Camera Basics Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to light Minimum exposure times are required for different situations Human action: 1/125
- 75. Camera Basics Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to light Minimum exposure times are required for different situations Human action: 1/125 Sports: 1/1000-1/2000
- 76. Camera Basics Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to light Minimum exposure times are required for different situations Human action: 1/125 Sports: 1/1000-1/2000 Wildlife: 1/500
- 77. Camera Basics Camera Basics – Exposure (Shutter Speed) Exposure is the amount of time the sensor is exposed to light Minimum exposure times are required for different situations Human action: 1/125 Sports: 1/1000-1/2000 Wildlife: 1/500 General rule for exposure: shutter speed should be faster than 1 / focal length
- 78. Camera Basics Camera Basics – ISO
- 79. Camera Basics Camera Basics – ISO ISO determines how sensitive your sensor is to light
- 80. Camera Basics Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film
- 81. Camera Basics Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light)
- 82. Camera Basics Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings:
- 83. Camera Basics Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings: 100 ISO = Sunny days
- 84. Camera Basics Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings: 100 ISO = Sunny days 400 ISO = Cloudy days/indoor with strobe/portraits
- 85. Camera Basics Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings: 100 ISO = Sunny days 400 ISO = Cloudy days/indoor with strobe/portraits 800 ISO = Pre-Dawn, post-dusk, very low light situations
- 86. Camera Basics Camera Basics – ISO ISO determines how sensitive your sensor is to light Similar to ASA during days of film Lower the ISO, the less sensitive (requires more light) Typical ISO settings: 100 ISO = Sunny days 400 ISO = Cloudy days/indoor with strobe/portraits 800 ISO = Pre-Dawn, post-dusk, very low light situations 1600 ISO = Indoor sports
- 87. Camera Basics Camera Basics – White Balance
- 88. Camera Basics Camera Basics – White Balance Determines what is white depending on color temperature
- 89. Camera Basics Camera Basics – White Balance Determines what is white depending on color temperature Most cameras have about 7 pre-set settings
- 90. Camera Basics Camera Basics – White Balance Determines what is white depending on color temperature Most cameras have about 7 pre-set settings An incorrect white balance can ruin a photo, but can be corrected with editing software
- 91. Photography Law Photography Law - Copyright
- 92. Photography Law Photography Law – Copyright A photograph is automatically protected the moment it is created
- 93. Photography Law Photography Law – Copyright A photograph is automatically protected the moment it is created You can register photos, but not necessary
- 94. Photography Law Photography Law – Copyright A photograph is automatically protected the moment it is created You can register photos, but not necessary U.S. Copyright Office suggests you add the following to all appearances of your photo: Copyright Symbol + Name + Date taken
- 95. Photography Law Photography Law – Copyright A photograph is automatically protected the moment it is created You can register photos, but not necessary U.S. Copyright Office suggests you add the following to all appearances of your photo: Copyright Symbol + Date Taken+ Name Example: © 2011 Jason Barnette
- 96. Photography Law Photography Law - Releases
- 97. Photography Law Photography Law - Releases Only required when shooting individual or group portraits, children, or on private property
- 98. Photography Law Photography Law - Releases Only required when shooting individual or group portraits, children, or on private property Not required for shooting on public property, including streets, sidewalks, parks, beaches, and any government- owned and operated property
- 99. Photography Law Photography Law - Releases Only required when shooting individual or group portraits, children, or on private property Not required for shooting on public property, including streets, sidewalks, parks, beaches, and any government- owned and operated property Also not required if photos are used for editorial, educational, or non-profit uses
- 100. Photography Law Photography Law - Releases Only required when shooting individual or group portraits, children, or on private property Not required for shooting on public property, including streets, sidewalks, parks, beaches, and any government- owned and operated property Also not required if photos are used for editorial, educational, or non-profit uses You do not need a release as long as the person has no reasonable expectation of privacy
- 101. Photography Law Photography Law – Your Rights
- 102. Photography Law Photography Law – Your Rights You have the right to shoot any photo on public property
- 103. Photography Law Photography Law – Your Rights You have the right to shoot any photo on public property You can shoot any person on public property
- 104. Photography Law Photography Law – Your Rights You have the right to shoot any photo on public property You can shoot any person on public property You do not have to surrender yourself or camera gear to any individual or police officer on public property
- 105. Capturing Great Photos Capturing Emotion
- 106. Capturing Great Photos Capturing Emotion Spontaneous
- 108. Capturing Great Photos Capturing Emotion Spontaneous Better with a long lens from a distance
- 109. Capturing Great Photos Capturing Emotion Spontaneous Better with a long lens from a distance Be gentle, respectful, and use good judgement
- 110. Capturing Great Photos Capturing Emotion Spontaneous Better with a long lens from a distance Be gentle, respectful, and use good judgement Don’t draw attention to yourself
- 111. Capturing Great Photos Capturing Emotion Spontaneous Better with a long lens from a distance Be gentle, respectful, and use good judgement Don’t draw attention to yourself Mimic the emotions you are capturing
- 113. Capturing Great Photos Telling a Story
- 114. Capturing Great Photos Telling a Story ALL photography is about telling a story
- 116. Capturing Great Photos Telling a Story ALL photography is about telling a story Stories have characters, mood, setting, time of day or year
- 117. Capturing Great Photos Telling a Story ALL photography is about telling a story Stories have characters, mood, setting, time of day or year Use the environment to tell the story rather than words
- 118. Capturing Great Photos Telling a Story ALL photography is about telling a story Stories have characters, mood, setting, time of day or year Use the environment to tell the story rather than words A great story-telling photo does not need a caption
- 119. Capturing Great Photos Photojournalism
- 120. Capturing Great Photos Photojournalism Photojournalism is the art of telling a story with photos instead of words
- 121. Capturing Great Photos Photojournalism Photojournalism is the art of telling a story with photos instead of words If you can use an action verb to describe a photo, it is photojournalism
- 122. Capturing Great Photos Photojournalism Photojournalism is the art of telling a story with photos instead of words If you can use an action verb to describe a photo, it is photojournalism All photos should tell a story, regardless of purpose or intent
- 124. Capturing Great Photos Position
- 125. Capturing Great Photos Position Forget eye-height and experiment
- 126. Capturing Great Photos Position Forget eye-height and experiment Different positions suggest different moods
- 127. Capturing Great Photos Position Forget eye-height and experiment Different positions suggest different moods Standing higher, looking down suggests the subject is small, weak, powerless
- 128. Capturing Great Photos Position Forget eye-height and experiment Different positions suggest different moods Standing higher, looking down suggests the subject is small, weak, powerless Sitting low, looking up suggest the subject is larger than life, dominating, powerful
- 129. Capturing Great Photos Position Forget eye-height and experiment Different positions suggest different moods Standing higher, looking down suggests the subject is small, weak, powerless Sitting low, looking up suggest the subject is larger than life, dominating, powerful Canted angles should almost always be avoided
- 131. Capturing Great Photos Working with the Greatest Light Source: The Sun
- 132. Capturing Great Photos Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun
- 133. Capturing Great Photos Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise, 3 hours before sunset
- 134. Capturing Great Photos Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise, 3 hours before sunset Always place sun behind you
- 135. Capturing Great Photos Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise, 3 hours before sunset Always place sun behind you The sun changes position and inclination in the sky depending on time of year
- 136. Capturing Great Photos Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise, 3 hours before sunset Always place sun behind you The sun changes position and inclination in the sky depending on time of year Use an almanac or online sun plotter to determine angle and position of sun
- 137. Capturing Great Photos Working with the Greatest Light Source: The Sun #1 problem in amateur photography: fighting the sun Best hours of day to shoot outside: 3 hours after sunrise, 3 hours before sunset Always place sun behind you The sun changes position and inclination in the sky depending on time of year Use an almanac or online sun plotter to determine angle and position of sun Sometimes, waiting on the sun is the most important part
- 139. Amateur vs. Professional A professional is simply someone who earns a living primarily from photography
- 140. Amateur vs. Professional A professional is simply someone who earns a living primarily from photography A professional can do something an amateur cannot
- 141. Amateur vs. Professional A professional is simply someone who earns a living primarily from photography A professional can do something an amateur cannot A professional knows how to handle all situations
- 142. Amateur vs. Professional A professional is simply someone who earns a living primarily from photography A professional can do something an amateur cannot A professional knows how to handle all situations A professional is also a businessperson
- 144. 5 Rules for a Great Photographer Never Set the Camera Down
- 145. 5 Rules for a Great Photographer Never Set the Camera Down Never Draw Attention to Yourself
- 146. 5 Rules for a Great Photographer Never Set the Camera Down Never Draw Attention to Yourself Don’t Become Part of the Story
- 147. 5 Rules for a Great Photographer Never Set the Camera Down Never Draw Attention to Yourself Don’t Become Part of the Story Always Charge Your Batteries
- 148. 5 Rules for a Great Photographer Never Set the Camera Down Never Draw Attention to Yourself Don’t Become Part of the Story Always Charge Your Batteries Be Prepared for Anything