Europe and US, 1945-70

Europe and America 1945-70 Still from Mad Men opening credits, AMC television series

Europe and America 1945-60 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],ALBERTO GIACOMETTI, Man Pointing , 1947. Fig. 15-2.

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Europe and America 1945-60 Francis Bacon, Painting , 1946, fig.15-3

Painting and Sculpture, 1945 to 1960 JACKSON POLLOCK, Number 1, 1950 (Lavender Mist), 1950. Fig. 15-4.

Painting and Sculpture, 1945 to 1960 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],JACKSON POLLOCK, Number 1, 1950 (Lavender Mist), 1950, oil, enamel, aluminum paint, fig. 15-4. At a certain moment the canvas began to appear to one American painter after another as an arena in which to act—rather than as a space in which to reproduce, redesign, analyze or “express” an object real or imagined. What was to go on the canvas was not a picture but an event. -Harold Rosenberg, 1952

Painting and Sculpture, 1945 to 1960 WILLEM DE KOONING, Woman I, 1950–1952. Fig. 15-5.

Painting and Sculpture, 1945 to 1960 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],WILLEM DE KOONING, Woman I, 1950–1952. Fig. 15-5.

“Woman” II, III, & IV “ Venus” of Willendorf Picasso’s Les Demoiselles d’Avignon, 1907 1950s Camel Cig. ad

Painting and Sculpture, 1945 to 1960 Robert Rauschenberg, Canyon , 1959, mixed media, fig. 15-15 Rembrandt, Rape of Ganymede 1635, oil

Painting and Sculpture, 1945 to 1960 Robert Rauschenberg, Canyon , 1959, mixed media, fig. 15-15 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Painting relates to both art and life. Neither can be made (I try to act in the gap between the two). -Rauschenberg

Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],President Elect by James Rosenquist 1960-61/1964, oil on masonite General Nguyen Ngoc Loan Executing a Viet Cong Prisoner in Saigon by Eddie Adams, 1968, Associated Press

Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Louise Nevelson, Tropical Garden II , 1957-59, painted wood, fig.15-11

Painting and Sculpture, 1960 to 1970 ANDY WARHOL, Marilyn Diptych, 1962. Fig. 15-17.

Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],ANDY WARHOL, Marilyn Diptych, 1962. Fig. 15-17. Andy Warhol, Self-Portrait in Drag , 1981 Celebration or critique?

Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],ROY LICHTENSTEIN, Hopeless, 1963. Fig. 15-16.

Painting and Sculpture, 1960 to 1970 La Fillette, Robert Mapplethorpe, 1982 Louise Bourgeois, Cumul I , 1969, marble Fig. 15-12 ,[object Object],[object Object],[object Object],[object Object]

Painting and Sculpture, 1960 to 1970 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],DONALD JUDD, Untitled, 1969. Fig. 15-10.

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Painting and Sculpture, 1960 to 1970 Chuck Close, Big Self-Portrait, 1967-68 Acrylic, fig. 15-18

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Painting and Sculpture, 1960 to 1970 Duane Hanson, Supermarket Shopper , 1970 Polyester resin and fiberglass, fig. 15-19

Contemporary Superrealism Ron Mueck, A Girl (2006, 15’ long) and Spooning Couple (2005, 1/2 scale)

Europe and US, 1945-70

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