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Similar a Considering Socio-cultural Sustainability in the Architectural Design Process الاستدامة الاجتماعية والثقافية في التصميم المعماري(20)

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Considering Socio-cultural Sustainability in the Architectural Design Process الاستدامة الاجتماعية والثقافية في التصميم المعماري

  1. AIA Middle East 2014 Year End Conference November 14 & 15 2014 Hilto Hotel Doha, Qatar Considering Socio-cultural Sustainability in the Design Process Theme: Architecture & Sustainability Presenter: Dr. Yasser Mahgoub Head, Department of Architecture and Urban Planning College of Engineering Qatar University
  2. Course Description This presentation will focus on the broad definition of Sustainability as 3Es: Economic, Environmental and Equity/Socio-cultural. Sustainability efforts usually focus on economic and environmental sustainability with minimum efforts to address socio-cultural aspects of sustainability. This is due to the difficulty to identify and design for specific people, society and culture. Alas, sustainably assessment systems, such as LEED and GSAS, lack rigorous methods to asses socio-cultural qualities of projects and environments. Socio-cultural sustainability encompasses social and cultural aspects of society that are rooted in geography, history and traditions. Change is an integral characteristic of cultural, yet cultural change is slower than techno-physical change. Rapaport suggested that , in considering the relationship between culture and environmental design, “these two are intimately related and that cultural differences must be considered in tracing environmental effects and in stating design requirements. Since culture is variable, designed environments respond to variable definitions of needs and priorities as expressed in varying schemata: environments are culture specific.” (Rapaport, 1980) Countries in the Gulf region have experienced rapid economic, physical and technological change during the second half of the 20th century. This change was introduced through super projects including urban master plans, infrastructure projects and individual buildings. These mega projects were based on 20th century planning and architectural design theories that focused mainly only modern and technological advances. This transformation influenced many cultural aspects of Gulf societies through the introduction of the villa to place of the traditional courtyard houses, aluminum and steel windows instead of traditional wooden dirwazahs, and plane walls replaced patterned and decorated walls. Balconies are rarely used due to their interruption of required personal and family privacy. Traditional details, patterns, shapes, colors, textures were replaced by modern materials and styles imported from other countries and influenced by architects and draftsmen backgrounds and education. Meanings conveyed by large and small design and details of the urban environment change completely. Several levels of understanding should be addressed to study and design for a specific society or culture. Personal level includes the position of individual in society and culture, and privacy requirements based on gender and age. Social level includes relationships between men, women, children, extended family members, society, ethnicity, kinship, and nationality. Cultural level includes history, language, religion, sacred and profane, traditions, customs, and costumes. Identity level includes personal, social and cultural identity. This understanding will help architects and planners design better spaces that correspond to social and cultural needs. Design of built environments should address equally the socio-cultural and techno-physical aspects of spaces. There is a deficiency in the flow of information during the design process that tends to ignore socio-cultural aspects in favor of techno-physical aspects. Design methods and process should address the three dimensions equally; the techno-physical, the visual-aesthetic, and the socio-cultural. This approach will achieve the goal of transforming Gulf cities from Livable to Lovable environments. The presentation will discuss findings of recent research studies that attempted to understand the socio-cultural aspects of urban environments and approaches to address them in the design process.
  3. Learning Objectives 1. Identify important issues that can improve projects’ socio-cultural sustainability and appropriate design approaches to use in current and future projects 2. Design projects that relate to people in particular environments 3. Improve project sustainability assessment 4. Incorporate socio-cultural knowledge into the design process
  4. Socio-cultural Aspects: Detail and Context
  5. Recognizing Socio-cultural Aspects
  6. Where is this place?!
  7. The Future! I hope it is not!
  8. Change
  9. Change • Countries in the Gulf region have experienced rapid economic, physical and technological change during the second half of the 20th century.
  10. Doha 1947
  11. Super Prjects • This change was introduced through super projects including urban master plans, infrastructure projects and individual buildings. Kuwait Doha
  12. Doha 2005 Doha 2007 Doha 2010 Doha Skyline Development Doha 1960
  13. Key Aspects of Change • A mixture of expensive materials • A range of surface treatments in terms of environmental control, • Arbitrary expression of internal functions • Range of forms • Lack of cohesion. Kuwait Dubai Doha
  14. Image and Branding
  15. Socio-Cultural Change • These mega projects were based on 20th century planning and architectural design theories that focused mainly on modern and technological advances.
  16. Fareej vs Neighborhood Family Houses
  17. Modern vs Vernacular: Neighborhood
  18. Sikka vs Street People Cars
  19. Sikka vs Street People Cars
  20. Modern vs Vernacular: House
  21. Modern vs Vernacular: Houses Social Individual
  22. Interiors ModernTraditional
  23. Modern vs Vernacular: Climatic Responses
  24. Socio-Cultural Change • This transformation influenced many cultural aspects of Gulf societies through the introduction of the villa in place of the traditional courtyard houses, aluminum and steel windows instead of traditional wooden dirwazahs, and plane walls replaced patterned and decorated walls.
  25. Socio-Cultural Change • Balconies are rarely used due to their interruption of required personal and family privacy. • Traditional details, patterns, shapes, colors, textures were replaced by modern materials and styles imported from other countries and influenced by architects and draftsmen backgrounds and education. “More” Fence for privacy Fence for privacy
  26. Socio-Cultural Change Balconies rarely used Windows always closed Garages for cars Fence for privacy Gates for entrance Foreign decorating elements Distance from neighbor Exposure to sun
  27. Levels of Socio-Cultural Aspects From Small to Super
  28. Levels of Socio-Cultural Aspects • Several levels of understanding should be addressed to study and design for a specific society or culture: 1. Personal level includes the position of individual in society and culture, and privacy requirements based on gender and age. 2. Family level: includes immediate and extended family members and family members relationships and obligations. 3. Society level includes relationships between men, women, children, society, ethnicity, kinship, and nationality. 4. Cultural level includes history, language, religion, sacred and profane, traditions, customs, and costumes. 5. Identity level includes personal, social and cultural identity.
  29. Levels of Socio-Cultural Aspects Identity is constructed from the person through family, society and culture. This understanding will help architects and planners design better environments that correspond to social and cultural needs. Identity Culture Society Family Personal LevelsofUnderstanding
  30. Public State/Official Governmental Technical Gulf Socio-cultural Arab Islamic Global Private Pragmatic MetaphoricCanonicIconic Analogic Symbolic Semi-Public Institutional Economic
  31. Approach Identity Scale Economic Gulf Technical Arab Islamic Global Cultural Public State/Official Governmental Private Semi-Public Institutional Pragmatic MetaphoricCanonicIconic Analogic Symbolic
  32. Socio-Cultural Change
  33. 1980’s style 1960’s style 1990’s style 1970’s Style
  34. Cultural Constants and Variables • The problem of current approaches to socio- cultural applications is that they view culture as constant relating it to the past only and not as a variable that relates to the present and the future.
  35. Socio-Cultural Change • Change is an integral characteristic of culture, yet cultural change is slower than techno-physical change. “Culture is variable, designed environments respond to variable definitions of needs and priorities as expressed in varying schemata: environments are culture specific.” Rapaport CORE PERIPHERAL
  36. Core Peripheral Built Environment Culture Contemporary Traditional Understanding Socio-Cultural Aspects
  37. Super & Small
  38. Super and Small Meanings • Meaning is conveyed by large and small details of the urban environment.
  39. Sustainability
  40. Architecture Concerns 85 • Modern Architecture crisis • 1960’s Vernacular • 1970’s Energy • 1980’s Environment • 1990’s Sustainable (Economic, Environment, Equity) • 2000’s Green • 2010’s Integrated/Rated Sustainability (Systems, Smart, Strategy) 1960’s Vernacular 1970’s Energy 1980’s Environment 1990’s Sustainable 2000’s Green 2010 Integrated
  41. Sustainability • Sustainability as 3Es: Economic, Environmental and Equity (Socio- cultural).
  42. Sustainable Building Design 87 Socio-Economic
  43. Sustainability • Most projects focus on economic and environmental sustainability.
  44. Sustainability • They usually ignore socio- cultural sustainability due to lack of knowledge and strategies. • This is due to the difficulty to identify and design for specific people, society and culture.
  45. Sustainability Assessment Systems • Sustainably assessment systems, such as BREEAM, LEED, ESTIDAMA and GSAS, lack rigorous methods to asses socio- cultural qualities of projects and environments.
  46. Design
  47. Purpose and Function in Design • Design of built environments should address equally the socio-cultural and techno-physical aspects of spaces. • There is a deficiency in the flow of information during the design process that tends to ignore socio-cultural aspects in favor of techno-physical aspects.
  48. Design Challenges
  49. Design Considerations Design Socio- Cultural Technical Formal Programmatic
  50. Design Considerations • Design methods and process should address the three dimensions equally; the techno- physical, the visual- aesthetic, and the socio- cultural. Socio- cultural Techno- physical Visual- aesthetic
  51. Education, Research and Practice • There is a growing need to integrate Education, Research, and Practice activities to solve real life societal problems. Education ResearchPractice Integrated Activities
  52. Architectural Research as a Tool to Understand Socio-Cultural Aspects • Research is the systematic process of collecting and analysing information (data) in order to increase our understanding of the phenomenon with which we are concerned or interested. • Research involves three main stages: planning data collection analysis
  53. Architectural Research as a Tool to Understand Socio-Cultural Aspects • Research is a basically a two- phase informing process, which include: • 1- informing oneself and • 2- informing others with regards to the newly found knowledge, solution, problem, hypothesis, theories, methodologies, design, etc. Informing via Education Informing via Research Informing via Practice Information and Knowledge
  54. AIA Research Priorities Research needs to be fostered within a spirit of collaboration across the practice and academic enterprises. AIA Research Priorities align with the AIA initiatives of: Integrated Practice, Sustainability, and Diversity. Specific research agenda areas include: 1. 1- Social, 2. 2- Technological, 3. 3- Environmental, 4. 4- Cultural, 5. 5- Organizational, 6. 6- Design, and 7. 7- Educational. Design Educational Environmental CulturalSocial Technological Organizational
  55. The Built Environment Interior Design Architecture Landscape Urban Design Urban Planning Architecture is not enough!
  56. From Livable to Lovable Environments • This approach will achieve the goal of transforming Gulf cities from only Livable to also Lovable environments. Livable and Lovable
  57. Company Name/Logo Dr. Yasser Mahgoub, Architect - D. Arch, UM, USA Head, Department of Architecture and Urban Planning College of Engineering, Qatar University Bldg. C07 Room 220, P. O. Box 2713, Doha, Qatar O. (974) 4403-4343, M. (974) 3383-7805 Email: ymahgoub@qu.edu.qa Webpage: http://faculty.qu.edu.qa/ymahgoub
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