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THINGS FALL 
APART 
Presented by 
Uzma Shaukat 
Research Scholar
Title 
The Second Coming 
William Butler Yeats 
“Turning and turning in the widening gyre 
The falcon cannot hear the falconer; 
Things fall apart; the center cannot hold; 
Mere anarchy is loosed upon the world, 
Chapter 20 pg 182 
chapter 21pg 185
AS A RESPONSE TO HEART OF 
DARKNESS 
AND JOYCE CARRY’S MR JOHNSON 
 Written in English 
 Abrogation (rejection of a normative concept of 
standard English by post colonial writers) 
 Appropriation (post colonial writers take those 
aspects of imperial culture i.e. language through 
which they can express their own social and 
cultural identities in order to capture widest 
possible audience
APPROPRIATION 
(i) Glossing (obi) 
(ii)Parenthetical devices (efulefu, worthless) 
(iii)translation
AFRICAN LITERATURE 
Chinua Achebe presents 
native African culture in his 
stunning work, Things Fall 
Apart.
SETTING OF THE NOVEL 
 Published in 1958 
 Setting is in late 1890’s Ibo society 
 By 1952, the period of colonial rule in Nigeria 
was entering its final phase after almost 100 
years of colonial rule 
 Nigeria was decolonized in 1960
THEME 
 Clash between Ibo/Igbo culture and British 
colonialism 
 Okonkwo……representative of Ibo culture 
 Struggled hard to maintain cultural integrity of 
his people, against the over-whelming power of 
colonial rule 
 Committed suicide
Things Fall Apart, 
deals with the clash 
of cultures and the 
violent transitions in 
life and values 
brought about by the 
onset of British 
colonialism in 
Nigeria at the end of 
the nineteenth 
century.
PACE OF THE NOVEL 
 Early experience with colonialism from first 
contact with the British to the widespread 
British administration, trading post, court of law, 
school
MAIN CHARACTER 
OOkkoonnkkwwoo 
FFiirrsstt 
WWiiffee 
EEkkwweeffii OOjjiiuuggoo 
NNwwooyyee OObbiiaaggeellii SSoonn EEzziinnmmaa 
NNkkeecchhii
IIBBOO VVIILLLLAAGGEE IINN TTHHEE 11880000SS..
IBO CULTURE 
Why did the writer give 
a detailed account of 
Ibo culture?
PEPPERED WITH PROVERBS 
 Things Fall Apart combines Western linguistic 
forms and literary traditions with Igbo (or Ibo) 
words and phrases, proverbs, fables, tales, and other 
elements of African oral and communal storytelling 
traditions. 
 This helps record and preserve African traditions as 
well as to overcome the colonialist language and 
culture.
AFRICAN LITERATURE 
 African literature develops from their extremely oral 
culture 
 Oral culture takes many forms: proverbs and 
riddles, epic narratives, praise poetry and 
songs, chants and rituals, stories, legends and 
folk tales.
EEggwwuuggwwuu ((cchhaapptteerr 1100))
EKWE- TYPE OF 
DRUM 
Oge- type of 
bell
DDrruummss wweerree aa 
vveerryy iimmppoorrttaanntt 
ppaarrtt ooff eevveerryyddaayy 
lliiffee.. TThheeyy wweerree 
ppaarrtt ooff rreelliiggiioouuss 
cceerreemmoonniieess 
aanndd rriittuuaallss..
YAMS ARE A STAPLE CROP.
Village 
Customs 
Life in Umuofia was very structured and daily life 
had many important rituals. 
There were important traditions for welcoming 
visitors, for attaining and respecting social status, for 
treatment of women, for going to war, getting 
married, and for settling disputes..
KKOOLLAA NNUUTT 
Kola nut was 
mixed with 
alligator pepper 
and eaten. 
This was served 
as an appetizer 
as part of the 
welcoming 
ritual.
KKOOLLAA BBOOWWLL 
KKOOLLAA WWAASS MMIIXXEEDD AANNDD SSEERRVVEEDD IINN 
TTHHIISS TTYYPPEE OOFF BBOOWWLL.. 
WWhheenn aa gguueesstt aarrrriivveedd,, tthhee 
hhoosstt wwoouulldd aasskk tthhee gguueesstt 
ttoo bbrreeaakk tthhee kkoollaa nnuutt.. 
TThheeyy wwoouulldd ppoolliitteellyy aarrgguuee 
aabboouutt wwhhoo sshhoouulldd sseerrvvee 
tthhee kkoollaa.. FFiinnaallllyy,, tthhee hhoosstt 
wwoouulldd sseerrvvee iitt.. 
TThhee gguueesstt wwoouulldd ddrraaww cchhaallkk 
lliinneess oonn tthhee fflloooorr aanndd ppaaiinntt 
hhiiss bbiigg ttooee wwhhiittee wwiitthh tthhee 
cchhaallkk..
RReelliiggiioouuss CCeerreemmoonniieess 
The people of Umuofia believed in many gods, 
ghosts, ancestral spirits, and even believed certain 
animals were sacred. 
They prayed to their ancestors and also had a chi 
or personal god. 
They revered the python as the most sacred animal 
and called a rainbow the python of the sky.
CCEERREEMMOONNIIAALL 
MMAASSKKSS 
 The egwugwu were the leaders of 
the community. 
 The women would be afraid of the 
egwugwu, even though they knew 
their men were had to be the 
egwugwu. 
 Evil Forest was the lead egwugwu 
in Things Fall Apart.
AANN EELLDDEERR MMEEEETTIINNGG 
TTHHEE EEGGWWUUGGWWUU AARREE IINN 
MMAASSKKSS
EEGGWWUUGGWWUU WWEEAARRIINNGG 
CCEERREEMMOONNIIAALL MMAASSKKSS 
 TThheeyy wwoouulldd 
mmaakkee 
ccoommmmuunnaall 
ddeecciissiioonnss ffoorr tthhee 
IIbboo ppeeooppllee ssuucchh 
aass:: 
sseettttlliinngg 
pprrooppeerrttyy 
ddiissppuutteess 
ddeecciiddiinngg 
wwhheetthheerr ttoo ggoo ttoo 
wwaarr
DRINKING PALM WINE FROM A HUMAN 
SKULL WAS PART OF RELIGIOUS 
CEREMONIES 
OKONKWO HAD FIVE SKULLS TO HIS CREDIT
VViillllaaggee LLiiffee 
TThhee vviillllaaggeerrss wweerree wwaarrrriioorrss,, ffaarrmmeerrss,, aanndd 
ccrraaffttssmmeenn.. 
TThhee mmeenn’’ss ccrroopp wwaass yyaamm,, tthhee kkiinngg ooff ccrrooppss.. 
WWoommeenn’’ss ccrrooppss wweerree ccooccoo--yyaammss,, bbeeaannss,, aanndd 
ccaassssaavvaa..
OBI 
IIbboo HHuuttss
BELIEF SYSTEM 
Before Christianity belief system revolved around 
one particular god, named Chukwu 
Chukwu was all powerful and omnipresent God 
and representations, symbols and sanctuaries for 
him can be found almost anywhere. 
Also believed in many smaller deities that would 
compete among themselves 
CHI was a god seen as individually personalized 
by its followers. 
The people believed strongly in ones ability to 
improve status in the present world through 
change.
CCoowwrryy sshheellllss wweerree uusseedd aass 
mmoonneeyy iinn AAffrriiccaa.. 
TThheeyy wweerree ssmmaallll eennoouugghh 
ttoo ccaarrrryy aanndd wweerree ssccaarrccee 
eennoouugghh ttoo bbee vvaalluuaabbllee.. 
2255 bbaaggss ooff ccoowwrryy sshheellllss 
wweerree ppaaiidd aass bbrriiddee pprriiccee 
dduurriinngg tthhee eennggaaggeemmeenntt 
cceerreemmoonnyy iinn tthhee nnoovveell.. 
CCOOWWRRYY SSHHEELLLLSS
""PPRROOVVEERRBBSS AARREE TTHHEE 
PPAALLMM--OOIILL WWIITTHH WWHHIICCHH 
WWOORRDDSS AARREE EEAATTEENN.."" 
Among the Ibo people, the art of 
conversation was very highly regarded. 
They received their news from the town 
crier. 
 Proverbs were very important to the Ibo 
people.
With the period of Colonization, African 
traditions and culture came under serious 
threat from outside sources. 
Europeans, justifying themselves with the 
Christian ethics, tried to destroy the 
"primitive" culture of the Africans, to 
make them more pliable slaves.
LLOOCCUUSSTTSS 
 Locusts are related to 
grasshoppers. They 
swarm and can destroy 
whole fields and crops. 
 The Umuofians 
considered them to be 
a delicacy. 
 They gathered them in 
baskets and then 
roasted them and ate 
them.
PPoouunnddiinngg YYaammss
PATRIARCHY 
 Androcentric world where man is everything and 
woman nothing 
 Crops were manly and womanly 
 Sins were male and female 
 Due to their marginalized role, they were easily 
attracted by new religion 
 However, their roles changed towards the end of 
the novel
WOMENFOLK 
 Rural work force 
 Life giving power 
 Nneka… mother is supreme, said by Uchendu 
(chapter 13, pg 157) 
 Women know the secret of life, since they are the 
source of life 
 A child belongs to his father ……(chapter 13, 
page 157)
VARYING INTERPRETATION OF 
MASCULINITY 
 Manliness judged by the ability to grow yams. 
 His father’s life shapes much of his violent 
nature 
 He thought of his father as weak and effeminate 
 Fear of failure 
 Agbala--- man with no title or a woman 
 He associates manliness with aggression 
 Men became “fearful women” 
 His idea of manliness is his own, not the clan’s 
(chapter 10. evil forest says, it is not bravery when 
a man fights with a woman)
STRUGGLE BETWEEN CULTURE AND 
CHANGE. WHO RESISTED AND WHO 
EMBRACED? 
 Okonkwo resists as he thinks they are not manly 
 He himself will not be manly 
 Fear of losing societal status 
 His sense of self worth is dependent upon the 
traditional standards by which society judges 
him 
 He aspires to win the fourth title, which would be 
denied to him with the new trends in society
OUTCASTS EMBRACED THE NEW 
RELIGION 
 They were enjoying a more elevated status 
 They found a refuge in Christian value system 
 Women also embraced the new values
LANGUAGE AS A SIGN OF CULTURE 
 Traditions are based on story telling and 
language 
 How quickly the abandonment of Igbo language 
for English could lead to eradication of these 
traditions 
 Peppered with Igbo words to show superiority of 
African language 
 Igbo language is too complex for direct 
translation into English 
 Achebe intended it to be read by the West, than 
his fellow Nigerians
SYMBOLS 
 Locusts chapter 7 page 109 
 Achebe depicts the locusts that descend upon the 
village in highly allegorical terms that prefigure 
the arrival of white settlers, who will eat on and 
exploit the resources of the Igbo 
 The fact that Ibo people eat them shows how 
harmless they take them to be 
 Harbinger to survey the land pg 110 
 They “SETTLED” page 111 
 whites compared with locusts chapter 15 page 
160
SYMBOL OF FIRE CHAPTER 17 
PAGE 169 
 Roaring flame 
 Flaming fire 
 Living fire begets cold, impotent ash
OKONKWO: PHYSICALLY AND 
EMOTIONALLY DESTRUCTIVE 
 Physically: 
(i) kills Ikemefuna 
(ii)Ezeudu’s son 
(iii)Head messenger 
(iv)Himself 
o Emotionally 
o (i) suppresses his fondness for Ikemefuna and 
Ezinma, in favor of a colder and masculine aura
IMPORTANCE OF KINSHIP 
 Which things fall apart? 
 Chapter 15 page 159 
 Chapter 19 pg 176 
 Pg 177
DEPICTION OF WHITE MEN 
 Piece of chalk + leprosy. Page 121 (two instances) 
 Albino Page 159 (last lines) 
 Locusts Page 160 
 Green men Page 162
CHI 
 If a man says yes, his Chi says yes 
 A man cannot rise above the status of his Chi
ANIMAL IMAGERY 
 Animal anecdotes 
 Love for python
CONFLICTS 
Generational:O 
konkwo vs. Unoka 
Okonkwo vs. Nwoye 
Cultural 
Ibo vs. Western 
Tradition vs. Christianity 
Assimilation vs. purity 
Gender 
Okonkwo vs. his wives 
Inner 
Okonkwo vs. himself
CLASH WITH HIS OWN CULTURE HE 
SO DEARLY LOVES 
 Beat Ojiugo during week of peace 
 Killed Ikemefuna 
 Killed messenger 
 Suicide despite his culture’s admonition against 
this act
THE TRAGIC HERO 
1. enjoys an exalted position in society 
either by birth or extraordinary 
achievements 
2. demonstrates wisdom, moral or 
philosophical greatness -- sometimes 
physical prowess 
3. adheres to and exemplifies a code of 
conduct including reverence toward the 
laws of God 
4. possesses a flaw in personality or 
psyche that ultimately brings about 
total destruction.
TRAGIC FLAW 
 The quality that ultimately defeats a noble hero. 
 Okonkwo’s flaw: 
Uncontrollable Anger 
Inflexibility 
Rash behaviour
An epic hero, like Odysseus, is typically set 
apart from other characters by his capacity 
to endure many trials and tests. 
 A tragic hero, like Oedipus, is typically a 
man of consequence brought down by an 
inner conflict, or through his own weakness. 
 Is Okonkwo an epic hero, a tragic hero, or 
is he a hero at all? 
?
Thanks for 
your attention 
and patience

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Things fall apart

  • 1. THINGS FALL APART Presented by Uzma Shaukat Research Scholar
  • 2. Title The Second Coming William Butler Yeats “Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the center cannot hold; Mere anarchy is loosed upon the world, Chapter 20 pg 182 chapter 21pg 185
  • 3. AS A RESPONSE TO HEART OF DARKNESS AND JOYCE CARRY’S MR JOHNSON  Written in English  Abrogation (rejection of a normative concept of standard English by post colonial writers)  Appropriation (post colonial writers take those aspects of imperial culture i.e. language through which they can express their own social and cultural identities in order to capture widest possible audience
  • 4. APPROPRIATION (i) Glossing (obi) (ii)Parenthetical devices (efulefu, worthless) (iii)translation
  • 5. AFRICAN LITERATURE Chinua Achebe presents native African culture in his stunning work, Things Fall Apart.
  • 6. SETTING OF THE NOVEL  Published in 1958  Setting is in late 1890’s Ibo society  By 1952, the period of colonial rule in Nigeria was entering its final phase after almost 100 years of colonial rule  Nigeria was decolonized in 1960
  • 7. THEME  Clash between Ibo/Igbo culture and British colonialism  Okonkwo……representative of Ibo culture  Struggled hard to maintain cultural integrity of his people, against the over-whelming power of colonial rule  Committed suicide
  • 8. Things Fall Apart, deals with the clash of cultures and the violent transitions in life and values brought about by the onset of British colonialism in Nigeria at the end of the nineteenth century.
  • 9. PACE OF THE NOVEL  Early experience with colonialism from first contact with the British to the widespread British administration, trading post, court of law, school
  • 10. MAIN CHARACTER OOkkoonnkkwwoo FFiirrsstt WWiiffee EEkkwweeffii OOjjiiuuggoo NNwwooyyee OObbiiaaggeellii SSoonn EEzziinnmmaa NNkkeecchhii
  • 11. IIBBOO VVIILLLLAAGGEE IINN TTHHEE 11880000SS..
  • 12. IBO CULTURE Why did the writer give a detailed account of Ibo culture?
  • 13. PEPPERED WITH PROVERBS  Things Fall Apart combines Western linguistic forms and literary traditions with Igbo (or Ibo) words and phrases, proverbs, fables, tales, and other elements of African oral and communal storytelling traditions.  This helps record and preserve African traditions as well as to overcome the colonialist language and culture.
  • 14. AFRICAN LITERATURE  African literature develops from their extremely oral culture  Oral culture takes many forms: proverbs and riddles, epic narratives, praise poetry and songs, chants and rituals, stories, legends and folk tales.
  • 15.
  • 17. EKWE- TYPE OF DRUM Oge- type of bell
  • 18. DDrruummss wweerree aa vveerryy iimmppoorrttaanntt ppaarrtt ooff eevveerryyddaayy lliiffee.. TThheeyy wweerree ppaarrtt ooff rreelliiggiioouuss cceerreemmoonniieess aanndd rriittuuaallss..
  • 19. YAMS ARE A STAPLE CROP.
  • 20. Village Customs Life in Umuofia was very structured and daily life had many important rituals. There were important traditions for welcoming visitors, for attaining and respecting social status, for treatment of women, for going to war, getting married, and for settling disputes..
  • 21. KKOOLLAA NNUUTT Kola nut was mixed with alligator pepper and eaten. This was served as an appetizer as part of the welcoming ritual.
  • 22. KKOOLLAA BBOOWWLL KKOOLLAA WWAASS MMIIXXEEDD AANNDD SSEERRVVEEDD IINN TTHHIISS TTYYPPEE OOFF BBOOWWLL.. WWhheenn aa gguueesstt aarrrriivveedd,, tthhee hhoosstt wwoouulldd aasskk tthhee gguueesstt ttoo bbrreeaakk tthhee kkoollaa nnuutt.. TThheeyy wwoouulldd ppoolliitteellyy aarrgguuee aabboouutt wwhhoo sshhoouulldd sseerrvvee tthhee kkoollaa.. FFiinnaallllyy,, tthhee hhoosstt wwoouulldd sseerrvvee iitt.. TThhee gguueesstt wwoouulldd ddrraaww cchhaallkk lliinneess oonn tthhee fflloooorr aanndd ppaaiinntt hhiiss bbiigg ttooee wwhhiittee wwiitthh tthhee cchhaallkk..
  • 23. RReelliiggiioouuss CCeerreemmoonniieess The people of Umuofia believed in many gods, ghosts, ancestral spirits, and even believed certain animals were sacred. They prayed to their ancestors and also had a chi or personal god. They revered the python as the most sacred animal and called a rainbow the python of the sky.
  • 24. CCEERREEMMOONNIIAALL MMAASSKKSS  The egwugwu were the leaders of the community.  The women would be afraid of the egwugwu, even though they knew their men were had to be the egwugwu.  Evil Forest was the lead egwugwu in Things Fall Apart.
  • 25. AANN EELLDDEERR MMEEEETTIINNGG TTHHEE EEGGWWUUGGWWUU AARREE IINN MMAASSKKSS
  • 26. EEGGWWUUGGWWUU WWEEAARRIINNGG CCEERREEMMOONNIIAALL MMAASSKKSS  TThheeyy wwoouulldd mmaakkee ccoommmmuunnaall ddeecciissiioonnss ffoorr tthhee IIbboo ppeeooppllee ssuucchh aass:: sseettttlliinngg pprrooppeerrttyy ddiissppuutteess ddeecciiddiinngg wwhheetthheerr ttoo ggoo ttoo wwaarr
  • 27. DRINKING PALM WINE FROM A HUMAN SKULL WAS PART OF RELIGIOUS CEREMONIES OKONKWO HAD FIVE SKULLS TO HIS CREDIT
  • 28. VViillllaaggee LLiiffee TThhee vviillllaaggeerrss wweerree wwaarrrriioorrss,, ffaarrmmeerrss,, aanndd ccrraaffttssmmeenn.. TThhee mmeenn’’ss ccrroopp wwaass yyaamm,, tthhee kkiinngg ooff ccrrooppss.. WWoommeenn’’ss ccrrooppss wweerree ccooccoo--yyaammss,, bbeeaannss,, aanndd ccaassssaavvaa..
  • 30. BELIEF SYSTEM Before Christianity belief system revolved around one particular god, named Chukwu Chukwu was all powerful and omnipresent God and representations, symbols and sanctuaries for him can be found almost anywhere. Also believed in many smaller deities that would compete among themselves CHI was a god seen as individually personalized by its followers. The people believed strongly in ones ability to improve status in the present world through change.
  • 31. CCoowwrryy sshheellllss wweerree uusseedd aass mmoonneeyy iinn AAffrriiccaa.. TThheeyy wweerree ssmmaallll eennoouugghh ttoo ccaarrrryy aanndd wweerree ssccaarrccee eennoouugghh ttoo bbee vvaalluuaabbllee.. 2255 bbaaggss ooff ccoowwrryy sshheellllss wweerree ppaaiidd aass bbrriiddee pprriiccee dduurriinngg tthhee eennggaaggeemmeenntt cceerreemmoonnyy iinn tthhee nnoovveell.. CCOOWWRRYY SSHHEELLLLSS
  • 32. ""PPRROOVVEERRBBSS AARREE TTHHEE PPAALLMM--OOIILL WWIITTHH WWHHIICCHH WWOORRDDSS AARREE EEAATTEENN.."" Among the Ibo people, the art of conversation was very highly regarded. They received their news from the town crier.  Proverbs were very important to the Ibo people.
  • 33. With the period of Colonization, African traditions and culture came under serious threat from outside sources. Europeans, justifying themselves with the Christian ethics, tried to destroy the "primitive" culture of the Africans, to make them more pliable slaves.
  • 34. LLOOCCUUSSTTSS  Locusts are related to grasshoppers. They swarm and can destroy whole fields and crops.  The Umuofians considered them to be a delicacy.  They gathered them in baskets and then roasted them and ate them.
  • 36. PATRIARCHY  Androcentric world where man is everything and woman nothing  Crops were manly and womanly  Sins were male and female  Due to their marginalized role, they were easily attracted by new religion  However, their roles changed towards the end of the novel
  • 37. WOMENFOLK  Rural work force  Life giving power  Nneka… mother is supreme, said by Uchendu (chapter 13, pg 157)  Women know the secret of life, since they are the source of life  A child belongs to his father ……(chapter 13, page 157)
  • 38. VARYING INTERPRETATION OF MASCULINITY  Manliness judged by the ability to grow yams.  His father’s life shapes much of his violent nature  He thought of his father as weak and effeminate  Fear of failure  Agbala--- man with no title or a woman  He associates manliness with aggression  Men became “fearful women”  His idea of manliness is his own, not the clan’s (chapter 10. evil forest says, it is not bravery when a man fights with a woman)
  • 39. STRUGGLE BETWEEN CULTURE AND CHANGE. WHO RESISTED AND WHO EMBRACED?  Okonkwo resists as he thinks they are not manly  He himself will not be manly  Fear of losing societal status  His sense of self worth is dependent upon the traditional standards by which society judges him  He aspires to win the fourth title, which would be denied to him with the new trends in society
  • 40. OUTCASTS EMBRACED THE NEW RELIGION  They were enjoying a more elevated status  They found a refuge in Christian value system  Women also embraced the new values
  • 41. LANGUAGE AS A SIGN OF CULTURE  Traditions are based on story telling and language  How quickly the abandonment of Igbo language for English could lead to eradication of these traditions  Peppered with Igbo words to show superiority of African language  Igbo language is too complex for direct translation into English  Achebe intended it to be read by the West, than his fellow Nigerians
  • 42. SYMBOLS  Locusts chapter 7 page 109  Achebe depicts the locusts that descend upon the village in highly allegorical terms that prefigure the arrival of white settlers, who will eat on and exploit the resources of the Igbo  The fact that Ibo people eat them shows how harmless they take them to be  Harbinger to survey the land pg 110  They “SETTLED” page 111  whites compared with locusts chapter 15 page 160
  • 43. SYMBOL OF FIRE CHAPTER 17 PAGE 169  Roaring flame  Flaming fire  Living fire begets cold, impotent ash
  • 44. OKONKWO: PHYSICALLY AND EMOTIONALLY DESTRUCTIVE  Physically: (i) kills Ikemefuna (ii)Ezeudu’s son (iii)Head messenger (iv)Himself o Emotionally o (i) suppresses his fondness for Ikemefuna and Ezinma, in favor of a colder and masculine aura
  • 45. IMPORTANCE OF KINSHIP  Which things fall apart?  Chapter 15 page 159  Chapter 19 pg 176  Pg 177
  • 46. DEPICTION OF WHITE MEN  Piece of chalk + leprosy. Page 121 (two instances)  Albino Page 159 (last lines)  Locusts Page 160  Green men Page 162
  • 47. CHI  If a man says yes, his Chi says yes  A man cannot rise above the status of his Chi
  • 48. ANIMAL IMAGERY  Animal anecdotes  Love for python
  • 49. CONFLICTS Generational:O konkwo vs. Unoka Okonkwo vs. Nwoye Cultural Ibo vs. Western Tradition vs. Christianity Assimilation vs. purity Gender Okonkwo vs. his wives Inner Okonkwo vs. himself
  • 50. CLASH WITH HIS OWN CULTURE HE SO DEARLY LOVES  Beat Ojiugo during week of peace  Killed Ikemefuna  Killed messenger  Suicide despite his culture’s admonition against this act
  • 51. THE TRAGIC HERO 1. enjoys an exalted position in society either by birth or extraordinary achievements 2. demonstrates wisdom, moral or philosophical greatness -- sometimes physical prowess 3. adheres to and exemplifies a code of conduct including reverence toward the laws of God 4. possesses a flaw in personality or psyche that ultimately brings about total destruction.
  • 52. TRAGIC FLAW  The quality that ultimately defeats a noble hero.  Okonkwo’s flaw: Uncontrollable Anger Inflexibility Rash behaviour
  • 53. An epic hero, like Odysseus, is typically set apart from other characters by his capacity to endure many trials and tests.  A tragic hero, like Oedipus, is typically a man of consequence brought down by an inner conflict, or through his own weakness.  Is Okonkwo an epic hero, a tragic hero, or is he a hero at all? ?
  • 54. Thanks for your attention and patience

Editor's Notes

  1. These are like sweet potato yams