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Going Mobile: planning for audience, content
       and technology in the museum

      Day 2: mobile platforms and delivery

                    Titus Bicknell

Balboa Park Online Collaborative/Balboa Park Learning
                      Institute

                     2010-02-17
day 2 plan




Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   2
day 2 plan
• 09:00-10:30 history of mobile platforms and how to
  match them to your audience
• 10:30-10:45 break
• 10:45-12:00 managing content for mobile platforms: CMS,
  CAT, CDS, DAM, API, ROI
• 12:00-13:30 lunch
• 13:30-15:15 nuts and bolts of your CDS
• 15:15-15:30 break
• 15:30-17:00 practical applications to audience needs
• 17:00-19:00 ongoing conversation with drinks
        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   2
the mobile platform in museums




     Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   3
the mobile platform in museums
• has existed since the first distributed map or in-gallery
  guide




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   3
the mobile platform in museums
• has existed since the first distributed map or in-gallery
  guide
• has existed as a dynamic media device since the 1950s




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   3
the mobile platform in museums
• has existed since the first distributed map or in-gallery
  guide
• has existed as a dynamic media device since the 1950s
• has benefited from both:




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   3
the mobile platform in museums
• has existed since the first distributed map or in-gallery
  guide
• has existed as a dynamic media device since the 1950s
• has benefited from both:
  • key developments in consumer technology




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   3
the mobile platform in museums
• has existed since the first distributed map or in-gallery
  guide
• has existed as a dynamic media device since the 1950s
• has benefited from both:
  • key developments in consumer technology
  • bespoke market specific technologies




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   3
the mobile platform in museums
• has existed since the first distributed map or in-gallery
  guide
• has existed as a dynamic media device since the 1950s
• has benefited from both:
  • key developments in consumer technology
  • bespoke market specific technologies
• has evolved more in the past 10 years than it did in the
  previous 50



        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   3
the mobile platform in museums
• has existed since the first distributed map or in-gallery
  guide
• has existed as a dynamic media device since the 1950s
• has benefited from both:
  • key developments in consumer technology
  • bespoke market specific technologies
• has evolved more in the past 10 years than it did in the
  previous 50
• it is not about the technology yet the technology tail is
  still wagging the content dog
        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   3
choosing a platform




Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   4
choosing a platform
what the content/audiences require vs. what the
infrastructure & business model demand.




       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   4
choosing a platform
  what the content/audiences require vs. what the
  infrastructure & business model demand.
• characteristics of your audience:




          Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   4
choosing a platform
  what the content/audiences require vs. what the
  infrastructure & business model demand.
• characteristics of your audience:
  digital natives / digital immigrants / digital tourists




          Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   4
choosing a platform
  what the content/audiences require vs. what the
  infrastructure & business model demand.
• characteristics of your audience:
  digital natives / digital immigrants / digital tourists
• characteristics of your infrastructure:




          Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   4
choosing a platform
  what the content/audiences require vs. what the
  infrastructure & business model demand.
• characteristics of your audience:
  digital natives / digital immigrants / digital tourists
• characteristics of your infrastructure:
  in-house technology resources / central tech resources /
  external consultants or services




          Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   4
choosing a platform
  what the content/audiences require vs. what the
  infrastructure & business model demand.
• characteristics of your audience:
  digital natives / digital immigrants / digital tourists
• characteristics of your infrastructure:
  in-house technology resources / central tech resources /
  external consultants or services
• characteristics of your business model:


          Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   4
choosing a platform
  what the content/audiences require vs. what the
  infrastructure & business model demand.
• characteristics of your audience:
  digital natives / digital immigrants / digital tourists
• characteristics of your infrastructure:
  in-house technology resources / central tech resources /
  external consultants or services
• characteristics of your business model:
  imperative: profit / mission / ROI / something for nothing
          Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   4
choosing a platform




Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   5
choosing a platform
                                                  platform




                   user                                                   museum




    stupid phone          smart phone                              no-tech     low-tech                      hi-tech




cell phone                 download               download                      onboard     onboard AV
              podcast                   vodcast              map   wall text
   tour                    audio tour              AV tour                     audio tour      tour




                                                                                                         cached AV     WiFi AV   LBS WiFi   SME WiFi
                                                                                                            tour        tour     AV tour     AV tour




                                        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17                                                   5
a brief history of obsolescence




     Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   6
a brief history of obsolescence
• the mobile platform is Moore’s law gone mad




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   6
a brief history of obsolescence
• the mobile platform is Moore’s law gone mad
• from 2002-2009 Antenna Audio developed tours on
  10 different platforms:




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   6
a brief history of obsolescence
• the mobile platform is Moore’s law gone mad
• from 2002-2009 Antenna Audio developed tours on
  10 different platforms:
  iPAQ 3600, iPAQ 3750, iPAQ 3950, Toshiba 640,
  Toshiba 700, Toshiba 800, Toshiba 830, DELL x5, XP-
  vision, iPhone




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   6
a brief history of obsolescence
• the mobile platform is Moore’s law gone mad
• from 2002-2009 Antenna Audio developed tours on
  10 different platforms:
  iPAQ 3600, iPAQ 3750, iPAQ 3950, Toshiba 640,
  Toshiba 700, Toshiba 800, Toshiba 830, DELL x5, XP-
  vision, iPhone
• each had its own technical profile:




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   6
a brief history of obsolescence
• the mobile platform is Moore’s law gone mad
• from 2002-2009 Antenna Audio developed tours on
  10 different platforms:
  iPAQ 3600, iPAQ 3750, iPAQ 3950, Toshiba 640,
  Toshiba 700, Toshiba 800, Toshiba 830, DELL x5, XP-
  vision, iPhone
• each had its own technical profile:
  screen size, screen resolution, (Q)VGA profile,
  processor speed, processor type, RAM, ROM, memory
  card type, WiFi chipset, charging requirements
         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   6
a brief history of obsolescence




     Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   7
a brief history of obsolescence
• early processors could not scale or optimize assets




       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   7
a brief history of obsolescence
• early processors could not scale or optimize assets
• every asset prepared and incorporated into a
  device specific template: even customer facing
  interfaces were Content Authoring Tools




       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   7
a brief history of obsolescence
• early processors could not scale or optimize assets
• every asset prepared and incorporated into a
  device specific template: even customer facing
  interfaces were Content Authoring Tools
• content for the iPAQ 3600 was technically
  obsolete by the iPAQ 3950 even if still valuable as
  interpretation




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   7
a brief history of obsolescence
• early processors could not scale or optimize assets
• every asset prepared and incorporated into a
  device specific template: even customer facing
  interfaces were Content Authoring Tools
• content for the iPAQ 3600 was technically
  obsolete by the iPAQ 3950 even if still valuable as
  interpretation
• frustrating and costly to prolong content lifecycle


        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   7
a brief history of obsolescence
• early processors could not scale or optimize assets
• every asset prepared and incorporated into a
  device specific template: even customer facing
  interfaces were Content Authoring Tools
• content for the iPAQ 3600 was technically
  obsolete by the iPAQ 3950 even if still valuable as
  interpretation
• frustrating and costly to prolong content lifecycle


        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   7
manifesto for mobile platforms




     Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   8
manifesto for mobile platforms
• content should not be altered or created for a specific platform: the
  Content Authoring Tool should be a Content Assembly Tool




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   8
manifesto for mobile platforms
• content should not be altered or created for a specific platform: the
  Content Authoring Tool should be a Content Assembly Tool
• the assembly and interaction of assets should be managed via metadata
  among assets not through alteration of assets




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   8
manifesto for mobile platforms
• content should not be altered or created for a specific platform: the
  Content Authoring Tool should be a Content Assembly Tool
• the assembly and interaction of assets should be managed via metadata
  among assets not through alteration of assets
• mobile platforms should manipulate appropriate content assets for
  optimized display defined by the platform’s specifications




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   8
manifesto for mobile platforms
• content should not be altered or created for a specific platform: the
  Content Authoring Tool should be a Content Assembly Tool
• the assembly and interaction of assets should be managed via metadata
  among assets not through alteration of assets
• mobile platforms should manipulate appropriate content assets for
  optimized display defined by the platform’s specifications
• content assets should be filtered to ensure they offer a good user
  experience




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   8
manifesto for mobile platforms
• content should not be altered or created for a specific platform: the
  Content Authoring Tool should be a Content Assembly Tool
• the assembly and interaction of assets should be managed via metadata
  among assets not through alteration of assets
• mobile platforms should manipulate appropriate content assets for
  optimized display defined by the platform’s specifications
• content assets should be filtered to ensure they offer a good user
  experience
   just because it is technically possible to show a 60 minute interview with
   an artists on an iPhone does not mean you should




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   8
manifesto for mobile platforms
• content should not be altered or created for a specific platform: the
  Content Authoring Tool should be a Content Assembly Tool
• the assembly and interaction of assets should be managed via metadata
  among assets not through alteration of assets
• mobile platforms should manipulate appropriate content assets for
  optimized display defined by the platform’s specifications
• content assets should be filtered to ensure they offer a good user
  experience
    just because it is technically possible to show a 60 minute interview with
    an artists on an iPhone does not mean you should
•   assets should be managed in the most appropriate storage condition for
    the asset not for the end content



            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   8
manifesto for mobile platforms
• content should not be altered or created for a specific platform: the
  Content Authoring Tool should be a Content Assembly Tool
• the assembly and interaction of assets should be managed via metadata
  among assets not through alteration of assets
• mobile platforms should manipulate appropriate content assets for
  optimized display defined by the platform’s specifications
• content assets should be filtered to ensure they offer a good user
  experience
    just because it is technically possible to show a 60 minute interview with
    an artists on an iPhone does not mean you should
•   assets should be managed in the most appropriate storage condition for
    the asset not for the end content
•   be technically promiscuous to achieve the best solution for housing,
    managing and presenting content

            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   8
CMS - CAT + DAM = CDS




   Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   9
CMS - CAT + DAM = CDS

    !"#$%&'




    ()*+,'
    -#$%&'




     .!$(.'




     /&0'




   Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   9
CMS - CAT + DAM = CDS

    !"#$%&'
                               !"#$%&!"'
                               (&!&)&*"'


    ()*+,'
    -#$%&'

                        +,-'


     .!$(.'




                               ("./0"''
     /&0'                      $123%"*'




   Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   9
CMS - CAT + DAM = CDS

    !"#$%&'
                               !"#$%&!"'
                               (&!&)&*"'
                                                         !"#$ %&'%$

    ()*+,'
    -#$%&'                                               !"#$ ()*+&,$

                        +,-'               1#2$

                                                         !"#$ *-.(/$
     .!$(.'



                                                         !"#$ 0(.&/$
                               ("./0"''
     /&0'                      $123%"*'




   Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17         9
CMS - CAT + DAM = CDS

             !"#$%&'
                                      !"#$%&!"'
                                      (&!&)&*"'
                                                  !"#$ %&'%$

             ()*+,'
             -#$%&'                               !"#$ ()*+&,$

                               +,-'
                               1#2$

                                                  !"#$ *-.(/$
              .!$(.'



                                                  !"#$ 0(.&/$
                                      ("./0"''
              /&0'                    $123%"*'




   Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   9
CDS workflow




Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   10
CDS workflow
• Content Delivery System (CDS) identifies platform
  requesting content and requests content from CMS




       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   10
CDS workflow
• Content Delivery System (CDS) identifies platform
  requesting content and requests content from CMS
• CMS retrieves original assets from DAM stores
  template database defines GUI for that device and
  file formats and parameters: jpg, avi, mp3, xml, h.
  264, screen size, compression settings




       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   10
CDS workflow
• Content Delivery System (CDS) identifies platform
  requesting content and requests content from CMS
• CMS retrieves original assets from DAM stores
  template database defines GUI for that device and
  file formats and parameters: jpg, avi, mp3, xml, h.
  264, screen size, compression settings
• CDS converts CMS-delivered assets according to
  template specs, assembles assets within device
  template and delivers final content


       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   10
CDS workflow
• Content Delivery System (CDS) identifies platform
  requesting content and requests content from CMS
• CMS retrieves original assets from DAM stores
  template database defines GUI for that device and
  file formats and parameters: jpg, avi, mp3, xml, h.
  264, screen size, compression settings
• CDS converts CMS-delivered assets according to
  template specs, assembles assets within device
  template and delivers final content
• does a CDS make your CMS one of your DAMs?
       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   10
API ROI




Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
API ROI
• evaluate the accessibility of your DAMs




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
API ROI
• evaluate the accessibility of your DAMs
• evaluate the technical distance between your DAMs




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
API ROI
• evaluate the accessibility of your DAMs
• evaluate the technical distance between your DAMs
• evaluate the volume of data you want to retrieve




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
API ROI
• evaluate the accessibility of your DAMs
• evaluate the technical distance between your DAMs
• evaluate the volume of data you want to retrieve
• evaluate the quality and relevance of data you want
  retrieve




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
API ROI
• evaluate the accessibility of your DAMs
• evaluate the technical distance between your DAMs
• evaluate the volume of data you want to retrieve
• evaluate the quality and relevance of data you want
  retrieve
• depending on these criteria it might justify:




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
API ROI
• evaluate the accessibility of your DAMs
• evaluate the technical distance between your DAMs
• evaluate the volume of data you want to retrieve
• evaluate the quality and relevance of data you want
  retrieve
• depending on these criteria it might justify:
  • paying for a bespoke API for an existing data store




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
API ROI
• evaluate the accessibility of your DAMs
• evaluate the technical distance between your DAMs
• evaluate the volume of data you want to retrieve
• evaluate the quality and relevance of data you want
  retrieve
• depending on these criteria it might justify:
  • paying for a bespoke API for an existing data store
  • replacing an existing data store and migrating historical
    content


         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
API ROI
• evaluate the accessibility of your DAMs
• evaluate the technical distance between your DAMs
• evaluate the volume of data you want to retrieve
• evaluate the quality and relevance of data you want
  retrieve
• depending on these criteria it might justify:
  • paying for a bespoke API for an existing data store
  • replacing an existing data store and migrating historical
    content
  • copy/paste or edit/paste to a new data store
         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   11
metadata strategies




Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   12
metadata strategies
•   asset specific metadata layer in DAM




            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection




              Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive




              Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive
•   template specific metadata layer in CDS




              Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive
•   template specific metadata layer in CDS
    •   rapid selection of suitable assets based on platform specific parameters e.g. asset
        type, length, color profile, audio quality, audio complexity




              Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17             12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive
•   template specific metadata layer in CDS
    •   rapid selection of suitable assets based on platform specific parameters e.g. asset
        type, length, color profile, audio quality, audio complexity
    •   still an arbitrary, generalized technical filter




               Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17            12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive
•   template specific metadata layer in CDS
    •   rapid selection of suitable assets based on platform specific parameters e.g. asset
        type, length, color profile, audio quality, audio complexity
    •   still an arbitrary, generalized technical filter
•   ways to optimize specific platform/content pairings:




               Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17            12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive
•   template specific metadata layer in CDS
    •   rapid selection of suitable assets based on platform specific parameters e.g. asset
        type, length, color profile, audio quality, audio complexity
    •   still an arbitrary, generalized technical filter
•   ways to optimize specific platform/content pairings:
    •   qualitative user feedback: rank this content 1-5




               Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17            12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive
•   template specific metadata layer in CDS
    •   rapid selection of suitable assets based on platform specific parameters e.g. asset
        type, length, color profile, audio quality, audio complexity
    •   still an arbitrary, generalized technical filter
•   ways to optimize specific platform/content pairings:
    •   qualitative user feedback: rank this content 1-5
    •   quantitative user behavior: does a user complete a given content segment and if not
        at what point did s/he stop




               Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17            12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive
•   template specific metadata layer in CDS
    •   rapid selection of suitable assets based on platform specific parameters e.g. asset
        type, length, color profile, audio quality, audio complexity
    •   still an arbitrary, generalized technical filter
•   ways to optimize specific platform/content pairings:
    •   qualitative user feedback: rank this content 1-5
    •   quantitative user behavior: does a user complete a given content segment and if not
        at what point did s/he stop
•   semantic web technology:




               Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17            12
metadata strategies
•   asset specific metadata layer in DAM
    •   very specific asset selection
    •   but very labor intensive
•   template specific metadata layer in CDS
    •   rapid selection of suitable assets based on platform specific parameters e.g. asset
        type, length, color profile, audio quality, audio complexity
    •   still an arbitrary, generalized technical filter
•   ways to optimize specific platform/content pairings:
    •   qualitative user feedback: rank this content 1-5
    •   quantitative user behavior: does a user complete a given content segment and if not
        at what point did s/he stop
•   semantic web technology:
    •   a metadata ontology allowing interpolation of relationship analogies among
        heretofore unrelated data sets

               Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17            12
lunch
nuts and bolts of your CDS




    Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   14
nuts and bolts of your CDS
ingredients of our CDS




       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   14
nuts and bolts of your CDS
  ingredients of our CDS
• DAMs: canto, media beacon, file system, open source
  media stores, flickr,YouTube, S3




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   14
nuts and bolts of your CDS
  ingredients of our CDS
• DAMs: canto, media beacon, file system, open source
  media stores, flickr,YouTube, S3
• Collections Management System: embark, TMS, past
  perfect




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   14
nuts and bolts of your CDS
  ingredients of our CDS
• DAMs: canto, media beacon, file system, open source
  media stores, flickr,YouTube, S3
• Collections Management System: embark, TMS, past
  perfect
• web platform/databases: ASP, LAMP, MAMP, WAMP, IIS,
  Oracle, SQL server




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   14
nuts and bolts of your CDS
  ingredients of our CDS
• DAMs: canto, media beacon, file system, open source
  media stores, flickr,YouTube, S3
• Collections Management System: embark, TMS, past
  perfect
• web platform/databases: ASP, LAMP, MAMP, WAMP, IIS,
  Oracle, SQL server
• middleware: Drupal, WordPress, TeamSite, WebSphere



         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   14
nuts and bolts of your CDS
  ingredients of our CDS
• DAMs: canto, media beacon, file system, open source
  media stores, flickr,YouTube, S3
• Collections Management System: embark, TMS, past
  perfect
• web platform/databases: ASP, LAMP, MAMP, WAMP, IIS,
  Oracle, SQL server
• middleware: Drupal, WordPress, TeamSite, WebSphere
• server infrastructure: single servers, ESX virtualization,
  grid computing, cloud computing
          Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   14
nuts and bolts of your CDS




    Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   15
nuts and bolts of your CDS
Front end/back end, couture vs prêt-à-porter: what to
customize and what to use off the shelf




        Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   15
nuts and bolts of your CDS
  Front end/back end, couture vs prêt-à-porter: what to
  customize and what to use off the shelf
• use as much off the shelf as you can!




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   15
nuts and bolts of your CDS
  Front end/back end, couture vs prêt-à-porter: what to
  customize and what to use off the shelf
• use as much off the shelf as you can!
• where you cannot apply the 20:80 rule




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   15
nuts and bolts of your CDS
  Front end/back end, couture vs prêt-à-porter: what to
  customize and what to use off the shelf
• use as much off the shelf as you can!
• where you cannot apply the 20:80 rule
• customize your front end to meet your known user needs




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   15
nuts and bolts of your CDS
  Front end/back end, couture vs prêt-à-porter: what to
  customize and what to use off the shelf
• use as much off the shelf as you can!
• where you cannot apply the 20:80 rule
• customize your front end to meet your known user needs
• user umbrella organizational standards to foster intuitive user
  experience among sibling sites




           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   15
nuts and bolts of your CDS
  Front end/back end, couture vs prêt-à-porter: what to
  customize and what to use off the shelf
• use as much off the shelf as you can!
• where you cannot apply the 20:80 rule
• customize your front end to meet your known user needs
• user umbrella organizational standards to foster intuitive user
  experience among sibling sites
• customize your back end as little as possible: any learning curve
  for staff will hamper productivity



           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   15
nuts and bolts of your CDS
  Front end/back end, couture vs prêt-à-porter: what to
  customize and what to use off the shelf
• use as much off the shelf as you can!
• where you cannot apply the 20:80 rule
• customize your front end to meet your known user needs
• user umbrella organizational standards to foster intuitive user
  experience among sibling sites
• customize your back end as little as possible: any learning curve
  for staff will hamper productivity
• depending on your CMS platform you may find unexpected
  familiarity among your staff
           Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   15
nuts and bolts of your CDS




    Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS
In-house vs outsource: where control is valuable, where participating
in extra-organizational economy of scale adds value




         Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS
  In-house vs outsource: where control is valuable, where participating
  in extra-organizational economy of scale adds value
• suitability of outsourcing a component is proportional to its distance
  from content creation




            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS
  In-house vs outsource: where control is valuable, where participating
  in extra-organizational economy of scale adds value
• suitability of outsourcing a component is proportional to its distance
  from content creation
• make use of internal knowledge/skills but do not under-estimate
  opportunity cost




            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS
  In-house vs outsource: where control is valuable, where participating
  in extra-organizational economy of scale adds value
• suitability of outsourcing a component is proportional to its distance
  from content creation
• make use of internal knowledge/skills but do not under-estimate
  opportunity cost
• in-house solutions are often hard to scale or deal with unexpected
  success: participation in a larger solution can mitigate those risks




            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS
  In-house vs outsource: where control is valuable, where participating
  in extra-organizational economy of scale adds value
• suitability of outsourcing a component is proportional to its distance
  from content creation
• make use of internal knowledge/skills but do not under-estimate
  opportunity cost
• in-house solutions are often hard to scale or deal with unexpected
  success: participation in a larger solution can mitigate those risks
• know who else is funding your vendors




            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS
  In-house vs outsource: where control is valuable, where participating
  in extra-organizational economy of scale adds value
• suitability of outsourcing a component is proportional to its distance
  from content creation
• make use of internal knowledge/skills but do not under-estimate
  opportunity cost
• in-house solutions are often hard to scale or deal with unexpected
  success: participation in a larger solution can mitigate those risks
• know who else is funding your vendors
• know who else is using shared services



            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS
  In-house vs outsource: where control is valuable, where participating
  in extra-organizational economy of scale adds value
• suitability of outsourcing a component is proportional to its distance
  from content creation
• make use of internal knowledge/skills but do not under-estimate
  opportunity cost
• in-house solutions are often hard to scale or deal with unexpected
  success: participation in a larger solution can mitigate those risks
• know who else is funding your vendors
• know who else is using shared services
• if you do it in-house document it


            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS
  In-house vs outsource: where control is valuable, where participating
  in extra-organizational economy of scale adds value
• suitability of outsourcing a component is proportional to its distance
  from content creation
• make use of internal knowledge/skills but do not under-estimate
  opportunity cost
• in-house solutions are often hard to scale or deal with unexpected
  success: participation in a larger solution can mitigate those risks
• know who else is funding your vendors
• know who else is using shared services
• if you do it in-house document it
• if you outsource define your SOW and more importantly your SLA
            Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   16
nuts and bolts of your CDS




    Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   17
nuts and bolts of your CDS


                     let’s get practical




    Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   17
nuts and bolts of your CDS


                        let’s get practical
 (the presentation moved to a practical demonstration of
 WordPress with an emphasis on mobile templates, Twitter
       hashtag, Flickr,YouTube and audio integration)




       Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17   17
thank you

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Going Mobile @ Balboa Park

  • 1. Going Mobile: planning for audience, content and technology in the museum Day 2: mobile platforms and delivery Titus Bicknell Balboa Park Online Collaborative/Balboa Park Learning Institute 2010-02-17
  • 2. day 2 plan Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 2
  • 3. day 2 plan • 09:00-10:30 history of mobile platforms and how to match them to your audience • 10:30-10:45 break • 10:45-12:00 managing content for mobile platforms: CMS, CAT, CDS, DAM, API, ROI • 12:00-13:30 lunch • 13:30-15:15 nuts and bolts of your CDS • 15:15-15:30 break • 15:30-17:00 practical applications to audience needs • 17:00-19:00 ongoing conversation with drinks Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 2
  • 4. the mobile platform in museums Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 3
  • 5. the mobile platform in museums • has existed since the first distributed map or in-gallery guide Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 3
  • 6. the mobile platform in museums • has existed since the first distributed map or in-gallery guide • has existed as a dynamic media device since the 1950s Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 3
  • 7. the mobile platform in museums • has existed since the first distributed map or in-gallery guide • has existed as a dynamic media device since the 1950s • has benefited from both: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 3
  • 8. the mobile platform in museums • has existed since the first distributed map or in-gallery guide • has existed as a dynamic media device since the 1950s • has benefited from both: • key developments in consumer technology Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 3
  • 9. the mobile platform in museums • has existed since the first distributed map or in-gallery guide • has existed as a dynamic media device since the 1950s • has benefited from both: • key developments in consumer technology • bespoke market specific technologies Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 3
  • 10. the mobile platform in museums • has existed since the first distributed map or in-gallery guide • has existed as a dynamic media device since the 1950s • has benefited from both: • key developments in consumer technology • bespoke market specific technologies • has evolved more in the past 10 years than it did in the previous 50 Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 3
  • 11. the mobile platform in museums • has existed since the first distributed map or in-gallery guide • has existed as a dynamic media device since the 1950s • has benefited from both: • key developments in consumer technology • bespoke market specific technologies • has evolved more in the past 10 years than it did in the previous 50 • it is not about the technology yet the technology tail is still wagging the content dog Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 3
  • 12. choosing a platform Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 4
  • 13. choosing a platform what the content/audiences require vs. what the infrastructure & business model demand. Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 4
  • 14. choosing a platform what the content/audiences require vs. what the infrastructure & business model demand. • characteristics of your audience: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 4
  • 15. choosing a platform what the content/audiences require vs. what the infrastructure & business model demand. • characteristics of your audience: digital natives / digital immigrants / digital tourists Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 4
  • 16. choosing a platform what the content/audiences require vs. what the infrastructure & business model demand. • characteristics of your audience: digital natives / digital immigrants / digital tourists • characteristics of your infrastructure: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 4
  • 17. choosing a platform what the content/audiences require vs. what the infrastructure & business model demand. • characteristics of your audience: digital natives / digital immigrants / digital tourists • characteristics of your infrastructure: in-house technology resources / central tech resources / external consultants or services Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 4
  • 18. choosing a platform what the content/audiences require vs. what the infrastructure & business model demand. • characteristics of your audience: digital natives / digital immigrants / digital tourists • characteristics of your infrastructure: in-house technology resources / central tech resources / external consultants or services • characteristics of your business model: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 4
  • 19. choosing a platform what the content/audiences require vs. what the infrastructure & business model demand. • characteristics of your audience: digital natives / digital immigrants / digital tourists • characteristics of your infrastructure: in-house technology resources / central tech resources / external consultants or services • characteristics of your business model: imperative: profit / mission / ROI / something for nothing Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 4
  • 20. choosing a platform Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 5
  • 21. choosing a platform platform user museum stupid phone smart phone no-tech low-tech hi-tech cell phone download download onboard onboard AV podcast vodcast map wall text tour audio tour AV tour audio tour tour cached AV WiFi AV LBS WiFi SME WiFi tour tour AV tour AV tour Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 5
  • 22. a brief history of obsolescence Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 6
  • 23. a brief history of obsolescence • the mobile platform is Moore’s law gone mad Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 6
  • 24. a brief history of obsolescence • the mobile platform is Moore’s law gone mad • from 2002-2009 Antenna Audio developed tours on 10 different platforms: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 6
  • 25. a brief history of obsolescence • the mobile platform is Moore’s law gone mad • from 2002-2009 Antenna Audio developed tours on 10 different platforms: iPAQ 3600, iPAQ 3750, iPAQ 3950, Toshiba 640, Toshiba 700, Toshiba 800, Toshiba 830, DELL x5, XP- vision, iPhone Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 6
  • 26. a brief history of obsolescence • the mobile platform is Moore’s law gone mad • from 2002-2009 Antenna Audio developed tours on 10 different platforms: iPAQ 3600, iPAQ 3750, iPAQ 3950, Toshiba 640, Toshiba 700, Toshiba 800, Toshiba 830, DELL x5, XP- vision, iPhone • each had its own technical profile: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 6
  • 27. a brief history of obsolescence • the mobile platform is Moore’s law gone mad • from 2002-2009 Antenna Audio developed tours on 10 different platforms: iPAQ 3600, iPAQ 3750, iPAQ 3950, Toshiba 640, Toshiba 700, Toshiba 800, Toshiba 830, DELL x5, XP- vision, iPhone • each had its own technical profile: screen size, screen resolution, (Q)VGA profile, processor speed, processor type, RAM, ROM, memory card type, WiFi chipset, charging requirements Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 6
  • 28. a brief history of obsolescence Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 7
  • 29. a brief history of obsolescence • early processors could not scale or optimize assets Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 7
  • 30. a brief history of obsolescence • early processors could not scale or optimize assets • every asset prepared and incorporated into a device specific template: even customer facing interfaces were Content Authoring Tools Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 7
  • 31. a brief history of obsolescence • early processors could not scale or optimize assets • every asset prepared and incorporated into a device specific template: even customer facing interfaces were Content Authoring Tools • content for the iPAQ 3600 was technically obsolete by the iPAQ 3950 even if still valuable as interpretation Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 7
  • 32. a brief history of obsolescence • early processors could not scale or optimize assets • every asset prepared and incorporated into a device specific template: even customer facing interfaces were Content Authoring Tools • content for the iPAQ 3600 was technically obsolete by the iPAQ 3950 even if still valuable as interpretation • frustrating and costly to prolong content lifecycle Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 7
  • 33. a brief history of obsolescence • early processors could not scale or optimize assets • every asset prepared and incorporated into a device specific template: even customer facing interfaces were Content Authoring Tools • content for the iPAQ 3600 was technically obsolete by the iPAQ 3950 even if still valuable as interpretation • frustrating and costly to prolong content lifecycle Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 7
  • 34. manifesto for mobile platforms Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 8
  • 35. manifesto for mobile platforms • content should not be altered or created for a specific platform: the Content Authoring Tool should be a Content Assembly Tool Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 8
  • 36. manifesto for mobile platforms • content should not be altered or created for a specific platform: the Content Authoring Tool should be a Content Assembly Tool • the assembly and interaction of assets should be managed via metadata among assets not through alteration of assets Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 8
  • 37. manifesto for mobile platforms • content should not be altered or created for a specific platform: the Content Authoring Tool should be a Content Assembly Tool • the assembly and interaction of assets should be managed via metadata among assets not through alteration of assets • mobile platforms should manipulate appropriate content assets for optimized display defined by the platform’s specifications Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 8
  • 38. manifesto for mobile platforms • content should not be altered or created for a specific platform: the Content Authoring Tool should be a Content Assembly Tool • the assembly and interaction of assets should be managed via metadata among assets not through alteration of assets • mobile platforms should manipulate appropriate content assets for optimized display defined by the platform’s specifications • content assets should be filtered to ensure they offer a good user experience Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 8
  • 39. manifesto for mobile platforms • content should not be altered or created for a specific platform: the Content Authoring Tool should be a Content Assembly Tool • the assembly and interaction of assets should be managed via metadata among assets not through alteration of assets • mobile platforms should manipulate appropriate content assets for optimized display defined by the platform’s specifications • content assets should be filtered to ensure they offer a good user experience just because it is technically possible to show a 60 minute interview with an artists on an iPhone does not mean you should Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 8
  • 40. manifesto for mobile platforms • content should not be altered or created for a specific platform: the Content Authoring Tool should be a Content Assembly Tool • the assembly and interaction of assets should be managed via metadata among assets not through alteration of assets • mobile platforms should manipulate appropriate content assets for optimized display defined by the platform’s specifications • content assets should be filtered to ensure they offer a good user experience just because it is technically possible to show a 60 minute interview with an artists on an iPhone does not mean you should • assets should be managed in the most appropriate storage condition for the asset not for the end content Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 8
  • 41. manifesto for mobile platforms • content should not be altered or created for a specific platform: the Content Authoring Tool should be a Content Assembly Tool • the assembly and interaction of assets should be managed via metadata among assets not through alteration of assets • mobile platforms should manipulate appropriate content assets for optimized display defined by the platform’s specifications • content assets should be filtered to ensure they offer a good user experience just because it is technically possible to show a 60 minute interview with an artists on an iPhone does not mean you should • assets should be managed in the most appropriate storage condition for the asset not for the end content • be technically promiscuous to achieve the best solution for housing, managing and presenting content Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 8
  • 42. CMS - CAT + DAM = CDS Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 9
  • 43. CMS - CAT + DAM = CDS !"#$%&' ()*+,' -#$%&' .!$(.' /&0' Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 9
  • 44. CMS - CAT + DAM = CDS !"#$%&' !"#$%&!"' (&!&)&*"' ()*+,' -#$%&' +,-' .!$(.' ("./0"'' /&0' $123%"*' Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 9
  • 45. CMS - CAT + DAM = CDS !"#$%&' !"#$%&!"' (&!&)&*"' !"#$ %&'%$ ()*+,' -#$%&' !"#$ ()*+&,$ +,-' 1#2$ !"#$ *-.(/$ .!$(.' !"#$ 0(.&/$ ("./0"'' /&0' $123%"*' Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 9
  • 46. CMS - CAT + DAM = CDS !"#$%&' !"#$%&!"' (&!&)&*"' !"#$ %&'%$ ()*+,' -#$%&' !"#$ ()*+&,$ +,-' 1#2$ !"#$ *-.(/$ .!$(.' !"#$ 0(.&/$ ("./0"'' /&0' $123%"*' Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 9
  • 47. CDS workflow Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 10
  • 48. CDS workflow • Content Delivery System (CDS) identifies platform requesting content and requests content from CMS Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 10
  • 49. CDS workflow • Content Delivery System (CDS) identifies platform requesting content and requests content from CMS • CMS retrieves original assets from DAM stores template database defines GUI for that device and file formats and parameters: jpg, avi, mp3, xml, h. 264, screen size, compression settings Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 10
  • 50. CDS workflow • Content Delivery System (CDS) identifies platform requesting content and requests content from CMS • CMS retrieves original assets from DAM stores template database defines GUI for that device and file formats and parameters: jpg, avi, mp3, xml, h. 264, screen size, compression settings • CDS converts CMS-delivered assets according to template specs, assembles assets within device template and delivers final content Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 10
  • 51. CDS workflow • Content Delivery System (CDS) identifies platform requesting content and requests content from CMS • CMS retrieves original assets from DAM stores template database defines GUI for that device and file formats and parameters: jpg, avi, mp3, xml, h. 264, screen size, compression settings • CDS converts CMS-delivered assets according to template specs, assembles assets within device template and delivers final content • does a CDS make your CMS one of your DAMs? Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 10
  • 52. API ROI Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 53. API ROI • evaluate the accessibility of your DAMs Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 54. API ROI • evaluate the accessibility of your DAMs • evaluate the technical distance between your DAMs Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 55. API ROI • evaluate the accessibility of your DAMs • evaluate the technical distance between your DAMs • evaluate the volume of data you want to retrieve Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 56. API ROI • evaluate the accessibility of your DAMs • evaluate the technical distance between your DAMs • evaluate the volume of data you want to retrieve • evaluate the quality and relevance of data you want retrieve Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 57. API ROI • evaluate the accessibility of your DAMs • evaluate the technical distance between your DAMs • evaluate the volume of data you want to retrieve • evaluate the quality and relevance of data you want retrieve • depending on these criteria it might justify: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 58. API ROI • evaluate the accessibility of your DAMs • evaluate the technical distance between your DAMs • evaluate the volume of data you want to retrieve • evaluate the quality and relevance of data you want retrieve • depending on these criteria it might justify: • paying for a bespoke API for an existing data store Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 59. API ROI • evaluate the accessibility of your DAMs • evaluate the technical distance between your DAMs • evaluate the volume of data you want to retrieve • evaluate the quality and relevance of data you want retrieve • depending on these criteria it might justify: • paying for a bespoke API for an existing data store • replacing an existing data store and migrating historical content Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 60. API ROI • evaluate the accessibility of your DAMs • evaluate the technical distance between your DAMs • evaluate the volume of data you want to retrieve • evaluate the quality and relevance of data you want retrieve • depending on these criteria it might justify: • paying for a bespoke API for an existing data store • replacing an existing data store and migrating historical content • copy/paste or edit/paste to a new data store Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 11
  • 61. metadata strategies Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 62. metadata strategies • asset specific metadata layer in DAM Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 63. metadata strategies • asset specific metadata layer in DAM • very specific asset selection Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 64. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 65. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive • template specific metadata layer in CDS Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 66. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive • template specific metadata layer in CDS • rapid selection of suitable assets based on platform specific parameters e.g. asset type, length, color profile, audio quality, audio complexity Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 67. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive • template specific metadata layer in CDS • rapid selection of suitable assets based on platform specific parameters e.g. asset type, length, color profile, audio quality, audio complexity • still an arbitrary, generalized technical filter Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 68. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive • template specific metadata layer in CDS • rapid selection of suitable assets based on platform specific parameters e.g. asset type, length, color profile, audio quality, audio complexity • still an arbitrary, generalized technical filter • ways to optimize specific platform/content pairings: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 69. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive • template specific metadata layer in CDS • rapid selection of suitable assets based on platform specific parameters e.g. asset type, length, color profile, audio quality, audio complexity • still an arbitrary, generalized technical filter • ways to optimize specific platform/content pairings: • qualitative user feedback: rank this content 1-5 Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 70. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive • template specific metadata layer in CDS • rapid selection of suitable assets based on platform specific parameters e.g. asset type, length, color profile, audio quality, audio complexity • still an arbitrary, generalized technical filter • ways to optimize specific platform/content pairings: • qualitative user feedback: rank this content 1-5 • quantitative user behavior: does a user complete a given content segment and if not at what point did s/he stop Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 71. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive • template specific metadata layer in CDS • rapid selection of suitable assets based on platform specific parameters e.g. asset type, length, color profile, audio quality, audio complexity • still an arbitrary, generalized technical filter • ways to optimize specific platform/content pairings: • qualitative user feedback: rank this content 1-5 • quantitative user behavior: does a user complete a given content segment and if not at what point did s/he stop • semantic web technology: Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 72. metadata strategies • asset specific metadata layer in DAM • very specific asset selection • but very labor intensive • template specific metadata layer in CDS • rapid selection of suitable assets based on platform specific parameters e.g. asset type, length, color profile, audio quality, audio complexity • still an arbitrary, generalized technical filter • ways to optimize specific platform/content pairings: • qualitative user feedback: rank this content 1-5 • quantitative user behavior: does a user complete a given content segment and if not at what point did s/he stop • semantic web technology: • a metadata ontology allowing interpolation of relationship analogies among heretofore unrelated data sets Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 12
  • 73. lunch
  • 74. nuts and bolts of your CDS Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 14
  • 75. nuts and bolts of your CDS ingredients of our CDS Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 14
  • 76. nuts and bolts of your CDS ingredients of our CDS • DAMs: canto, media beacon, file system, open source media stores, flickr,YouTube, S3 Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 14
  • 77. nuts and bolts of your CDS ingredients of our CDS • DAMs: canto, media beacon, file system, open source media stores, flickr,YouTube, S3 • Collections Management System: embark, TMS, past perfect Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 14
  • 78. nuts and bolts of your CDS ingredients of our CDS • DAMs: canto, media beacon, file system, open source media stores, flickr,YouTube, S3 • Collections Management System: embark, TMS, past perfect • web platform/databases: ASP, LAMP, MAMP, WAMP, IIS, Oracle, SQL server Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 14
  • 79. nuts and bolts of your CDS ingredients of our CDS • DAMs: canto, media beacon, file system, open source media stores, flickr,YouTube, S3 • Collections Management System: embark, TMS, past perfect • web platform/databases: ASP, LAMP, MAMP, WAMP, IIS, Oracle, SQL server • middleware: Drupal, WordPress, TeamSite, WebSphere Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 14
  • 80. nuts and bolts of your CDS ingredients of our CDS • DAMs: canto, media beacon, file system, open source media stores, flickr,YouTube, S3 • Collections Management System: embark, TMS, past perfect • web platform/databases: ASP, LAMP, MAMP, WAMP, IIS, Oracle, SQL server • middleware: Drupal, WordPress, TeamSite, WebSphere • server infrastructure: single servers, ESX virtualization, grid computing, cloud computing Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 14
  • 81. nuts and bolts of your CDS Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 15
  • 82. nuts and bolts of your CDS Front end/back end, couture vs prêt-à-porter: what to customize and what to use off the shelf Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 15
  • 83. nuts and bolts of your CDS Front end/back end, couture vs prêt-à-porter: what to customize and what to use off the shelf • use as much off the shelf as you can! Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 15
  • 84. nuts and bolts of your CDS Front end/back end, couture vs prêt-à-porter: what to customize and what to use off the shelf • use as much off the shelf as you can! • where you cannot apply the 20:80 rule Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 15
  • 85. nuts and bolts of your CDS Front end/back end, couture vs prêt-à-porter: what to customize and what to use off the shelf • use as much off the shelf as you can! • where you cannot apply the 20:80 rule • customize your front end to meet your known user needs Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 15
  • 86. nuts and bolts of your CDS Front end/back end, couture vs prêt-à-porter: what to customize and what to use off the shelf • use as much off the shelf as you can! • where you cannot apply the 20:80 rule • customize your front end to meet your known user needs • user umbrella organizational standards to foster intuitive user experience among sibling sites Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 15
  • 87. nuts and bolts of your CDS Front end/back end, couture vs prêt-à-porter: what to customize and what to use off the shelf • use as much off the shelf as you can! • where you cannot apply the 20:80 rule • customize your front end to meet your known user needs • user umbrella organizational standards to foster intuitive user experience among sibling sites • customize your back end as little as possible: any learning curve for staff will hamper productivity Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 15
  • 88. nuts and bolts of your CDS Front end/back end, couture vs prêt-à-porter: what to customize and what to use off the shelf • use as much off the shelf as you can! • where you cannot apply the 20:80 rule • customize your front end to meet your known user needs • user umbrella organizational standards to foster intuitive user experience among sibling sites • customize your back end as little as possible: any learning curve for staff will hamper productivity • depending on your CMS platform you may find unexpected familiarity among your staff Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 15
  • 89. nuts and bolts of your CDS Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 90. nuts and bolts of your CDS In-house vs outsource: where control is valuable, where participating in extra-organizational economy of scale adds value Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 91. nuts and bolts of your CDS In-house vs outsource: where control is valuable, where participating in extra-organizational economy of scale adds value • suitability of outsourcing a component is proportional to its distance from content creation Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 92. nuts and bolts of your CDS In-house vs outsource: where control is valuable, where participating in extra-organizational economy of scale adds value • suitability of outsourcing a component is proportional to its distance from content creation • make use of internal knowledge/skills but do not under-estimate opportunity cost Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 93. nuts and bolts of your CDS In-house vs outsource: where control is valuable, where participating in extra-organizational economy of scale adds value • suitability of outsourcing a component is proportional to its distance from content creation • make use of internal knowledge/skills but do not under-estimate opportunity cost • in-house solutions are often hard to scale or deal with unexpected success: participation in a larger solution can mitigate those risks Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 94. nuts and bolts of your CDS In-house vs outsource: where control is valuable, where participating in extra-organizational economy of scale adds value • suitability of outsourcing a component is proportional to its distance from content creation • make use of internal knowledge/skills but do not under-estimate opportunity cost • in-house solutions are often hard to scale or deal with unexpected success: participation in a larger solution can mitigate those risks • know who else is funding your vendors Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 95. nuts and bolts of your CDS In-house vs outsource: where control is valuable, where participating in extra-organizational economy of scale adds value • suitability of outsourcing a component is proportional to its distance from content creation • make use of internal knowledge/skills but do not under-estimate opportunity cost • in-house solutions are often hard to scale or deal with unexpected success: participation in a larger solution can mitigate those risks • know who else is funding your vendors • know who else is using shared services Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 96. nuts and bolts of your CDS In-house vs outsource: where control is valuable, where participating in extra-organizational economy of scale adds value • suitability of outsourcing a component is proportional to its distance from content creation • make use of internal knowledge/skills but do not under-estimate opportunity cost • in-house solutions are often hard to scale or deal with unexpected success: participation in a larger solution can mitigate those risks • know who else is funding your vendors • know who else is using shared services • if you do it in-house document it Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 97. nuts and bolts of your CDS In-house vs outsource: where control is valuable, where participating in extra-organizational economy of scale adds value • suitability of outsourcing a component is proportional to its distance from content creation • make use of internal knowledge/skills but do not under-estimate opportunity cost • in-house solutions are often hard to scale or deal with unexpected success: participation in a larger solution can mitigate those risks • know who else is funding your vendors • know who else is using shared services • if you do it in-house document it • if you outsource define your SOW and more importantly your SLA Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 16
  • 98. nuts and bolts of your CDS Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 17
  • 99. nuts and bolts of your CDS let’s get practical Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 17
  • 100. nuts and bolts of your CDS let’s get practical (the presentation moved to a practical demonstration of WordPress with an emphasis on mobile templates, Twitter hashtag, Flickr,YouTube and audio integration) Titus Bicknell © 2010 | Balboa Park: Going Mobile 2010-02-17 17

Editor's Notes

  1. CMS: embark, TMS, past perfect
  2. CMS: embark, TMS, past perfect
  3. CMS: embark, TMS, past perfect
  4. CMS: embark, TMS, past perfect
  5. CMS: embark, TMS, past perfect
  6. CMS: embark, TMS, past perfect