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BRIDGE GROUP ARTISTS EXHIBITION


IMAGINATION
    The Edward John Noble Education Center
        at MoMA: October 4 ─ 30, 2011

The Bridge Gallery 300: Nov. 15 ─ Dec. 13, 2011
We dedicate this catalog to The Museum of Modern Art’s Community and Access Programs. Through the
exhibitions, discussions and critiques during the MoMA partnership, The Bridge Group Artists’ desire to create has
increased, as did their self-esteem. The sessions were life-changing. Thank you Francesca Rosenberg, Carrie
McGee and Gordon Sasaki for always going beyond the ordinary and exceeding our expectations.

We also dedicate the catalog and exhibitions to three organizations that have contributed time and resources to
promote the art and expand the horizons of the artists:

          Thank you to the Educational Foundation of America for recognizing the importance of the work of The
           Bridge Group Artists. You have enabled them to keep growing, painting and exploring new artistic
           horizons because of your continuous support.
          Thank you to the Peter Jay Sharp Foundation for your generous grant.
          Thank you to Ricoh Americas Corporation for your generous contribution of printing the 2011
           Bridge/MoMA Exhibition Catalog.

                                               Acknowledgments

We appreciate the continuous support of The Bridge Board of Directors, Executive Director Dr. Peter Beitchman
(who has encouraged our artists since the program’s inception 23 years ago), Deputy Director Dr. Robert
Yankowitz, PROS Director Sharon Gold, Director of Housing Development Carole Gordon and Director of
Development Ann Hyatt

                                                   THANK YOU

         Elena Olivo, Photographer, for photographing The Bridge Group Artists work for 2011 exhibitions
          including catalog, invitation and slide show additions.
         Bo Okuyan, Metro Framart, for framing “Imagination” and your generosity to our group over the years.
         Joshua Shenk of Arts In Mind for your recognition and support of The Bridge Group Artists.
         Pearl Paint Manager Dinah Alderman Rengel and Lee Nolan for your help and generous discounts for
          art supplies.
         Alex Banks, Bridge Director of Maintenance and staff Charles Melella, Rawle Holas and Conrad
          Nichols for your invaluable help on all our art exhibitions.
         Robert Moore, ultimate volunteer, whose generous nature and appreciation of The Bridge Group Artists
          has made the printing of our 2011 catalog possible.
         Ro Lohin of the Lohin Geduld Gallery for inviting our artists to her gallery to see all new exhibitions and
          for inspiring them through seeing and discussing art.
         Denise Gutierrez, Bridge Executive Assistant, who coordinated and put together all facets of the 2011
          catalog.
         Erica Ciporen, Social Media Specialist, for your help in promoting Bridge Group Artists through social
          media.
         Anthony Tozza, Director of MIS, and Charles Mak for all the help you have given us.


Front Cover
NEW ENGLAND LANDSCAPE
By Robert Kaplan
Collage: Acrylic on Canvas
EGYPT ─ 2011
By Christopher Zavelo
 Watercolor on Paper
IMAGINATION
                                                “I close my eyes in order to see.”
                                                                 -Paul Gauguin


The Bridge Group Artists began twenty-three years ago under the direction of Judith Raskin Rosenthal, ATR. Many of the
artists began with very little or no formal training. Eventually the group attracted individuals with some art education or
experience. All have come to understand that the desire to create is in itself an expression of mental wellness and that—as
artists—there is always room for growth.

Over the past year, MoMA's Department of Education and The Bridge’s Art Department participated in their sixth annual
extended partnership. Through this unique collaboration, artists from The Bridge and their art therapist met with MoMA
educators to explore new ideas and approaches to art at the Museum. Through guided tours and independent visits, the
Group learned about the perspectives and techniques of a variety of artists. Back at their studio at The Bridge, the artists
created a new body of work informed by their experiences.

IMAGINATION was chosen as the theme of this year’s partnership. Imagination can be defined as “the act or power of
forming a mental image of something not present to the senses or never before wholly perceived in reality.” Putting these
images on paper, on canvas or in clay provides a way for artists to understand and express themselves. At MoMA, we
began by looking at some of the earliest works in the Collection to see how artists were championing imagination over
reality and depicting their individual experiences of the world. Through two special exhibitions, German Expressionism: The
Graphic Impulse and Impressions from South Africa: 1965 to Now, we explored the ways in which artists from different
countries—and different centuries—commented on their social, political and private worlds through their art. In Picasso:
Guitars 1912-1914, we examined and discussed Picasso’s material and structural experimentation.

Inspired by the techniques and approaches of the artists whose work they viewed at the Museum, the Bridge artists pushed
themselves into new territory. They were encouraged to take their best work and push it further, to mine their imaginations
and try new techniques. Their subject matter ranged from New York City to India to an imagined aerial view of Springfield—
home of The Simpsons—and beyond, to animals and abstractions. Some began using color in a non-representational
manner. Leaves were purple, lips were green and eyes red. Materials and tools were used imaginatively as well. One artist
began repeatedly tracing the rim of a paper cup in order to form shells, snakes and abstract compositions. Another spoke of
overcoming fears and being inspired by the newfound freedom that came with being aesthetically daring. Everyone explored
new ground.

We admire and would like to thank them, for it is their talent and dedication that make this collaboration a success.



Carrie McGee, and Gordon Sasaki, The Museum of Modern Art
Judith Raskin Rosenthal, The Bridge
After visiting Picasso: Guitars 1912-1914 at MoMA, artist Chris Zavelo created this work based on his memory of observing visitors in the exhibition.




                                                                                                            PICASSO AT MOMA
                                                                                                           By Christopher Zavelo
                                                                                                            Watercolor on Paper
VAMPIRE BITE
By Glenn Grancio
Acrylic on Canvas
HARRY POTTER
By Glenn Grancio
Acrylic on Board
SPRINGFIELD ─ HOME OF THE SIMPSONS
                        By Ira Brewer
                   Graphite on Paper
MY MENU OF CHOICE
       By Ira Brewer
   Acrylic on Canvas
THE COOP-SELF PORTRAIT IN BLUE
                 By Scott Zwiren
               Graphite on Paper
THE PEACOCK
By Scott Zwiren
   Mixed Media
THE STORE
By Francisco Ortiz
 Markers on Paper
THE SLAVE AND THE SHARK
         By Francisco Ortiz
         Markers on Paper
UNTITILED
                                                                                              By Jennifer Gilliam
                                                                                                    Mixed Media

In Memoriam

These pages depict two of Jennifer’s many art styles, which ranged from realism to abstraction. She was wonderfully
innovative, experimenting with food coloring, glitter, wood, glass and wire, along with traditional art materials. She was also
a skilled jewelry designer, and her jewelry was featured in a trendy Upper West Side boutique. The MoMA partnership was
a highlight in her life. After coming to MoMA she decided to go back to art school to refresh her drawing skills. Recently, she
was featured in NY Portraits, a book about talented New York artists with disabilities by Gordon Sasaki. The book shows a
beautiful photograph of Jennifer accompanied by a text that describes her close relationship with her daughter, Quentin.
The group appreciated her talent, intellect and her interest in other people. I will always remember her generous spirit, as
well as her extraordinary talent. We all miss her.



                                                                        Judith Raskin-Rosenthal and the Bridge Group Artists
SELF PORTRAIT
By Jennifer Gilliam
      Mixed Media
OPEN MARKET IN INDIA
   By Serguei Lanqetot
  Collage –Mixed Media
SELF PORTRAIT
By Serguei Lanquetot
    Graphite on Paper
GIRL IN BLUE
By James Sneed
Acrylic on Board
PICASSO DESIGN
 By James Sneed
 Acrylic on Board
TYRANASAURUS
           By Michael Blamo
Twisties Tissues and Acrylic
NEW YORK CITY ─ WEST 103 ST.
             By Michael Blamo
           Watercolor on Paper
LAUNDRY DAY
By Patricia Doherty
     Oil on Canvas
PANTONE – MASK (Wearable Art)
                By Patricia Doherty
Plastic Clay, Feathers, and Leather
SHELLS
        By Rosalia Silva
Cups - Graphite on Paper
FLOWERS AND SNAKE
         By Rosalia Silva
Cups - Graphite on Paper
STUDY OF A MAN
By Robert Kaplan
Acrylic on Canvas
HEMINGWAY
By Robert Kaplan
Acrylic on Canvas
LITTLE VILLAGE
 By James Sneed
Graphite on Paper
THE GORILLA
By Francisco Ortiz
 Markers on Paper
WHITE RACCOON MEDITATION
          By Glenn Grancio
          Acrylic on Canvas
Bridge Group Artists
                     Past and Present

Ira Brewer                              Robert Kaplan
Louis                                   Michelle
Suzannah Hadron                         Cheryl
Helen                                   Bernice
Vibart Toussaint                        Lisa
Nathan Berman                           Joseph Melendez
Greg Dologlou                           Wordell Alexander
James Sneed                             Jill Friedman
Diana                                   Helayne Butler
Victor Hernandez                        Calvin Fraley
Jennifer Gilliam                        Isidro Astacio
Carmen                                  Scott Zwiren
Cara Leslie                             Yvonne A. Blanco
Adrienne Wilson                         Dillon Rickets
Judith K. Bouck                         Jayce Kim
Linda Mayer                             Shirley Hodges
Eloise Robinson                         John Denson
Edria                                   Wolf
Gwendolyn Simms                         Quimet Rodriguez
Serguei Lanquetot                       Madelyn Padilla
Rita Iashaieva                          Peter Brown
Casey Tillman                           Amburse White
Patricia Doherty                        Christopher Gaskin
Caroline Blount                         Kimberly Ceasar
Francisco Ortiz                         Rosalie Clinton
Glenn Grancio                           Olvis Ciprian
Valda Maida                             Amy Berlin
Marcia Glover                           Michael Blamo
Christopher Zavelo                      Rosalia Silva
                                        Lauren Voorhaus




                                                         Back Cover
                                                 BIRDS EYE HEART
                                                 By Patricia Doherty
                                                      Oil on Canvas
The Bridge’s mission is to change lives by offering help, hope and opportunity to the most vulnerable in our
community through mental health and substance abuse treatment, housing, vocational training and job
placement, healthcare, education and creative arts therapy.




                                          248 West 108th Street
                                           New York, NY 10025
                                          www.thebridgeny.org
                                             212-663-3000

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The Bridge Groups Artists show IMAGINATION at MoMa

  • 1. BRIDGE GROUP ARTISTS EXHIBITION IMAGINATION The Edward John Noble Education Center at MoMA: October 4 ─ 30, 2011 The Bridge Gallery 300: Nov. 15 ─ Dec. 13, 2011
  • 2. We dedicate this catalog to The Museum of Modern Art’s Community and Access Programs. Through the exhibitions, discussions and critiques during the MoMA partnership, The Bridge Group Artists’ desire to create has increased, as did their self-esteem. The sessions were life-changing. Thank you Francesca Rosenberg, Carrie McGee and Gordon Sasaki for always going beyond the ordinary and exceeding our expectations. We also dedicate the catalog and exhibitions to three organizations that have contributed time and resources to promote the art and expand the horizons of the artists:  Thank you to the Educational Foundation of America for recognizing the importance of the work of The Bridge Group Artists. You have enabled them to keep growing, painting and exploring new artistic horizons because of your continuous support.  Thank you to the Peter Jay Sharp Foundation for your generous grant.  Thank you to Ricoh Americas Corporation for your generous contribution of printing the 2011 Bridge/MoMA Exhibition Catalog. Acknowledgments We appreciate the continuous support of The Bridge Board of Directors, Executive Director Dr. Peter Beitchman (who has encouraged our artists since the program’s inception 23 years ago), Deputy Director Dr. Robert Yankowitz, PROS Director Sharon Gold, Director of Housing Development Carole Gordon and Director of Development Ann Hyatt THANK YOU  Elena Olivo, Photographer, for photographing The Bridge Group Artists work for 2011 exhibitions including catalog, invitation and slide show additions.  Bo Okuyan, Metro Framart, for framing “Imagination” and your generosity to our group over the years.  Joshua Shenk of Arts In Mind for your recognition and support of The Bridge Group Artists.  Pearl Paint Manager Dinah Alderman Rengel and Lee Nolan for your help and generous discounts for art supplies.  Alex Banks, Bridge Director of Maintenance and staff Charles Melella, Rawle Holas and Conrad Nichols for your invaluable help on all our art exhibitions.  Robert Moore, ultimate volunteer, whose generous nature and appreciation of The Bridge Group Artists has made the printing of our 2011 catalog possible.  Ro Lohin of the Lohin Geduld Gallery for inviting our artists to her gallery to see all new exhibitions and for inspiring them through seeing and discussing art.  Denise Gutierrez, Bridge Executive Assistant, who coordinated and put together all facets of the 2011 catalog.  Erica Ciporen, Social Media Specialist, for your help in promoting Bridge Group Artists through social media.  Anthony Tozza, Director of MIS, and Charles Mak for all the help you have given us. Front Cover NEW ENGLAND LANDSCAPE By Robert Kaplan Collage: Acrylic on Canvas
  • 3. EGYPT ─ 2011 By Christopher Zavelo Watercolor on Paper
  • 4. IMAGINATION “I close my eyes in order to see.” -Paul Gauguin The Bridge Group Artists began twenty-three years ago under the direction of Judith Raskin Rosenthal, ATR. Many of the artists began with very little or no formal training. Eventually the group attracted individuals with some art education or experience. All have come to understand that the desire to create is in itself an expression of mental wellness and that—as artists—there is always room for growth. Over the past year, MoMA's Department of Education and The Bridge’s Art Department participated in their sixth annual extended partnership. Through this unique collaboration, artists from The Bridge and their art therapist met with MoMA educators to explore new ideas and approaches to art at the Museum. Through guided tours and independent visits, the Group learned about the perspectives and techniques of a variety of artists. Back at their studio at The Bridge, the artists created a new body of work informed by their experiences. IMAGINATION was chosen as the theme of this year’s partnership. Imagination can be defined as “the act or power of forming a mental image of something not present to the senses or never before wholly perceived in reality.” Putting these images on paper, on canvas or in clay provides a way for artists to understand and express themselves. At MoMA, we began by looking at some of the earliest works in the Collection to see how artists were championing imagination over reality and depicting their individual experiences of the world. Through two special exhibitions, German Expressionism: The Graphic Impulse and Impressions from South Africa: 1965 to Now, we explored the ways in which artists from different countries—and different centuries—commented on their social, political and private worlds through their art. In Picasso: Guitars 1912-1914, we examined and discussed Picasso’s material and structural experimentation. Inspired by the techniques and approaches of the artists whose work they viewed at the Museum, the Bridge artists pushed themselves into new territory. They were encouraged to take their best work and push it further, to mine their imaginations and try new techniques. Their subject matter ranged from New York City to India to an imagined aerial view of Springfield— home of The Simpsons—and beyond, to animals and abstractions. Some began using color in a non-representational manner. Leaves were purple, lips were green and eyes red. Materials and tools were used imaginatively as well. One artist began repeatedly tracing the rim of a paper cup in order to form shells, snakes and abstract compositions. Another spoke of overcoming fears and being inspired by the newfound freedom that came with being aesthetically daring. Everyone explored new ground. We admire and would like to thank them, for it is their talent and dedication that make this collaboration a success. Carrie McGee, and Gordon Sasaki, The Museum of Modern Art Judith Raskin Rosenthal, The Bridge
  • 5. After visiting Picasso: Guitars 1912-1914 at MoMA, artist Chris Zavelo created this work based on his memory of observing visitors in the exhibition. PICASSO AT MOMA By Christopher Zavelo Watercolor on Paper
  • 6. VAMPIRE BITE By Glenn Grancio Acrylic on Canvas
  • 7. HARRY POTTER By Glenn Grancio Acrylic on Board
  • 8. SPRINGFIELD ─ HOME OF THE SIMPSONS By Ira Brewer Graphite on Paper
  • 9. MY MENU OF CHOICE By Ira Brewer Acrylic on Canvas
  • 10. THE COOP-SELF PORTRAIT IN BLUE By Scott Zwiren Graphite on Paper
  • 11. THE PEACOCK By Scott Zwiren Mixed Media
  • 12. THE STORE By Francisco Ortiz Markers on Paper
  • 13. THE SLAVE AND THE SHARK By Francisco Ortiz Markers on Paper
  • 14. UNTITILED By Jennifer Gilliam Mixed Media In Memoriam These pages depict two of Jennifer’s many art styles, which ranged from realism to abstraction. She was wonderfully innovative, experimenting with food coloring, glitter, wood, glass and wire, along with traditional art materials. She was also a skilled jewelry designer, and her jewelry was featured in a trendy Upper West Side boutique. The MoMA partnership was a highlight in her life. After coming to MoMA she decided to go back to art school to refresh her drawing skills. Recently, she was featured in NY Portraits, a book about talented New York artists with disabilities by Gordon Sasaki. The book shows a beautiful photograph of Jennifer accompanied by a text that describes her close relationship with her daughter, Quentin. The group appreciated her talent, intellect and her interest in other people. I will always remember her generous spirit, as well as her extraordinary talent. We all miss her. Judith Raskin-Rosenthal and the Bridge Group Artists
  • 15. SELF PORTRAIT By Jennifer Gilliam Mixed Media
  • 16. OPEN MARKET IN INDIA By Serguei Lanqetot Collage –Mixed Media
  • 17. SELF PORTRAIT By Serguei Lanquetot Graphite on Paper
  • 18. GIRL IN BLUE By James Sneed Acrylic on Board
  • 19. PICASSO DESIGN By James Sneed Acrylic on Board
  • 20. TYRANASAURUS By Michael Blamo Twisties Tissues and Acrylic
  • 21. NEW YORK CITY ─ WEST 103 ST. By Michael Blamo Watercolor on Paper
  • 22. LAUNDRY DAY By Patricia Doherty Oil on Canvas
  • 23. PANTONE – MASK (Wearable Art) By Patricia Doherty Plastic Clay, Feathers, and Leather
  • 24. SHELLS By Rosalia Silva Cups - Graphite on Paper
  • 25. FLOWERS AND SNAKE By Rosalia Silva Cups - Graphite on Paper
  • 26. STUDY OF A MAN By Robert Kaplan Acrylic on Canvas
  • 28. LITTLE VILLAGE By James Sneed Graphite on Paper
  • 29. THE GORILLA By Francisco Ortiz Markers on Paper
  • 30. WHITE RACCOON MEDITATION By Glenn Grancio Acrylic on Canvas
  • 31. Bridge Group Artists Past and Present Ira Brewer Robert Kaplan Louis Michelle Suzannah Hadron Cheryl Helen Bernice Vibart Toussaint Lisa Nathan Berman Joseph Melendez Greg Dologlou Wordell Alexander James Sneed Jill Friedman Diana Helayne Butler Victor Hernandez Calvin Fraley Jennifer Gilliam Isidro Astacio Carmen Scott Zwiren Cara Leslie Yvonne A. Blanco Adrienne Wilson Dillon Rickets Judith K. Bouck Jayce Kim Linda Mayer Shirley Hodges Eloise Robinson John Denson Edria Wolf Gwendolyn Simms Quimet Rodriguez Serguei Lanquetot Madelyn Padilla Rita Iashaieva Peter Brown Casey Tillman Amburse White Patricia Doherty Christopher Gaskin Caroline Blount Kimberly Ceasar Francisco Ortiz Rosalie Clinton Glenn Grancio Olvis Ciprian Valda Maida Amy Berlin Marcia Glover Michael Blamo Christopher Zavelo Rosalia Silva Lauren Voorhaus Back Cover BIRDS EYE HEART By Patricia Doherty Oil on Canvas
  • 32. The Bridge’s mission is to change lives by offering help, hope and opportunity to the most vulnerable in our community through mental health and substance abuse treatment, housing, vocational training and job placement, healthcare, education and creative arts therapy. 248 West 108th Street New York, NY 10025 www.thebridgeny.org 212-663-3000