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CRITICAL MAKING 
Research & Development 
Matt Ratto (with thanks to Dan Southwick, Isaac Record, and critical making lab)
Critical making signals the 
ways in which productions— 
whether of video, web-based 
communications, gardens, 
radio transmitters, or robots— 
are understood as 
politically transformative 
activities by the individuals 
and groups described in each 
chapter. (Ratto & Boler, 
introduction to DIY 
Citizenship, MIT Press)
3D printed handgun, CC non-commerical license 
7
MAKER SPACES IN 
LIBRARIES?
• …it is of the paramount importance that the means of 
general information should be so diffused that the 
largest possible number of persons be induced to 
read and understand questions going down to the 
very foundations of social order… 
• City of Boston Report on Libraries – July 1852
…in an age when the public has become accustomed to 
scientific investigation and experimentation, to rapid 
technological development, and to social and culture 
changes incident to them, the library cannot perform its 
educational function with distinction unless it utilizes all 
possible aids in broadening and enriching its own 
educational services and in promoting other adult 
education organizations. 
Louis Wilson (1937)
• These changes in technology, media, and society require 
the development of critical media literacy to empower 
students and citizens to adequately read media messages 
and produce media themselves in order to be active 
participants in a democratic society (Kellner, 1995; Kellner 
& Share, 2005). 
• In Kellner & Share, 2007
it is sometimes a bit of a shock to be 
reminded that, in operational and 
practical fact, the medium is the 
message. (Mcluhan, Understanding 
Media, 7)
HOW TO TEACH 3D 
PRINTING? 
Tropes, History, and Implications
TROPES OF 3D PRINTING
What is 3D printing?
What is 3D printing?
What is 3D printing?
The Strange Reality of 3D Printing
The Strange Reality of 3D Printing
HISTORY OF 3D PRINTING
History and Development of the 
Technology 
First 3D printers Developed in 1980s 
• Design by Chuck Hull of 3D Systems, this early printer used the 
Stereolithography technique 
RepRap Project Begins in 2005 
• The first object is successfully printed by RepRap 0.2 prototype in 
September 2006 
MakerBot Industries Founded in 2009 
• 3,500 units were sold as of March 2011 
• On June 19, 2013 Stratasys Incorporated announced it acquired 
MakerBot in a stock deal worth $403 Million (USD)
History and Development of the 
Technology 
3D Printing is Not Just One Technology 
• Stereolithography 
• Fused Deposition 
• Laser Sintering
History and Development of the 
Technology 
- Industrial - 
Objet 1000 
- Consumer - 
RepRap
cc Matt Ratto, matt.ratto@utoronto.ca 30 
Culture of tinkering, hacking & DIY: 
RepRap 
RepRap is a seminal UK-based 
project that seeks the ongoing 
development of an extremely 
affordable, open source 3d printer 
that is designed to be self-replicating 
(capable of printing all of its own key 
structural components).
cc Matt Ratto, matt.ratto@utoronto.ca 31 
Towards desktop fabrication: 
MakerBot 
Building on the intellectual and physical 
resources borne of the RepRap project, 
a team of NYC hackers start MakerBot 
Industries, a company that manufactures 
and markets affordable 3d printer kits. 
(Some assembly required - a kind of 
“DIY-lite”.) 
Their mission: to hasten the forthcoming 
3D Printing Revolution.
Towards desktop fabrication: 
MakerBot 
32 
2014 2009
History and Development of the 
Technology 
Model Objet 30 Pro Replicator 2 
Resolution 0.028 mm 
600 x 600 x 900 dpi 
0.100 mm 
approx. 150 dpi 
Build 
Envelope 
300 x 200 x 150 
mm 
285 x 153 x 155 
mm 
Material Cost $0.33/gram* $0.05/gram* 
Price CA$45,000 CA$2,199
IMPLICATIONS OF 3D 
PRINTING
Ethical and Legal Objects
Ethical and Legal Objects
Complex Mechanical Objects
Complex Mechanical Objects
Heritage Objects
Heritage Objects
Medical Objects
Medical Objects
Daily Objects
Hidden Objects
Hidden Objects
Future Objects
Future Objects
Critical Issues 
• Novel Spaces for Fabrication 
• Citizen Empowerment 
• The evolving consumer 
• New conceptions of labour 
• Unlocking latent entrepreneurship 
(Ratto, M., & Ree, R. (2012). Materializing information: 3D printing and social 
change. First Monday, 17(7). doi:10.5210/fm.v17i7.3968)
CRITICAL LITERACY
The World Health Organization 
estimates that in Latin America, 
Africa, and Asia combined, almost 30 
million people require prosthetic 
limbs, braces, or other devices, up 
from 24 million in 2006 (Aleccia 
2010).
Amputation Causes 
• Vascular Disease (rising incidents) 
• Land Mines (26,000 amputations/year) 
• 300,000 worldwide 
• Industrial or Environmental Accidents 
• Terrorist Attacks 
• Lack of Basic Public Health 
• Diabetes 
• Gangrene 
• Infection 
• Bone diseases like poliomyelitis and osteomyelitis.
Amputation Types 
Hip Disarticulation 
Knee Disarticulation 
Foot Disarticulation 
Transfemoral 
(above knee) 
Transtibial 
(below knee)
How Many Prosthetics? 
• Children – every 6 to 12 months. 
• Adults – every 3 to 5 years. 
• Limb deficient child at 10 years of age will need 
approximately 25 limbs in his/her lifetime. 
• Limb deficient adult will need approximately 15 
to 20 limbs during their lifetime.
The First Problem 
• World Health Organization studies (2003). 
• Current confirmation by International Society of 
Prosthetics and Orthotics and Michiel Steenbeek, CBM 
Advisor Physical Impairment and Rehabilitation. 
• Current supply of Prosthetic Technicians falls 
short by approximately 40,000. 
• It will take approximately 50 years to train 
just 18,000 more skilled professionals.
Solution 
1. Scan (infrared laser surface scan). 
2. Software (Manipulate/edit digital data scan). 
3. 3D Print (Output of plastic socket). 
• 3-year Project to prove concept viability. 
• 35 children aged 2-18 as direct beneficiaries. 
• 68 appliances (comparing conventional made to 
3D-printed). 
• Supply-chain & plastic recycling business model. 
• CoRSU Training Centre for Prosthetists.
1.Fewer manual steps 
2.Less chance for error 
3.~ five days vs. two days
1. Reliability of technology 
2. Strength of sockets 
3. Reduces training needs, does not 
eliminate.
Team at CoRSU
Scanning
Impact test: 5kN in .25sec
http://enablingthefuture.org/
Question: Is this appropriate technology? 
Answer: technically, yes.
Why 3D print? 
• Custom /Short Run 
• Just-in-time/on demand 
• Complex Topologies
Question: Is this appropriate technology? 
Answer: socially, yes, if implemented 
correctly.
TECHNOLOGIES 
WITHOUT CONTEXT
Reader’s Advisory 
• Doctorow, C. (2006). Printcrime. Retrieved from 
http://www.gutenberg.org/ebooks/19000 
• Sterling, B. (2008). The Kiosk. Retrieved from 
http://web.archive.org/web/20080402023736/http://www.sf 
site.com/fsf/fiction/bs01.htm 
• Mayo, M., & Ross, T. (1999). Why the Sea is Salt and 
Other Stories. London: Orchard Books.
• ...the older you get, as a student, the work becomes 
• much less playful and much more about a straightforward 
and logical approach to facts. That’s not especially 
surprising because the latter approach is normally seen 
as the more ‘grown-up’, mature approach to things. I’d 
say that’s not helpful at all. In fact as the ideas we are 
learning become more complex, and we need to be more 
sophisticated in dealing with them, then a playful and 
imaginative approach is exactly what you need. 
(Gauntlett, 2006
"Many people are trying to 
recover a field of vision that 
is basically human in scale, 
and extricate themselves 
from dependence on the 
obscure forces of a global 
economy” (Matthew 
Crawford)
• While we agree that the creation of library maker spaces 
is a good first step and that the development of technical 
skills is important, our goal in this essay is to describe 
how these spaces and the content associated with them 
can be developed inline with the notion of critical literacy 
already embraced within the library tradition. 
(Ratto, M & Southwick, D. (forthcoming) Critical Maker Spaces.
Thank you! 
matt.ratto@utoronto.ca 
http://semaphore.utoronto.ca 
http://www.criticalmaking.com

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Cmlibraries ratto

  • 1. CRITICAL MAKING Research & Development Matt Ratto (with thanks to Dan Southwick, Isaac Record, and critical making lab)
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  • 6. Critical making signals the ways in which productions— whether of video, web-based communications, gardens, radio transmitters, or robots— are understood as politically transformative activities by the individuals and groups described in each chapter. (Ratto & Boler, introduction to DIY Citizenship, MIT Press)
  • 7. 3D printed handgun, CC non-commerical license 7
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  • 11. MAKER SPACES IN LIBRARIES?
  • 12. • …it is of the paramount importance that the means of general information should be so diffused that the largest possible number of persons be induced to read and understand questions going down to the very foundations of social order… • City of Boston Report on Libraries – July 1852
  • 13. …in an age when the public has become accustomed to scientific investigation and experimentation, to rapid technological development, and to social and culture changes incident to them, the library cannot perform its educational function with distinction unless it utilizes all possible aids in broadening and enriching its own educational services and in promoting other adult education organizations. Louis Wilson (1937)
  • 14. • These changes in technology, media, and society require the development of critical media literacy to empower students and citizens to adequately read media messages and produce media themselves in order to be active participants in a democratic society (Kellner, 1995; Kellner & Share, 2005). • In Kellner & Share, 2007
  • 15. it is sometimes a bit of a shock to be reminded that, in operational and practical fact, the medium is the message. (Mcluhan, Understanding Media, 7)
  • 16. HOW TO TEACH 3D PRINTING? Tropes, History, and Implications
  • 17. TROPES OF 3D PRINTING
  • 18. What is 3D printing?
  • 19. What is 3D printing?
  • 20. What is 3D printing?
  • 21. The Strange Reality of 3D Printing
  • 22. The Strange Reality of 3D Printing
  • 23. HISTORY OF 3D PRINTING
  • 24. History and Development of the Technology First 3D printers Developed in 1980s • Design by Chuck Hull of 3D Systems, this early printer used the Stereolithography technique RepRap Project Begins in 2005 • The first object is successfully printed by RepRap 0.2 prototype in September 2006 MakerBot Industries Founded in 2009 • 3,500 units were sold as of March 2011 • On June 19, 2013 Stratasys Incorporated announced it acquired MakerBot in a stock deal worth $403 Million (USD)
  • 25. History and Development of the Technology 3D Printing is Not Just One Technology • Stereolithography • Fused Deposition • Laser Sintering
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  • 29. History and Development of the Technology - Industrial - Objet 1000 - Consumer - RepRap
  • 30. cc Matt Ratto, matt.ratto@utoronto.ca 30 Culture of tinkering, hacking & DIY: RepRap RepRap is a seminal UK-based project that seeks the ongoing development of an extremely affordable, open source 3d printer that is designed to be self-replicating (capable of printing all of its own key structural components).
  • 31. cc Matt Ratto, matt.ratto@utoronto.ca 31 Towards desktop fabrication: MakerBot Building on the intellectual and physical resources borne of the RepRap project, a team of NYC hackers start MakerBot Industries, a company that manufactures and markets affordable 3d printer kits. (Some assembly required - a kind of “DIY-lite”.) Their mission: to hasten the forthcoming 3D Printing Revolution.
  • 32. Towards desktop fabrication: MakerBot 32 2014 2009
  • 33. History and Development of the Technology Model Objet 30 Pro Replicator 2 Resolution 0.028 mm 600 x 600 x 900 dpi 0.100 mm approx. 150 dpi Build Envelope 300 x 200 x 150 mm 285 x 153 x 155 mm Material Cost $0.33/gram* $0.05/gram* Price CA$45,000 CA$2,199
  • 34. IMPLICATIONS OF 3D PRINTING
  • 35. Ethical and Legal Objects
  • 36. Ethical and Legal Objects
  • 48. Critical Issues • Novel Spaces for Fabrication • Citizen Empowerment • The evolving consumer • New conceptions of labour • Unlocking latent entrepreneurship (Ratto, M., & Ree, R. (2012). Materializing information: 3D printing and social change. First Monday, 17(7). doi:10.5210/fm.v17i7.3968)
  • 50. The World Health Organization estimates that in Latin America, Africa, and Asia combined, almost 30 million people require prosthetic limbs, braces, or other devices, up from 24 million in 2006 (Aleccia 2010).
  • 51. Amputation Causes • Vascular Disease (rising incidents) • Land Mines (26,000 amputations/year) • 300,000 worldwide • Industrial or Environmental Accidents • Terrorist Attacks • Lack of Basic Public Health • Diabetes • Gangrene • Infection • Bone diseases like poliomyelitis and osteomyelitis.
  • 52. Amputation Types Hip Disarticulation Knee Disarticulation Foot Disarticulation Transfemoral (above knee) Transtibial (below knee)
  • 53. How Many Prosthetics? • Children – every 6 to 12 months. • Adults – every 3 to 5 years. • Limb deficient child at 10 years of age will need approximately 25 limbs in his/her lifetime. • Limb deficient adult will need approximately 15 to 20 limbs during their lifetime.
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  • 59. The First Problem • World Health Organization studies (2003). • Current confirmation by International Society of Prosthetics and Orthotics and Michiel Steenbeek, CBM Advisor Physical Impairment and Rehabilitation. • Current supply of Prosthetic Technicians falls short by approximately 40,000. • It will take approximately 50 years to train just 18,000 more skilled professionals.
  • 60. Solution 1. Scan (infrared laser surface scan). 2. Software (Manipulate/edit digital data scan). 3. 3D Print (Output of plastic socket). • 3-year Project to prove concept viability. • 35 children aged 2-18 as direct beneficiaries. • 68 appliances (comparing conventional made to 3D-printed). • Supply-chain & plastic recycling business model. • CoRSU Training Centre for Prosthetists.
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  • 66. 1.Fewer manual steps 2.Less chance for error 3.~ five days vs. two days
  • 67. 1. Reliability of technology 2. Strength of sockets 3. Reduces training needs, does not eliminate.
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  • 71. Impact test: 5kN in .25sec
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  • 77. Question: Is this appropriate technology? Answer: technically, yes.
  • 78. Why 3D print? • Custom /Short Run • Just-in-time/on demand • Complex Topologies
  • 79. Question: Is this appropriate technology? Answer: socially, yes, if implemented correctly.
  • 81. Reader’s Advisory • Doctorow, C. (2006). Printcrime. Retrieved from http://www.gutenberg.org/ebooks/19000 • Sterling, B. (2008). The Kiosk. Retrieved from http://web.archive.org/web/20080402023736/http://www.sf site.com/fsf/fiction/bs01.htm • Mayo, M., & Ross, T. (1999). Why the Sea is Salt and Other Stories. London: Orchard Books.
  • 82. • ...the older you get, as a student, the work becomes • much less playful and much more about a straightforward and logical approach to facts. That’s not especially surprising because the latter approach is normally seen as the more ‘grown-up’, mature approach to things. I’d say that’s not helpful at all. In fact as the ideas we are learning become more complex, and we need to be more sophisticated in dealing with them, then a playful and imaginative approach is exactly what you need. (Gauntlett, 2006
  • 83. "Many people are trying to recover a field of vision that is basically human in scale, and extricate themselves from dependence on the obscure forces of a global economy” (Matthew Crawford)
  • 84. • While we agree that the creation of library maker spaces is a good first step and that the development of technical skills is important, our goal in this essay is to describe how these spaces and the content associated with them can be developed inline with the notion of critical literacy already embraced within the library tradition. (Ratto, M & Southwick, D. (forthcoming) Critical Maker Spaces.
  • 85. Thank you! matt.ratto@utoronto.ca http://semaphore.utoronto.ca http://www.criticalmaking.com