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Post new korean cinema

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Post new korean cinema

  1. 1. Post New Korean Cinema<br />
  2. 2. Post New Korean Cinema<br />Definition<br />:films emerging about the of the mid 199os.<br />:emphasized on self-consciousness, based on imaginative power of the genre, than focused on realism.<br />
  3. 3. Post New Korean Cinema<br />Types of PNKC(Post New Korean Cinema)<br />(1) PARK Chan-wook’sprovocative violence and negative imagination<br /> : Sympathy for Mr. vengeance(2002), Old boy(2003), Sympathy for Lady vengeance(2005)<br />
  4. 4. Post New Korean Cinema<br />Types of PNKC(Post New Korean Cinema)<br />(2) HONG Sang-su’sExperimental form <br />a. remove ordinary film’s stylistic attraction – to be seen is meaning itself <br />b. exposes hypocrisy, fatigue, mental emptiness of daily lives as it is – to embarrass audiences, living with hypocrisy in disguise, etc.<br />: Day A Pig Fell Into The Well(1996), The Power of Gangwon Province(1998), On the Occasion Of Remembering The Turning Gate(2002)<br />
  5. 5. Post New Korean Cinema<br />
  6. 6. Post New Korean Cinema<br />Types of PNKC(Post New Korean Cinema)<br />(3) JANG Joon-hwan’sunique expression<br />: Save the Green Planet(2003)<br />: confusing visuality beyond normality. <br /> box-office failure, but critical success<br />
  7. 7. Thank you.<br />

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