3. Color theory?
• If color theory is simplified, it can be broken
down into 3 parts- The color wheel, color
value, and color schemes. Each part of color
theory builds on the previous. Undrestanding
each section of color theory fully, will help you
better understand the importance of color
theory on the whole.
4. Color Wheel..
• The color wheel was
developed by Sir Isaac
Newton by taking the
color spectrum and
bending it into a
circle. If you follow
around the color
wheel, you will find
the same order of the
color spectrum- red,
orange, yellow, green,
blue, indigo(blue-
violet), and violet.
6. • Secondary
Colors
• The mixture of
yellow and blue
makes GREEN,
• The mixture of
yellow and red
makes ORANGE,
• The mixture of
red and blue
makes PURPLE.
7. • Tertiary colors
are intermediate
colors made out
of secondary and
primary colors. A
tertiary color is a
color made by
mixing one
primary color
with one
secondary color
8. Value
• Value is the lightness or darkness of the color.
The lightest value of the color is almost white
and the darkest value is almost black.
9. Value
There are two types of
value:
• Tint
• Shade
Tint
• Adding white to a
color creates a tint.
Adding black creates a
shade. For example
pink is a tint of red; Shade
maroon is a shade of
red. See the tints and
shades of blue
12. Color Schemes…
Analogous colors- are colors that are next to each other on the
color wheel.
When used as a color scheme, analogous colors can be dramatic. Ex. Blue,
blue-green, green, and yellow-green; red, red-purple, purple, blue-purple
14. Color Schemes…
Complementary colors- are colors found directly across from
each other on the color wheel. Complementary color scheme provide
strong contrast. Ex. Blue and orange,
red and green, yellow-green and red-purple
16. Color Schemes…
Color triads- consist of three colors found on the color
wheel that are equally spaced
apart from each other. Ex. Red, blue and yellow or orange,
green and purple.
20. [Texture]
[Noviembre-Diciembre]
[Artes y Humanidades]
21. Texture…
Is the tactile quality of a surface, such as rough, smooth,
sticky, fuzzy, soft or slick. Like line, texture can be real or
implied. A real texture is one that can be felt, such as a piece
of sandpaper, a woven mat, or animal fur. In an artwork, real
texture can be created through thickly applied paint, glossy
glazes, and gluing objects to the surface. Implied texture is an
illusion of texture created by an artist. As you can see below,
this artist created a sense of smooth water and prickly grass.
Let´s check some examples…|
23. Using Texture in an artwork…
Goodman, Sidney
The Artist's
Parents in the
Store
1973-75
Oil on canvas
58 1/2 x 77 in
(148.6 x 195.6
cm)
The Butler
Institute of
American Art,
Youngstown,
Ohio
24. Kiefer, Anselm
Your Golden
Hair, Margarete
1981
Oil, emulsion,
and straw on
canvas
51 3/16 x 67 in.
(130 x 170 cm)
Collection
Sanders,
Amsterdam
25. • Willem de Kooning
American, born
Netherlands, 1904–1997
• Excavation, 1950
• Oil on canvas
205.7 x 254.6 cm (81 x
100 1/4 in.), unframed
Signed: recto: "de
Kooning" (bottom right
in black paint); not
inscribed on verso
Mr. and Mrs. Frank G.
Logan Purchase Prize
Fund; restricted gifts of
Edgar J. Kaufmann, Jr.,
and Mr. and Mrs. Noah
Goldowsky, Jr., 1952.1