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The Style Change 
End of the Period: Elvis in Army, Jerry Lee 
13 yr. Old Wife Problems, Little Richard 
Got Religion, Chuck Berry Legal Problems, 
Buddy Holly & Eddie Cochran Dead 
? Styles Would Have Changed Anyway? 
New Recordmen Replaced the Old
Style Change 
New Guys: Dick Clark, Leiber & Stoller, 
Phil Spector, Brill Building Writers 
Birth of “Top 40” Radio 
Todd Stortz KOWH (Omaha) 1951 
Chart Placement Rather than DJ Taste
Payola 
DJs Accepting Money to Play Certain 
Records 
Old Practice to Generate Higher Sales 
History (1863 “Tenting”; 1892 “After” 
Alan Freed Got A Cut of the Publishing of 
“Maybellene”
Payola 
1959 A House Sub Committee Began 
Investigating Payola (After the Quiz Show 
Hearings) 
Why? The Old ASCAP - BMI Dispute 
OR, Afraid of Rock and Roll 
Findings: 335 DJs Had Received $263,245 
Alan Freed Lost His Job
Payola & Dick Clark 
Dick Clark Did Not Take Payola, But He 
Owned 160 Copyrights, Parts of Swan & 
Jamie Records, Publishing Companies, 
Pressing Plants, Distribution Company. 
He Said “no amount of airplay can turn a 
stiff into a hit”
Brill Building Pop 
The Teen Songwriting/Publishing was 
Centered in the Brill Building, 1619 
Broadway (165 music businesses) 
Aldon Publishing, 200 hits 
Aldon Writers: Goffin/King 
Sedaka/Greenfield, Mann/Weill, 
Greenwich/Barry
American Bandstand: Teen Idols 
Effect of Television in Selling Teen/Rock, 
Ozzie & Harriet Show, Mickey Mouse 
Club, Donna Reed Show. 
American Bandstand Started 1952, Dick 
Clark Became Host 1956, ABC in 1957 
1959 20 Million Viewers, 101 Stations
Bandstand
Bandstand
Bandstand Teen Idols 
Frankie Avalon (Francis Avallone) 1st of 
the Bandstand Idols 
Series of Hits (“Venus”) 
Beach Movies with Annette Funicello 
(Mickey Mouse Club): Beach Party, Bikini 
Beach, Muscle Beach Party, Beach Blanket 
Bingo, How To Stuff a Wild Bikini
Beach Movies
Frankie & Annette
Teen Idol: Fabian 
Pretty Face, Not a 
Good Singer 
Clark Said the Girls 
Went Wild 
“Tiger”
Teen Idol: Dion 
Dion & the 
Belmonts 
“Why Must I be 
A Teenager in 
Love”
Teen Idol: Neil Sedaka 
Talented Song 
Writer 
Scholarship to 
Julliard 
“Oh Carol”
Bandstand & Dance Craze 
Series of Dances with Their Own Songs 
Dick Clark Alerted Recordmen to Dances 
Needing a Song 
1st was The Bop 
The Stroll
Dance Craze 
Dances Songs: Usually Gave Instructions, 
12 Bar Blues or I-vi-IV-V, 
The Twist, Saw Kids Doing Dance, Asked 
For a Dance Record, Hired Chubby 
Checker (Ernest Evans) 
Other Checker Dances: Pony Time, 
The Fly, Limbo Rock
Chubby Checker
Girls Groups 
Theme: Finding self worth through A 
Boyfriend 
The Angels “My Boyfriends Back” 
George Shadow Morton Produced groups 
Shangri-Las “Leader of the Pack” “I 
Remember Walkin’ in the Sand”
Girl Groups 
Leslie Gore, a touch of feminist 
“Its My Party” 
“You Don’t Own Me”
Phil Spector 
Boy Genius or Crazed Madman? 
1958 bought studio time and produced “To 
Know Him is to Love Him” 
Involved with local community, Lieber & 
Stoller, Lester Sill, Lee Hazlewood 
1960 Went to NY to work with Leiber & 
Stoller
Phil Spector 
Leiber & Stoller Producing The Drifters & 
Developing a Unique Sound: triangles, 
castanets, guiro, Latin Percussion 
“On Broadway” 
Played Guitar Solo 
“Under The Boardwalk 
“Save The Last Dance For Me”
Phil Spector 
1961 Formed Philles Records w/Sill 
Produced 20 Consecutive Hits 
Developed “Wall of Sound” Technique 
Recording multiple groups of homogenous 
instruments playing the same part. Then 
rerecording them while studio speakers 
played
Phil Spector 
Crystals 
“Uptown” 
He’s A Rebel” 
“Then He Kissed Me” 
Each Hit Escalated the “Wall”
Phil Spector 
Rightous Brothers 
“You’ve Lost That Lovin’ Feeling” the high 
point in the Wall of Sound technique. 
He Floundered with “River Deep Mountain 
High” and went into seclusion
Phil Spector & Beatles 
He Flew into NY with them in 1964 
When Beatles were breaking up he was 
brought in to fix the “Let It Be” session 
tapes. 
Worked on early Beatle Solo projects with 
George and John.

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The Style Change

  • 1. The Style Change End of the Period: Elvis in Army, Jerry Lee 13 yr. Old Wife Problems, Little Richard Got Religion, Chuck Berry Legal Problems, Buddy Holly & Eddie Cochran Dead ? Styles Would Have Changed Anyway? New Recordmen Replaced the Old
  • 2. Style Change New Guys: Dick Clark, Leiber & Stoller, Phil Spector, Brill Building Writers Birth of “Top 40” Radio Todd Stortz KOWH (Omaha) 1951 Chart Placement Rather than DJ Taste
  • 3. Payola DJs Accepting Money to Play Certain Records Old Practice to Generate Higher Sales History (1863 “Tenting”; 1892 “After” Alan Freed Got A Cut of the Publishing of “Maybellene”
  • 4. Payola 1959 A House Sub Committee Began Investigating Payola (After the Quiz Show Hearings) Why? The Old ASCAP - BMI Dispute OR, Afraid of Rock and Roll Findings: 335 DJs Had Received $263,245 Alan Freed Lost His Job
  • 5. Payola & Dick Clark Dick Clark Did Not Take Payola, But He Owned 160 Copyrights, Parts of Swan & Jamie Records, Publishing Companies, Pressing Plants, Distribution Company. He Said “no amount of airplay can turn a stiff into a hit”
  • 6. Brill Building Pop The Teen Songwriting/Publishing was Centered in the Brill Building, 1619 Broadway (165 music businesses) Aldon Publishing, 200 hits Aldon Writers: Goffin/King Sedaka/Greenfield, Mann/Weill, Greenwich/Barry
  • 7. American Bandstand: Teen Idols Effect of Television in Selling Teen/Rock, Ozzie & Harriet Show, Mickey Mouse Club, Donna Reed Show. American Bandstand Started 1952, Dick Clark Became Host 1956, ABC in 1957 1959 20 Million Viewers, 101 Stations
  • 10. Bandstand Teen Idols Frankie Avalon (Francis Avallone) 1st of the Bandstand Idols Series of Hits (“Venus”) Beach Movies with Annette Funicello (Mickey Mouse Club): Beach Party, Bikini Beach, Muscle Beach Party, Beach Blanket Bingo, How To Stuff a Wild Bikini
  • 13. Teen Idol: Fabian Pretty Face, Not a Good Singer Clark Said the Girls Went Wild “Tiger”
  • 14. Teen Idol: Dion Dion & the Belmonts “Why Must I be A Teenager in Love”
  • 15. Teen Idol: Neil Sedaka Talented Song Writer Scholarship to Julliard “Oh Carol”
  • 16. Bandstand & Dance Craze Series of Dances with Their Own Songs Dick Clark Alerted Recordmen to Dances Needing a Song 1st was The Bop The Stroll
  • 17. Dance Craze Dances Songs: Usually Gave Instructions, 12 Bar Blues or I-vi-IV-V, The Twist, Saw Kids Doing Dance, Asked For a Dance Record, Hired Chubby Checker (Ernest Evans) Other Checker Dances: Pony Time, The Fly, Limbo Rock
  • 19. Girls Groups Theme: Finding self worth through A Boyfriend The Angels “My Boyfriends Back” George Shadow Morton Produced groups Shangri-Las “Leader of the Pack” “I Remember Walkin’ in the Sand”
  • 20. Girl Groups Leslie Gore, a touch of feminist “Its My Party” “You Don’t Own Me”
  • 21. Phil Spector Boy Genius or Crazed Madman? 1958 bought studio time and produced “To Know Him is to Love Him” Involved with local community, Lieber & Stoller, Lester Sill, Lee Hazlewood 1960 Went to NY to work with Leiber & Stoller
  • 22. Phil Spector Leiber & Stoller Producing The Drifters & Developing a Unique Sound: triangles, castanets, guiro, Latin Percussion “On Broadway” Played Guitar Solo “Under The Boardwalk “Save The Last Dance For Me”
  • 23. Phil Spector 1961 Formed Philles Records w/Sill Produced 20 Consecutive Hits Developed “Wall of Sound” Technique Recording multiple groups of homogenous instruments playing the same part. Then rerecording them while studio speakers played
  • 24. Phil Spector Crystals “Uptown” He’s A Rebel” “Then He Kissed Me” Each Hit Escalated the “Wall”
  • 25. Phil Spector Rightous Brothers “You’ve Lost That Lovin’ Feeling” the high point in the Wall of Sound technique. He Floundered with “River Deep Mountain High” and went into seclusion
  • 26. Phil Spector & Beatles He Flew into NY with them in 1964 When Beatles were breaking up he was brought in to fix the “Let It Be” session tapes. Worked on early Beatle Solo projects with George and John.