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gecodeerde lichamen  de russische criminele tatoeage
                          (volks-)kunst en (anti-)propaganda in de gulag

Thursday, June 18, 2009
coded bodies the russian criminal tattoo
                              (folk) art en (anti) propaganda in the gulag

Thursday, June 18, 2009
danzig baldaev
                            1925-2005

Thursday, June 18, 2009
Veertig jaar lang verzamelde de cipier en politieambtenaar Danzig Baldaev tatoeages van criminelen.                                                            For forty years prison warden and police investigator Danzig Baldaev collected criminal tattoos.
           Met uiterste nauwkeurigheid legde hij met behulp van schematische tekeningen een verzameling van                                                               With utmost precision he redrew tattoos, and built a collection of over three thousand examples.
            duizenden tatoeages aan. Zijn encyclopedie van gecodeerde lichamen toont de precisie én perversie                                                              His encyclopedia of coded bodies shows both the precision and pervesion by which somebody’s
              waarmee zowel iemands plaats in criminele pikorde werd gefixeerd, als de haat en het cynisme                                                                position within the criminal hierachy was literally fixated, and the hate and cynicism towards the
                   jegens de gevestigde orde in de toenmalige Soviet-Unie letterlijk werden vereeuwigd.                                                                                                  communist regime were perpetuated.

           Baldaev maakte zijn tekeningen niet alleen in de Gulag; hij bezocht ook mortuaria waar de lijken van                                                           Baldaev made his drawings predominantly in the Russian Gulag, but also in the morgues, where
          vermoorde of overleden criminelen werden afgelegd en legde contacten met de Russische onderwereld                                                              murdered or deceased criminals were ‘processed’. He also maintained contacts with free members
            buiten de gevangenis. Fotograaf Sergei Vasiliev maakte de foto’s voor de encyclopedie tijdens zijn                                                             of the Russian underworld. Photographer Sergei Vasiliev made portraits of tattood criminals
                           jarenlange rite de passage door het Russische gevangenissysteem.                                                                                    throughout his long rite de passage both inside and outside the Russian Gulag system.




                                                                                                  De Russian Criminal Tattoo Encyclopedia bestaat op dit moment uit drie delen.
                                                                                                At this moment the Russian Criminal Tattoo Encyclopedia consists of three volumes.
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deh ti piega, deh consenti,                                                                          ah, I beg you, consent to my request:
                          mira il pianto, odi i lamenti,                                                                         see our tears, hear our laments,
                            e ti muova oro, o pietà.                                                                          and be moved either by gold or by pity.
                             In sciagure sì infelici,                                                                             into such dreadful misfortunes,
                              in disastri sì funesti                                                                                   such dismal disasters,
                           anche tu cader potresti,                                                                                     you also might fall;
                            anche noi fummo felici,                                                                                      we too were happy,
                          ma sua sorte uomo non sà.                                                                              but no one can know his destiny.

                                                                                     Antonio Vivaldi
                                                                         La fida ninfa, aria, atto primo, scena 3
                                                           Jean-Christophe Spinosi & Ensemble Matheus, Topi Lehtipuu, tenor

Thursday, June 18, 2009

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Mr.Motley - Coded Bodies - June2009