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LIVE PROGRAMMES
Production Planning, Clocks and RAJAR
Production Planning
• Allocate Roles & Responsibilities
• Set Deadlines
• Maintain and submit a log of activity via the Journal in
  Sunspace
• Meet often
• Write and submit a programme treatment / concept


• The more you plan, the easier (and less stressful) your
 show will be!!
Programme Content
• Get the idea right for the audience
• Get the method right for the story you are going to tell
• Do you have something every 15 minutes?
• Is there something memorable in your show?
• Have a plan for every link
• “Don’t have the meeting on the air – have it before the
 show or don’t bother turning up” Chris Evans
Running orders / Clocks
• Paper Running Order
  • List items and timings / start times
  • Plan every link – what’s in it?
  • Do you need to script it? Map it?
• Scripts
  • Anything complex or detailed – script
  • Don’t waffle into features
  • Cues / contacts/ ID numbers
• Programme Clock
  • On paper and RCS
  • Do you know what’s happening and when?
RCS clocks
RAJAR
• Radio Joint Audience Research
• Paid for by station subscriptions
• Data from paper diaries
  • Electronic devices on trials
RAJAR Terms
• Reach
  • The number who listen to a station in a defined period
• Share
  • That stations share of local listening
• Hours
  • How long the station is listened to, in total, individually = share
Programming Relevance
• Quarter hour blocks
• Throw ahead
• Signpost
• Order programme
• Make people listen longer
  • Hear more programmes
  • Hear more commercials
Using these tools
• A balanced programme
• A clear narrative
• Signposts & Menus
• Hooks and incentives
• Something in every quarter

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Live programmes p1

  • 2. Production Planning • Allocate Roles & Responsibilities • Set Deadlines • Maintain and submit a log of activity via the Journal in Sunspace • Meet often • Write and submit a programme treatment / concept • The more you plan, the easier (and less stressful) your show will be!!
  • 3. Programme Content • Get the idea right for the audience • Get the method right for the story you are going to tell • Do you have something every 15 minutes? • Is there something memorable in your show? • Have a plan for every link • “Don’t have the meeting on the air – have it before the show or don’t bother turning up” Chris Evans
  • 4. Running orders / Clocks • Paper Running Order • List items and timings / start times • Plan every link – what’s in it? • Do you need to script it? Map it? • Scripts • Anything complex or detailed – script • Don’t waffle into features • Cues / contacts/ ID numbers • Programme Clock • On paper and RCS • Do you know what’s happening and when?
  • 5.
  • 7. RAJAR • Radio Joint Audience Research • Paid for by station subscriptions • Data from paper diaries • Electronic devices on trials
  • 8. RAJAR Terms • Reach • The number who listen to a station in a defined period • Share • That stations share of local listening • Hours • How long the station is listened to, in total, individually = share
  • 9. Programming Relevance • Quarter hour blocks • Throw ahead • Signpost • Order programme • Make people listen longer • Hear more programmes • Hear more commercials
  • 10. Using these tools • A balanced programme • A clear narrative • Signposts & Menus • Hooks and incentives • Something in every quarter