Grantha script is a descendant of the Brahmi script that was used to write Sanskrit, Tamil, Malayalam and Manipravalam. It has 34 consonants, 14 vowels and uses diacritical marks called matras. Grantha evolved from Southern Brahmi and the proto-Kadamba-Pallava script. Under the Pallavas it became more elaborate and was the basis for the Tamil and Grantha scripts. Grantha was used in inscriptions and manuscripts in South India from the 6th century onward. Its use gradually declined with the introduction of printing presses and standardization of regional scripts in the 19th century.
2. Introduction
• Grantha (Also Grantham, Grandham) is currently used to write Sanskrit,
and is now exclusively used by Tamil & Malayali Brahmins, especially for
Vedic studies and astrology.
• It was earlier used for writing Malayalam, Tamil and 'Manipravalam'.
• It is a descendant, through the Southern Branch, of the Brahmi script.
• And like it, is classified as an abugida (i.e. each unit or akshara is made of
a consonant + inherent vowel).
• Grantha takes its name from the Sanskrit word for 'book', and true to its
name, is found a lot more on books and palm leaf manuscripts than on
epigraphs.
4. Writing System
• Vowels - 14
• Consonants - 34
• Numerals - 10
• Grantha, like all other Brahmic scripts except Mahajani has
special diacritics called mātrā for vowels
• Complex conjuct forms are rampant in Grantha, unlike
northern scripts. Malayalam also had them, till simplification
of orthography in the 1960s & 70s.
6. Vowels - consonantal
ऋ ॠ ऌ ॡ
ഋ ൠ ഌ
ൡ
As far as I know, ऌ is attested in only one Sanskrit word, the verb क्ऌप meaning to
manage or to be well ordered.
The only purpose of ॡ seems to be to preserve the symmetry of the vowel
arrangements.
8. Vowels - nasal
अं अः
അം അഃ
- ஃ
अँ is unrepresented in the known Grantha corpus, though Telugu uses the half-moon
(c) character to represent the anunāsika.
(http://sanskritdocuments.org/learning_tutorial_wikner/P003.html)
33. Southern Brahmi
• The south developed a more cursive form of
Brahmi, that by the 3rd c. AD had developed into
the proto Kadamba-Pallava script
34. Chalukya scripts
• The script under the patronage of the
Kadambas, Chalukyas, Rashtrakutas,
Shilaharas and Hoysalas would ultimately evolve
into the Halegannada script in the Deccan
• Under the later Western (Kalyani) & Eastern
(Vengi) Chalukyas, the Cholas and then the
Pandyas, the Kadamba-Pallava script underwent
further evolution, to a tighter, less grandiose
form, now looking more like modern Grantha
http://www.skyknowledge.com/pallava.htm
40. Pallava script
• Under Pallava
patronage, the script
developed into an
elaborate form with
large strokes
http://www.skyknowledge.com/pallava.htm
41. Cave temple inscription
• Dhalavanur rock-cut
temple of
Mahendravarman I
Pallava (580-630 AD)
http://travel.bhushavali.com/2012_11_01_archive.html
42. Cave temple inscription
• Mahendravadi rock-
cut temple of
Mahendravarman I
Pallava
http://travel.bhushavali.com/2012_11_01_archive.html
43. Mahendravaraman's coinage
Pa ka meaning either
– 1 panam
– short for 'Pakapetuku' (Terror to the Enemy)
http://www.worldofcoins.eu/forum/index.php?topic=31274.0
44. Pallava in
South East Asia
Merchant contact with South
East Asia in the Pallava and
Chola periods took the
Pallava-Grantha script
continuum thither.
Pyu script (4th - 6th c AD)
http://lionslayer.yoeyar.com/?p=823
46. Post-Pallava period
• The Pallava script seems to be the basis for both the later
Tamil script and the Grantha script.
• This is a possibly unique case of sympatric evolution of two
scripts, each adapted to writing a different language.
• By Vijayanagar times, the Grantha script had stabilised to its
current form.
http://www.skyknowledge.com/pallava.htm
49. Chera period inscription
• Prasasthi of King Rama Rajasekhara of
Mahodayapura, 24 May 871
p://www.thehindu.com/features/friday-review/history-and-culture/ancient-inscription-throws-new-light-on-chera-history/article1200089.ece
50. Grantha - Pillar edict
Rajaraja I (985-
1012),
Thanjavur Museum
http://www.tnarch.gov.in/epi/ins3.htm
51. Grantha - copper plate grant
Uttama Chola (Parakesarivarman), Chennai
Museum
http://www.tnarch.gov.in/epi/ins3.htm
52. Grantha - coin
Travancore Velli Fanam - 1036 KE (1861 CE) 1
fanam
tp://www.coinnetwork.com/photo/travancore-rama-varma-iv-1860-1880-velli-fanam-km-22-reverse
Symbol for 1000
Symbol for 10 Symbol for year
(varusha)
Symbol for panam
56. Cursive scripts
• In addition to the formal Tamil script, the Vatteluttu (rounded writing)
script developed alongside as a cursive for writing Tamil and Malayalam.
• There are two more scripts from this period, Kolezhuthu (straight writing)
and Malayanma.
tp://chintha.com/keralam/malayalam/vattezhuthu-kolezhuthu-malayanma.html
Vattezhuttu Malayanma Kolezhuttu
57. Vattezhuthu inscriptions
Rajaraja Chola I, Brihadisvara
temple wall, Thanjavur.
http://www.tnarch.gov.in/epi/ins3.htm
849 AD copper-plate grant issued by the King of
Venadu to the Syrian Christians
http://en.wikipedia.org/wiki/Tharisapalli_plates
58. Derivatives of Grantha
• A Western form of Grantha developed into the Tigalari script,
from which both modern Malayalam and Tulu scripts are
derived.
• Modern Malayalam owes its current form to Benjamin
Bailey's CMS Press (1821). The advent of the press and the
choice of a Tigalari-derived font led to the decline of other
scripts used to write Malayalam, especially Grantha.
62. Decline of Grantha
• The advent of printing to India led to a gradual decline of
Grantha, due to a two-pronged attack.
• The first Tamil press set up in 1712 at Tranquebar
(Tarangambadi) churned out tonnes of printed material in
Tamil, especially Christian evangelical literature. To counter
this, the native Tamil elite set up their own presses to mass
produce Hindu religious literature (starting with Kalvi
Vilakkam in 1834). This led to widespread literacy in Tamil,
including among Tamil Brahmins, custodians of Grantha.
• The Devanagari script became prevalent for the mass printing
of Sanskrit books, with publishers such as Gita Press of
Gorakhpur.
63. Printing Press in South India
• As an aside, Hebich's standardisation also led to the evolution
of the modern Kannada script from the Halegannada script.
• The modern Telugu script was standardised from an eastern
version of Halegannada by Vavilla Sastrulu's Adi Saraswathi
Nilayam (1854).