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Four Tests in Three Summers: Assessing visitor preferences in handhelds at SFMOMA Peter Samis Associate Curator, Interpretation San Francisco Museum of Modern Art Tate Handheld Symposium • 5 Sept. 2008
Case Study:   Matthew Barney .
Matthew Barney sculptures in the gallery
Our problem: subtract the man/film from the gallery, and…  How to make the mute plastic speak?
Traditionally, this would have been cause for a multimedia feature. … online, by the galleries, in the Koret Center.
To this, we added   multiple format audio tours: ,[object Object],[object Object],[object Object],Collaboration with Antenna Audio to develop content for all three.
Downloadable podcast map
Cell phone promotional card - collab w/ Guide by Cell
At first, we thought we were setting out to measure visitor preferences for three different types of audio tours. And we did that.
What did we find out? ,[object Object],[object Object],[object Object],[object Object],* statistics not fully conclusive
Different devices support  different touring styles : ,[object Object]
[object Object],In fact, iPod and traditional headset tour users had more in common than these users might suspect…
Those who chose the iPod and cell phone formats rated them more highly than traditional headset tour users rated theirs. (although the content was identical!)
Phone logs enabled us to see patterns in where visitors wanted information most: (or perhaps where they or could find the labels!)
In fact, GuideBy Cell now mashes up area codes and Google Maps to reveal where visitors are from:
Stats: Cell-phone Tours ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
So somewhere along the way,  the target   shifted.
The   elephant  in the room   is that: The vast majority of our visitors   do not   use technology during their museum visit. So how do we reach   them?
If our goal is to use technology, we may just  nod   and move on . But if our goal is to enhance visitor experience, we have to think larger.
“Variable on-demand mediation.” –Brad Johnson, Second Story Interactive
Interpretive Menu:  analog + digital ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Here’s what that looks like:  Use of offerings by respondents:
But on the other hand:  What helped make meaning?
So what did we learn? What did visitors prefer? ,[object Object],[object Object],[object Object],[object Object]
Or put another way:   This is our Opportunity  Space! Is it time to re-train our visitors? Change their expectations? Change our approach? All of the above?
How do we activate that opportunity space?
Next Tests: 2007 Traditional audio tour  vs.  iPod Picasso & American Art & Brice Marden Matisse: The Painter as Sculptor Take your time: Olafur Eliasson/  Joseph Cornell /Jeff Wall
When visitors were  given the choice … 49% 51% Eliasson / Cornell / Wall 45% 55% Matisse 41% 59% Picasso &  Marden iPod Antenna XP - “Classic”(mp3) Exhibitions in 2007  (in sequence)
Do we detect  a trend?
Visitors liked the fact the iPod showed an image of the work. But the menu function was poor.
Fast forward to summer 2008 (right now):
Enter   Frida Kahlo ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
 
Antenna  XP-Vision  multimedia player
 
 
 
 
 
Visitor Feedback
 
 
 
 
 
 
NEXT STEPS
Purpose-built  or  Visitor-supplied ? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Questions  we have now:
Unless we rewrite the spec for what a  quality tour experience   is to a low enough threshold that it can be delivered with confidence to a wide variety of visitors in a non-proprietary manner
Does that mean  we bypass the bells and whistles of  Flash  and the  iPhone ?
Or do we opt for that expressive power  and  continue to supply the hardware  on the old lease contract model ?
I, for one, no longer believe it will all sort itself out… “ in two years.”
Soon to come… an SFMOMA iPhone title: In the meantime…
Don’t worry, folks— ,[object Object]
Thank you.

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Four Tests in Three Summers: Assessing visitor preferences in handhelds at SFMOMA

  • 1. Four Tests in Three Summers: Assessing visitor preferences in handhelds at SFMOMA Peter Samis Associate Curator, Interpretation San Francisco Museum of Modern Art Tate Handheld Symposium • 5 Sept. 2008
  • 2. Case Study: Matthew Barney .
  • 3. Matthew Barney sculptures in the gallery
  • 4. Our problem: subtract the man/film from the gallery, and… How to make the mute plastic speak?
  • 5. Traditionally, this would have been cause for a multimedia feature. … online, by the galleries, in the Koret Center.
  • 6.
  • 8. Cell phone promotional card - collab w/ Guide by Cell
  • 9. At first, we thought we were setting out to measure visitor preferences for three different types of audio tours. And we did that.
  • 10.
  • 11.
  • 12.
  • 13. Those who chose the iPod and cell phone formats rated them more highly than traditional headset tour users rated theirs. (although the content was identical!)
  • 14. Phone logs enabled us to see patterns in where visitors wanted information most: (or perhaps where they or could find the labels!)
  • 15. In fact, GuideBy Cell now mashes up area codes and Google Maps to reveal where visitors are from:
  • 16.
  • 17. So somewhere along the way, the target shifted.
  • 18. The elephant in the room is that: The vast majority of our visitors do not use technology during their museum visit. So how do we reach them?
  • 19. If our goal is to use technology, we may just nod and move on . But if our goal is to enhance visitor experience, we have to think larger.
  • 20. “Variable on-demand mediation.” –Brad Johnson, Second Story Interactive
  • 21.
  • 22. Here’s what that looks like: Use of offerings by respondents:
  • 23. But on the other hand: What helped make meaning?
  • 24.
  • 25. Or put another way: This is our Opportunity Space! Is it time to re-train our visitors? Change their expectations? Change our approach? All of the above?
  • 26. How do we activate that opportunity space?
  • 27. Next Tests: 2007 Traditional audio tour vs. iPod Picasso & American Art & Brice Marden Matisse: The Painter as Sculptor Take your time: Olafur Eliasson/ Joseph Cornell /Jeff Wall
  • 28. When visitors were given the choice … 49% 51% Eliasson / Cornell / Wall 45% 55% Matisse 41% 59% Picasso & Marden iPod Antenna XP - “Classic”(mp3) Exhibitions in 2007 (in sequence)
  • 29. Do we detect a trend?
  • 30. Visitors liked the fact the iPod showed an image of the work. But the menu function was poor.
  • 31. Fast forward to summer 2008 (right now):
  • 32.
  • 33.  
  • 34.  
  • 35.  
  • 36. Antenna XP-Vision multimedia player
  • 37.  
  • 38.  
  • 39.  
  • 40.  
  • 41.  
  • 43.  
  • 44.  
  • 45.  
  • 46.  
  • 47.  
  • 48.  
  • 50.
  • 51. Unless we rewrite the spec for what a quality tour experience is to a low enough threshold that it can be delivered with confidence to a wide variety of visitors in a non-proprietary manner
  • 52. Does that mean we bypass the bells and whistles of Flash and the iPhone ?
  • 53. Or do we opt for that expressive power and continue to supply the hardware on the old lease contract model ?
  • 54. I, for one, no longer believe it will all sort itself out… “ in two years.”
  • 55. Soon to come… an SFMOMA iPhone title: In the meantime…
  • 56.