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Roy Lichtenstein
Roy Lichtenstein
Andy Warhol
 Originated  in Britain, mid 1950’s
 Independent Group (IG)- Institute
  of Contemporary Art
 Questioning consumer culture’s
  place in fine art
 Richard Hamilton & Edouardo
  Paolozzi
 Collages
 More  romantic
  and subjective
 Influenced by
  the US pop
  culture
                   Richard Hamilton
Just What Is It That Makes
Today’s Homes So Different,
So Appealing?
Richard Hamilton-1956
Consumer   Culture (Popular
 Culture), post World War II
Dada movement
Abstract Expressionism
 (backlash)
The real world
 Mass   production and popular
  culture
 Vivid, unnatural colors
 Bold lines and shapes
 Recognizable objects and
  people
 Flat imagery
 Worked   with
  advertising and
  media
 “The Factory”
 Inexact lines,
  smudgy strokes,
  softened and
  blunted colors
 Oil paint
 Watercolor
 Pencil
 Press-type
 Acrylic
 Silkscreen
 Varied with art pieces
Campbell’s Soup Cans
Andy Warhol-1964
Marilyn Monroe
Andy Warhol-1967
   Ambiguity of
    symbols in
    consumer society
   Common emblems
    raised to iconic
    statue
   No real analysis
   Unique
    manipulation to
    canvas surface
Numbers in Color
Jasper Johns-1958-59
Three Flags
Jasper Johns-1958
 Pieces look like they came
  from comic strips
 Painted with Ben Day dots
 Brought a new
  perspective to
  recognizable objects
 "I think my work is different
  from comic strips- but I
  wouldn't call it
  transformation; I don't think
  that whatever is meant by
  it is important to art." Roy
  Lichtenstein
Whaam!
Roy Lichtenstein-1963
Ohhh…Alright…
Roy Lichtenstein-1964
Hesitant
Went  against status quo
Minimal effort to understand
More relatable
Holding the mirror up to
 society
 “High and Low” Art
 High/Fine: Aesthetic principles,
  expression, feeling/emotion, no clear
  meaning
 Low/Commercial: Advertisements,
  graphic arts, doesn’t express the artist
 Simple subject matter in “fine art” pieces

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Pop Art 4th hour

  • 1.
  • 5.  Originated in Britain, mid 1950’s  Independent Group (IG)- Institute of Contemporary Art  Questioning consumer culture’s place in fine art  Richard Hamilton & Edouardo Paolozzi
  • 6.  Collages  More romantic and subjective  Influenced by the US pop culture Richard Hamilton
  • 7. Just What Is It That Makes Today’s Homes So Different, So Appealing? Richard Hamilton-1956
  • 8. Consumer Culture (Popular Culture), post World War II Dada movement Abstract Expressionism (backlash) The real world
  • 9.  Mass production and popular culture  Vivid, unnatural colors  Bold lines and shapes  Recognizable objects and people  Flat imagery
  • 10.  Worked with advertising and media  “The Factory”  Inexact lines, smudgy strokes, softened and blunted colors
  • 11.  Oil paint  Watercolor  Pencil  Press-type  Acrylic  Silkscreen  Varied with art pieces
  • 14. Ambiguity of symbols in consumer society  Common emblems raised to iconic statue  No real analysis  Unique manipulation to canvas surface
  • 15. Numbers in Color Jasper Johns-1958-59
  • 17.  Pieces look like they came from comic strips  Painted with Ben Day dots  Brought a new perspective to recognizable objects  "I think my work is different from comic strips- but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art." Roy Lichtenstein
  • 20. Hesitant Went against status quo Minimal effort to understand More relatable Holding the mirror up to society
  • 21.
  • 22.  “High and Low” Art  High/Fine: Aesthetic principles, expression, feeling/emotion, no clear meaning  Low/Commercial: Advertisements, graphic arts, doesn’t express the artist  Simple subject matter in “fine art” pieces