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TYPOGRAPHY FOR THE WEB
Abhilash Anandan
Branding and UX
Neoito
“Typography matters because it helps conserve the most valuable resource you have as a writer—reader attention.”
FIRST AND FOREMOST
There is no “right way” of doing typography, and this presentation is a mere guide

and at the end of this session, you will not be a typography expert.
SO HOW TO BECOME AN EXPERT?
CAN YOU IDENTIFY THESE FONTS?
First this one.
Now this one.
And this one too.
This is the last one, I promise.
CONTENTS
• Typography terms
• Readability and legibility
• Typographic scale
• Good fonts
• The don’ts of typography
• Common typography mistakes
• Tools you can use
WHAT IS TYPOGRAPHY?
Typography is the visual art of creating written words
TYPOGRAPHY TERMS (A FEW)
• Fonts and typefaces
• Serif and sans serif
• Baseline
• Capline
• X - height
• Tracking / letter spacing
• Kerning
• Leading / line spacing
FONTS AND TYPEFACES
A font is a grouping of typefaces that 

have similar characteristics
A typeface refers to an individual 

family member of that font
Ex: Gotham is the font and Gotham Light

is the typeface
SERIFAND SANS SERIF FONTS
BASELINE AND CAPLINE
The imaginary line on which most letters and
other characters sit.
The imaginary line that marks the upper boundary
of capital letters and some lowercase letters
X - HEIGHT
Distance between the baseline and the height of the lower case letters
TRACKING / LETTER SPACING
Tracking is the space between groups of letters rather than individual letters.
In CSS, letter-spacing is the equivalent property for "tracking"
KERNING
Kerning is the spacing in between 

individual characters
In CSS, font-kerning property controls 

the usage of the kerning information 

stored in a font.
LEADING / LINE SPACING
Leading is the spacing between the baselines of type.
Adjusting the leading is also a very useful way of saving or using space on a page.
VERTICAL RHYTHM AND WHITE SPACE
“Space in typography is like time in music. It is infinitely divisible, but a few
proportional intervals can be much more useful than a limitless choice of
arbitrary quantities.” - Robert Bringhurst
Vertical Rhythm is simply when a body of text is aligned to evenly spaced horizontal lines
(think of your lined paper from grade school), making it more cohesive and easier to read.
HOW TO DETERMINE VERTICAL RHYTHM?
READABILITY
Readability refers to the way in which words and blocks of type are arranged on a page.
When used small, typefaces with larger x-heights are typically more readable.
Examples are Roboto, Open Sans, Lato and other Google fonts
LEGIBILITY
Legibility refers to how a typeface is designed and how well one individual character can
be distinguished from another
In CSS, text-rendering property provides information to the browser about what to
optimise for when rendering text.
The browser makes trade-offs among speed, legibility, and geometric precision.
TYPOGRAPHIC SCALE
The range of values at which type is sized.
The more regular the intervals between each value, the more harmonious the scale.
By setting a typographic scale, you can:
control the pace at which a reader consumes content;
guide the reader through a page; and
introduce hierarchy, helping the reader navigate and understand relationships
between pieces of content.
ESTABLISHING A TYPOGRAPHIC SCALE
First, choose a font size for the body text (base size)
So now, we need to establish a ratio, a value by which we’ll exponentially multiply and
divide our base value.
The values will provide the H1, H2, … H6 in a harmonic manner
It’s that simple!
SOME KEY CHOICES
The most important typographic choices you make in any document are font size, line
spacing, line length, and font.
Font size should be 15-25 pixels on the web
Line spacing should be 120–145% of the font size
The average line length should be 45–90 characters (including spaces)
Choosing fonts with large x - height for body text is usually a good choice
GOOD GOOGLE FONTS TO USE
For body
Open Sans
Lato
Source Serif PRO
PT Serif
Lora
For headings
Montserrat
Merriweather
Josefin Sans
Raleway
Roboto Slab
EASIEST WAY TO FIND GOOD FONT PAIRINGS?
THE PERFECT FONT MAKES AN IMPACT
THE DONT’s OF TYPOGRAPHY
• Being random with your typography
• ALL CAPS for more than one sentence
• Using goofy fonts, monospaced fonts,
and system fonts
• Confuse hyphens and dashes, and
don’t use multiple hyphens as a dash.
• Use ampersands sparingly, unless in-
cluded in a proper name
• Confuse the use of straight and curly
punctuations
• Lorem Ipsum
COMMON TYPOGRAPHY MISTAKES
COMMON TYPOGRAPHY MISTAKES
COMMON TYPOGRAPHY MISTAKES
• Leading Trouble
COMMON TYPOGRAPHY MISTAKES
Orphans and Widows
COMMON TYPOGRAPHY MISTAKES
Full Stop Spaces
COMMON TYPOGRAPHY MISTAKES
Not following margins
AND MOST IMPORTANTLY
Forgetting a Final Check
TOOLS YOU CAN USE
•Google fonts
•Typographic scale
•Golden height calculator
•Drewish CSS with vertical rhythm

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Neoito — Typography for the web

  • 1. TYPOGRAPHY FOR THE WEB Abhilash Anandan Branding and UX Neoito “Typography matters because it helps conserve the most valuable resource you have as a writer—reader attention.”
  • 2. FIRST AND FOREMOST There is no “right way” of doing typography, and this presentation is a mere guide
 and at the end of this session, you will not be a typography expert.
  • 3. SO HOW TO BECOME AN EXPERT?
  • 4.
  • 5. CAN YOU IDENTIFY THESE FONTS? First this one. Now this one. And this one too. This is the last one, I promise.
  • 6. CONTENTS • Typography terms • Readability and legibility • Typographic scale • Good fonts • The don’ts of typography • Common typography mistakes • Tools you can use
  • 8. Typography is the visual art of creating written words
  • 9. TYPOGRAPHY TERMS (A FEW) • Fonts and typefaces • Serif and sans serif • Baseline • Capline • X - height • Tracking / letter spacing • Kerning • Leading / line spacing
  • 10. FONTS AND TYPEFACES A font is a grouping of typefaces that 
 have similar characteristics A typeface refers to an individual 
 family member of that font Ex: Gotham is the font and Gotham Light
 is the typeface
  • 12. BASELINE AND CAPLINE The imaginary line on which most letters and other characters sit. The imaginary line that marks the upper boundary of capital letters and some lowercase letters
  • 13. X - HEIGHT Distance between the baseline and the height of the lower case letters
  • 14. TRACKING / LETTER SPACING Tracking is the space between groups of letters rather than individual letters. In CSS, letter-spacing is the equivalent property for "tracking"
  • 15. KERNING Kerning is the spacing in between 
 individual characters In CSS, font-kerning property controls 
 the usage of the kerning information 
 stored in a font.
  • 16. LEADING / LINE SPACING Leading is the spacing between the baselines of type. Adjusting the leading is also a very useful way of saving or using space on a page.
  • 17. VERTICAL RHYTHM AND WHITE SPACE “Space in typography is like time in music. It is infinitely divisible, but a few proportional intervals can be much more useful than a limitless choice of arbitrary quantities.” - Robert Bringhurst Vertical Rhythm is simply when a body of text is aligned to evenly spaced horizontal lines (think of your lined paper from grade school), making it more cohesive and easier to read.
  • 18. HOW TO DETERMINE VERTICAL RHYTHM?
  • 19. READABILITY Readability refers to the way in which words and blocks of type are arranged on a page. When used small, typefaces with larger x-heights are typically more readable. Examples are Roboto, Open Sans, Lato and other Google fonts
  • 20. LEGIBILITY Legibility refers to how a typeface is designed and how well one individual character can be distinguished from another In CSS, text-rendering property provides information to the browser about what to optimise for when rendering text. The browser makes trade-offs among speed, legibility, and geometric precision.
  • 21. TYPOGRAPHIC SCALE The range of values at which type is sized. The more regular the intervals between each value, the more harmonious the scale. By setting a typographic scale, you can: control the pace at which a reader consumes content; guide the reader through a page; and introduce hierarchy, helping the reader navigate and understand relationships between pieces of content.
  • 22. ESTABLISHING A TYPOGRAPHIC SCALE First, choose a font size for the body text (base size) So now, we need to establish a ratio, a value by which we’ll exponentially multiply and divide our base value. The values will provide the H1, H2, … H6 in a harmonic manner It’s that simple!
  • 23. SOME KEY CHOICES The most important typographic choices you make in any document are font size, line spacing, line length, and font. Font size should be 15-25 pixels on the web Line spacing should be 120–145% of the font size The average line length should be 45–90 characters (including spaces) Choosing fonts with large x - height for body text is usually a good choice
  • 24. GOOD GOOGLE FONTS TO USE For body Open Sans Lato Source Serif PRO PT Serif Lora For headings Montserrat Merriweather Josefin Sans Raleway Roboto Slab
  • 25. EASIEST WAY TO FIND GOOD FONT PAIRINGS?
  • 26. THE PERFECT FONT MAKES AN IMPACT
  • 27. THE DONT’s OF TYPOGRAPHY • Being random with your typography • ALL CAPS for more than one sentence • Using goofy fonts, monospaced fonts, and system fonts • Confuse hyphens and dashes, and don’t use multiple hyphens as a dash. • Use ampersands sparingly, unless in- cluded in a proper name • Confuse the use of straight and curly punctuations • Lorem Ipsum
  • 33. COMMON TYPOGRAPHY MISTAKES Not following margins
  • 35. TOOLS YOU CAN USE •Google fonts •Typographic scale •Golden height calculator •Drewish CSS with vertical rhythm